J.S. Bach Complete Music for Lute
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- เผยแพร่เมื่อ 5 มิ.ย. 2024
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Composer: Johann Sebastian Bach
Artists: Mario D'Agosto (lute)
No more than a handful of pieces represent the entire musical heritage for baroque lute by Johann Sebastian Bach - not a lot when we consider the enormity of the composer’s total output. Although it is not known whether Bach himself played the instrument, the seven works which are ascribable to it continue to enjoy extraordinary attention on the part of musicians due to their exceptional quality, and indeed the majority originate from the areas of Germany that were home to the lute’s greatest exponents - musicians who we can be almost certain the composer came into contact with.
This recording thus presents four compositions in suite form and three pieces of a different nature, all belonging to the florid repertoire of the courtly Salonmusik that was in vogue among the German upper classes at the time. Performing them is acclaimed Italian lutenist Mario D’Agosto, whose changes in tonality aim to better serve the capacities of the instrument (BWV 996 and 997, for instance, were written for the ‘Lautenwerk’, a sort of lute-harpsichord favoured by Bach) and whose embellishments are testament to the high level of ornamentation which played such an intrinsic role in baroque performance practice.
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Tracklist:
Suite in E Minor, BWV 996:
0:00:00 I. Prelude
0:03:11 II. Allemande
0:06:24 III. Courante
0:09:03 IV. Sarabande
0:13:02 V. Bourrée
0:14:43 VI. Gigue
Prelude, fugue and allegro in E-Flat Major, BWV 998:
0:18:08 I. Prelude
0:21:13 II. Fugue
0:28:00 III. Allegro
Suite in G Minor, BWV 995:
0:32:17 I. Prelude
0:38:15 II. Allemande
0:43:19 III. Courante
0:45:47 IV. Sarabande
0:49:17 V. Gavottes I & II ‘en Rondeau’
0:54:05 VI. Gigue
Partita in C Minor, BWV 997:
0:56:36 I. Prelude
1:00:27 II. Fugue
1:08:07 III. Sarabande
1:12:30 IV. Gigue - Double
Partita in E Major, BWV 1006a:
1:16:00 I. Prelude
1:20:46 II. Loure
1:23:54 III. Gavotte ‘en Rondeau’
1:27:30 IV. Menuets I & II
1:32:53: V. Bourrée
1:35:18 VI. Gigue
1:38:08 Prelude in C Minor, BWV 999
1:39:46 Fugue in G Minor, BWV 1000
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#Bach #brilliantclassics #music #lute - เพลง
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Tracklist:
Suite in E Minor, BWV 996:
0:00:00 I. Prelude
0:03:11 II. Allemande
0:06:24 III. Courante
0:09:03 IV. Sarabande
0:13:02 V. Bourrée
0:14:43 VI. Gigue
Prelude, fugue and allegro in E-Flat Major, BWV 998:
0:18:08 I. Prelude
0:21:13 II. Fugue
0:28:00 III. Allegro
Suite in G Minor, BWV 995:
0:32:17 I. Prelude
0:38:15 II. Allemande
0:43:19 III. Courante
0:45:47 IV. Sarabande
0:49:17 V. Gavottes I & II ‘en Rondeau’
0:54:05 VI. Gigue
Partita in C Minor, BWV 997:
0:56:36 I. Prelude
1:00:27 II. Fugue
1:08:07 III. Sarabande
1:12:30 IV. Gigue - Double
Partita in E Major, BWV 1006a:
1:16:00 I. Prelude
1:20:46 II. Loure
1:23:54 III. Gavotte ‘en Rondeau’
1:27:30 IV. Menuets I & II
1:32:53: V. Bourrée
1:35:18 VI. Gigue
1:38:08 Prelude in C Minor, BWV 999
1:39:46 Fugue in G Minor, BWV 1000
Fou d'amour pour le Luth.
Très belle interprétation...🌷
Incredible, Bach was so sensitive to beauty, he understood it very well.
Не знала, что у лютни такой звук! Благодарю!
Thank you again, Brilliant Classics!
Wunderschöne Interpretation dieser relativ selten aufgeführten doch perfekt komponierten Meisterwerke im lyrischen Tempo mit schimmerndem Klang des historischen Instruments und mit perfekt kontrollierter Dynamik. Wahrlich genialer Virtuose!
Silly me, listening to this for 3:50min and wondering when the flute melody finally sets in.
Only then I realized that it says Lute in the title xD
Still excellent ;)
Very nice 👏👏👃thank you for this marvellous album. Greetings from Izmir in Western Turkey...
Magnifique
Thank you thank you thank you!
Very nice indeed. Thanks Brilliant Classics!
Thank You !
Hola! Saludos. Gracias por compartir está bellísima musica. Ciao.
Bel artiste ,très beau jeu ,clair,bien articulé,son intéressant,belle technique,bon instrument ,enregistrement propre, Merci !
Depois de um dia de trabalho complicado, cansativo... é muito relaxante ouvir Bach. Obrigada por compartilhar...✨🎼✨🎼✨👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻
best, best, best, best, best, best, best!!!!
♥
Bach kicks ass
Brilhante de verdade
É raro ver brasileiro que aprecia a verdadeira arte da música de verdade, fico feliz com isso.
Hi guys, you're doing great 👍 😊!
If there is something this album stands apart for is the sound. Miced very closely I would beleive, the instrument sounds warm and full and very detailed but never boomy, and the reverb is exquisite. There's quite a few noticeable edits, but that is soon forgotten. The playing is expansive, with remarkable improvisation in a few pieces. Definitely not your run of the mill sound when you compare to other famous players recordings, but nevertheless very enjoyable and I recommend the album.
Mario.... e' un bellissimo complimento che L'oiseau noir ti ha fatto!
e tene faccio uno anch'io. Wonderful interpretation of music I love (non tenere, pero', il microfono cosi vicino allo strumento ;-) )
That reverb................
Artemisia Gentileschi 8 July 1593 - c. 1656 “Self-Portrait as a Lute Player”
#bringbackthelute
Hard to tell what kind of "lute" he is playing, but it does not sound like a historical baroque lute that Bach knew.
is this music Bach originally wrote for the lute, or is it a translation from keyboard to lute?
It was mostly written for the lute. Some for the Lautenwerk, like the BWV 996 and 997
@@BrilliantClassics thank you so much for your response
The Partita BWV 1006a was originally for violin
They are the author's own transcriptions:
- BWV 995: from cello suite in c minor
- BWV 1006a: as said above, from violin partita in e major
- BWV 1000: from violin sonata in g minor
@@BrilliantClassics Some people believe it was not actually lute but a hybrid instrument called lute-harpsicord.
29//17.09.2020.
quel luth est utilisé?
A 13-course Baroque lute by Ivo Magherini
@@BrilliantClassics merci ! bel instrument sonorité intéressante !
The only instrument better than the lute is the oud.