《粵語長片 》父母心 (1955)｜馬師曾 | 黃曼梨 | 林家聲 | 阮兆輝 | 黃楚山 | 導演：秦劍｜香港電影｜香港粵語電影｜粵語中字
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- เผยแพร่เมื่อ 1 ต.ค. 2024
- 生鬼利把希望都寄託在兒子身上，惜戲班解散，長子志權不忍用父親辛苦賺來的錢上學，毅然離家，讓利大怒。利妻病逝，利更因操勞過度而失聲，生計不保，幼子志威被逼學戲。權終學成回來，病重的利再見兒子，大感安慰。
《粵語長片 》父母心 (1955)(上集)｜馬師曾 | 黃曼梨 | 林家聲 | 阮兆輝 | 黃楚山 | 導演：秦劍｜香港電影｜香港粵語電影｜粵語中字
超過1500部粵語長片，光華重現，套套經典，百看不厭，光影流星，回味無窮！快啲入嚟粵語長片台「訂閱頻道」及「按鐘仔」，有新片就會馬上通知你！
立即免費訂閱▶ / @cantonesefilm_classic
吳楚帆系列
• 吳楚帆系列
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• 林家聲系列
南紅系列
• 南紅系列
張瑛系列
• 張瑛系列
中聯出品 必屬佳品
也許我們這一代透過以前的國，粵語片才知道社會艱難。這套片更被譽為100部不可不看的港產片。各演員表演出色特別老馬的唱腔別有風格，在結尾黃楚山的一句說話“只是想有兩餐溫飽都咁艱難”聽來令人心酸。
聲哥好靚仔，做得好好
以前d粵語長片，最後會說當時年代的困難和人民受苦，做人父母應當怎面對？好有人生思考和判斷，年已變遷，現在電影會用良心去拍一套，省悟人生的電影嗎？
真係感人嘅好戏。好有教育性质嘅好戏，反映呢个社会贫穷家庭但卫大为了儿女前途嘅父母。 赞 ！赞 ！赞 ！
極有營養及教育意義影片👍👍👍感謝粵語長片台上載 ［ 父母心］🙏🙏🙏💖💖💖, 故事內容非常之感人, 當年22歲的林家聲真係好英俊好靚仔! 😍😍😍當年童星阮兆輝小小年紀演技也很不錯!👍👍👍
1:05 .
❤
請問旁白是否秦劍導演？
因為知道《金蘭姊妹》係由秦劍旁白
我一直以為「金蘭姊妹」的旁白是李鐵！
@@lilylilyli1
網上資料顯示秦劍導演為《金蘭姊妹》做旁白，原來秦導演把聲都幾好聽。
@@candydannychan2307 謝謝告知！🙏🏻
以前的電影,感人肺腑,育人！❤❤❤
好有意思，以前D人幾困難都會堅持生存，咬緊牙関，飯餸都很少及清淡。現在D人會逃避或輕生。現在物質比以往豐富反而人更不開心？
A very nice yet sad movie. Lum Kah Seng was so handsome in this movie as his face not so skinny. I ❤ the little boy who played his brother...such a talented young actor.
呢套片好感人，馬師曾，黃曼梨真係演得好入戲，林家聲演此片時好年輕，好靚仔，把聲好好聽，他演馬的大兒子很切合角色，演得好，謝謝粵語長片台上載好片讓我們欣賞。
曾睇過呢部影片好感人🥺 感謝分享!
以前啲影片就係好睇嘅 ！吾似而家嘅电影吾好睇又吾感人。
@@johnshino9841 認同😊
好懷念聲哥隨和溫文爾雅尊重前輩敬業樂業睇返聲哥舊粵語長片聲哥好年輕 溫文爾雅歡仔骨骨 主演有為青年 投入 戲劇中人 唱做 演技日日進步 努力勤奮 做到 電影當紅小 生 繼續努力做到粵劇 殿堂級文武生 大老官 捱 盡艱苦 永遠尊敬懷念 聲哥 永遠係我唯一偶像 永遠尊敬懷念聲哥
好精彩！👍👍👍👏👏👏
这套戲就好像我小時的生活難，我爸爸好辛苦的泒報纸，學做電工，都要留钱给我讀幼稚園，都是想我識字，有文化，我好感恩，因為以前的人認為女孩子不用讀書，長大了就嫁出去就算。
23 OCT 2023
Such beautiful, heart-bearing honesty and poignancy, much appreciated. Yes indeed, there are parents who suffer much for the love of their offspring given their innate sense of parental responsibility despite great financial hardships. They are the unsung heroes through the ages. Filial children are the heavenly-mandated rewards. Now compare what William Shakespeare observed centuries ago : "How sharper than a serpent's tooth it is to have a thankless child!"
"Fu mu en Sheng wan jin
Chun hui cun cao xin
Tui qin song nuan Shi du qing shen"
"Fu Mu En" - Samuel Hui
Thanks.
人生如戲，切實發生在社會裡.....
感謝上傳
感人 寫實 眾星演技大爆發 牽引觀眾的情緒 很感動 👍👍👍👍
好真貴的友情親情💪️💪️💪️
睇完父與子再黎睇父母心,睇到眼都濕,心都實埋😢真係可憐天下父母心,對父母親要感恩🙏多謝上載🙏
Stupid background close optimist no sound 😂😂😂😂😂😂😂😂😂😂😂😂
Thank you very much for your message and support. Since this part of the music involves copyright issues, the sound has been muted. Thank you for your understanding.
想看家春,秋多謝
😢❤❤❤
台詞是演員張生背誦
29 Jan 2023
When every single viewer's comments/review on YT of a particular movie weighs on the side of unreserved approbation, it does make one sit up and take notice, wonder, and post-viewing, to ponder and evaluate the claims' veracity. Especially when the film is considered "one of the best HK films of all time" by critics/cinema historians. Hmm...I'm wholly obliged already to add to the clamour of acclamation here as it is.
1) One yardstick of a film's engagement with/acceptance by the (paying) audience is its relatability. And the main thread of emotional tugging and resonance here in this movie's script is the unbearable poverty of being. It is sometimes nobly proclaimed that "suffering/deprivation is good for the soul". Well, it is far easier to sit, with a full stomach, to pontificate and asseverate; it is quite another matter to suffer the travails of hunger and constant, devastating worries of the next job assignment and piecemeal remuneration. Hunger pangs certainly enervate the body. So, does it always uplift the spirit?
2) This movie was made in 1955, at a time when the undeniable harms of smoking were not fully medically established yet. So, even as the purse is void of dollar notes/coins, we have the chief protagonist (Ma Sze Zeng) burning his few remaining pennies on cigarettes, aggravating his physical well-being and waning respiratory fitness/singing vocal cords and failing to executed his operatic, acrobatic moves, necessitating critical hospitalised care. What a vicious circle to be trapped in. Poor health is indisputably a major setback in life surely!
3) Are three meals a day a mandate from Heaven? Solid clinical experiments have proven beyond doubt that it's but a social/cultural construct. Innumerable people since time immemorial have survived and thrived on but two meals daily. Especially for sedentary/obese individuals, sensible caloric intake/reduction must form part of an integral/holistic weight loss regime.
4) The scene where the younger son of Sze Zeng proclaims excitedly each time his father comes home past midnight from work because supper was likely to be had really hitss home for me poignantly. Back during my boyhood years, residing at the long-demolished Queen's Crescent rental housing estate (Queenstown, Singapore) my late father, a coffee shop cook then, would return home around 12.45 am too. And yes, on occasions with supper (excess/unsold fried noodles/rice. What a treat it was always . Father's love. You have to cry for the kids orphaned at a young age, truly.
This movie hurts so bad that it is paradoxically good for the soul.
5) The young boy's acting instincts - on a par with the legendary Fung Bo Bo?
6) Wong Man Lei's top notch portrayal as the grief-laden and conflicted wife and mother just adds to her marvellous career's curriculum vitae. Par for the course, ain't it? (More than once in different outings including this film and the iconic "Brothers" tv drama series (Chow Yun Fat/Carol Cheng) she let it be known her real-life deprivations and depredations during the Japanese invasion of HK in WW2, including of course severe hunger pangs leading to gastric ailments). Raised in poverty, married poor. How many of todamodern young girls in comfortable financial straits will ever place "suffering/deprivation is good for the soul" over material comforts and security?
7) That family portrait/photo hanging in the living room of their modestly furnished abode - the poses are just picture perfect!
8) Ma Sze Zeng's visceral reluctance to allow his younger son to take up apprenticeship in opera training so as not to suffer his own fate - actually times have changed for sure. Today's aspiring artistes,even for young prodigies, must meet minimum academic curriculum standards in tandem with their chosen field of artistic pursuit. That's a wholly heartening development especially when one recalls how precocious child talents Josephine Siew Fong Fong and Fung Bo Bo both made the life-changing decision to put their acting career on hold so as to receive a proper/legitimate if belated formal schooling, before resuming their screen credits.
9) Last point. Today's chinese operatic stage shows (especially in classical dialects) are hard pressed to fined a youthful audience,at least in Singapore definitely (where Chinese dialects have been subsumed by the government's "Speak Mandarin Campaign" instituted in 1979). Even among the much older seniors, numbers swindling fast, during the 7th Lunar month "Hungry Ghost Festival" ("Zhong Yuan Jie") the audience barely reaches a mere handful. Pathetic! Instead, its modern iteration of sexily-costumed singers, comedians, dancers and master-of-ceremony have taken over, belting out contemporary pop ditties to appease the wandering spirits. It's hard reality. Sigh....the price of progress....Thanks.
以前是唔窮唔學戲，而家是有錢才可以學戲，有錢登台唱曲是閨秀唱家，冇錢的是唱瓜而已！😢
唱曲係羅家權，但唔知係咪佢？❤🎉😂😅
來回香港都係德星佛山。❤🎉😂😅
Sentiment, !
12分钟后是不是声画不同步？
我冇睇錯，廣東先生真的是羅家權前輩。❤🎉🥰😍🤩
神童輝👍👍
點解失聲
非常感謝你的留言及支持。由於該部份音樂涉及版權問題，故此聲音被靜音， 敬請諒解。
@@cantonesefilm_classic 多謝，但我係問 劇中的 爸爸 點解 失聲 冇法唱戲了
故事感人，秦劍導演嘅戲，都有一定的水準，而馬師曾與輝哥呢對父子，非常生鬼⋯謝謝上載！🙏🙏
你夠 生櫃喇
你夠感人喇
故事非常感人，父親非常有遠見，堅持要2兒讀書。
@@winniehui4258 送仔做學徒 也幾好，點解佢唔要
這間是何文田勞工子弟學校。