Cool test. The MKE 200 had a nice detailed high-end but it sounded a little more hollow on the low end. The Videomic Go II sounded better to me all around with a warmer low ends while still having nice clear highs.
This is terribly frustrating- I have a hard time with the tinny sound of the MKE 200, but it's a perfectly discrete package and has that phenomenal wind dampening. The Rode has a great, full-bodied sound out of the box, but using that in public screams "I'M MAKING A VIDEO". I wish the two mics could have a baby with the pros of each.
Ha Calvin! I feel similarly! I love the form factor of the MKE200 (though it's internal shockmount is suspect...) but the mic doesn't suit my voice. I've seen it discounted online by 30%. Fingers crossed that it's an indicator that Sennheiser has a new compact mic on the horizon...
I ended up going with the Rode VideoMic Go II and therefore the reasons that you highlighted in this video. I felt like I was getting two mics for the price of one. And quite frankly I use the USB feature quite often. Your videos helped me make this decision. Listening to the Sennheiser portion in this particular video definitely help me to feel more confident about my purchase. I feel they're both great microphones in their respective space but the Rode is just more versatile. Great video!
Awesome! Glad to hear the VideoMic GO II is working out for you! Yes, the USB functionality is really what puts it over for me. I'm thinking the VideoMic GO II will be my "take everywhere" mic in case I need to bust out a recording!
I can understand that you hold back from a personal judgement on audio quality, but as a guest I dare say Rode is better (after critical listening with HQ headphones). Sennheiser sounds as if it has some strange buzz. You sound more naturally on Rode. I think you have great didactic, structure feel, organizing talent, which was a bit of a surprise after the first glimpse of your spectacles :)) . Keep up good work, Wayne!
Thanks to your video (and previous tips about how to increase quality with little effort) I bought the GO II and my videos now sounds very different for the good. Thank you very much for your review(s) and your way of explaining the audio world.
I have both the MKE200 and MKE400 and I don’t really like the sound of the MKE200, so find I haven’t used it a lot… it’s a lot more “tinny” and I hear it too with your voice in these comparisons. Your voice sounds a lot more full with the Rode. I have fomo now for the Rode! It’s just a lot bigger and more in-your-face with the branding. 😅 (love the sound of the MKE400 but the bigger form factor is also why I don’t use it much and stick to the wireless go!)
Hey Jaime! Thanks for your comment! Yes, the eternal struggle between audio quality, audio features and gear cost! I'm with you on the small form factor and find myself using the Wireless GO more often because of this! That being said, I'm sure the MKE 400 sounds great!
I have the Rode and I love it. You can also use it as an podcast mic. Recording using the jack cable or USB cable works both great. The only thing is that when you use an xlr audio interface or mixer with 48 volt fantom, you will need something to change the 48 volt fantom to 3 volt fantom. But it works directly on your phone, laptop, tablet, camera, audio recorder, etc....
Thanks for your comment! Yes, if you want to plug the mic into an xlr input, you need a converter (and not just a 3.5mm to xlr adapter). The RODE VXLR+ is a great option and in fact, I have a video on this coming up next!
Wow I couldn't tell the difference. Very interesting. The MKE200 in the wind, was a great result. I'm biased, the MKE200 was my favorite for a long time until it broke. grrrr. That annoyed me as I really like the ease of it's workflow, plug and play. Great comparison. Thank you and take care.
Bummer! Sorry to hear your MKE 200 broke! The workflow and ease of use is definitely a plus (although the lower output means a higher noise floor) but like you mentioned in another comment, the wind was not an issue!
Thank you for the comparison video, I actually understood why you chose to conduct the blind audio test in that way to eliminate any pre-determined preferences; I believe this format works mainly for microphones/audio equipment that are closely similar in audio quality, to prove that point (Rode Videomic Go 2 and Senn MKE 200). I did catch some slight audio changes but the difference could be chalked off as negligible (or other human related variables, e.g. positioning). The audio blind test is genius, moving forward, I could suggest adding a time stamp in the description to indicate the switching between audio equipment as that would help the viewers to easily distinguish the difference between them, after being revealed that we've gone through the blind test. If I have $100, my choice would be the Rode VideoMic Go 2 for its versatility. Being able to sound good for smartphone, cameras, and PC conference calls/streams is a big win in my book. One last point to take note that, and I hope you could include in the video as well, that Rode has a smartphone and desktop app called Rode Connect which is a big advantage over the Sennheiser; this app allows finer audio control for the Rode VideoMic Go 2 on smartphone and PC.
Hey Larry! Thanks so much for your detailed comment! And you make a great point about the added versatility when it comes to using the VideoMic GO II with RODE Connect!
this trick with the logo and switching microphones in the entire video its awesome! I notice the difference and for me the VideoMic Go II is the winner. Thanks for the video!
Great comparison! The Rode VideoMic GO II outdoors captured less background noise but clips when audio hits! Now I know what they are good at and some downsides of them! Thanks!
Thanks Isaac! I think both mics are great for different reasons and with that each has their trade offs. I was actually surprised at how close they sounded as I initially thought they would sound very different given all the other factors! Unfortunately, I don't have the dead cat for the VideoMic GO II...
@@WayneRECs Hey Wayne, for my outdoor shootings, I use the deadcat of my BOYA BYMM1, although the deadcat didn't fit entirely, it's still great for outdoor shootings as the wind noise is significantly reduced!
I was going to get the Sennheiser one but it was sold out the day I went microphone shopping. So I bought the RODE Videomic Go II but it wasn't compatible with my phone, even when trying with different cables and adapters. Finally bought the SC7 cable and downloaded Open Camera app so it would recognize an external mic, and now everything works like a charm and I'm very happy with the Go II. Also upgraded the windshield to a dead cat.
I've enjoyed your Rode Videomic Go 2 videos, you've convinced me to go with that! The best selling point of the videos, I am also using the Sony ZV-E10, so I now know exactly what to expect! Thanks for the videos.
Thanks for your comment Sean! With so many choices out there, it's always great when you find a combination that works for a lot of other creators and it seems like RODE really nailed it with the VideoMic GO II and it's added functionality!
The Sennheiser MKE 200 is bad decoupled,that means if you pass the camera from one hand to the other (or you put in on a surface) you can hear it on your audio.Sounds like a little bump everytime
I own the MKE 200 and it's okay, but I have more of a higher voice and my wireless go sounds way deeper, so I was thinking about getting the go II. But the wind test showed me, why I stick to the MKE 200. Hopefully Sennheiser will come out with a new Mic soon in the form factor of the MKE 200 but with more bass and a thicker voice. That would be perfect. But thanks for the comparison, it was quite helpful :)
Thanks for your comment! I totally agree about the MKE 200. I love the form factor but just don't think there is enough low end... The design of an internal foam layer coupled with the included deadcat makes a huge difference in windy conditions and I surmise that the cut in the lower frequencies was intended to complement the physical wind suppression with an attempt to remove some low end stuff. They might have just taken it a bit to far lol!
Popped in my Sennheiser earbuds halfway thru and the Sennheiser mic here is all TINN with the Rode giving more natural voice. I’m looking at the Sennheiser 200/400 or the compact Sony ecm G1
I could hear the switching quite clearly in the first portion of the video- I thought you were moving your head and changing the sound at first :) It would have been nice to have heard the GOII with a deadcat for comparison.
Thanks Peter! Yes, I think with the RODE deadcat, it would have performed better, but as that accessory isn't included, I was on the fence about using it. And yes, depending on your listening environment/equipment, the difference can be more apparent for some more than others!
Are there short USB-C ton USB-C or USB to Lightning cables available from Rode for iPhone? That plus a grip that holds a phone and this mic would be a no brain vlog solution. For a small camera I would go with the Sennheiser simply for the small discrete profile. I have a Videomic NTG but it’s bigger than my camera and attracts attention.
You can use any generic USB C cable.. I have a 10 feet USB-C to USB-B cable and it works perfectly. No need to buy RODE cables, so just find a small one.
Nice review. I prefer MKE200 sound. But when you trying mics for vlogging switch hands a few times with each mic. Some of them introduce annoying bump noise, because their suspension is not enough for hand switch :D. Which is very annoying for vloggers.
Thanks for a good vid. I like the dual output of the Rode that makes it an easy run-and-gun mic for b-roll via a C-cable in to phone and it plays well with the Rode AI-Micro and their level-setting software with some added filters you can use. Also like that I can monitor the audio live with it due to the dual plugs. Finally, I to it down to the beach to test and MAN you NEED a dead cat as your review showed well.
Hey Bob! Thanks for sharing your experience! Yeah, a dead cat would definitely be needed in environments like beaches! I was tempted to shoot a test at my local beach, but being by the ocean in winter is brutal around here!
This was awesome! Thank you! Did you do any EQ to the mic’s? I found that the MKE200 was missing some low end that the Rode had without any EQ. I just got the Rode and have had the MKE200 for quite awhile. I mainly use it with the DJI Pocket 2 so small form factor is important. But have been using it with the ZV1 as well. I’m just capturing travels and family events though. Maybe I need to start doing more to make my sound better. Even just to practice for when I do travel again.
Hey Dave! Thanks for asking! I did not apply any post processing to the recordings (except for boosting the db of the MKE 200 to match the RODE). So the mics' characteristics are how you would hear them on my voice. I totally get you on form factor! The MKE 200 is compact enough to keep it on the ZV-1 and still be packable without much obstruction. And having a mic that's bigger than the DJI Pocket 2 seems counter intuitive lol! Practicing and testing audio set ups like anything else is key to dialing in what works for you in certain scenarios. I shoot and record a lot of stuff that never sees the light of day in an effort to learn the nuances of the gear I use!
Cool vid and I like what you did with the re-watch trick hahaha 😆 By the way Wayne, am planning to get my 1st on cam mic (built in mics are horrible) so this was a big help for people like me 🙂keep it up!
Hey Mike! With regards to wind protection, as I was only using the accessories each mic came with, yes, the MKE 200's dead cat is going to be way more effective than just the RODE foam. But, the MKE 200 has a non-removable foam equivalent inside the mic body, so when you add the dead cat on the exterior, it's basically double wind protection. But that also means it could color the sound somewhat given all the material now surrounding the capsule (although I'd take that over wind noise any day!).
Thx for the video mate. I own both of them, and still don;t get one thing,, for some reason MKE200 produces much more Noise than Rode... I've followed your instructions - to set Camera Gain to minimun... Well, even i set it to very low level.. it is still Noisy ... that makes that Mic useles.. :( Rode is way better
I have the mke200 and I have the same problem, any small vibration is heard and it is annoying, what do you think of this rode or which microphone did you choose in the end?
@@AleLaSabrosis Hi mate. Well, i use Rode Videmic GO 2 since it is much better. No any noise. So i don't waste my time with Noise Reduction at all. I love it. Windshield (dead cat) makes sound bit muffled. But still, sound itself is great. I also own Rode Wireless ME and it is also perfect.
The Rode, to me, has the better audio quality in this video. That clipping on the RODE is intense. The deadcat is on order now as I'm typing this! Definitely a great comparison video, thank you!
Thanks for your Comment! I personally do prefer the sound of the VideoMic GO II but appreciate both mics for different reasons. I think the RODE with the separate dead cat would have performed better in the wind, but I wanted to keep the comparison to what each mic came with out of the box. I might have to order myself the dead cat now too lol!
I've just purchased the MKE 200, and on top of quality audio, the unboxing experience was also quality. I wanted the Røde mic, but it is way more expensive for my market and MKE 200 just happened to be on a sale with a discount. Basically with that discount you can buy two MKE 200s for the price of one Røde mic. Win in my opinion.
After watching your videos about the Rode VM Go II, I decided to buy the Go II, with the additional deadcat. The sound is so much more pleasing, and I love the versatility using USB. BTW. I also watched the video about audio consistency (And found it great!) Does it help in this regard to use the same mic for voice overs like it is possible with the Go II, or doesn't it matter and is it better to try to make them sound similar in post production?
Thanks so much for your comment! Glad you're enjoying the mic! IMO, I think if you shoot scenes in different locations and/or add voiceovers to your videos, I think it's easiest to use the same mic if possible (mostly for the reasons mentioned in that video). This would be far less work than EQ'ing two different mics in two different environments. That's actually one of the things I like most about the VM GO II, the versatility of using it for different purposes. But the last thing to consider is that a large portion of TH-cam viewers watch videos on their mobile devices and if the audio is played through the built-in speakers, they most likely will never hear any differences in audio quality.
Thanks for your question! The reality is that no microphone will be good in crowded areas if it's mounted on top of a camera. The best way to isolate a voice in a crowd is to get the mic as close to the sound source as possible. This is why in crowds, you see reporters holding mics.
I’m trying to find a affordable for my trainspotting account. It’s my hobby and it’s just record train video and sound, I wonder what kind of mic suit me well and wind protection is also important.
Hi, thanks for your comment! I think in your case, it can be really tricky... Depending on how close you are to these trains, you might be looking at some pretty loud recording scenarios. Generally, you'd likely want to prioritize a mic that has a higher SPL number (which the VideoMic GO II does not have compared to other similar mics). Additionally, what you run the mic into also plays a big role when it comes to recording loud sounds. Ideally, a 32-bit float recorder would be ideal as you wouldn't have to worry about clipping your audio at the recorder, but they typically aren't budget friendly. One route to consider is a mic that has a physical gain knob on it that you could turn down or up manually and quickly on the fly if need be (as opposed to navigating through menu screens to lower a camera's record level). I'd suggest you look at the Deity V-Mic D4. It has just been released, it's $99 usd and has a gain control knob (with a -db pad) & can plug straight into a camera. Hope this helps!
I suspect it has good wind protection as it comes with a foam windscreen AND a furry wind cover that fits over that (as opposed to some mics where that's a separate purchase)
Thanks, great wind test. What about in a very noisy environment like an exhibition hall or at a convention center? I have been searching for someone to have done such a test. Can you advise?
Thanks for your question! In those types of environments that have lots of ambient sound, you're best bet will be to go with a lav mic. The idea is to try to isolate the speakers voice by getting the microphone as close to their mouth as possible. Think of the mic as a person's ear. If you're standing ~6" away from a person in a loud environment, it could be hard to hear them over the noise. But if they get right up close, they could whisper directly into your ear and you'd hear them significantly better. The same idea is true for microphones. So if the person speaking is holding a mic (like interview style) or is wearing a lav, you'll get a much better ratio of their voice to the environment (signal to noise ratio). You'll never be able to completely block out ambient noise, but this would be the best way to minimize it. Hope this helps!
It depends on where you intend to vlog and what the environment is like. I love the MKE 200 for it's discreet form factor and great wind suppression. I love the audio quality of the NTG but it's really big. I love the Wireless GO for convenience but like the sound the least. I think it's really about what any individual creator is willing to compromise on and what works best with their personal workflow.
I bought the mic go ii video to stream with an iPhone. With the sc15 cable or with the Trsscable and a lighting adapter I have huge interference When I use 4G or 5G. I don't have this problem with NTG or Videomicro. Do you have interference with an iPhone? Thanks
Hi Wilfrid! Thanks for your question! Unfortunately, I don't have an iPhone so I can't speak directly to your situation. You may want to look at how you have your SC15 cable dressed. If you have it bundled up together or coiled or just freely hanging from the mic to your phone, any of those can impact how much interference is picked up. Are you using the same cable(s) for the NTG? Are you streaming from you phone (hence the use of 4G/5G)? If I'm using my mobile device for any kind of production reasons, I typically set it to airplane mode to avoid any kind of disruptions.
@@WayneRECs Thank you Wayne. I had the same result of interference with the SC15 cable and the analog cable. Yes, I use 4G to stream with the iphone and microphone on it. I don't have this problem with his big brother the NTG. Too bad for a microphone whose ads Rode shows it on an iPhone. Thank you anyway!
Thanks! Yes, you're right! The MKE 200 has the equivalent of a foam windscreen inside the body giving it almost double wind protection with the dead cat on.
@@WayneRECs how is the performance without the dead cat? is it good enough to not even need one in most situations? the mke200 would be an easy sell to me if this were the case
@@sixx_xlr I think someone tested the MKE 200 vs Deity and vs Røde, and MKE 200 won straight out of the box without dead cat on when compared to others. I now own MKE 200, but I like the looks of Røde(maybe because of the hype, no clue), but what made me buy the MKE 200 is the price. I can buy two MKE 200s for the price of one Røde mic in my market(EU).
@@astanisystems I went ahead and ended up purchasing the tried and tested video micro instead of either of these. Its a great little mic. way better then the original rode video mic go that I bought with my camera lol the thing that scared me away from the Go 2 is the fact that some reviewers had a problem with the audio clipping also i can keep the micro on when I use my gimble :)
@@sixx_xlr I'll be using a gimbal too. Problem is, there's only used Røde Micro mic available on the market and it's more expensive than MKE 200. I've done thorough research, but Røde products are really expensive in EU.
I was all set to buy the Rode VideoMic Go II until I saw this video and how it sounds in the wind. Now i'm going to get the MKE 200. Great job with this video. I'm subbing you.
Thanks Mobile Filmmaking! I appreciate your comment and I think both mics can be great depending on your specific use cases. But as Manuel said, you really need the Rode dead cat if it's being used outside. My only issue is that it's a separate purchase (along with other RODE cables) whereas your MKE 200 is ready to go out of the box. I can understand if RODE is trying to minimize the initial cost on just the mic, but I personally don't like having to constantly buy extra (high priced) accessories.
Hey Ronnie! The MKE 200 does have some rear sensitivity though not specifically designed as such. If you are in a vlogging scenario with the camera and mic facing you, then you flip it around to shoot something else, it will still pick up your voice to some extent. But if you are looking for critical recording, I'd recommend getting a y-cable to split the input into L/R channels and then use two mics (one in each direction) or look into something like the Deity V-Mic D4 which has an input to add another mic (in addition to its front facing capsule) OR look into dual capsule options like the Deity D4 Duo or Movo DoubleMic.
I would say it depends on a few different factors. How close would you be able to get the mic to your sound source? What kind of sounds are you recording? (i.e. chopping sounds, appliance sounds, simmering sounds, etc ). Are there other competing sounds in your kitchen? (i.e. refrigerator running, stove fans, air conditioners). What will you be connecting the mic to for recording? (camera, phone, recorder, laptop). Do you record your ASMR in stereo or mono? These are things I would consider when selecting a mic. I can tell you that between these two options, I'd probably go with the RODE Videomic GO II, but depen on any of the above factors, there could be other options that may better suit your specific needs.
I recently bought the RODE VideoMic GO II and it didn't work with my phone (OnePlus Nord CE2). Trust me, I've tested with three different cables and two adapters. As I'm now looking for a new mic in the same price range, the Sennheiser one came across. Can I this time be certain that it'll be compatible with my phone?
Thanks for your comment! Can you share exactly what cables & adapters you tried? If your phone is running Android, a standard USBC to USBC data cable should work. Alternatively, the RODE SC7 or SC4 should also work with the grey end connected to your phone. With regards to the Sennheiser MKE200, the mic does come with a TRS to TRRS to connect it to mobile devices.
Hey Erik! Even though I didn't eq anything in this video, I have encountered anything odd when applying EQ to the MKE200 in other uses (though my general stance on EQ is less is more)
I have the Rode Go II and I like it but I don’t love it. I use it with my iPhone 13 shooting vlog style and found it to be very hot. I have to be aware of my voice to not get clipping. Also as you demonstrated in the video, it’s a nightmare in windy conditions. Well worth the money to get a dead cat but that’s another $30 which is 30% of the cost of the mic. I also have the Rode video micro and just use it when it’s windy or I need a smaller form factor. It doesn’t sound nearly as “warm” as the II but it gets the job done for run and gun situations.
Hey Blair! I hear you! So many things to like about the VM GO II but some small detractions (like additional accessory purchases) make it tough to use in every situation.
MKE sounds better. Sennheiser has been making top classic studio mics, and headphones for years. Rode was basically for the home recording people, but has now found it´s place in making mics for the TH-camrs.
You're totally right! RODE has really carved out a niche in the content creator market. I love Sennheiser productions but sometimes feel their pro-sumer products don't quite meet my expectations (as opposed to their pro gear which always feels spot on!)
@@WayneRECs Exactly!!! I have a recording studio, and am in the process of making it into an Audio/Visual studio. I will be able to record video with 4 x cameras, as well as 16-24 track live audio when I´m finished. I would maybe use the Rode Go II for outside mobile use on a camera, but I have a rather large collection of pro mics in my studio that includes a Neumann U87, Shure SM 7B, Oktava MK 012´s, and several vintage Sennheiser mics like MD 441´s, MD 421´s, to name a few. Rode made it´s name with the NT-1, and NT-2 mics as vocal mics for home studios, but they´ve now found their niche with their content creator mics.
Oh, both companies have all kinds of microphones. The Røde TF-5 matched pair competes very well indeed for studio use. I own and love several great Sennheisers, and their shotgun mics sound much better to my ears than most of the Røde equivalents. But personally I don't think the MKE 200 sounds half as good as the Røde VideoMic Go II.
Clever.... very clever to make me watch th video again even i could notice a sound difference 😅😅 Which one do you suggest for outdoors while traveling by motorcycle? I suppose mke cause of compact size and better wind protection.... right ?
If your PC or laptop has a 3.5mm mic input, you could connect the MKE 200 via a TRS cable, however, it would not be the same as connecting the RODE VideoMic GO II via a USB-C cable (which your computer would detect as an external audio device).
Of course but goii has not use battery and NTG need it if depend do you want to use I have NTG good microphone and I just purchased GO II for vlog I don't plan to use NTG out side.
I think better can sometimes be subjective, but Orlando really hit the nail on the head. The NTG (at a higher price point) will capture better audio and has extra built-in features, but does have an internal battery that needs power management. The VideoMic GO II is a more user friendly plug in and go option and captures more than adequate audio for its price point. It really comes down to how you intend to use it.
Hi, thanks for your question! While I don't have that specific phone, I think it might be difficult to do. It would most likely involve using a USB-C to 3.5mm stereo mic adapter & a 3.5mm stereo to 2 mono y-cable (to plug both mics into). That would work in theory sending on mic to the L channel & the other to the R channel of you recording, but I can't say for certain that it will.
Hi, thanks for your comment and question! The truth is that it depends on A LOT of different factors, including the recording space you're in, your individual voice, how loud or animated your voice is, how loud your keyboard/mouse or controller are, how you plan on connecting your mic to your stream, if you want to use real time processing or effects AND lastly what your budget is lol! I'm sure you're already familiar with Harris Heller, but his channel, @Senpai is full of great mic resources specific to streamer needs.
I think go ii is better than Sennheiser is my personal opinion I have NTG and I just purchase go ii for vlog and zoon with my laptop with out to charger battery.
Hey Orlando! I think you're right on! I prefer the sound of the VM GO II but like the design of the MKE 200. I also have a VideoMic NTG and I too intend to use the GO II for on the go situations (over having to charge the NTG).
@@WayneRECs The NTG is better for video inside for youtube or in studio when you have control of the video or interview, but GO ii You can carry out without charge the battery outside is good side not big and not small as video mic micro also you will be using in the laptop or computer for zoom or post card too. I saw all your review and I decided to purchased today My new goii will be arriving from Sweet water store this Friday..
Thank you so much for your interesting video very professional. I know Rode do not pay you I just subscribe of your channel please keep line with the product for video for filmaker have a nice week be safe once again thank you my friend.
Thanks Orlando! I appreciate the sub and the kind words about my videos! I'm an everyday solo content creator who can relate to some of the challenges with being one person with all the jobs of a whole production team. So if I can help some people with the audio aspect of their videos, I'm happy to do so!
Putting a dead cat on the Rode will help it enormously. I am sure they put in that foamy only since they can brand it better because otherwise it is worthless.
I like the design of the MKE 200 a lot for a compact and discreet mini microphone, but the opinions on the sound are often very critical (shrill, metallic, etc). At the end, this microphone is exploitable or to avoid?...
Thanks for your comment! I think with any microphone, there are always going to be pros and cons and sometimes they're due to the nature of a specific mic or due to the nature of intended use. In the case of the MKE 200, if you're in a situation where you need a super low profile mic, that is easy to plug in and work with superb wind protection (& you don't mind adding some EQ in post), then it's a great mic! TBH, it's my preferred mic to leave attached to my camera due to it's low profile and packability. But, if you're looking for a mic that produces a more finished sound and/or has other features that may better suit your needs (for example the built-in shockmount of the MEK200 is not as effective as an external shock mount), then you might be better served with another mic.
Hiss! Hiss! Hiss! No TH-cam tutorial tells the public how to get rid of the Hiss in camera powered, camera mounted microphones like both of these. So profoundly frustrating!
That's not entirely true. There are videos showing how to use the microphone with an external pre-amplifier like a Saramonic Pro II. It's not an ideal solution, 'cause it's an extra expense and it's somewhat clumsy and inconvenient. But it can work. However, I still prefer a battery powered microphone.
How can you seriously recommend the VideoMic Go ii when it clipping and distort the audio that bad when going outside. ALL reviews and use online has the same, and when a serious audio guy don't address this smell's a long way! Sorry, but I just can't trust your opinion on this?
You just need a dead cat. The senheiser has some protection built in so it’s different. That shouldn’t be a dealbreaker. I would challenge you to find any professional shotgun mic that doesn’t clip like that with wind. If professionals don’t care why should we?
@tshansen Thanks for your Comment! I'm a firm believer that certain mics are better suited to certain creators, environments and use cases than others. Like any tool, they can perform specific functions well, but may fall short in other areas. The VideoMic GO II is a great mic for its price point. But is it right for everyone? Of course not. This video is intended to help others determine what might work for them based on my experience. I would argue that if I omitted the clipping, that would be editorially misleading.
There is an app that you have to download to adjust the input level for the Rode (when attached to an iPhone or other such device). Without the app, the levels are way too loud. When attached to my DSLR, I adjust accordingly, and think the audio sounds fantastic on either device. Without the app though, yuck. And I don’t have a dead cat.
Hey Henrik! Thanks for your comment! I think the Deity V Mic D3 Pro is a little over $100, but I've heard really great things about it (and I do love the other Deity mics that I own!)
@@WayneRECs I hear that it's around $ 135 now coming from $199. I am simply pointing out, getting hung at $100 as oppossed to a better mic, that may be the money you don't want to save. I have huge respect for for Røde. I had NT1-A, now the NT1. They do a lot of things right, however, Deity simply beat them on a versatile on cam/vlog/pole mount/youtuber boom mic with auto on/off trrs that connects to anything you throw at it and for a small sum the upgrade option to xlr with pistol handle. D3 Pro will let you grow as a performing artist. The $100 mics will not.
![[RETESTED] Sennheiser MKE200 Review vs Rode Videomic GO II vs Andycine AC-M1](/img/n.gif)
Cool test. The MKE 200 had a nice detailed high-end but it sounded a little more hollow on the low end. The Videomic Go II sounded better to me all around with a warmer low ends while still having nice clear highs.
That’s one of the best approaches to mic comparison I’ve seen 👍🏻😄
Thanks Danila! I appreciate you saying so!
This is terribly frustrating- I have a hard time with the tinny sound of the MKE 200, but it's a perfectly discrete package and has that phenomenal wind dampening. The Rode has a great, full-bodied sound out of the box, but using that in public screams "I'M MAKING A VIDEO". I wish the two mics could have a baby with the pros of each.
Ha Calvin! I feel similarly! I love the form factor of the MKE200 (though it's internal shockmount is suspect...) but the mic doesn't suit my voice. I've seen it discounted online by 30%. Fingers crossed that it's an indicator that Sennheiser has a new compact mic on the horizon...
@@WayneRECs I got the mke 200 for all the same reasons, but it sounds so bad compared to even the original rode video micro…
I ended up going with the Rode VideoMic Go II and therefore the reasons that you highlighted in this video. I felt like I was getting two mics for the price of one. And quite frankly I use the USB feature quite often. Your videos helped me make this decision. Listening to the Sennheiser portion in this particular video definitely help me to feel more confident about my purchase. I feel they're both great microphones in their respective space but the Rode is just more versatile. Great video!
Awesome! Glad to hear the VideoMic GO II is working out for you! Yes, the USB functionality is really what puts it over for me. I'm thinking the VideoMic GO II will be my "take everywhere" mic in case I need to bust out a recording!
I heard the sound changing and was wondering why you weren't showing which mic you were using. Love how you did that. Great comparison!
Thanks S! Good ear and I appreciate your kind comment!
I can understand that you hold back from a personal judgement on audio quality, but as a guest I dare say Rode is better (after critical listening with HQ headphones). Sennheiser sounds as if it has some strange buzz. You sound more naturally on Rode. I think you have great didactic, structure feel, organizing talent, which was a bit of a surprise after the first glimpse of your spectacles :)) . Keep up good work, Wayne!
Thanks to your video (and previous tips about how to increase quality with little effort) I bought the GO II and my videos now sounds very different for the good. Thank you very much for your review(s) and your way of explaining the audio world.
Hey Juan! So glad to hear the VideoMic GO II has improved your videos! Thanks for sharing and I'll look forward to hearing it in your videos!
I have both the MKE200 and MKE400 and I don’t really like the sound of the MKE200, so find I haven’t used it a lot… it’s a lot more “tinny” and I hear it too with your voice in these comparisons. Your voice sounds a lot more full with the Rode. I have fomo now for the Rode! It’s just a lot bigger and more in-your-face with the branding. 😅 (love the sound of the MKE400 but the bigger form factor is also why I don’t use it much and stick to the wireless go!)
Hey Jaime! Thanks for your comment! Yes, the eternal struggle between audio quality, audio features and gear cost! I'm with you on the small form factor and find myself using the Wireless GO more often because of this! That being said, I'm sure the MKE 400 sounds great!
Once you put the wind muff on the Rode it ends up being bigger than the S. 400 mke
The Senheiser is great except the sound , too much low end cut . I think for windy conditions it’s useful but generally I wouldn’t use this mic
I have the Rode and I love it. You can also use it as an podcast mic. Recording using the jack cable or USB cable works both great. The only thing is that when you use an xlr audio interface or mixer with 48 volt fantom, you will need something to change the 48 volt fantom to 3 volt fantom. But it works directly on your phone, laptop, tablet, camera, audio recorder, etc....
Thanks for your comment! Yes, if you want to plug the mic into an xlr input, you need a converter (and not just a 3.5mm to xlr adapter). The RODE VXLR+ is a great option and in fact, I have a video on this coming up next!
Wow I couldn't tell the difference. Very interesting. The MKE200 in the wind, was a great result. I'm biased, the MKE200 was my favorite for a long time until it broke. grrrr. That annoyed me as I really like the ease of it's workflow, plug and play. Great comparison. Thank you and take care.
Bummer! Sorry to hear your MKE 200 broke! The workflow and ease of use is definitely a plus (although the lower output means a higher noise floor) but like you mentioned in another comment, the wind was not an issue!
Thank you for the comparison video, I actually understood why you chose to conduct the blind audio test in that way to eliminate any pre-determined preferences; I believe this format works mainly for microphones/audio equipment that are closely similar in audio quality, to prove that point (Rode Videomic Go 2 and Senn MKE 200).
I did catch some slight audio changes but the difference could be chalked off as negligible (or other human related variables, e.g. positioning).
The audio blind test is genius, moving forward, I could suggest adding a time stamp in the description to indicate the switching between audio equipment as that would help the viewers to easily distinguish the difference between them, after being revealed that we've gone through the blind test.
If I have $100, my choice would be the Rode VideoMic Go 2 for its versatility. Being able to sound good for smartphone, cameras, and PC conference calls/streams is a big win in my book.
One last point to take note that, and I hope you could include in the video as well, that Rode has a smartphone and desktop app called Rode Connect which is a big advantage over the Sennheiser; this app allows finer audio control for the Rode VideoMic Go 2 on smartphone and PC.
Hey Larry! Thanks so much for your detailed comment! And you make a great point about the added versatility when it comes to using the VideoMic GO II with RODE Connect!
this trick with the logo and switching microphones in the entire video its awesome! I notice the difference and for me the VideoMic Go II is the winner. Thanks for the video!
Thanks for your comment and good ear!
Cool glasses, but great video. Thanks went with MKE 200
Thanks Joe! I love my MKE 200!
that "subcribe here" test is cheekily genius lol. subcribed i am!
Ha, glad you got a kick out of it and thanks for the sub!
Great comparison! The Rode VideoMic GO II outdoors captured less background noise but clips when audio hits! Now I know what they are good at and some downsides of them! Thanks!
Thanks Isaac! I think both mics are great for different reasons and with that each has their trade offs. I was actually surprised at how close they sounded as I initially thought they would sound very different given all the other factors! Unfortunately, I don't have the dead cat for the VideoMic GO II...
@@WayneRECs Hey Wayne, for my outdoor shootings, I use the deadcat of my BOYA BYMM1, although the deadcat didn't fit entirely, it's still great for outdoor shootings as the wind noise is significantly reduced!
I was going to get the Sennheiser one but it was sold out the day I went microphone shopping. So I bought the RODE Videomic Go II but it wasn't compatible with my phone, even when trying with different cables and adapters. Finally bought the SC7 cable and downloaded Open Camera app so it would recognize an external mic, and now everything works like a charm and I'm very happy with the Go II. Also upgraded the windshield to a dead cat.
I've enjoyed your Rode Videomic Go 2 videos, you've convinced me to go with that!
The best selling point of the videos, I am also using the Sony ZV-E10, so I now know exactly what to expect!
Thanks for the videos.
Thanks for your comment Sean! With so many choices out there, it's always great when you find a combination that works for a lot of other creators and it seems like RODE really nailed it with the VideoMic GO II and it's added functionality!
Oh god damn it. Why did I stick around for the wind test 😅
The Sennheiser MKE 200 is bad decoupled,that means if you pass the camera from one hand to the other (or you put in on a surface) you can hear it on your audio.Sounds like a little bump everytime
Agreed! Sennheiser states that there's an internal shock mount for the capsule within the overall housing, but it is susceptible to handling noise.
I own the MKE 200 and it's okay, but I have more of a higher voice and my wireless go sounds way deeper, so I was thinking about getting the go II. But the wind test showed me, why I stick to the MKE 200. Hopefully Sennheiser will come out with a new Mic soon in the form factor of the MKE 200 but with more bass and a thicker voice. That would be perfect. But thanks for the comparison, it was quite helpful :)
Thanks for your comment! I totally agree about the MKE 200. I love the form factor but just don't think there is enough low end... The design of an internal foam layer coupled with the included deadcat makes a huge difference in windy conditions and I surmise that the cut in the lower frequencies was intended to complement the physical wind suppression with an attempt to remove some low end stuff. They might have just taken it a bit to far lol!
You can boost the bass in post. That shouldn't be an issue - some Eq boost on the MKE200.. what you can't fix in post is that wind noise..
Popped in my Sennheiser earbuds halfway thru and the Sennheiser mic here is all TINN with the Rode giving more natural voice. I’m looking at the Sennheiser 200/400 or the compact Sony ecm G1
I could hear the switching quite clearly in the first portion of the video- I thought you were moving your head and changing the sound at first :)
It would have been nice to have heard the GOII with a deadcat for comparison.
Thanks Peter! Yes, I think with the RODE deadcat, it would have performed better, but as that accessory isn't included, I was on the fence about using it. And yes, depending on your listening environment/equipment, the difference can be more apparent for some more than others!
Are there short USB-C ton USB-C or USB to Lightning cables available from Rode for iPhone? That plus a grip that holds a phone and this mic would be a no brain vlog solution.
For a small camera I would go with the Sennheiser simply for the small discrete profile. I have a Videomic NTG but it’s bigger than my camera and attracts attention.
Hey Ed! Thanks for your comment! As far as I know, the RODE USB-C cables are ~12" in length.
You can use any generic USB C cable.. I have a 10 feet USB-C to USB-B cable and it works perfectly. No need to buy RODE cables, so just find a small one.
Nice review. I prefer MKE200 sound. But when you trying mics for vlogging switch hands a few times with each mic. Some of them introduce annoying bump noise, because their suspension is not enough for hand switch :D. Which is very annoying for vloggers.
Thanks for a good vid. I like the dual output of the Rode that makes it an easy run-and-gun mic for b-roll via a C-cable in to phone and it plays well with the Rode AI-Micro and their level-setting software with some added filters you can use. Also like that I can monitor the audio live with it due to the dual plugs. Finally, I to it down to the beach to test and MAN you NEED a dead cat as your review showed well.
Hey Bob! Thanks for sharing your experience! Yeah, a dead cat would definitely be needed in environments like beaches! I was tempted to shoot a test at my local beach, but being by the ocean in winter is brutal around here!
This man is a genius 🔥
Lol, thanks! Just trying to have some fun!
This was awesome! Thank you!
Did you do any EQ to the mic’s? I found that the MKE200 was missing some low end that the Rode had without any EQ. I just got the Rode and have had the MKE200 for quite awhile.
I mainly use it with the DJI Pocket 2 so small form factor is important. But have been using it with the ZV1 as well.
I’m just capturing travels and family events though. Maybe I need to start doing more to make my sound better. Even just to practice for when I do travel again.
Hey Dave! Thanks for asking! I did not apply any post processing to the recordings (except for boosting the db of the MKE 200 to match the RODE). So the mics' characteristics are how you would hear them on my voice.
I totally get you on form factor! The MKE 200 is compact enough to keep it on the ZV-1 and still be packable without much obstruction. And having a mic that's bigger than the DJI Pocket 2 seems counter intuitive lol!
Practicing and testing audio set ups like anything else is key to dialing in what works for you in certain scenarios. I shoot and record a lot of stuff that never sees the light of day in an effort to learn the nuances of the gear I use!
Cool vid and I like what you did with the re-watch trick hahaha 😆 By the way Wayne, am planning to get my 1st on cam mic (built in mics are horrible) so this was a big help for people like me 🙂keep it up!
Ha, thanks Leo! If you're looking for an on camera mic, I have a video coming up on a newly released one that you also might be interested in!
Another great video. Do you think the MKE200 did so much better in the wind because of the dead cat vs foam? Or something else about the design?
Hey Mike! With regards to wind protection, as I was only using the accessories each mic came with, yes, the MKE 200's dead cat is going to be way more effective than just the RODE foam. But, the MKE 200 has a non-removable foam equivalent inside the mic body, so when you add the dead cat on the exterior, it's basically double wind protection. But that also means it could color the sound somewhat given all the material now surrounding the capsule (although I'd take that over wind noise any day!).
Thx for the video mate. I own both of them, and still don;t get one thing,, for some reason MKE200 produces much more Noise than Rode... I've followed your instructions - to set Camera Gain to minimun... Well, even i set it to very low level.. it is still Noisy ... that makes that Mic useles.. :( Rode is way better
I have the mke200 and I have the same problem, any small vibration is heard and it is annoying, what do you think of this rode or which microphone did you choose in the end?
@@AleLaSabrosis Hi mate. Well, i use Rode Videmic GO 2 since it is much better. No any noise. So i don't waste my time with Noise Reduction at all. I love it. Windshield (dead cat) makes sound bit muffled. But still, sound itself is great. I also own Rode Wireless ME and it is also perfect.
The Rode, to me, has the better audio quality in this video. That clipping on the RODE is intense. The deadcat is on order now as I'm typing this! Definitely a great comparison video, thank you!
Thanks for your Comment! I personally do prefer the sound of the VideoMic GO II but appreciate both mics for different reasons. I think the RODE with the separate dead cat would have performed better in the wind, but I wanted to keep the comparison to what each mic came with out of the box. I might have to order myself the dead cat now too lol!
Mke 200 is a beast for outdoors
Agreed! Sennheiser really got the wind protection right with the MKE200
I've just purchased the MKE 200, and on top of quality audio, the unboxing experience was also quality.
I wanted the Røde mic, but it is way more expensive for my market and MKE 200 just happened to be on a sale with a discount. Basically with that discount you can buy two MKE 200s for the price of one Røde mic. Win in my opinion.
Let's go another Wayne!!!
Yes Wayne! Instead of a "Josh Fight" we should all have a "Wayne Collab"! Shouldn't be hard because there can't be more than a handful of us lol!
Hi Wayne,
What do you think is the best microphone to record a band playing live using my android smartphone? Tks
After watching your videos about the Rode VM Go II, I decided to buy the Go II, with the additional deadcat. The sound is so much more pleasing, and I love the versatility using USB.
BTW. I also watched the video about audio consistency (And found it great!) Does it help in this regard to use the same mic for voice overs like it is possible with the Go II, or doesn't it matter and is it better to try to make them sound similar in post production?
Thanks so much for your comment! Glad you're enjoying the mic! IMO, I think if you shoot scenes in different locations and/or add voiceovers to your videos, I think it's easiest to use the same mic if possible (mostly for the reasons mentioned in that video). This would be far less work than EQ'ing two different mics in two different environments. That's actually one of the things I like most about the VM GO II, the versatility of using it for different purposes. But the last thing to consider is that a large portion of TH-cam viewers watch videos on their mobile devices and if the audio is played through the built-in speakers, they most likely will never hear any differences in audio quality.
Would one of these microphones work in a crowded place? Or would it capture too many sounds?
Thanks for your question! The reality is that no microphone will be good in crowded areas if it's mounted on top of a camera. The best way to isolate a voice in a crowd is to get the mic as close to the sound source as possible. This is why in crowds, you see reporters holding mics.
I’m trying to find a affordable for my trainspotting account. It’s my hobby and it’s just record train video and sound, I wonder what kind of mic suit me well and wind protection is also important.
Hi, thanks for your comment! I think in your case, it can be really tricky... Depending on how close you are to these trains, you might be looking at some pretty loud recording scenarios. Generally, you'd likely want to prioritize a mic that has a higher SPL number (which the VideoMic GO II does not have compared to other similar mics). Additionally, what you run the mic into also plays a big role when it comes to recording loud sounds. Ideally, a 32-bit float recorder would be ideal as you wouldn't have to worry about clipping your audio at the recorder, but they typically aren't budget friendly.
One route to consider is a mic that has a physical gain knob on it that you could turn down or up manually and quickly on the fly if need be (as opposed to navigating through menu screens to lower a camera's record level). I'd suggest you look at the Deity V-Mic D4. It has just been released, it's $99 usd and has a gain control knob (with a -db pad) & can plug straight into a camera.
Hope this helps!
@@WayneRECs I would probably get a V-mic D4 but I will wait you review it in a video!
@@WayneRECs and is the deity D4 good at wind proofing? Thanks
I suspect it has good wind protection as it comes with a foam windscreen AND a furry wind cover that fits over that (as opposed to some mics where that's a separate purchase)
Maybe you'll want a stereo microphone.
Awesome videos man! Subscribed!
Thanks Ronnie! I appreciate your kind words and sub!
Thanks, great wind test. What about in a very noisy environment like an exhibition hall or at a convention center? I have been searching for someone to have done such a test. Can you advise?
Thanks for your question! In those types of environments that have lots of ambient sound, you're best bet will be to go with a lav mic. The idea is to try to isolate the speakers voice by getting the microphone as close to their mouth as possible. Think of the mic as a person's ear. If you're standing ~6" away from a person in a loud environment, it could be hard to hear them over the noise. But if they get right up close, they could whisper directly into your ear and you'd hear them significantly better.
The same idea is true for microphones. So if the person speaking is holding a mic (like interview style) or is wearing a lav, you'll get a much better ratio of their voice to the environment (signal to noise ratio). You'll never be able to completely block out ambient noise, but this would be the best way to minimize it. Hope this helps!
@@WayneRECs Thank you.
I got the Sennheiser MKE200 in the Nikon Zfc Vogging Kit ... would you replace it with the Rode NTG or even the Rode Wireless Go II ?
It depends on where you intend to vlog and what the environment is like. I love the MKE 200 for it's discreet form factor and great wind suppression. I love the audio quality of the NTG but it's really big. I love the Wireless GO for convenience but like the sound the least. I think it's really about what any individual creator is willing to compromise on and what works best with their personal workflow.
@@WayneRECs I have them all and will compare them myself and get back to you if I have some questions ... if this is OK fro you
I bought the mic go ii video to stream with an iPhone.
With the sc15 cable or with the Trsscable and a lighting adapter I have huge interference
When I use 4G or 5G.
I don't have this problem with NTG or Videomicro.
Do you have interference with an iPhone?
Thanks
Hi Wilfrid! Thanks for your question! Unfortunately, I don't have an iPhone so I can't speak directly to your situation. You may want to look at how you have your SC15 cable dressed. If you have it bundled up together or coiled or just freely hanging from the mic to your phone, any of those can impact how much interference is picked up. Are you using the same cable(s) for the NTG? Are you streaming from you phone (hence the use of 4G/5G)? If I'm using my mobile device for any kind of production reasons, I typically set it to airplane mode to avoid any kind of disruptions.
@@WayneRECs Thank you Wayne. I had the same result of interference with the SC15 cable and the analog cable. Yes, I use 4G to stream with the iphone and microphone on it. I don't have this problem with his big brother the NTG. Too bad for a microphone whose ads Rode shows it on an iPhone. Thank you anyway!
the mke200 is supposed to have a built in wind protector. I would have liked to have seen how good it was when you tested it outside. good video
Thanks! Yes, you're right! The MKE 200 has the equivalent of a foam windscreen inside the body giving it almost double wind protection with the dead cat on.
@@WayneRECs how is the performance without the dead cat? is it good enough to not even need one in most situations? the mke200 would be an easy sell to me if this were the case
@@sixx_xlr I think someone tested the MKE 200 vs Deity and vs Røde, and MKE 200 won straight out of the box without dead cat on when compared to others. I now own MKE 200, but I like the looks of Røde(maybe because of the hype, no clue), but what made me buy the MKE 200 is the price. I can buy two MKE 200s for the price of one Røde mic in my market(EU).
@@astanisystems I went ahead and ended up purchasing the tried and tested video micro instead of either of these. Its a great little mic. way better then the original rode video mic go that I bought with my camera lol the thing that scared me away from the Go 2 is the fact that some reviewers had a problem with the audio clipping also i can keep the micro on when I use my gimble :)
@@sixx_xlr I'll be using a gimbal too. Problem is, there's only used Røde Micro mic available on the market and it's more expensive than MKE 200. I've done thorough research, but Røde products are really expensive in EU.
I was all set to buy the Rode VideoMic Go II until I saw this video and how it sounds in the wind. Now i'm going to get the MKE 200. Great job with this video. I'm subbing you.
You really have to get a dead cat for the Rode. The included foam windscreen is pretty much worthless.
Thanks Mobile Filmmaking! I appreciate your comment and I think both mics can be great depending on your specific use cases. But as Manuel said, you really need the Rode dead cat if it's being used outside. My only issue is that it's a separate purchase (along with other RODE cables) whereas your MKE 200 is ready to go out of the box. I can understand if RODE is trying to minimize the initial cost on just the mic, but I personally don't like having to constantly buy extra (high priced) accessories.
Hey Wayne, When using the Sennheiser MKE 200 for vlogging will it capture your voice from behind the camera like the RODE VideoMic GO 2?
Hey Ronnie! The MKE 200 does have some rear sensitivity though not specifically designed as such. If you are in a vlogging scenario with the camera and mic facing you, then you flip it around to shoot something else, it will still pick up your voice to some extent. But if you are looking for critical recording, I'd recommend getting a y-cable to split the input into L/R channels and then use two mics (one in each direction) or look into something like the Deity V-Mic D4 which has an input to add another mic (in addition to its front facing capsule) OR look into dual capsule options like the Deity D4 Duo or Movo DoubleMic.
@@WayneRECs Sounds great. Thanks for the detailed reply! I will look into all those options. Thank you Wayne! 😊
These mics Is it suitable for ASMR cooking videos ?
I would say it depends on a few different factors. How close would you be able to get the mic to your sound source? What kind of sounds are you recording? (i.e. chopping sounds, appliance sounds, simmering sounds, etc ). Are there other competing sounds in your kitchen? (i.e. refrigerator running, stove fans, air conditioners). What will you be connecting the mic to for recording? (camera, phone, recorder, laptop). Do you record your ASMR in stereo or mono? These are things I would consider when selecting a mic.
I can tell you that between these two options, I'd probably go with the RODE Videomic GO II, but depen on any of the above factors, there could be other options that may better suit your specific needs.
@@WayneRECs very very, Thanks for the information 😘
I recently bought the RODE VideoMic GO II and it didn't work with my phone (OnePlus Nord CE2). Trust me, I've tested with three different cables and two adapters. As I'm now looking for a new mic in the same price range, the Sennheiser one came across. Can I this time be certain that it'll be compatible with my phone?
Thanks for your comment! Can you share exactly what cables & adapters you tried? If your phone is running Android, a standard USBC to USBC data cable should work. Alternatively, the RODE SC7 or SC4 should also work with the grey end connected to your phone.
With regards to the Sennheiser MKE200, the mic does come with a TRS to TRRS to connect it to mobile devices.
Great comparison. Looks cold outside where you are 😉
Thanks Alex! Yeah, it was like 7 degrees F or -14 C that day!
How hard is it to post process the audio? I use premier pro. The MKE needed a little more mids.
Hey Erik! Even though I didn't eq anything in this video, I have encountered anything odd when applying EQ to the MKE200 in other uses (though my general stance on EQ is less is more)
I have the Rode Go II and I like it but I don’t love it. I use it with my iPhone 13 shooting vlog style and found it to be very hot. I have to be aware of my voice to not get clipping.
Also as you demonstrated in the video, it’s a nightmare in windy conditions. Well worth the money to get a dead cat but that’s another $30 which is 30% of the cost of the mic.
I also have the Rode video micro and just use it when it’s windy or I need a smaller form factor. It doesn’t sound nearly as “warm” as the II but it gets the job done for run and gun situations.
Hey Blair! I hear you! So many things to like about the VM GO II but some small detractions (like additional accessory purchases) make it tough to use in every situation.
Thank u wayne phew, now imma find mke200
MKE sounds better. Sennheiser has been making top classic studio mics, and headphones for years. Rode was basically for the home recording people, but has now found it´s place in making mics for the TH-camrs.
You're totally right! RODE has really carved out a niche in the content creator market. I love Sennheiser productions but sometimes feel their pro-sumer products don't quite meet my expectations (as opposed to their pro gear which always feels spot on!)
@@WayneRECs Exactly!!! I have a recording studio, and am in the process of making it into an Audio/Visual studio. I will be able to record video with 4 x cameras, as well as 16-24 track live audio when
I´m finished. I would maybe use the Rode Go II for outside mobile use on a camera, but I have a rather large collection of pro mics in my studio that includes a Neumann U87, Shure SM 7B, Oktava MK 012´s, and several vintage Sennheiser mics like MD 441´s, MD 421´s, to name a few. Rode made it´s name with the NT-1, and NT-2 mics as vocal mics for home studios, but they´ve now found their niche with their content creator mics.
Oh, both companies have all kinds of microphones. The Røde TF-5 matched pair competes very well indeed for studio use. I own and love several great Sennheisers, and their shotgun mics sound much better to my ears than most of the Røde equivalents. But personally I don't think the MKE 200 sounds half as good as the Røde VideoMic Go II.
Clever.... very clever to make me watch th video again even i could notice a sound difference 😅😅
Which one do you suggest for outdoors while traveling by motorcycle? I suppose mke cause of compact size and better wind protection.... right ?
Could I use the MKE200 on Windows or macOS?
If your PC or laptop has a 3.5mm mic input, you could connect the MKE 200 via a TRS cable, however, it would not be the same as connecting the RODE VideoMic GO II via a USB-C cable (which your computer would detect as an external audio device).
@@WayneRECsobrigado meu amigo 👊🏼
Will rode video mic ntg much better than mic go ii?
Of course but goii has not use battery and NTG need it if depend do you want to use I have NTG good microphone and I just purchased GO II for vlog I don't plan to use NTG out side.
I think better can sometimes be subjective, but Orlando really hit the nail on the head. The NTG (at a higher price point) will capture better audio and has extra built-in features, but does have an internal battery that needs power management. The VideoMic GO II is a more user friendly plug in and go option and captures more than adequate audio for its price point. It really comes down to how you intend to use it.
You sneaky lil b******! Just kidding. Awesome way to present and sneak in a microphone comparison. I'm subscribed!
can i film or record video with both mics for the front camera of Samsung s21 ultra?
Hi, thanks for your question! While I don't have that specific phone, I think it might be difficult to do. It would most likely involve using a USB-C to 3.5mm stereo mic adapter & a 3.5mm stereo to 2 mono y-cable (to plug both mics into). That would work in theory sending on mic to the L channel & the other to the R channel of you recording, but I can't say for certain that it will.
which mics do you suggest for a twitch streaming?
Hi, thanks for your comment and question! The truth is that it depends on A LOT of different factors, including the recording space you're in, your individual voice, how loud or animated your voice is, how loud your keyboard/mouse or controller are, how you plan on connecting your mic to your stream, if you want to use real time processing or effects AND lastly what your budget is lol! I'm sure you're already familiar with Harris Heller, but his channel, @Senpai is full of great mic resources specific to streamer needs.
@@WayneRECs thank u 🙏
I think go ii is better than Sennheiser is my personal opinion I have NTG and I just purchase go ii for vlog and zoon with my laptop with out to charger battery.
Hey Orlando! I think you're right on! I prefer the sound of the VM GO II but like the design of the MKE 200. I also have a VideoMic NTG and I too intend to use the GO II for on the go situations (over having to charge the NTG).
@@WayneRECs The NTG is better for video inside for youtube or in studio when you have control of the video or interview, but GO ii You can carry out without charge the battery outside is good side not big and not small as video mic micro also you will be using in the laptop or computer for zoom or post card too. I saw all your review and I decided to purchased today My new goii will be arriving from Sweet water store
this Friday..
Thank you so much for your interesting video very professional. I know Rode do not pay you I just subscribe of your channel please keep line with the product for video for filmaker have a nice week be safe once again thank you my friend.
Thanks Orlando! I appreciate the sub and the kind words about my videos! I'm an everyday solo content creator who can relate to some of the challenges with being one person with all the jobs of a whole production team. So if I can help some people with the audio aspect of their videos, I'm happy to do so!
Putting a dead cat on the Rode will help it enormously. I am sure they put in that foamy only since they can brand it better because otherwise it is worthless.
Ha, RODE does seem to have gone a little overboard with their logos lol! I think that was one of the only complaints about their new PSA1+ boom arm!
great video but the rode need at dead cat sleeve to compare it Sennheiser that's why it sound it better than the Rode in wind test
super video ! i sub !
nice way to get extra views on your video after we already watched it !!!!
Hey Jeff, thanks for your comment! Lol, watch time is watch time!
Maaaaster comparison
Thanks so much! I appreciate you saying so!
I like the design of the MKE 200 a lot for a compact and discreet mini microphone, but the opinions on the sound are often very critical (shrill, metallic, etc). At the end, this microphone is exploitable or to avoid?...
Thanks for your comment! I think with any microphone, there are always going to be pros and cons and sometimes they're due to the nature of a specific mic or due to the nature of intended use. In the case of the MKE 200, if you're in a situation where you need a super low profile mic, that is easy to plug in and work with superb wind protection (& you don't mind adding some EQ in post), then it's a great mic! TBH, it's my preferred mic to leave attached to my camera due to it's low profile and packability.
But, if you're looking for a mic that produces a more finished sound and/or has other features that may better suit your needs (for example the built-in shockmount of the MEK200 is not as effective as an external shock mount), then you might be better served with another mic.
@@WayneRECs Thank you very much, you have convinced me. Are there extension cables to use the remote microphone (TRS and TRRS)?
The MKE 200 comes with locking TRS to TRS cable and a TRRS to TRS cable. Then if you needed some extra length, a TRS 3.5mm extens cable should work
Hiss! Hiss! Hiss! No TH-cam tutorial tells the public how to get rid of the Hiss in camera powered, camera mounted microphones like both of these. So profoundly frustrating!
That's not entirely true. There are videos showing how to use the microphone with an external pre-amplifier like a Saramonic Pro II. It's not an ideal solution, 'cause it's an extra expense and it's somewhat clumsy and inconvenient. But it can work. However, I still prefer a battery powered microphone.
CLEVER!
Thanks, glad you enjoyed my video!
Great comparison 👏🏼👏🏼
How can you seriously recommend the VideoMic Go ii when it clipping and distort the audio that bad when going outside. ALL reviews and use online has the same, and when a serious audio guy don't address this smell's a long way! Sorry, but I just can't trust your opinion on this?
You just need a dead cat. The senheiser has some protection built in so it’s different. That shouldn’t be a dealbreaker. I would challenge you to find any professional shotgun mic that doesn’t clip like that with wind. If professionals don’t care why should we?
I have one and its not clipping outside, first try one and then we can talk ;)
@tshansen Thanks for your Comment! I'm a firm believer that certain mics are better suited to certain creators, environments and use cases than others. Like any tool, they can perform specific functions well, but may fall short in other areas. The VideoMic GO II is a great mic for its price point. But is it right for everyone? Of course not. This video is intended to help others determine what might work for them based on my experience. I would argue that if I omitted the clipping, that would be editorially misleading.
There is an app that you have to download to adjust the input level for the Rode (when attached to an iPhone or other such device). Without the app, the levels are way too loud. When attached to my DSLR, I adjust accordingly, and think the audio sounds fantastic on either device.
Without the app though, yuck. And I don’t have a dead cat.
👍🏼
Thanks so much!
Deity V Mic D3 Pro
Hey Henrik! Thanks for your comment! I think the Deity V Mic D3 Pro is a little over $100, but I've heard really great things about it (and I do love the other Deity mics that I own!)
@@WayneRECs I hear that it's around $ 135 now coming from $199. I am simply pointing out, getting hung at $100 as oppossed to a better mic, that may be the money you don't want to save.
I have huge respect for for Røde. I had NT1-A, now the NT1. They do a lot of things right, however, Deity simply beat them on a versatile on cam/vlog/pole mount/youtuber boom mic with auto on/off trrs that connects to anything you throw at it and for a small sum the upgrade option to xlr with pistol handle. D3 Pro will let you grow as a performing artist. The $100 mics will not.
you made it so confusing by highlighting subscribe and here to distinguish between two mics. Please dont do this again
Hi Philip! Sorry the format didn't work for you. Thanks for the feedback!
@@WayneRECs It was not confusing. it was actually brilliant. PLEASE do THIS again.