Ce toucher si léger, souple, si féminin n'appartient qu'à elle. Carla Burlach, je suis fan (j'ai plusieurs disques d'ailleurs.).Bravo Madame ! Vous êtes une grande Dame de l'instrument-roi.
Voici une très brillante, très émouvante, très élégante interprétation, qui fait très chaud au coeur ... et à l'esprit ! Compliments et salutations d'un admirateur de Toulouse fr
I've listened to a few recordings of this, and none of them hold a candle to the clarity of Daria's registration! I keep coming back to be delighted all over again!
The woman has a real inate concept of artistic music and , in her own way, takes out of a rather cold world into the true spiritual place that she is presenting and owns. brava
@@raymondbeecroft4209yes! I love the way she 'swings' the Menuet - most organists are quite strict in tempo, which spoils it a little! In the Toccata you can hear every note!
Heureux de vous retrouver surtout par cette pièce de Boëlmann que j'ai jouée à maintes reprises ( sauf la toccata) Brillante et heureuse carrière Darla !
I have seldom heard the toccata so accentuated and accurate. First class work with perfect hand and footwork. Chapeau! Ich habe selten die Toccata so akzentuiert uns akkurat gehört. Erstklassiges Spiel mit perfekter Hand- und Fußarbeit. Chapeau!
I have heard and seen this piece played so many times. Its one of my favorites but never heard it played with vigor and perfection. Could not fault a thing, registration, tempo, got got it all. I want to hear more from you young lady. perfecto!!!!!!
I would love to hear Daria play this at Manchester Bridgewater Hall in the UK! The Rimsky-Korsakov Russian Easter Festival Overture, too! She transcribed it herself, you know, and did a wonderful job!
The first time I heard this piece, I was just blown away. I came upon it quite by accident and later than other organ works I love but am delighted that I did. It's such a shame that Boellmann died at such an early age. What he might have accomplished could have been mind boggling. As for the performance, very nice. I think it was very nicely done.
Yes, I am always shocked when I discover yet another great piece of music was written by someone who died so young... The mathematician in me would want to know the distribution of ages of great composers, and compare with the average.
Reminds me of Diane Bish this is one she always use to play ❤
3 ปีที่แล้ว +2
Thank you very much for a beautiful musical-spiritual experience. You play wonderfully, very sensitively and at the same time with the right temperament. From your interpretation radiates spiritual strength and hope, but at the same time with great humility and inner sophistication and calm. I wish God's blessing, good health and many musical successes and a lot of love and joy in my personal life. Pavel from Prague :-)
Perfect Daria ! All how i like to play , to me. After those 17 sonatas of D.Scarlatti by heart i think that you will be one great organist. GOOD FUTURE FOR YOU !!!!!!!!
First heard this piece as played by Dr. Keith Chapman on the Wanamaker. He made it sound effortless. Nice performance here. "Big" pieces like this always have to be a challenge, not just from the standpoint of keyboard proficiency but also tailoring the piece to the individual instrument and to the hall. Glad it's not me at the console!
This is actually one of the best performances I have found on YT. Perhaps would consider adding a register to the quiet keyboards, but otherwise the interpretation is 99% spot on, excluding a couple of weird timings.
Hmmm. She plays, and damned well, and I can’t at all. I’ve heard this piece played many times, though, so could spot the mistakes, and the sometimes slack tempi. But it’s a romantic piece that needs to be played with spirit, and that she achieved.
Clearly technically well played, but some registration problems for sure! And the timing at the end of III is not played as in my copy. I and IV were to my ears the best - maybe the organ is more suited to these dynamics?
I am interested to know where you perceive the registration issues to be. I don't have a copy, hence don't know what the composer intended, but I do have very keen ears and enough knowledge of organ voicing to know what I am hearing. Beyond that, I only have other performances to compare this one with. I have a Jane Parker-Smith album that features III as a standalone peice, and to me, that is perfect and sets the bar. Other than III sounding a bit more 'flutey' in places and the last few bars being a little rushed, there's not much in it. What am I missing? Having said all of that, I absolutely love this performance and I think it's the very best I've found of the whole suite - certainly on TH-cam. Well done Daria. Ps. Those magnificent final chords with the glorious Tierce de Picardie gives me goosebumps every time. Gothique indeed!
Congratulations bravo Madame. Sacred woman is clearly at work here. Thanks for your telented and sensible play. Keep on!
Quelle aisance, quelle maîtrise, quelle majesté ...... Quel bonheur .... !
Ce toucher si léger, souple, si féminin n'appartient qu'à elle. Carla Burlach, je suis fan (j'ai plusieurs disques d'ailleurs.).Bravo Madame ! Vous êtes une grande Dame de l'instrument-roi.
Avis complètement partagé à tout point de vue !
Magnifique ! On se sent transportés ! Vers Le divin !Merci pour votre cadeau ! 💐
Même ressenti ! Quelle grâce, quellle maîtrise, quelle sublime Majesté ! Les mots suffisent à peine ! Cordiales salutations à vous de Toulouse .
Voici une très brillante, très émouvante, très élégante interprétation, qui fait très chaud au coeur ... et à l'esprit ! Compliments et salutations d'un admirateur de Toulouse fr
I've listened to a few recordings of this, and none of them hold a candle to the clarity of Daria's registration! I keep coming back to be delighted all over again!
The woman has a real inate concept of artistic music and , in her own way, takes out of a rather cold world into the true spiritual place that she is presenting and owns. brava
@@raymondbeecroft4209yes! I love the way she 'swings' the Menuet - most organists are quite strict in tempo, which spoils it a little! In the Toccata you can hear every note!
Heureux de vous retrouver surtout par cette pièce de Boëlmann que j'ai jouée à maintes reprises ( sauf la toccata)
Brillante et heureuse carrière Darla !
Superbe! Certainement l’une des meilleures performances de la Suite Gothique de Boellmann.
Bravo. Love the tempo, the finger play...great rendering and captation ! Nice to learn and great filling!
I have seldom heard the toccata so accentuated and accurate. First class work with perfect hand and footwork.
Chapeau!
Ich habe selten die Toccata so akzentuiert uns akkurat gehört. Erstklassiges Spiel mit perfekter Hand- und Fußarbeit.
Chapeau!
Браво, Дарья! Лучшее исполнение этого произведения, которое я слышал! Я восхищён! Какая техника, чувство и восприятие! Спасибо Вам!!!
Wonderful! I love her interpretation of this piece.
One of my favourite organ-works too....and she plays perfectly.....
Magnifique, majestueux, splendide. Merci pour cette très belle interprétation.
She’s skilled and beautiful to boot.
Greetings from Canada! This is an absolutely superb performance! I will replay many times. Thank you for posting!
sicuramente una grande composizione, che non avevo mai ascoltato prima. sicuramente magnificamente eseguita. grazie.
Beautiful playing 👍😍
Beaucoup de talent et de grâce dans l'exécution de cette oeuvre. Merci !
Outstanding organ registration and performance of a great suite for the organ.
Bravo Daria pour cette oeuvre majeure de Boellmann. Léo Houziaux
I have heard and seen this piece played so many times. Its one of my favorites but never heard it played with vigor and perfection. Could not fault a thing, registration, tempo, got got it all. I want to hear more from you young lady. perfecto!!!!!!
Wonderful performance.
Sehr gut! 🎹
I would love to hear Daria play this at Manchester Bridgewater Hall in the UK! The Rimsky-Korsakov Russian Easter Festival Overture, too! She transcribed it herself, you know, and did a wonderful job!
perfection.
Best performance here!
The first time I heard this piece, I was just blown away. I came upon it quite by accident and later than other organ works I love but am delighted that I did. It's such a shame that Boellmann died at such an early age. What he might have accomplished could have been mind boggling. As for the performance, very nice. I think it was very nicely done.
I agree with you, point by point.
Yes, I am always shocked when I discover yet another great piece of music was written by someone who died so young... The mathematician in me would want to know the distribution of ages of great composers, and compare with the average.
Magnifique interprétation avec de somptueuses nuances Félicitations Cordialement
Absolutely perfect. Spotless. Could not stop watching.
Sehr schön
Excellent! A wonderful performance. Beautiful to watch too 😁
nalepsze wykonanie tej suity...bravo..super ze skorzystalas z tak przejrzystego basu...
Reminds me of Diane Bish this is one she always use to play ❤
Thank you very much for a beautiful musical-spiritual experience. You play wonderfully, very sensitively and at the same time with the right temperament. From your interpretation radiates spiritual strength and hope, but at the same time with great humility and inner sophistication and calm. I wish God's blessing, good health and many musical successes and a lot of love and joy in my personal life. Pavel from Prague :-)
Absolutely Magnificent !
She plays effortlessly, inspiring to watch
I. Introduction - Choral
00:05
II. Menuet gothique
02:12
III. Prière à Notre-Dame
05:15
IV. Toccata 09:45
My favorite performance of this piece on TH-cam 👍🏻
Very very very well played, wowwww! And your sympatic smile at the end was the top of it 👍👍👍 thank you for sharing! I enjoyed it a lot! 👏😊
Boar das ist super!! 👍
Mercy Cherry its wonderful 💃💐
Bravo 👍👍👍
Absolutely beautiful.
Perfect Daria ! All how i like to play , to me. After those 17 sonatas of D.Scarlatti by heart i think that you will be one great organist. GOOD FUTURE FOR YOU !!!!!!!!
Great performance, thanks!
Non una grande interpretazione, anzi, deve ancora imparare a interpretare la musica postromantica!!
& Jhr. Humphrey. Your playing is Beautiful. Merci.
Freaking amazing! Brilliant performance!
Amazing performance, energetic, emotional and technical superb. I love it.
Wonderful. Thank you.
Elegancia e talento! Bela execução! Parabéns
Well played.
We used to live in Bereldange !!!
Sehr sehr schön gespielt. Danke und ich hoffe, Sie irgendwann noch einmal erleben zu dürfen.
My thoughts after watching Daria´s hands and foot work: ¨Float like a butterfly, sting like a bee...¨
First heard this piece as played by Dr. Keith Chapman on the Wanamaker. He made it sound effortless.
Nice performance here. "Big" pieces like this always have to be a challenge, not just from the standpoint of keyboard proficiency but also tailoring the piece to the individual instrument and to the hall.
Glad it's not me at the console!
Very nice thank you !
This is actually one of the best performances I have found on YT. Perhaps would consider adding a register to the quiet keyboards, but otherwise the interpretation is 99% spot on, excluding a couple of weird timings.
Absolut perfekt!
The late Marie-Clair Alain would have appreciated your performance. Very nicely done!
Nice!
👍👍👍
소리가웅장하네요
Toccata is little bit too fast. Rest is perfect!
The Pedal Register in the prière is a Little too unbalanced
Hmmm. She plays, and damned well, and I can’t at all. I’ve heard this piece played many times, though, so could spot the mistakes, and the sometimes slack tempi. But it’s a romantic piece that needs to be played with spirit, and that she achieved.
Clearly technically well played, but some registration problems for sure! And the timing at the end of III is not played as in my copy. I and IV were to my ears the best - maybe the organ is more suited to these dynamics?
I am interested to know where you perceive the registration issues to be. I don't have a copy, hence don't know what the composer intended, but I do have very keen ears and enough knowledge of organ voicing to know what I am hearing. Beyond that, I only have other performances to compare this one with. I have a Jane Parker-Smith album that features III as a standalone peice, and to me, that is perfect and sets the bar. Other than III sounding a bit more 'flutey' in places and the last few bars being a little rushed, there's not much in it. What am I missing? Having said all of that, I absolutely love this performance and I think it's the very best I've found of the whole suite - certainly on TH-cam. Well done Daria.
Ps. Those magnificent final chords with the glorious Tierce de Picardie gives me goosebumps every time. Gothique indeed!
Hi. Good morning. I am an organist from Nigeria. Presently in Canada, Saskatoon. Are you in Canada? If yes, Please show me around.
The flutes are so delicious! Cavaille-Colle at is best!
troppo veloce il tempo della Prière!
Elegancia super prejav
Bravo. I think the organ is not as good as the organist in this case.
doubt anyone cares about the first 3, just skip to 10 mins for the Toccata that's what I always do lol
I really like the 3rd set, but frankly I couldn't hear the melody in this video. Maybe my hardware isn't good enough.
N
die ganze suite,eins meiner Lieblingswerke des Komponisten,seehr gefühlvoll gespielt,höre ich mir gerne beim Sport an