As always, great stuff :) Very interesting and informative video! For me editing film photos is unacceptable, they're beautiful just the way they are, but I see your point 😂 Thank you for uploading!
Love it! When you get scans, are they scanning to cineon? Not a lot of places that process stills will do that but there are some around that do, which is nice bc that is how it comes back from motion picture scans.
My local lab definitely wouldn't - the motion picture film industry in Australia is a bit dire. I'm curious if Silbersalz35 in Germany would - their scans are some of the best in the world, very high DR out of Vision3 scans, and they exclusively work with a "motion picture" for stills workflow. Love your videos btw.
Dynamic range is different in each type of film Additionally, the DR of the scanner can limit the DR of the stock Kodak don't actually confirm Vision 3 latitude, instead talking about "dodging and burning" to increase latitude during scanning. But go through cinematography.com where DP's (like David Mullen) that have tested the stock will say they find at least 14 stops, some claim up to 17. But that may be through a different scanning process than your local lab would go through, for example.
Love this! Definitely love the history and experimentation aspect.
As always, great stuff :) Very interesting and informative video!
For me editing film photos is unacceptable, they're beautiful just the way they are, but I see your point 😂
Thank you for uploading!
Love it! When you get scans, are they scanning to cineon? Not a lot of places that process stills will do that but there are some around that do, which is nice bc that is how it comes back from motion picture scans.
My local lab definitely wouldn't - the motion picture film industry in Australia is a bit dire. I'm curious if Silbersalz35 in Germany would - their scans are some of the best in the world, very high DR out of Vision3 scans, and they exclusively work with a "motion picture" for stills workflow.
Love your videos btw.
Love it, good video! Replying to you as I just picked my negatives from the store! Keep it up!
Hope they turn out well 🤞
Can you cite your source for saying film has 14+ stops of dynamic range?
Dynamic range is different in each type of film
Additionally, the DR of the scanner can limit the DR of the stock
Kodak don't actually confirm Vision 3 latitude, instead talking about "dodging and burning" to increase latitude during scanning. But go through cinematography.com where DP's (like David Mullen) that have tested the stock will say they find at least 14 stops, some claim up to 17.
But that may be through a different scanning process than your local lab would go through, for example.
Epic