The common denominator among all these performances from Emmet's Place is just the joy that the music gives! Bravo, guys! This is the stuff that inspires young generations.
All of the Emment's Place preformances that I have heard have been inspired and are themselves inspiring. Thank you for your upliftng contributions to the art of jazz.
Holy moly, what emmet does on hey lock is mind blowing! No disregard to the other masters showcasing their incredible talent and ability here. What a pleasure to watch and listen to
These guys really "get" Jaws. I had the pleasure of recording Griff and Jaws in the 70s in Chicago, and they blew me away. And I came of age as a jazz listener when Moment's Notice was the anthem -- it was everywhere! 60 years later, the joyousness and energy of it has made it still my favorite of his compositions. I know Russell from his many appearances from Emmet's apartment, but Seamus, Troy, and Jonathan are new to me, and they are kicking! Thanks to Emett and sponsors for making it all happen, and at such a high level. Tenor Madness, which closes the set, comes from a classic late '50s LP/CD by Trane and Rollins!
Wow! 😲 Absolutely spectacular! Bringing jazz alive!! BRAVO! 🎷🎹🥁🎷🏆😉👍🎉🥇🍾🍹🥂 I seriously couldn't find a single mis-timed or mis-toned note. "Sambafied" Yeah! Super freaking cool, man. 😎 *Disclaimer: DO try at home, however, do NOT try dancing the SAMBA on your longboard skateboard after chilled bong-hits of SUPER BOMB PURPLE KUSH. Your CRACKED PELVIS will never forgive you. 🥺
Absolutely gorgeous saxophone playing by these two young masters of the tenor saxophone. Emmett and the cats also sound beautiful. And, also what I so love to see with this "Emmet's Place" series, is the happy faces on these musicians......making music and feeling the loving connection they share! Bravissimo Emmet!
*Tenor Transcendence* 🎷🌃🔥🎷 0:00 Hey, Lock! (Johnny Griffin, Eddie “Lockjaw” Davis) 15:10 Introduction of the Band 17:12 Old Devil Moon (Burton Lane; lyr. E.Y. Harburg) 32:52 Along Came Betty (Benny Golson) - ft. Seamus Blake, tenor sax 47:16 Skylark (Hoagy Carmichael) - ft. Seamus Blake, tenor sax 1:00:10 King of Hearts (Troy Roberts) (contrafact, My Heart Belongs to Daddy) - ft. Troy Roberts, tenor sax 1:13:41 I’ll Remember April (Gene dePaul; lyr. Patricia Johnston, Don Raye) - ft. Troy Roberts, tenor sax 1:27:10 Moment’s Notice (John Coltrane) 1:43:40 Blues send-off / Tenor Madness (Sonny Rollins) *Seamus Blake and Troy Roberts* play with a magnetic *urgency & finesse* that’s just so damn pretty…. *These cats are a catalyst for combustion -* *& last night their sound & synchrony were just scorching.* 🔥 There’s something powerful in hearing two tenors play - & they absolutely had something to say. *Emmet Cohen & Russell Hall answered back on piano and bass with brutal solos & mind-rushing creativity.* -meanwhile, *Jonathan Barber* joined the trio on drums, *playing lights-out* like a champion. The entire night was transcendently good. *Jazz family: we are witnessing our own history-making madness - on tenor & beyond.* Gratitude to our fearless musicians - we love you cats….thank you. ❤
Ok, really great sax players, indeed, everybody agree , so I will notice this opened beautifully ears drummer, Jonathan barber,so inspired and swingingfull, thank you for the discovering(sorry I’m living far), really good time listennig
The spirit of junior is coming out of Emmet wow. Such a great performance, I have been listening to the Griff and Lock sessions and came here to look for some more tenors and am greeted with this masterful version of Hey Lock! All I can say is thank you as always! Cheers to Seamus and all, from Vancouver!!
Beuatiful playing everybody! Emmet's comping, man so so good; soothing. Play it Troy and Seamus! Hall, great as usual. Barber, so intuitive (spelling?), great drummer.
Seamus was playing on a Selmer SBA for quite a while, but now I think he is using a Remy tenor saxophone with a Boston Sax Shop neck. He seems to switch between Otto Link and Ted Klum mouthpieces, and he uses BSS reeds and the BSS superlative ligature.
the drummer needs to get swinging better on the ride cymbal. the bass player has to go it alone too much in that department. the first tenor solo is all cliches. not interesting enough to stay with it.
And the winner is: Eddie LockJaw Davis.
We are all winners for being able to listen to this.
Jackpot!..........🤣 kinda sad but how true!
The common denominator among all these performances from Emmet's Place is just the joy that the music gives! Bravo, guys! This is the stuff that inspires young generations.
Not only does it inspire young musicians but it also let's seasoned players know it has not all been in vain.
exactly right.
All of the Emment's Place preformances that I have heard have been inspired and are themselves inspiring. Thank you for your upliftng contributions to the art of jazz.
every single video of this channel blows my mind
I agree every single video=music on here is incredible 😍🔥
Amen
Holy moly, what emmet does on hey lock is mind blowing! No disregard to the other masters showcasing their incredible talent and ability here. What a pleasure to watch and listen to
I look up to both of these cats so much and I’m so happy they finally played together!
troy's sound continues to impress. You can tell he digs the shit out of griffin and davis.
Yes I do! Thank you!
Yeah, I love the sound he gets out of the lower range of his sax. So full sounding. Love both of these saxophonists.
Tenor Insanity!
Tenor Lunacy!
Tenor Hysteria!
So great to see how Troy and Seamus are enjoying each others solos! Awesome session!
These guys really "get" Jaws. I had the pleasure of recording Griff and Jaws in the 70s in Chicago, and they blew me away. And I came of age as a jazz listener when Moment's Notice was the anthem -- it was everywhere! 60 years later, the joyousness and energy of it has made it still my favorite of his compositions. I know Russell from his many appearances from Emmet's apartment, but Seamus, Troy, and Jonathan are new to me, and they are kicking! Thanks to Emett and sponsors for making it all happen, and at such a high level.
Tenor Madness, which closes the set, comes from a classic late '50s LP/CD by Trane and Rollins!
Saxophone colossus!!! Beautiful... love these guys!! Great to see these two together.. Thanks Emmet!
What a privilege to hear these two giants together. Thx Emmet.
Wow! 😲 Absolutely spectacular! Bringing jazz alive!! BRAVO!
🎷🎹🥁🎷🏆😉👍🎉🥇🍾🍹🥂
I seriously couldn't find a single mis-timed or mis-toned note.
"Sambafied" Yeah! Super freaking cool, man. 😎
*Disclaimer: DO try at home, however, do NOT try dancing the SAMBA on your longboard skateboard after chilled bong-hits of SUPER BOMB PURPLE KUSH. Your CRACKED PELVIS will never forgive you. 🥺
Ohhhh, ohhh. Heaven. Sublime. Yet more wonderful players you have introduced me to. Thank you, thank you, thank you. 🧡
Absolutely gorgeous saxophone playing by these two young masters of the tenor saxophone. Emmett and the cats also sound beautiful. And, also what I so love to see with this "Emmet's Place" series, is the happy faces on these musicians......making music and feeling the loving connection they share! Bravissimo Emmet!
‘Young’ lol. I think Seamus is like 51
Good Lord, both these guys are musical giants!!! Thank you so much!!!!!
*Tenor Transcendence* 🎷🌃🔥🎷
0:00 Hey, Lock! (Johnny Griffin, Eddie “Lockjaw” Davis)
15:10 Introduction of the Band
17:12 Old Devil Moon (Burton Lane; lyr. E.Y. Harburg)
32:52 Along Came Betty (Benny Golson) - ft. Seamus Blake, tenor sax
47:16 Skylark (Hoagy Carmichael) - ft. Seamus Blake, tenor sax
1:00:10 King of Hearts (Troy Roberts) (contrafact, My Heart Belongs to Daddy) - ft. Troy Roberts, tenor sax
1:13:41 I’ll Remember April (Gene dePaul; lyr. Patricia Johnston, Don Raye) - ft. Troy Roberts, tenor sax
1:27:10 Moment’s Notice (John Coltrane)
1:43:40 Blues send-off / Tenor Madness (Sonny Rollins)
*Seamus Blake and Troy Roberts* play with a magnetic *urgency & finesse* that’s just so damn pretty….
*These cats are a catalyst for combustion -*
*& last night their sound & synchrony were just scorching.* 🔥
There’s something powerful in hearing two tenors play - & they absolutely had something to say.
*Emmet Cohen & Russell Hall answered back on piano and bass with brutal solos & mind-rushing creativity.*
-meanwhile, *Jonathan Barber* joined the trio on drums, *playing lights-out* like a champion.
The entire night was transcendently good.
*Jazz family: we are witnessing our own history-making madness - on tenor & beyond.*
Gratitude to our fearless musicians - we love you cats….thank you. ❤
Thank you! 'King of Hearts' is just by myself (Troy Roberts)
you got it, Troy! -
supreme playing with Emmet & the trio…respect & appreciation to you & Seamus 🙌🏽!
Thanks as always Meira for the list!
@@toyrobot99ToyRobotMusic Beautiful playing, Troy. Loved every minute of this performance
@@sheskimusic Thank you!
Amazing bass solo at 28 min. That bass sounds great.
No Emmet, no party!!!!
Ok, really great sax players, indeed, everybody agree , so I will notice this opened beautifully ears drummer, Jonathan barber,so inspired and swingingfull, thank you for the discovering(sorry I’m living far), really good time listennig
Troy is one of my favourites out there!
Thank you Jonathan.
The man himself! Sounding great Troy! You never seem to run out of horn and you kept the intensity the whole time on the Heart’s tune. Bravo!
@@harrisonmccomb1511 Thank you!
@@toyrobot99ToyRobotMusic man YOU are amazing! ....
@@Lucia-kk4kn Why thank you so much!
The spirit of junior is coming out of Emmet wow. Such a great performance, I have been listening to the Griff and Lock sessions and came here to look for some more tenors and am greeted with this masterful version of Hey Lock! All I can say is thank you as always!
Cheers to Seamus and all, from Vancouver!!
Beuatiful playing everybody! Emmet's comping, man so so good; soothing. Play it Troy and Seamus! Hall, great as usual. Barber, so intuitive (spelling?), great drummer.
Screaming beutiful music from everyone playing.
Had to re-wind a couple times though My Heart Belongs to Daddy to fully appreciate that sax work. Outstanding. Blossom Deary would be proud.
Holy shit… Troy on King of Hearts!
Cheers!
Grande Emmet, hai creato un luogo magico. !!!!!!!!
The “Stardust” …… is magical……… beautifully played…… thank you, I needed this to turn the lousy day around. You are all so gifted. Miss jenny
Emmet's solo- the real deal.
such fun to play along with
Every time I listening your music, I always enjoying every moment, every second, love it.
1:47:50 is hilarious! Way to go Troy! Whoow Whoow!
Hahah! Gotta do what ya gotta do..
love that tempo change on tenor mad
Every week a new discovery - amazing players!
Beautiful!
Can we get a Seamus and bergonzi vid please
Wow! Can anyone point me in the direction of a lead sheet for Hey Lock!? Lovely tune...and jazz jams are coming back...
🔥🔥🔥🔥🔥
And three losers in life gave their thumbs down.. so sad for them…they think their opinions are relevant. 🤣.. Anyhooo….killing shit dudes!
my favorite live concert. What a great. bravo
Wonderful music 🔥
Awesome thanks
Wow so much to love and enjoy!! Thanks Emmet what a great group sess this is! Our lucky ears!! 👌🏻
Wow! What a line up. Love this channel, thank you so much!
Saw Griff a few times, he could make the seats vibrate if you were sitting up close.
最高すぎる！！
Emmet went speed bag on the board for a moment during Moments Notice - crazy!
Seamus’ articulation and his embouchure that gives him that fat, vocal sound is what sets him apart for me
Best channel on TH-cam!!! ❤ Really love this.
greattt band
tenor monsterr..👏👏🙌
Wonderful session 🙏🏿🎺
Killing!!
YESSSSSSSSSSSS
Thank you guys! Super!
troy very very good my friends
❤
SUBLIME
Thanks!
9:27 Seamus admiring the simpatico of that trio.
Wooooo! When they switch out of the two-feel, jesus that swings hard 10:05
Bravo!
It would be nice to hear he two saxists miced on a room mic.
19:52 nice
Seamus checking in with FB
Sweetie Dee.
Sax student here, what a masterclass. At 1:44:44, playing middle C-D-C-A-C-D-C-C, is Seamus fingering a low C (+ perhaps the octave key)?
Somebody knows name of drummers left ride? Sounds great, I want buy it
Can we also get a Troy and Sam Taylor vid
Vau !!!!!!
😊
troy ssilver horn is very open and very resonate plenty of power good tone timbre etc just an expressive horn
Thank you! My Conn is also nice..
@@toyrobot99ToyRobotMusic you are a master with any saxophone, but with the Conn you have a full and unique sound
Immediate click!
Goddamn.
1.07 Troy you BEASTTTTTTTTTTT
@@liambudge Cheers brother!!!!
00:19
What's the title of the beautiful ballad played by Troy at about 1.20 please?'
Hey, Alan - you & I both love, “I’ll Remember April”…perfection, no?! ✨
Thanks Alan. I wrote a contrafact on it in the ballad style called 'Pho Twenny' on my latest record.
Wasn’t I’ll Remember April stunning? Troy, Emmet and Russell solos each exquisite.
@@ronanocallaghan Absolutely Ronan, perfection or what?
@@Meira_A Absolutely Meira :)
anybody know the changes to the first tune?
"Hey Lock" is a contrafact on "Body and Soul". Shiny Stockings is also on the chords of B. & S.!
@@manzajazz9025 thanks for the info
I didn't know Marky Mark played the sax?! And mighty fine too..
Look that right hand 20:36
What set ups are Troy and Seamus playing? I am always curious.
Troy plays a Vandoren V16 T7 mouthpiece with V16 3.5 reeds on a 1951 Selmer Super Balanced Action.
@@toyrobot99ToyRobotMusic Thanks very much!
Seamus was playing on a Selmer SBA for quite a while, but now I think he is using a Remy tenor saxophone with a Boston Sax Shop neck. He seems to switch between Otto Link and Ted Klum mouthpieces, and he uses BSS reeds and the BSS superlative ligature.
@@thomassteele8287 its a remy horn with a neck by Kim Bock. ted klum mouthpiece. reeds and lig are correct. thanks!
Troy is a Coltrane clone on King of Hearts.
Please best Dave Douglas and Donny Mcaslin
1:47:34 when the mic falls off bc you just rip too hard... poor Troy...
Hahhahah!! I did what I gotta....
@@toyrobot99ToyRobotMusic the fact that everybody caught on is exceptional
And..Gene Ammons
on moments notice sneak in erick alexander and vincent herring
These saxophone players are masters in their own right; they don’t need to imitate anybody.
These guys would've sounded better if they played Bari !!!!!!!!!!!!
No escaping the fact… Seamus’ sound is bigger
the drummer needs to get swinging better on the ride cymbal. the bass player has to go it alone too much in that department. the first tenor solo is all cliches. not interesting enough to stay with it.
Is this a joke?
Lock jaw would approve