@@srinitaaigaurayeah lots of people intimidated by Heifetz’s teaching style. But he is just all business. But their are some truly awful people that have taught.
5stringofFernandoSor Heifetz could play the piano and the viola. But he was a master of the violin. He expected all three instruments from his violin students, too.
@@justinbill3101 Brooks Smith said it was very difficult to meet Heifetz's expectations because for one, Heifetz could play all the piano parts better than him.
These historic films show us a different Heifetz with flashes of humor mixed into his instruction of these gifted students. For them, these moments will remain with them throughout their lifetimes, the tremendous opportunity to be in a Master Class of the incomparable Jascha Heifetz. How wonderful to be able to view these videos as Mr. Heifetz listens and instructs a very few chosen ones who have demonstrated the talent necessary to be in his Master Class.
A different masterclass style compared with others on youtube (Perlman and Menuhin I've seen, maybe Stern), but I find his high standards with little bits of humor thrown in between to be very effective. Thanks for sharing.
"Take more time, more bow . Nobody is after you, no rushing. More bow". When I was his student, he brougt a half size bow and gave me to use it during the lesson because I was n't using enough bow. What a gracious and kind teacher Heifetz was. Since than my habit got fixed for the rest.
Very underrated point. Can't tell you how much I have to tell some kids and even some performers this. They've been playing for years but they're simply not using enough bow at all. Without fixing that it's impossible to fix a lot of other issues. When I was learning my teacher told me that this was by far my biggest issue as well.
@@srinitaaigaura In my opinion you have to teach your students in particular HOW to use more bow. If they will be able to use much bow, most of them will like to do so.
He shouldn' t have said: "More bow!", he should have said: "Feel free in your arm and move it, as well your upper arm as your lower arm!" Doing this way, the student would probably have been using more bow.
The girl playing the first movement of Bach's Violin Concerto no. 1 (with Heifetz at the piano) is Carol Sindell, who was 14 or 15 at the time. Sindell, who still performs and teaches today, was then the youngest student taken on by Heifetz. The Maestro wasn't as hard on her as he was on his older students, as he knew she would take it badly. This rare (for him) kid-gloves-treatment of a student (by Ms. Sindell's later admission) worked wonders for her.
Thanks for the comment. I wondered, but I figured he had decided to take students at varying levels. I would have been terrified to play for him when I was at her level. I wouldn’t be terrified now, not because I’m a great player but because I’ve largely lost fear.
Sure looks fun🙄 I think the Navy Seals are easier. But honestly, this is the most human I've ever seen him. He's actually very involved in the teaching. For those marvelling that he can also play the piano...I once spoke to Brooks Smith, the accompanist here. I asked what it was like working with Heifetz. He laughed: "Very difficult! He knew the piano parts better than I did, and he could play them better too." It's interesting to watch the very best who ever lived teaching his craft. His mind is just as impressive as his fingers.
i dont play the violin, i just happened upon one of these videos as you do on youtube now completely obsessed with heifetz what a musician what a total master
I'm not a violinist either but damn, this man has this sort of aura of being proficient and expecting proficiency from those around him. He's fascinating!
@@quokka585 Yes I was but not the last.1973~ for 4 years, at the U.of Southern Cal. I am now living in Korea. My playing is on youtube, in the name simon young kim. Did you have any question regarding Heifetz? Or are you a violinist?
The last violinist has excellent technique, but Heifitz is correct in the need for a lot more bow to give each note more meat! He must have had a wonderful career. And he was less nervous by Heifitz than Claire Hodgkins. Poor Claire was understandably a nervous wreck.
44:22 "It sounds a little panicking..." "More bow!! ... Nobody is rushing you. Nobody is after you." (But somebody is in front of him...) PS: More bow!!
Not sure where you are coming from. Heifetz was an incredible musician, with a lot of emotion. Just listen to him, and not watch his movements. Hilary Hahn has the same criticism. Totally not justified. Both are incredible artists.
Obviously a unique opportunity to work with Heifetz. BUT, does anyone else agree with me in being a little taken-aback at how joyless the whole thing seems?
Old school teachers didn't exactly crack too many jokes in class. Today's teachers do their best to put the students at ease. But Heifetz believed facing nerves is an essential part of playing in public, so he let it stay. 😅
Almost all the great violinists play the piano, too. It often helps understanding peaces and for many people it is considered an important part of musical education.
Especially important to learn the fundamentals of the music as it can take a long time to just learn to bow even and straight and play in tune on the violin
Calling gifted mortal humans God ... And no faith in the real living and revealed God. It's a crazy upside-down world today. Stick to this nonsensical error and it will have the highest price for you. For Heifetz's grace won't save you!
16:08 Gitlis was the 12 minute performance. Poor Ivry, he always sounded like he was running to catch a bus before it rounded the corner. Rosand was the 18 minute one, holding up all the phrases and doing tons of rubatos.
It had to be hard to have a master class with Heifetz on a piece that Heifetz owned (the Tchaikovsky). The young man did OK (actually more than OK!) and I am sure learned a lot. What fun to watch. I also came away with a better appreciation of the concerto and the maestro. Thank you for this video!
This man went all over the world . Is Dont pronounced with T . He probably learned French before he camer to the U.S. If he was at a masters class in the U.S . the Asians would be playing this stuff as well as any professional . I wonder what head of Violin department she became . I'd like to see what he'd think of the super musical virtuosi we have today ! He had a style unlike anyone and you ususually know his sound . The Strad he had must have been very special !
Waait , isn t dont 5 supposed to be in detache I just edited to express my gratitude to the extraordinary musician , artist and teacher Heifetz becouse he existed, and look at us still being able to learn from the master so many years later with the help of this type of content .
Yeah, the interesting part starts at 17:00 when Heifetz tries to teach his (very good) student, how the passage should be played. The only bad thing is: nobody else could play this passage as Heifetz could. So the student finally failed, but on a very high level. As it is true for many of his masterclasses.
Insult+Injury=Hearing Heifetz play+being in his master class. Hearing Heifetz as a child was demoralizing to me as a young violinist. How could anybody even hope to play like that? And yet, that was how it should be played. Somehow I managed to keep making half-ass attempts.
Eric Friedman later became professor of Yale. Tall blond Claire Hodgkins became assistant to Heifetz. Pierre Amoyal well known soloist and professor in Europe.
Here is one of the answers: drive.google.com/file/d/11aVzgooiO4EPfuavsvgc4W13qncj-7ss/view?usp=sharing Bartok, Sonata #2 drive.google.com/file/d/1MHxwFIqgbE8UNAKPWnj5mLEp3bsg2szu/view?usp=sharing Dvorak-Kreisler Slavonic Dance (1972) drive.google.com/file/d/1lZ6zzj2pWqd6PPgv915hajBtXQopLR2X/view?usp=sharing Julien Francois Zbinden: „Rhapsodie” I won the price for the best interpretation of a Swiss work in Geneva. drive.google.com/file/d/1APT8JioqMToyhGeNLeP29MsKQgElsyMA/view?usp=sharing (Paganini capriccios 13 & 9) drive.google.com/file/d/1JmZCdygCoBiMBUVlGJriQrF_ed_waB8P/view?usp=sharing Prokofiev and Szymanowski Studio Recording Baden-Baden drive.google.com/file/d/1urhQGkRQogaA_5shQa8TOF_97049G1L8/view?usp=sharing Havanaise - live - Mpls… 1971? drive.google.com/file/d/1BaMUVfbgdHzYsMCX6HX4jEn_nKSm_12e/view?usp=sharing Sinding Suite live Mpls recital drive.google.com/drive/u/0/folders/1Zjj_NJRsxRscX-9uazrbIxiUOjgnKlhb Achron: Stimmungen & Hebrew Lullaby drive.google.com/drive/u/0/folders/1Zjj_NJRsxRscX-9uazrbIxiUOjgnKlhb Bruch: Concerto No.2 in A-minor 1st m. drive.google.com/drive/u/0/folders/1Zjj_NJRsxRscX-9uazrbIxiUOjgnKlhb Alexander Tcherepnin: Duo Concertante with Leonhard Wallisch cello drive.google.com/drive/u/0/folders/1Zjj_NJRsxRscX-9uazrbIxiUOjgnKlhb Brahms: Double Concerto with the Minnesota Orchestra, S. Skrowaczewski, Tony Elliot cello drive.google.com/drive/u/0/folders/1Zjj_NJRsxRscX-9uazrbIxiUOjgnKlhb
drive.google.com/file/d/1MHxwFIqgbE8UNAKPWnj5mLEp3bsg2szu/view?usp=sharing Dvorak-Kreisler Slavonic Dance (1972) drive.google.com/file/d/1lZ6zzj2pWqd6PPgv915hajBtXQopLR2X/view?usp=sharing Julien Francois Zbinden: „Rhapsodie” I won the price for the best interpretation of a Swiss work in Geneva. Sinding Suite live Mpls recital drive.google.com/drive/u/0/folders/1Zjj_NJRsxRscX-9uazrbIxiUOjgnKlhb Achron: Stimmungen & Hebrew Lullaby
HE Heifetz era diciplinado e meio militar mas ate hj ninguem pega o cara nas escalas e perfeiçao de dedilhado com arcadas conometradas como foce uma maquina e tenho sertea dedepois dele muitos tento copialo mas e durezza hehehe
the technique of the last violinist is amazing. however, i suppose, when Heifetz says more bow, he means actually more music. he didn't catch this point.
I personally think he just literally means using more bow because the last player indeed uses very little bow and the notes from the player are squeezed.
I know nothing about playing the violin but these are presumably quite advanced students. The girl's scales starting at 2:00 seemed pretty ropey to me - were they quite difficult?
Yes. They're octave scales, and more importantly, the arrangement of the fingerings makes them more difficult to play perfectly in tune. I should also mention that with octave scales, even small errors are noticed much more than in a normal scale.
octave scales are always a problem for violinists!!! you don't really even need to do them....in my opinion... it's a virtuosic technique that is really sparely used. when they're used, it's not for a really long time, so you could just practice that particular part...sibelius or ysaye 6 for example, contain fingered octaves. I don't think a violinist ever uses fingered octaves in orchestral repertoire?
You have to remember these people are playing to be critiqued by (almost objectively) the greatest violinist alive. So just imagine what's going on in their heads. "He's going to notice if a play a note the slightest bit flat even if i don't notice myself, he probably thinks I have really poor tone quality because I mean I'm obviously nothing compared to him, is my posture just right - probably look like I don't know what I'm doing, I can barely even believe I'm getting to meet this guy, I should have practiced more..." And on and on and all these thoughts are running through her head and she's getting really nervous and can't focus. It's like when you're trying to talk to someone that you're intimidated by for whatever reason and you can just barely even put sentences together.
Also the spacing between the notes the higher you get becomes much closer. Much harder to play in tune. And the octaves, well the spacing is continuously changing too. Takes a lot of muscles memory. Not short cut to getting it down.
It looks that Heifetz gave only advice when students played music pieces that has more technique challenges. He did not gave any advice to the first two women. He did not say a word to them😔
i suppose if you can stay in one piece after playing in front of heifetz, you will never ever get stage fright.
or get PTSD for the rest of one's life LOL
@Zachary Dominik Nobody cares. Now you know.
Try Auer...he was basically an active volcano, that could erupt any moment.
@@srinitaaigaurayeah lots of people intimidated by Heifetz’s teaching style. But he is just all business. But their are some truly awful people that have taught.
Kind of scary though... makes me wanna practice and it's midnight
Damn, I never knew Heifetz could play the piano too. What an incredible talent. He's pretty damn good on the keyboard.
5stringofFernandoSor Heifetz could play the piano and the viola. But he was a master of the violin. He expected all three instruments from his violin students, too.
Apparently Auer, his teacher, would make the students accompany each other.
@@pneron2032 That's a very good way to ensure the students get holistic practice + save money on an accompanist, lol
When you reach the top on any instrument, you'd be able to be excellent on any other instruments after practice, but not as good.
@@justinbill3101 Brooks Smith said it was very difficult to meet Heifetz's expectations because for one, Heifetz could play all the piano parts better than him.
If only I was alive back then so I had the chance to hear Heifetz in concert.
2:38 "Mr. Heifetz!"
Love it:-)
These historic films show us a different Heifetz with flashes of humor mixed into his instruction of these gifted students. For them, these moments will remain with them throughout their lifetimes, the tremendous opportunity to be in a Master Class of the incomparable Jascha Heifetz. How wonderful to be able to view these videos as Mr. Heifetz listens and instructs a very few chosen ones who have demonstrated the talent necessary to be in his Master Class.
A different masterclass style compared with others on youtube (Perlman and Menuhin I've seen, maybe Stern), but I find his high standards with little bits of humor thrown in between to be very effective. Thanks for sharing.
"Take more time, more bow . Nobody is after you, no rushing. More bow". When I was his student, he brougt a half size bow and gave me to use it during the lesson because I was n't using enough bow. What a gracious and kind teacher Heifetz was. Since than my habit got fixed for the rest.
Very underrated point. Can't tell you how much I have to tell some kids and even some performers this. They've been playing for years but they're simply not using enough bow at all. Without fixing that it's impossible to fix a lot of other issues. When I was learning my teacher told me that this was by far my biggest issue as well.
@@srinitaaigaura Good point.
@@srinitaaigaura In my opinion you have to teach your students in particular HOW to use more bow. If they will be able to use much bow, most of them will like to do so.
He shouldn' t have said: "More bow!", he should have said: "Feel free in your arm and move it, as well your upper arm as your lower arm!" Doing this way, the student would probably have been using more bow.
@@egon4593 Right
I would be freaked out just by the idea of playing for Heifetz..
oh god, he's giving us such a life lesson....
KNOW YOUR SCALES !!!! :P
I mean, it sounds dumb. But after taking a 20 year hiatus and coming back, a lot of times simple things are very profound.
almost four decade after his passing and still a TRUE LEGEND
The girl playing the first movement of Bach's Violin Concerto no. 1 (with Heifetz at the piano) is Carol Sindell, who was 14 or 15 at the time. Sindell, who still performs and teaches today, was then the youngest student taken on by Heifetz. The Maestro wasn't as hard on her as he was on his older students, as he knew she would take it badly. This rare (for him) kid-gloves-treatment of a student (by Ms. Sindell's later admission) worked wonders for her.
She looks much older.
Thanks for the comment. I wondered, but I figured he had decided to take students at varying levels. I would have been terrified to play for him when I was at her level. I wouldn’t be terrified now, not because I’m a great player but because I’ve largely lost fear.
I believe that in Heifetz's brain phrase "I CAN'T" would not even exist..
Are you an American or a ameri. Can’t
Sure looks fun🙄 I think the Navy Seals are easier. But honestly, this is the most human I've ever seen him. He's actually very involved in the teaching. For those marvelling that he can also play the piano...I once spoke to Brooks Smith, the accompanist here. I asked what it was like working with Heifetz. He laughed: "Very difficult! He knew the piano parts better than I did, and he could play them better too." It's interesting to watch the very best who ever lived teaching his craft. His mind is just as impressive as his fingers.
"Mr Heifetz!" at 2:37 is like something out of a 1930's drama!
or a 50S Blue movie........
"Dont Caprice No. 5", that the first girl played was awesome. I loved the bow action.
i dont play the violin, i just happened upon one of these videos as you do on youtube
now completely obsessed with heifetz
what a musician
what a total master
I'm not a violinist either but damn, this man has this sort of aura of being proficient and expecting proficiency from those around him. He's fascinating!
The first blond lady's name is Claire Hodgkins. Later she became assistant to Heifetz master class.
김영근 wow, go girl!
김영근 are you Heifetz's last student?
@@quokka585 Yes I was but not the last.1973~ for 4 years, at the U.of Southern Cal. I am now living in Korea. My playing is on youtube, in the name simon young kim. Did you have any question regarding Heifetz? Or are you a violinist?
김영근 I came across an article about you and Heifetz several years ago and just wondered if it was you
@@quokka585 must be me then.
I'm scared just from watching. What a man.
I’ve always wanted to be the best at something… when I watch and listen it makes me cry to think how I’ve missed out on the gift I never new I had
That guy playing in the second half is really good. Damn.
The last violinist has excellent technique, but Heifitz is correct in the need for a lot more bow to give each note more meat! He must have had a wonderful career. And he was less nervous by Heifitz than Claire Hodgkins. Poor Claire was understandably a nervous wreck.
44:22 "It sounds a little panicking..."
"More bow!! ... Nobody is rushing you. Nobody is after you."
(But somebody is in front of him...) PS: More bow!!
🤣🤣🤣🤣🤣Heif.....😂😂😂😂
ANNA MARTÍ🐾🐾.MARAVLLOSAS
LAS CLASES DE VIULÍ DE ...
¡¡¡¡¡!!!¡¡¡¡¡ JAICHA JEIFERT ¡¡¡¡¡!!!¡¡¡¡¡👏👏👏👏👏👏👏👏👏👏🐾🐾❤❤🥀🥀🥀
It's better to learn how to play a billion scales perfectly, like a machine, as he did, than one piece of music like a machine.
Not sure where you are coming from. Heifetz was an incredible musician, with a lot of emotion. Just listen to him, and not watch his movements. Hilary Hahn has the same criticism. Totally not justified. Both are incredible artists.
@@michaelauest1532 Very, very true!!!
That Bach was magnificient. And the young girl played divine
Obviously a unique opportunity to work with Heifetz. BUT, does anyone else agree with me in being a little taken-aback at how joyless the whole thing seems?
Old school teachers didn't exactly crack too many jokes in class. Today's teachers do their best to put the students at ease. But Heifetz believed facing nerves is an essential part of playing in public, so he let it stay. 😅
@@srinitaaigauraI just see all business. No extra pressure, he knew his presence was intimidating enough.
Oh, I can feel what the students were feeling! A lamb in front of a wolf!
This is just superb! I love Heifetz! Thanks for sharing!
Wow sight-reading on the piano...
Hadassah Oo I know!!!
Almost all the great violinists play the piano, too. It often helps understanding peaces and for many people it is considered an important part of musical education.
Especially important to learn the fundamentals of the music as it can take a long time to just learn to bow even and straight and play in tune on the violin
What an honor to be able to get violin lessons in front of God himself. Can only imagine their hearts racing
Calling gifted mortal humans God ... And no faith in the real living and revealed God. It's a crazy upside-down world today.
Stick to this nonsensical error and it will have the highest price for you. For Heifetz's grace won't save you!
i enjoyed watching this so much! I did not know Mr. Heifetz could play the piano so well too.
He was so good Brooks Smith said he could play all the piano parts better than him.
12:29 it needs more mmmmmm......Heifetz goes nuts......lol i love it.
What an honour to be taught by the virtuoso! The thought itself makes me faint.
16:08 Gitlis was the 12 minute performance. Poor Ivry, he always sounded like he was running to catch a bus before it rounded the corner. Rosand was the 18 minute one, holding up all the phrases and doing tons of rubatos.
Great Masterclass !!
First instruction: listen to Heifetz play.
Second instruction: learn to play like Heifetz.
Next!
great teacher and good fun makes you think which is good he is great gets every note correct
If he had just said "MORE COWBELL!" I think blondie would have understood. I need more COWBELL, baby! Then he would have made Heifetz smile.
Thank you a lot for sharing!!
Nice playing 👌
nice to see Heifetz smile.
12:57 to 13:30 My goodness! We will not be hearing playing like that any time soon - that intensity!
It had to be hard to have a master class with Heifetz on a piece that Heifetz owned (the Tchaikovsky). The young man did OK (actually more than OK!) and I am sure learned a lot. What fun to watch. I also came away with a better appreciation of the concerto and the maestro. Thank you for this video!
USE MORE BOW
USE IT!
Absolute gold :)
p.s.: I suppose in another life, Heifetz could've been Emperor Palpatine lol
This man went all over the world . Is Dont pronounced with T . He probably learned French before he camer to the U.S. If he was at a masters class in the U.S . the Asians would be playing this stuff as well as any professional . I wonder what head of Violin department she became . I'd like to see what he'd think of the super musical virtuosi we have today ! He had a style unlike anyone and you ususually know his sound . The Strad he had must have been very special !
Incredible men....
Came from part one and am still as stressed for them
He's amazing
Wonderful!
SHOOOW!
感谢上传，目睹大师风采。
What a Master
Thanks for the series video
Waait , isn t dont 5 supposed to be in detache
I just edited to express my gratitude to the extraordinary musician , artist and teacher Heifetz becouse he existed, and look at us still being able to learn from the master so many years later with the help of this type of content .
The GOAT
Yeah, the interesting part starts at 17:00 when Heifetz tries to teach his (very good) student, how the passage should be played. The only bad thing is: nobody else could play this passage as Heifetz could. So the student finally failed, but on a very high level. As it is true for many of his masterclasses.
Seems like he's less hard on girls. Those scale and octaves were intimidating as shit
Eunmin Woo nope. This young lady (the first one) is bloody brilliant. She became his assistant so hardly a fate easily achieved.
The master…!
Heifetz è un GENIO per tutti i tempi!
those are some bad ass scale....
The Boss
that part is inceredible 47:10 - 48:50
I wonder what violin he used for classes. As he had priceless violins surely this was not one.
The Tononi or one of his many practice violins.
Insult+Injury=Hearing Heifetz play+being in his master class. Hearing Heifetz as a child was demoralizing to me as a young violinist. How could anybody even hope to play like that? And yet, that was how it should be played. Somehow I managed to keep making half-ass attempts.
:47 "I have etudes" Heifetz really missed a comedic chance. "Well, maybe you should see a doctor about those?" heheheh
I really would like to know who are/were these students and what have happened to them. Have they become great musicians, teachers or something else?
Eric Friedman later became professor of Yale. Tall blond Claire Hodgkins became assistant to Heifetz. Pierre Amoyal well known soloist and professor in Europe.
Here is one of the answers: drive.google.com/file/d/11aVzgooiO4EPfuavsvgc4W13qncj-7ss/view?usp=sharing
Bartok, Sonata #2
drive.google.com/file/d/1MHxwFIqgbE8UNAKPWnj5mLEp3bsg2szu/view?usp=sharing
Dvorak-Kreisler Slavonic Dance (1972)
drive.google.com/file/d/1lZ6zzj2pWqd6PPgv915hajBtXQopLR2X/view?usp=sharing
Julien Francois Zbinden: „Rhapsodie” I won the price for the best interpretation of a Swiss work in Geneva.
drive.google.com/file/d/1APT8JioqMToyhGeNLeP29MsKQgElsyMA/view?usp=sharing
(Paganini capriccios 13 & 9)
drive.google.com/file/d/1JmZCdygCoBiMBUVlGJriQrF_ed_waB8P/view?usp=sharing
Prokofiev and Szymanowski Studio Recording Baden-Baden
drive.google.com/file/d/1urhQGkRQogaA_5shQa8TOF_97049G1L8/view?usp=sharing
Havanaise - live - Mpls… 1971?
drive.google.com/file/d/1BaMUVfbgdHzYsMCX6HX4jEn_nKSm_12e/view?usp=sharing
Sinding Suite live Mpls recital
drive.google.com/drive/u/0/folders/1Zjj_NJRsxRscX-9uazrbIxiUOjgnKlhb
Achron: Stimmungen & Hebrew Lullaby
drive.google.com/drive/u/0/folders/1Zjj_NJRsxRscX-9uazrbIxiUOjgnKlhb
Bruch: Concerto No.2 in A-minor 1st m.
drive.google.com/drive/u/0/folders/1Zjj_NJRsxRscX-9uazrbIxiUOjgnKlhb
Alexander Tcherepnin: Duo Concertante with Leonhard Wallisch cello
drive.google.com/drive/u/0/folders/1Zjj_NJRsxRscX-9uazrbIxiUOjgnKlhb
Brahms: Double Concerto with the Minnesota Orchestra, S. Skrowaczewski, Tony Elliot cello
drive.google.com/drive/u/0/folders/1Zjj_NJRsxRscX-9uazrbIxiUOjgnKlhb
drive.google.com/file/d/1MHxwFIqgbE8UNAKPWnj5mLEp3bsg2szu/view?usp=sharing
Dvorak-Kreisler Slavonic Dance (1972)
drive.google.com/file/d/1lZ6zzj2pWqd6PPgv915hajBtXQopLR2X/view?usp=sharing
Julien Francois Zbinden: „Rhapsodie” I won the price for the best interpretation of a Swiss work in Geneva.
Sinding Suite live Mpls recital
drive.google.com/drive/u/0/folders/1Zjj_NJRsxRscX-9uazrbIxiUOjgnKlhb
Achron: Stimmungen & Hebrew Lullaby
@@myrnaadamone4378 Thank you , I can see the feel of Heifetz. Enjoyed very much.
HE Heifetz era diciplinado e meio militar mas ate hj ninguem pega o cara nas escalas e perfeiçao de dedilhado com arcadas conometradas como foce uma maquina e tenho sertea dedepois dele muitos tento copialo mas e durezza hehehe
One of my old violin teachers, the late Edgar Ortenberg of the Budapest String Quartet, was fond of saying "any dummy can play the piano". LOL
MORE BOWWWWW!!
Heifetz can never be to tough with Claire 🙂
yes!
the end
THE Tchaikovsky violin concerto. 3rd mov.
Это великий Хейфец...
MOOOOOOOOOOOOORE BOOOOOOOOOOOOW
PLEEEEEEEAASE
Hefitz is tougher on the most talented of them.
What is the name of the piece that the blonde guy is playing in the second part after the girl playing Bach?
He plays the 3rd mov. of Tchaikovsky's violin concerto
the technique of the last violinist is amazing. however, i suppose, when Heifetz says more bow, he means actually more music. he didn't catch this point.
I personally think he just literally means using more bow because the last player indeed uses very little bow and the notes from the player are squeezed.
32:08 section - bravo.
@Anastasiacellist you're welcome
@spider0308 you're welcome
Or as Thom Yorke says: "Anyone Can Play Guitar". :)
“You are competing with the full orchestra" xD
Who is the last guys?
What is the first piece? I couldn't understand them!
Wieniawski Polonaise Brillante No.2 in A
what year this masterclass be?
1962 according to the end credits
she is not so bad....... :)))
Probably the greatest violinist of all times... but at the same time a big AH!
AH?
Joaquin Odriozola asshole
53:30 - Heifetz punishes him for being a Roadrunner cartoon in the last movement of Tchaikovsky! haha
I liked the student's playing to Heifetz's heavy handed playing.
Lmao which student
He was trying to help her keep the beat evenly, and listen to the orchestra!
Whats the name of the blond one?
Somebody told me that all these films were scripted entirely.
I know nothing about playing the violin but these are presumably quite advanced students. The girl's scales starting at 2:00 seemed pretty ropey to me - were they quite difficult?
Yes. They're octave scales, and more importantly, the arrangement of the fingerings makes them more difficult to play perfectly in tune. I should also mention that with octave scales, even small errors are noticed much more than in a normal scale.
octave scales are always a problem for violinists!!! you don't really even need to do them....in my opinion... it's a virtuosic technique that is really sparely used. when they're used, it's not for a really long time, so you could just practice that particular part...sibelius or ysaye 6 for example, contain fingered octaves. I don't think a violinist ever uses fingered octaves in orchestral repertoire?
You have to remember these people are playing to be critiqued by (almost objectively) the greatest violinist alive. So just imagine what's going on in their heads. "He's going to notice if a play a note the slightest bit flat even if i don't notice myself, he probably thinks I have really poor tone quality because I mean I'm obviously nothing compared to him, is my posture just right - probably look like I don't know what I'm doing, I can barely even believe I'm getting to meet this guy, I should have practiced more..." And on and on and all these thoughts are running through her head and she's getting really nervous and can't focus. It's like when you're trying to talk to someone that you're intimidated by for whatever reason and you can just barely even put sentences together.
Woo Jin Lee Octaves are very good for keeping your left hand shape intact and solid.
Also the spacing between the notes the higher you get becomes much closer. Much harder to play in tune. And the octaves, well the spacing is continuously changing too. Takes a lot of muscles memory. Not short cut to getting it down.
heifetz jouait bien sur du violon mais aussi du piano te de l'accordéon
It looks that Heifetz gave only advice when students played music pieces that has more technique challenges. He did not gave any advice to the first two women. He did not say a word to them😔
"Effective" if you're not the one trying to perform!
Around what age was Heifetz here?
60
is heifezt playing the piano??
Bastian Loewe Yes, he could play piano and viola, too.
Heifetz - "just hit the D" 19:05
Savage
What is the piece that first the girl played form approximetly 14 minutes and that part in the 22:30 the most beautiful, wich piece is that???
Aleksandar Ivanov It's Ernest Chausson's Poème opus 25. You can find Heifetz's own interpretation of it here: watch?v=JYExP5jWrvc .
Legenda pra nós aqui no Brasil
Aprende inglês osh.
@@jeol9834 tô com preguiça