That wry smile at 46:35 when the horns don't quite hit that high note together and then the next phrase they nail it and they get a little nod of acknowledgement. As a Horn player myself, this piece is a beast but so EPIC to perform.
While there does not seem to be any conductor under the age of 60 today that really stands out as great regardless of his/her generation (Dudamel is closest, but can be inconsistent), Orozco-Estrada may actually be the most consistently fine of today's younger conductors. His broadchasts ranging from the Mendelssohn Scottish Symphony to the Rachmaninoff 2nd Symphony to the Mahler 1st (all quite different in character) have all been very good. This orchestra is lucky to have him - as he brings good energy and most importantly - solid interpretations to each and every performance it seems.
You may also want to check out Andris Nelsons with the BSO. He just seemed to click and his recordings have that perfection of character to them i cannot explain in words.
There is a big difference between Orozco Estrada, the Viena Miracle, and Dudamel. The former is a real conducto and an outstanding musician, the latter is a marketing product regardless that he may be a good musician.
Der erste Satz und der dritte Satz klingen ein bisschen zu schleppend. Inzwischen rettet der zweite Satz mit seinem relativ schnellen Tempo die ganze Aufführung sehr effektiv. Der explosive Anfang leitet die spannende Leistung des vierten Satzes. Die Virtuosität dieses südamerikanischen Dirigenten ist wirklich erstaunend.
Bei Mahler wundert mich gar nichts mehr. Neugierig bin ich trotzdem: steht in der Partitur, dass die Hörner in der Stretta des 4. Satzes aufstehen sollen?
Andrés Orozco-Estrada is an interesting and enjoyable conductor to watch unlike someone like Leonard Slatkin who is one of the least interesting (no disrespect meant to his undoubted talent)
This symphony is truly my support system.. I always crying at 54:00 whenever I heard this part, I feel like a winner, a hero in my own battle and I finally there with my happiness and joy.. I just really grateful for the Orchestra and Conductor for making this symphony sounds regal and pretentious.. knowing how much it means to me.. BRAVO!!!
What a beautiful way to describe this. I have the same feeling. Not necessarily at 54.00 in this symphony but definately in Mahler over all. His music brings me all the feelings that life brings. Happiness, sadness, sorrow and above all, hope. If something like Mahler’s music exist I can live on for an other day.❤️ May sound dark in a way but to me it’s bright.
Wonderful! Just like to express my gratitude to the generosity of the orchestra making the great recordings available to all, without ads. I’m certain that I am not alone in say so!
Conductor Orozco-Estrada, who always seems to be enjoying the music, seemed especially to enjoy this great work, and well he might, for he inspires a wonderful performance from his orchestra, providing all the innocence and discovery of the first movement, all the lilt and swagger of the second, all the tenderness and sassiness of the third, and all the drama and emotion of the finale. Bravo!
Orozco-Estrada and this wonderful HR Frankfurt orchestra are showing the best of every great composer. Their version are pure, brilliant and musically clean. The Mahler 4th and 5th are really excellent. The Beethoven Eroica fascinating not to mention the "Tempo perfetto" in the 5th. (Grazie d' essistere TH-cam). On our smart TV is almost as being in Frankfurt itself!
Orozco-Estrada is a musician's conductor with a wealth of experience as an orchestral violinist. Most great conductors of early C20 had this in common too. His ability to shape, lead and command attention is entirely at the service of the music and he clearly sees the players as colleagues. I had feared that such conductors had gone forever.
I - Langsam. Schleppend. Wie ein Naturlaut = 0:26; II - Kräftig bewegt, doch nicht zu schnell =17:23; III - Feierlich und gemessen, ohne zu schleppen = 25:23; IV - Stürmisch bewegt - Energisch = 36:35.
Please explain it to me. I think the section from maybe 15 seconds before 21:51 to the next maybe 10 seconds is quite exhilarating but what is happening at 21:51, in your ear?
The repetition of the melody, the interplay between the solo oboe’s subtle texture and the string section, how the music grows and comes away on the oboes sustained note and finally how the strings tail off with a beautiful arpeggio filled with chromatic inflections. I think the choice to end the previous section like this is masterful, blink and one could miss all the subtle musical elements.
@@lukerichmond1319 Well yes but it all happens there so quickly. I found it to be somewhat French or English. Mahler had to move on I suppose. There is so much packed into this Symphony. One can study and consider whether Klezmer is actually a primary or second hand influence on the piece. One can consider the psychology of employing Frere Jacques and studies of German Lieds all in the same work. I guess I am feeling that Mahler was aiming big and did the hard work in small segments, like broad bruh sweeps of paint highlighted or demarcated like filigree. When I listen to Mahler I feel that I have been inspired to think and to feel without being told exactly WHAT to think and feel. It is certainly a music of liberation and expiation.
Oboe players are super intellectual people and the weirdest people in the group. Every single time I met the oboe section you can engage in highly intellectual topics and they are very educated but lack serious social skills lmao.
Tim W I think they are trying to be unconventional. I kind of like the regie but I see why you don't. Sometimes it hits the spot, sometimes it's a bit off, but the playing certainly makes up for it :)
I second that and it is not only this performance's or this hall's issue. Many classical music concerts are video recorded with not prepared cameraman. For instance in this work if there is only one thing to be captured, it is the moment where horn players stand at the coda and even that is missed. At the end of the 1st movement timpani solo is missed meanwhile we are shown tacet violin players and countless other mistakes. Really bad job.
HR-Sinfonieorchester is an exquisite orchestra with outstanding performances on their TH-cam site. Especially with Paavo Järvi and Andrés Orozco-Estrada there are also first class conductors.
Yes it's interesting that this orchestra does not enjoy the Universal acclaim of the Berlin Philharmonic or Dresden Staatskapelle yet appears from what I've heard to yield nothing to them in quality of playing.
@@paullewis2413My guess is because hr-Sinfonieorchester is just younger. But they’re doing great work by making their absolutely (and consistently) excellent performances available for free to everyone
I love the humanity of this work; is that a Yiddish wedding and a funeral going on i n the second movement? But respectful of the culture. The orchestral colors he achieves is just extraordinary; for us students of composition, Mauler is inspirational, the standard that we might hope to reach some day.
00:17 I. Langsam. Schleppend. Wie ein Naturlaut ∙ 17:20 II. Kräftig bewegt, doch nicht zu schnell ∙ 25:23 III. Feierlich und gemessen, ohne zu schleppen ∙ 36:35 IV. Stürmisch bewegt - Energisch ∙
I - Langsam. Schleppend. Wie ein Naturlaut 0:26 II - Kraftig bewegt, doch nicht zu schnell 17:23 III - Feierlich und gemessen, ohne zu schleppen 25:23 IV - Sturmisch bewegt - Energisch 36:35
Why did Mahler tell the horns to stand at the end of this symphony? Surely it can make no difference in that ocean of sound. Is it purely for dramatic effect; in which case why just the horns?
Wunderschön! So lobe ich mir den "Titan". Danke für diesen Upload. Mahler geht ja generell immer. Aber diese Sinfonie - mit der 2. und der 5. - bevorzugt. Die Musiker wissen, was sie tun - und man kann ihnen ansehen und nachfühlen, wie viel Spaß sie bei der Aufführung gehabt haben. Toller Dirigent!
Sublime la Sinfonia e l'Orchestra che ha reso perfettamente la grandezza titanica di Essa.E' la migliore esecuzione che io abbia ascoltato di quest'Opera.
@@dennyt4520 Wittiber is just as good as Andrada in my opinion. Although Clara was sublime, I dont miss her because Sebastian fills the role completely
What a performance of the "Original Punk Rocker, Mahler, the "Bad Boy" himself; performed by some punk, swagger-filled, kick ass musicians of the highest degree! Moving. Brilliant. Perfection. So fun!
Wonderful, energetic and lively. Great to see the players so physical with the music, really full of life. Exhilarating! Great camera-work too, big on detail and expressions. Really appreciated.
Excelentes músicos! Na era dos 'Editados', executar ao vivo é de fato uma exibição de talento e maestria. Muito boa a condução do maestro e a participação do público que soube aplaudir no momento adequado sem pertubar a execução da sinfonia é de parabenizar a todos.
Such a joyous melodic beautiful piece for a first symphony. The end of the first movement never get's tiring. Just like the ending of Bolero, makes me want to just scream with enthusiasm!
Ich habe die Dritte Mahler oft in meinem Leben gehört - in Wien, Luzern, Berlin, London, Amsterdam und Boston, und es waren Aufführungen mit bleibender Erinnerung darunter, so beim Luzern Festival unter Maestro Claudio Abbado. Die Driite nimmt mich wie die Zweite und Neunte immer mit - besonders im 6. Satz. Und diese Aufführung hier gehört ohne Zweifel zu den besten, die ich gehört habe. Vielen Dank und Gratulatuon dem Dirigenten, dem Orchester und allen Mitwirkenden. Einfach großartig!!😊❤🎉👌
This orchestra is always so impressive, and a great job and energy from the conductor. 38:41 - Strings sound so clean despite playing the section a smidge faster than i've usually heard. Very nicely done!
What a great performance. This orchestra is sublime. Brass, woodwinds, strings, percussion just superb. I exhaust praise when i say this orchestra is on par with my beloved Philadelphia Orchestra .
As good as Kurt Masur's New York Philharmonic's live broadcast on PBS at the end of the 80's or early 90's. It was a piece I had never heard before, but I was glad I tuned in that night. A MIRACLE!
That wry smile at 46:35 when the horns don't quite hit that high note together and then the next phrase they nail it and they get a little nod of acknowledgement. As a Horn player myself, this piece is a beast but so EPIC to perform.
the ultimate chop killer
😁 I played horn in high school and first couple years of college - and can relate, although never played this piece.
While there does not seem to be any conductor under the age of 60 today that really stands out as great regardless of his/her generation (Dudamel is closest, but can be inconsistent), Orozco-Estrada may actually be the most consistently fine of today's younger conductors. His broadchasts ranging from the Mendelssohn Scottish Symphony to the Rachmaninoff 2nd Symphony to the Mahler 1st (all quite different in character) have all been very good. This orchestra is lucky to have him - as he brings good energy and most importantly - solid interpretations to each and every performance it seems.
+classicalalways You might want to check out Antonello Manacorda. He has been consistently amazing, at least to my ears.
You may also want to check out Andris Nelsons with the BSO. He just seemed to click and his recordings have that perfection of character to them i cannot explain in words.
There is a big difference between Orozco Estrada, the Viena Miracle, and Dudamel. The former is a real conducto and an outstanding musician, the latter is a marketing product regardless that he may be a good musician.
We have him in Houston. I treasure each concert because he won't stay forever!
Franz Welser-Möst is just a shade under 60 but has been outstanding IMHO with numerous orchestras.
The best interpretation I have ever heard. Excellent both the Director and the Orchestra! Thank you!
Que orquestra! Que regente! Maravilha! Obrigado!
A mind blowing performance!! Bravo!!
Eine angenehme Musik.
Just great and relaxing
Having just watched Todd Field's movie "Tar", I was interested in Mahler's Symphony series and decided to start with number 1 and go from there
¡Grande Maestro Andrés Orozco!
excellent!!!
a wonderful interpretation
Not so fast the ending isn't powerful enough!!!!!
Those 2 trumpet players at 37:29 🤣🥺
Den 3. Satz hört man in dem Spielfilm ( Das Konzert). Ein wunderschöner Film .über Bolshoj Theater und Violine Konzert von Tschajkowski
Der erste Satz und der dritte Satz klingen ein bisschen zu schleppend. Inzwischen rettet der zweite Satz mit seinem relativ schnellen Tempo die ganze Aufführung sehr effektiv. Der explosive Anfang leitet die spannende Leistung des vierten Satzes. Die Virtuosität dieses südamerikanischen Dirigenten ist wirklich erstaunend.
0:27
4:30
5:03
5:37
12:20
32:50 another reference to Lieder eines fahrenden Gesellen?
Which one?
@@tomascostero9962exactly the end of last lied ...
@@mozartmahler61 yep, now I see that. Thanks
Nice Performance the ending could have been stronger !!!!!
Bei Mahler wundert mich gar nichts mehr. Neugierig bin ich trotzdem: steht in der Partitur, dass die Hörner in der Stretta des 4. Satzes aufstehen sollen?
40:17
Where is Clara?
She appears to in disguise with dark hair and fine looking beard. One can only speculate as to why
Andrés Orozco-Estrada is an interesting and enjoyable conductor to watch unlike someone like Leonard Slatkin who is one of the least interesting (no disrespect meant to his undoubted talent)
Well, just listen, don’t watch....
4:30 5:35
15:33
Cringe clap moment lol
Áudio ruim. Que pena... 🤔
This symphony is truly my support system.. I always crying at 54:00 whenever I heard this part, I feel like a winner, a hero in my own battle and I finally there with my happiness and joy.. I just really grateful for the Orchestra and Conductor for making this symphony sounds regal and pretentious.. knowing how much it means to me.. BRAVO!!!
What a beautiful way to describe this. I have the same feeling. Not necessarily at 54.00 in this symphony but definately in Mahler over all. His music brings me all the feelings that life brings. Happiness, sadness, sorrow and above all, hope. If something like Mahler’s music exist I can live on for an other day.❤️ May sound dark in a way but to me it’s bright.
36:35
Wonderful! Just like to express my gratitude to the generosity of the orchestra making the great recordings available to all, without ads. I’m certain that I am not alone in say so!
these recordings are the only thing not making me absolutely hate having to pay the obligatory fees for German public broadcasting services...
Thank you, musicians of the Frankcurt Radio Symphony, for keeping music coming to the audience during the pandemic. We won't forget you!
Mahler 1 is always one of my favorites. This orchestra did an excellent performance of it.
28:07 look at the smile on the face of the flutist. he's truly enjoying the music.
Beste Sinfonie + Beste Aufnahme + Bester Dirigent + Bestes Orchester
Conductor Orozco-Estrada, who always seems to be enjoying the music, seemed especially to enjoy this great work, and well he might, for he inspires a wonderful performance from his orchestra, providing all the innocence and discovery of the first movement, all the lilt and swagger of the second, all the tenderness and sassiness of the third, and all the drama and emotion of the finale. Bravo!
Orozco-Estrada and this wonderful HR Frankfurt orchestra are showing the best of every great composer. Their version are pure, brilliant and musically clean. The Mahler 4th and 5th are really excellent. The Beethoven Eroica fascinating not to mention the "Tempo perfetto" in the 5th.
(Grazie d' essistere TH-cam).
On our smart TV is almost as being in Frankfurt itself!
Orozco-Estrada is a musician's conductor with a wealth of experience as an orchestral violinist. Most great conductors of early C20 had this in common too.
His ability to shape, lead and command attention is entirely at the service of the music and he clearly sees the players as colleagues. I had feared that such conductors had gone forever.
Klaus makela and tarmo peltosoki is good as him also☺️
💛💛💙❤
Was waiting for the trumpet to pass out on that LONG note at 5:50. The deep breath in at the end of it was cute.
I - Langsam. Schleppend. Wie ein Naturlaut = 0:26;
II - Kräftig bewegt, doch nicht zu schnell =17:23;
III - Feierlich und gemessen, ohne zu schleppen = 25:23;
IV - Stürmisch bewegt - Energisch = 36:35.
Eduarda Johanna Alfena pmk
Much appreciate your posting the movement timings .
21:51 one of the most beautiful moments ever in music, yet so subtle, so easily missed
Please explain it to me. I think the section from maybe 15 seconds before 21:51 to the next maybe 10 seconds is quite exhilarating but what is happening at 21:51, in your ear?
The repetition of the melody, the interplay between the solo oboe’s subtle texture and the string section, how the music grows and comes away on the oboes sustained note and finally how the strings tail off with a beautiful arpeggio filled with chromatic inflections. I think the choice to end the previous section like this is masterful, blink and one could miss all the subtle musical elements.
@@lukerichmond1319 Well yes but it all happens there so quickly. I found it to be somewhat French or English. Mahler had to move on I suppose. There is so much packed into this Symphony. One can study and consider whether Klezmer is actually a primary or second hand influence on the piece. One can consider the psychology of employing Frere Jacques and studies of German Lieds all in the same work. I guess I am feeling that Mahler was aiming big and did the hard work in small segments, like broad bruh sweeps of paint highlighted or demarcated like filigree. When I listen to Mahler I feel that I have been inspired to think and to feel without being told exactly WHAT to think and feel. It is certainly a music of liberation and expiation.
THAT CONDUCTOR IS FROM ¡¡¡ COLOMBIA ¡¡¡ SO PROUD OF HIM....
The oboist really knows what he is doing at 26:39
Oboe players are super intellectual people and the weirdest people in the group. Every single time I met the oboe section you can engage in highly intellectual topics and they are very educated but lack serious social skills lmao.
@@Chemz6651 im an oboist and this describes me so perfectly, i dont know why we all conform to this stereotype so much 😭
The brass section is astonishing. All sections are superb.
what a terrific orchestra!
But the ending is disappointing!!!!!
The playing is first class, but the camera direction is horrible.
Tim W I think they are trying to be unconventional. I kind of like the regie but I see why you don't. Sometimes it hits the spot, sometimes it's a bit off, but the playing certainly makes up for it :)
Orozco is facing the violins but the camera pans to the woodwinds/brass.
Steven Moore it spoiled the music for you because of bad camerawork? Doesn‘t seem logical to me
I second that and it is not only this performance's or this hall's issue. Many classical music concerts are video recorded with not prepared cameraman. For instance in this work if there is only one thing to be captured, it is the moment where horn players stand at the coda and even that is missed. At the end of the 1st movement timpani solo is missed meanwhile we are shown tacet violin players and countless other mistakes. Really bad job.
53:46 so nice to see they´re having fun, love it!
Most of the orchestras I've watched on here that he's conducted appear to be happy and having fun.
Peace and Much Groove.
How can you not enjoy that part?
@@michaelkaubrugge1039 cant agree more. The Finale is just glorious
How wonderful to have a young conductor performing Mahler!
HR-Sinfonieorchester is an exquisite orchestra with outstanding performances on their TH-cam site. Especially with Paavo Järvi and Andrés Orozco-Estrada there are also first class conductors.
Yes it's interesting that this orchestra does not enjoy the Universal acclaim of the Berlin Philharmonic or Dresden Staatskapelle yet appears from what I've heard to yield nothing to them in quality of playing.
@@paullewis2413My guess is because hr-Sinfonieorchester is just younger. But they’re doing great work by making their absolutely (and consistently) excellent performances available for free to everyone
I love the humanity of this work; is that a Yiddish wedding and a funeral going on i n the second movement? But respectful of the culture.
The orchestral colors he achieves is just extraordinary; for us students of composition, Mauler is inspirational, the standard that we might hope to reach some day.
Wunderbar 😭✨
43:58 Heaven for fans of the piccolo clarinet...
One of the most wonderful things I have ever heard.
00:17 I. Langsam. Schleppend. Wie ein Naturlaut ∙
17:20 II. Kräftig bewegt, doch nicht zu schnell ∙
25:23 III. Feierlich und gemessen, ohne zu schleppen ∙
36:35 IV. Stürmisch bewegt - Energisch ∙
Thank you very much!
😂❤🎉 CELEBRATE THE WONDER THAT IS GUSTAV MAHLER!!! 🎉🎉🎉😂❤😅😊❤❤❤🎉
33:08 Reprise of the 3rd Movement. It's in my favorite key as well!
Don't clap. Don't. What are you doing? Don't clap! You're seriously breaking my immersion here.
Mahler in this symphony is like an artist who paints a picture then hey scraps what he painted and starts all over again multiple times.
Jeeze! Great music to listen too & even watch being played, & for free ... yet some folk still bo-hoo about unsatisfactory camera work.
It is true. The camera work is dreadful...
Es un gran honor escuchar tan buenos comentarios de este joven y excelente conductor
I - Langsam. Schleppend. Wie ein Naturlaut 0:26
II - Kraftig bewegt, doch nicht zu schnell 17:23
III - Feierlich und gemessen, ohne zu schleppen 25:23
IV - Sturmisch bewegt - Energisch 36:35
Thank you for posting the times/movements;)
Peace and Much Groove
Why did Mahler tell the horns to stand at the end of this symphony? Surely it can make no difference in that ocean of sound. Is it purely for dramatic effect; in which case why just the horns?
Wunderschön! So lobe ich mir den "Titan". Danke für diesen Upload. Mahler geht ja generell immer. Aber diese Sinfonie - mit der 2. und der 5. - bevorzugt.
Die Musiker wissen, was sie tun - und man kann ihnen ansehen und nachfühlen, wie viel Spaß sie bei der Aufführung gehabt haben. Toller Dirigent!
53:59 Maestro is having so much fun!
2:50 2
4:28 4
5:45 8
6:05 9
8:40 12
10:33 14
12:50 18
13:55 21
13:57 22
14:50 25
15:10 26
15:45 29
18:05 ll. nach dem wiederholung
18:49 ll. 5
19:10 ll. 7
22:15 ll. 21
23:35 ll.26
27:50 lll. 5 1.ob unisono
33:12 lll. 13
34:23 lll. 15
43:45 llll. 22
44:50 llll. 27
49:09 llll. 40 unisono
52:32 llll. 47
53:58 llll. 54
Sublime la Sinfonia e l'Orchestra che ha reso perfettamente la grandezza titanica di Essa.E' la migliore esecuzione che io abbia ascoltato di quest'Opera.
Grande!!! Orozco Estrada!!Grande la Orquesta!🥇
💫✨💫Какие роскошные музыканты!!.. 💛Артисты.. они вплетают свою✨🪐✨ историю со своим инструментом ✨🪐✨в общий сюжет повествования… спасибо!!!!…👏👏💫
Der Dirigent- ein Naturereignis !!!!
well done. flutist seems to really enjoy himself.
I miss the pretty blond flutist!
@@dennyt4520 Wittiber is just as good as Andrada in my opinion. Although Clara was sublime, I dont miss her because Sebastian fills the role completely
Eine wunderbare Sinfonie. Sie hat mir gerade neue Fragen eröffnet und Interpretationsspielraum geliefert. Wunderbar gespielt!!!!
Ja, doofen sie gaboofen und das keinlie doktor gundegedrechen shthule.
What a performance of the "Original Punk Rocker, Mahler, the "Bad Boy" himself; performed by some punk, swagger-filled, kick ass musicians of the highest degree! Moving. Brilliant. Perfection. So fun!
This performance is a great illustration of what Maestro Orozco-Estrada accomplished in his tenure with this orchestra.
Great recording, too bad they didn't seem to cut to the soloist passages, so numerous in this piece.
Wonderful, energetic and lively. Great to see the players so physical with the music, really full of life. Exhilarating! Great camera-work too, big on detail and expressions. Really appreciated.
The applause between movements is deserved.
Excelentes músicos! Na era dos 'Editados', executar ao vivo é de fato uma exibição de talento e maestria. Muito boa a condução do maestro e a participação do público que soube aplaudir no momento adequado sem pertubar a execução da sinfonia é de parabenizar a todos.
In October 2018, Orozco Estrada conducted the Chicago Symphony Orchestra in a wonderful performance of Mahler’s Third Symphony.
sehr schön musiziert!
Such a joyous melodic beautiful piece for a first symphony. The end of the first movement never get's tiring. Just like the ending of Bolero, makes me want to just scream with enthusiasm!
Ich habe die Dritte Mahler oft in meinem Leben gehört - in Wien, Luzern, Berlin, London, Amsterdam und Boston, und es waren Aufführungen mit bleibender Erinnerung darunter, so beim Luzern Festival unter Maestro Claudio Abbado. Die Driite nimmt mich wie die Zweite und Neunte immer mit - besonders im 6. Satz.
Und diese Aufführung hier gehört ohne Zweifel zu den besten, die ich gehört habe.
Vielen Dank und Gratulatuon dem Dirigenten, dem Orchester und allen Mitwirkenden. Einfach großartig!!😊❤🎉👌
This orchestra is always so impressive, and a great job and energy from the conductor. 38:41 - Strings sound so clean despite playing the section a smidge faster than i've usually heard. Very nicely done!
I just love this orchestra and AOE, how do ya not love this guy!!!!!!
Excelente director este joven . La interpretación de Mahler muy acertada
A truly wonderful performance
Smith Donald Johnson Patricia Wilson Michelle
The principal flutist must be Smetana’s grandson!
why?
This Conductor Was Great, He Puts Deep Passion Into The Piece, The 2nd Movement Almost Had Me In Tears
Wonderful concert! 🎻👏🏼👏🏼
What a great performance. This orchestra is sublime. Brass, woodwinds, strings, percussion just superb. I exhaust praise when i say this orchestra is on par with my beloved Philadelphia Orchestra .
Incredible.
As good as Kurt Masur's New York Philharmonic's live broadcast on PBS at the end of the 80's or early 90's. It was a piece I had never heard before, but I was glad I tuned in that night. A MIRACLE!
WW "bell up" moments
18:49 (2 mvt, rehearsal# 5, 6)
44:59 (4 mvt, rehearsal# 28)
(53:31) 54:15 (4 mvt, 4 before rehearsal# 56)
Bruh just found out that Gustav Mahler is my great uncle😝🙏
Leider ist irgendetwas mit dem Panning von L und R falsch gelaufen =(
色々聴いてアンドレス・オロスコ=エストラーダが一番いいという結論に達した。最終楽章だが、他のオーケストラは最強フォルティシモでガンガンやるのはいいけど、弦が消されてしまっている。昔は金冠が弱かったのではなかろうか。その昔流に金管をガンガンやるから、弦が消されてしまっている。もう最近はフォルンの増強はいらないのではないか。最終楽章だからといって無茶苦茶にガンガンやればいいというものではない。アンドレス・オロスコ=エストラーダのように高音の弦がキリリと引き締めなければならないのだ。
super phenomenal camera work
Brilliant performance!
What's the name of the melody at 25:23 ? Did Mahler come up with it, or was it a folk tune that he incorporated?
Try googling it. It probably is on wiki. I know it’s definitely a song itself I remember hearing it on a podcast.
It is "frère jaques" or "Bruder Jakob" in german, transformed to minor
Bravo, bravissimo!!!!
Not bad but the ending is disappointing!!!!!
why?
i always can't help feeling a beam of hope and being moved with tears welled up in my eyes when i listened this part 53:50!
自分用めも
4:50
12:05 十六
20:51
23:32
43:49 二十二
50:40
52:10 四十六