@yax9064 McCartney got the arsehole after Michael Jackson bought the copyright to the Beatles back catalogue. He moaned that he had to pay someone else to play his own songs! Of course once Jackson fell into financial trouble he was able to buy them back.
@@fus149hammer5 The venues (not the promotor, my bad) pay a blanket fee (depending on venue size etc) for a live music license, and live performances setlists are registered from every performance- or should at least (that would be the promotor’s responsibility). Monies from the global blanket fees are dispensed based upon attendance estimates and the setlist. The artist pays nothing, although you can rhetorically spin it like they do, as they will not receive those performance royalties if they don’t own their stakes of the publishing.
@@rabarebraJP play Arenas, they have a recognised and established brand, KK's priest played this debut show at KK's own venue in Wolverhampton. This doesn't mean KK's Priest isnt good, it means there isn't the same following or recognition of a 2 year old act.
@@matthewhigson1232 Well, you do not seem to understand. It is about the music. If the music is very well done and composed, it will also reflect that and do well. To me his debut album were just super cringe (composition-wise), and when you have a Karaoke singer as Tim Owens, it won't get any better either.
Killer!
ROCKIN
Good Video Quality 🤟🏻
Wow ! I hope they come to the United States !
No priest with out this guy sounds great on his own.
This karaoke-singer you mean?
@@rabarebra He's referring to KK. But to be fair there is no way Rob Halford could pull this off nowadays.
Does KK now have to pay royalties to play his own songs? 😅
As he sold his share of the rights, yes.
No, not K.K. Per se - That falls onto the promotor.
@yax9064 McCartney got the arsehole after Michael Jackson bought the copyright to the Beatles back catalogue. He moaned that he had to pay someone else to play his own songs! Of course once Jackson fell into financial trouble he was able to buy them back.
@@fus149hammer5 The venues (not the promotor, my bad) pay a blanket fee (depending on venue size etc) for a live music license, and live performances setlists are registered from every performance- or should at least (that would be the promotor’s responsibility). Monies from the global blanket fees are dispensed based upon attendance estimates and the setlist. The artist pays nothing, although you can rhetorically spin it like they do, as they will not receive those performance royalties if they don’t own their stakes of the publishing.
Look. Judas Priest plays stadiums, and what is this? 😂
They play them but they don't fill them 🤷♂
@@lewishewitt943 pfft. KK Priest doesn't play stadiums.
@@rabarebraJP play Arenas, they have a recognised and established brand, KK's priest played this debut show at KK's own venue in Wolverhampton. This doesn't mean KK's Priest isnt good, it means there isn't the same following or recognition of a 2 year old act.
@@matthewhigson1232 Well, you do not seem to understand. It is about the music. If the music is very well done and composed, it will also reflect that and do well. To me his debut album were just super cringe (composition-wise), and when you have a Karaoke singer as Tim Owens, it won't get any better either.
@@rabarebra that's why Lizzo sells far more than Judas Priest then, her music is better. Settles that.