Since this upload is on the longer side, don't miss out on the timestamps in case you are looking for any specific info quickly: 0:00 Intro 1:02 Some Of The Most Iconic Breaks [Octatrack] 5:55 Slicing & Sequencing The Think Break [Octatrack] 13:21 Layering Multiple Breaks [Octatrack] 19:16 Live-Jam [Octatrack] 23:04 Where To Get High Quality Breakbeat Audio Files [Ableton] 23:49 How To Use RX2 Files With Slice Meta Data [Ableton] 27:03 THE Essential Sample Pack [Ableton] 30:20 Editing And Processing Breaks For Your Personal Library [Ableton] 47:53 Creating Your Own Breakbeats From Clean Drum Recordings [Ableton] 54:29 Outro Also let us know your personal favorite breakbeats below.
You know what, this probably doesn't get said enough - but credit to Thomann for this video series. It's just creative content made by some very talented people, no hard selling or pointless self promotion.
Oh it's hard selling this ;-) Thomann is a business that sells every single piece of equipment that you've seen in this video. Doesn't mean the video can't be useful. It's an ad/tutorial 😜
this is a superb set of lessons and incredibly comprehensive - even if you've been chopping breaks for a long time, theres still lots of gems and great ideas in here - a+ tutorial - one of the best on the subject on YT.
The knowledge on history, workflow, resources and music you have is astounding. Thanks so much for doing an episode specifically on one of my favourite type of drums! Loved the one on house too. What's next, ambient? Dub? I hope you keep doing these, it's a great watch and resource.
This was great! With the OT, another fun thing to do is to put an lfo on the triggers to play different slices of the sample and have those triggers have probabilities or have it mapped to turn the lfo on in a scene.
Great video, thanks for making this, there’s loads of ideas in here. Another technique that I like to use on the OT is to add a a filter with some resonance, modulated by an envelope with a small amount of attack, and a short decay. It gives you a nice whippy effect, similar to that used in some IDM breakbeat tracks by the likes of squarepusher.
For years I've been wondering "where all these breakbeat dudes getting their breaks? There's no way they're processing 100 versions of the original think, amen, etc., for every track they make". THANK YOU.
Damn, my first and only song with a breakbeat i did it with gross beat in fl studio 😂 I'mma try my hand on doing it properly like this, Thank you for the insane effort. Amazing quality video!
Thanks a lot ! Now I have to learn Ableton , since I only used Reaper ! It's going to be (very) hard; but I want to do it, as I want to be able to record The Fat Of The Land Part II
This is really inspiring! I am wondering about where the lines are in terms of how much a sample has to be transforms to make it legal to use. Like if you follow these techniques and put it on an album, do you have to pay money for sample clearance?
this is great! love playing with breaks on the digitakt, and lately with the M8 as well which is madness for mangling possibilities with micro-control over effects, repeats, spacing etc. it's always fun to find one on vinyl but there are so many on youtube too, instant inspiration.
What about the legal sides of things when sampling from commercial releases like these? I can imagine if you had a huge hit, you will get sued to the last penny. Great video as always!
I need to play around with this, the mini doesn't have the trigger pads so slightly different in use, also time stretching and pitching samples I've not found a way to do that correctly yet, especially for drum loops.
Depends on the genre. For hip hop I‘d take an MPC 1000XL or SP1200 but for electronic dance music I‘d prefer the Octatrack any day of the week due the easy of use, sound design possibilities, effects etc. Best, Felix
th-cam.com/video/cmmVenlMxzQ/w-d-xo.html i think Paul used electron because same effect was added to ableton later than vortex was released, it's spectral resonator with modulations of some parameters
The mpc1000 is unfortunately the plastic made in China one, that doesn't take floppies, i think you mean the 3000? But the build quality was still high up until the 2000XL and 4000, my 2000XL has lasted nearly 30 years, its outlived everything else i own, (please can hipster kids with new ones please refarain from defending their purchase in reply, thank you and no i dont waht to share your Starbucks Soy latte).
28:18 Downloading and rearranging original breaks like amen and funket etc is cool , but it's pathetic to use already processed breaks We used to do this al by ourselves in trackers etc...and now the milleniall generation just donwload it ., too lazy I guess
Entweder man besorgt sich die Drums als original Vinyl oder CD oder lässt es. Wer Mp3 sampeln oder sich die Breaks von anderen vor schneiden und slicen lässt, sollte es lieber gleich lassen. ;) Und leider ist es auch nicht das gleiche den Timestretch von Ableton oder dem Octatrack oder Digitakt zu benutzen den der einzig wahre Timestretch für Drum and Bass, Jungle und Breakbeats ist der von Akai S 950 bis Akai S 3000 und seinem Cycle Mode! Nein auch kein Akaizer VST macht den Job richtig. ;) Grüße aus Norddeutschland
Im Video hab ich doch selbst gezeigt wo man die original Breaks als lossless Wav und R2X Datei bekommt (mp3 würde Ich tunlichst vermeiden :D) und gesagt, dass es besser ist wenn man lernt die original Breaks selbst zu slicen anstatt sich auf das Jungle Jungle Pack zu verlassen. Aber ja der Akai Timestretch ist legendär und der Ableton Timestrecht ist nicht so schön für Breaks, weshalb ich ihn hier auch nicht benutzt habe. Ich hab ja auch Im Video erklärt, dass ich deshalb immer erst Warp ausschalte sobald ich einen Break in die Timeline ziehe und ihn lieber manuell pitche, editiere etc. LG, Felix
@@p.ii.5104 Das nennt man Anspruch an seine eigene Kunst und zeigt die Wertschätzung für die Kunst anderer Menschen deren Samples man benutzt. Es ist also eine Frage des Respekt! ;)
Since this upload is on the longer side, don't miss out on the timestamps in case you are looking for any specific info quickly:
0:00 Intro
1:02 Some Of The Most Iconic Breaks [Octatrack]
5:55 Slicing & Sequencing The Think Break [Octatrack]
13:21 Layering Multiple Breaks [Octatrack]
19:16 Live-Jam [Octatrack]
23:04 Where To Get High Quality Breakbeat Audio Files [Ableton]
23:49 How To Use RX2 Files With Slice Meta Data [Ableton]
27:03 THE Essential Sample Pack [Ableton]
30:20 Editing And Processing Breaks For Your Personal Library [Ableton]
47:53 Creating Your Own Breakbeats From Clean Drum Recordings [Ableton]
54:29 Outro
Also let us know your personal favorite breakbeats below.
Oh, I'm watching it all mate! 1st break I hear is Think, oh yes! This is going to be GREAT!
You know what, this probably doesn't get said enough - but credit to Thomann for this video series.
It's just creative content made by some very talented people, no hard selling or pointless self promotion.
Thanks for the great feedback. We try to do our best, so thanks for noticing ❤️
Oh it's hard selling this ;-) Thomann is a business that sells every single piece of equipment that you've seen in this video. Doesn't mean the video can't be useful. It's an ad/tutorial 😜
@@mortenrobinson5421 Yes but if all marketing was like this, the world would be a better place
@@mortenrobinson5421 I don’t think you understand the definition of hard selling
Felix, you are the synth content creator the world needs. Never seen a bad video from you. Thank you so much for all your work
That was amazing - thank you! I have a feeling that I’ll be coming back to this video again and again over the years for inspiration.
That‘s great, glad you enjoy it ❤️
this is a superb set of lessons and incredibly comprehensive - even if you've been chopping breaks for a long time, theres still lots of gems and great ideas in here - a+ tutorial - one of the best on the subject on YT.
Thanks, glad to hear that you found it to be so valuable
Great video. So glad you mentioned that Overmono flip of Soul Pride. Incredible tune.
The knowledge on history, workflow, resources and music you have is astounding. Thanks so much for doing an episode specifically on one of my favourite type of drums! Loved the one on house too. What's next, ambient? Dub? I hope you keep doing these, it's a great watch and resource.
Pure gold. Thanks Felix, Thomann and... James Brown
This was great! With the OT, another fun thing to do is to put an lfo on the triggers to play different slices of the sample and have those triggers have probabilities or have it mapped to turn the lfo on in a scene.
200 IQ Move
The live performance was incredible 🔥
Damn Leon's drumming is incredible! Love the break he gave you!
Top notch content. Especially appreciate the Octatrack elements.
This is HUGE. I will watch this so many times. Thank you!
Bro, your videos are so legit 🙏 Respect!
❤️🙏
Wish I had found this content when it came out... I'm learning so much
Thank you! So much useful information. I've come back to this video multiple times over the past year!
Bravo Incredible video!!! so awesome. love the content!
Great video, thanks for making this, there’s loads of ideas in here.
Another technique that I like to use on the OT is to add a a filter with some resonance, modulated by an envelope with a small amount of attack, and a short decay. It gives you a nice whippy effect, similar to that used in some IDM breakbeat tracks by the likes of squarepusher.
A masterclass. Thanks so much!
I wanna your Flash memory card. :) excellent video! thanks .
Best Channel Ever
For years I've been wondering "where all these breakbeat dudes getting their breaks? There's no way they're processing 100 versions of the original think, amen, etc., for every track they make". THANK YOU.
Wow really generously sharing of information, techniques and samples. Love this video
really good video! a lot of knowledge here. thank you!
❤️
I am amazed, thank you so much
That actually sounds banging when you open up the release on the think break layered over your processed loope, Im an old hiphop though lol
Thank you for share your knowledge man
Damn, my first and only song with a breakbeat i did it with gross beat in fl studio 😂 I'mma try my hand on doing it properly like this, Thank you for the insane effort. Amazing quality video!
Super-helpful video! Thanks.
Incredible sharing of knowledge again! Thank you! (If wanted you could also remove reverb with RX9 :) )
Really great content 👏
Always great content and sharing of knowledge appreciate the uploads
Thanks a lot ! Now I have to learn Ableton , since I only used Reaper ! It's going to be (very) hard; but I want to do it, as I want to be able to record The Fat Of The Land Part II
Great video. These machines are dope 👊
really great tutorial !
Extremely helpful thanks!! ❤
Fantastic vid - thanks!
was doing this in the 90s with a akai s1000 and a atari st but this is for new generation
This is really inspiring! I am wondering about where the lines are in terms of how much a sample has to be transforms to make it legal to use. Like if you follow these techniques and put it on an album, do you have to pay money for sample clearance?
Yes
Awesome video thanks so much! Any reason why you choose the left or right signals rather than fold them to mono with utility?
Premium content. Great video.
I feel like this is forbidden knowledge that will cost me a sliver of my soul
Fantastic video thanks!
Felix is da 🐐
Think is the #1 most sampled song of all time. There are like 4 or 5 sections that frequently get sampled.
Fun to watch very well edited although my octatrack is 7 years old video has good sound design points and tips .
Glad you like it 🙏
this is great! love playing with breaks on the digitakt, and lately with the M8 as well which is madness for mangling possibilities with micro-control over effects, repeats, spacing etc. it's always fun to find one on vinyl but there are so many on youtube too, instant inspiration.
Great material. Does anyone know what the current copyright situation is for using these classic samples?
fire my guy
What about the legal sides of things when sampling from commercial releases like these? I can imagine if you had a huge hit, you will get sued to the last penny. Great video as always!
I need to play around with this, the mini doesn't have the trigger pads so slightly different in use, also time stretching and pitching samples I've not found a way to do that correctly yet, especially for drum loops.
As a turntablesst.. I find this essential
Thank you so much
great video!
you might wanna share those samples? :)
Watch till the end and you‘ll find out were to get all the samples ✌️
Jesus Christ, God bless you for these samples
And I'm not even a Christian 😅
PS: Thank you Thomann for being such legends
Amen 🙏
Dope
Grandios!
Hey there! Great video. What’s the tempo for this project? Thanks!
amazing amazing amazing wtf.... thank you
When are the SP404 MK2 in stock for UK ??
9-12 weeks. Seems to be sold out everywhere atm.
@@ThomannSynthesizers OK ill keep an eye out, I want one badly
When i sample from vinyl, i often pitch down vinyl -8 because i don't like the artifacts most samplers add when you pitch a sample down in the box.
I often use whole or 1/2 note samples, rather than quarter note with octatrack.
Nice! But the king for this is MPC
Depends on the genre. For hip hop I‘d take an MPC 1000XL or SP1200 but for electronic dance music I‘d prefer the Octatrack any day of the week due the easy of use, sound design possibilities, effects etc.
Best, Felix
what's the gadget up top the rytm?
Where can I hear this guy's music?
Look up Felix Fleer on Spotify & TH-cam
1:59 that one sounds familiar
dont think pitch shifts time, because of timestrech algo of octa.
Very clear i m on a other planet no Ableton use here and no Elektron stuff .
th-cam.com/video/cmmVenlMxzQ/w-d-xo.html i think Paul used electron because same effect was added to ableton later than vortex was released, it's spectral resonator with modulations of some parameters
oeksound sooth2 and spiff are realy goods plug to clean up resonances ... check it out
Apollo 11 teçhizatı sanki ❤️♥️
HI IN THE COMMENTS
Thanks, finally someone said it!
Damn! Just cheat coding like a damn boss!
Thanks for these!
The mpc1000 is unfortunately the plastic made in China one, that doesn't take floppies, i think you mean the 3000? But the build quality was still high up until the 2000XL and 4000, my 2000XL has lasted nearly 30 years, its outlived everything else i own, (please can hipster kids with new ones please refarain from defending their purchase in reply, thank you and no i dont waht to share your Starbucks Soy latte).
First )
second ☹️
28:18
Downloading and rearranging original breaks like amen and funket etc is cool , but it's pathetic to use already processed breaks
We used to do this al by ourselves in trackers etc...and now the milleniall generation just donwload it ., too lazy I guess
Hat noch jemand Instant den deutsch Akzent rausgehört? ^^
Entweder man besorgt sich die Drums als original Vinyl oder CD oder lässt es.
Wer Mp3 sampeln oder sich die Breaks von anderen vor schneiden und slicen lässt, sollte es lieber gleich lassen. ;)
Und leider ist es auch nicht das gleiche den Timestretch von Ableton oder dem Octatrack oder Digitakt zu benutzen den der einzig wahre Timestretch für Drum and Bass, Jungle und Breakbeats ist der von Akai S 950 bis Akai S 3000 und seinem Cycle Mode!
Nein auch kein Akaizer VST macht den Job richtig. ;)
Grüße aus Norddeutschland
Im Video hab ich doch selbst gezeigt wo man die original Breaks als lossless Wav und R2X Datei bekommt (mp3 würde Ich tunlichst vermeiden :D) und gesagt, dass es besser ist wenn man lernt die original Breaks selbst zu slicen anstatt sich auf das Jungle Jungle Pack zu verlassen.
Aber ja der Akai Timestretch ist legendär und der Ableton Timestrecht ist nicht so schön für Breaks, weshalb ich ihn hier auch nicht benutzt habe. Ich hab ja auch Im Video erklärt, dass ich deshalb immer erst Warp ausschalte sobald ich einen Break in die Timeline ziehe und ihn lieber manuell pitche, editiere etc.
LG, Felix
Stop limiting yourself with stupid rules
@@p.ii.5104 Das nennt man Anspruch an seine eigene Kunst und zeigt die Wertschätzung für die Kunst anderer Menschen deren Samples man benutzt. Es ist also eine Frage des Respekt! ;)