Je suis à Moscou dans mon salon et sur grand écran je suis en admiration devant les chanteurs ❤️🇷🇺❤️🇷🇺❤️ et les costumes grandioses !!!! Décors👍💕⚜️💕⚜️🇷🇺 💕 fabuleux merci pour cette merveilleuse soirée ❤️
I love music with a lot of tension in it, and the coronation scene along with its prelude is one of my favourite segments of music. I get chills every time I hear the prelude to it!
I may never get to see this in person, my favourite opera ever. But seeing it here is fantastic. I love the fact that people actually act in Russian opera as well as sing.
I have seen and listened to Boris many times. Once in the MET but it was not the real thing. Then I listened to a performance with the conducting of Abbado... it sounded like an Italian opera, in spite of the main roles were sung by Russion singers. Then with the Kiiv Opera. But the most formidable performance was in Budapest with Nesternko. I was sobbing at the coronation scene. Yes, at the coronation scene and not when Boris dies, because Nesterenko performed it in a way that we could forseen the events to come to him. This was one of my greatest opera experience.
I saw it at the Met in 1975 quite riveting, I remember the main actor Boris, forgot who was playing it, crashing down a set of stairs, audience gasped, was this an accident or stagecraft?
@@thomastereszkiewicz2241 It was Martti Talvela who was 6'08 in height who tumbled down the stairs. It was intentional. Surprising, however, that the Met would request their singers to take such risks. Especially people who are so tall, their bone structure can be quite fragile. If I had been Martti Talvela, I would have told them, "No, I will descend the stairs and collapse at the foot of the stairs."
Boris Godunov is my favorite opera. I've seen it in person only once, at the Metropolitan Opera in New York. I must admit that that production pales compared to this. Magnificent!!
I just watched this; and it was the best Boris I've seen so far. What a wonderful opera. You always learn new things. I didn't know that Shuisky knew that Boris killed the Tsarevich. I thought the False Dmitri was terrific, and the Marina so cold, manipulating. The Polonaise was handled beautifully. The scene with the Fool, where the crowd shifts alliances a couple of times was so clear. Outside of Les Troyens/Cunning Little Vixen, this is my favorite opera.
Darya, this upload is a great gift form you to us. Thank you very much for giving us the opportunity to read the words of the play, and watch this majestic performance with the glorious costumes and the great number of participants artists, from the time of USSR, the time where a lot of money was spent in Arts in Russia. We can all understand the difference of the artistic value between any play performed on USSR (Opera or Ballet) and the rest of the world, and this will never change. Thank you, once more.
Divina...cos'altro dire?! Le prime due scene sono da brividi, solo l'Holländer wagneriano riesce a farmi provare le stesse sensazioni. La scena, i costumi, Nesterenko, i cori , l'orchestra e la direzione, il cast, tutto forse eguagliabile ma non superabile. Quand'anche avesse composto solo il Godunov Mussorgsky sarebbe entrato nell'Olimpo dei compositori ⭐⭐⭐⭐⭐
2:54 пролог л/м пристава 3:29 На кого ты нас 5:00 Митюх, а Митюх 14:20 вступление к 2 картине пролога 16:18 хор Слава 19:25 1й монолог Бориса 24:30 1 д 1 к.сцена и монолог Пимена 38:15 ариозо Гришки 45:15 1 д.2 к. Песня Варлаама 52:00 сцена с приставами 1:12:20 2 д.2й монолог Бориса 1:18:30 сцена Бориса и Шуйского 1:27:00 сцена бреда 3 д.2 к. 1:45:24 сцена Гришки и Марины 4 д.1 картина 1:53:10 песня Юродивого 1:55:00 хор Хлеба 2:19:54 сцена бояр и Шуйского 2:31:00 3й монолог Бориса 2:01:30 4 д.3 к.хор Не сокол 2:05:35 хор Расходилась 2:14:10 песня Юродивого Лейтесь
2:54 пролог л/м пристава 3:29 На кого ты нас 5:00 Митюх, а Митюх 14:20 вступление к 2 картине пролога 16:18 хор Слава 19:25 1й монолог Бориса 24:30 1 д 1 к.сцена и монолог Пимена 38:15 ариозо Гришки 45:15 1 д.2 к. Песня Варлаама 52:00 сцена с приставами 1:12:20 2 д.2й монолог Бориса 1:18:30 сцена Бориса и Шуйского 1:27:00 сцена бреда
Thank you Darya. Never before and since a more majestic and perfect version. We deeply appreciate your contribution to our knowledge of other-times magnificent art.
No viene al caso en este vídeo, sino pondría "desgarrenlos en pedacitos y dolorosamente a los cómplices fuera de Los Olivos de los 2 Robles y de los 2 Taxistafílicos de jirón Recuay en Los Olivos, Lima, Perú. Pero de todas maneras agradecimientos eternos al señor que haya subido este vídeo precioso de fines de los '70s
15:05 - The Coronation Scene (Red Square; Godunov, boyars, chorus - Сцена коронации) 19:22 - My soul is sad... (Monologue of Godunov- Скорбит душа...) 24:21 - One more, the final record, and my annals are ended... (Chudov Monastery; Pimen, Grigory - Еще одно, последнее сказанье) 40:27 - The Inn Scene (Lithuanian Border; the Innkeeper, Grigory, Varlaam - Cцена в корчме) 1:01:11 - The Scene in the Tsar's Palaces (Godunov, Fyodor, Xenia, the Nurse, Shuiskii - Сцена в царских палатах) 1:11:33 - I have achieved supreme power... (Monologue of Godunov - Достиг я высшей власти...) 1:30:34 - The Polish Scene (Castle of Voevoda Mniszech; Grigory, Marina, chorus - Польские картины) 1:49:26 - The Holy Fool Scene (Square before a Cathedral in Moscow; Godunov, The Holy Fool, chorus - Сцена c Юродивым) 1:59:19 - The Scene in the Forest (Varlaam, Misail, Grigory, chorus - Сцена в лесу) 2:16:37 - The Death of Tsar Boris (The Cremlin; Godunov, Shuiskii, Fiodor, chorus - Смерть Царя Бориса) 2:30:58 - Farewell, my son, I am dying... (The final monologue of Godunov - Прощай, мой сын, умираю я...)
Olyan mint a Bànk Bán .Hazám , hazám te mindenem. Tudom , hogy mindenem neked köszönhetem. Sirnom kell....csak a mienk jobb....volt egyszer egy ember aki ezt fantasztikusan énekelte . Szenvedélyesen ,még a nyála is kifröccsent . Szép , kékszemü magyar volt.
Thank you so much for this glorious experience, Darya! I loved it. My heart went out to the tortured Boris. He was magnificent in the role and I lived it with him.
Questa è l'opera più immensa di tutti i tempi......io sono un wagneriano.....ma davanti al Boris anche lui capitola. Queta versione è forse la migliore in assoluto.
Credo che qui ci sia tutta l'anima russa. Nesterenko è magnifico. Ha cantato molto anche da noi. Conosce perfettamente il melodramma italiano e la nostra lingua. E' quasi uno di noi.
3 д.2 к. 1:45:24 сцена Гришки и Марины 4 д.1 картина 1:53:10 песня Юродивого 1:55:00 хор Хлеба 2:19:54 сцена бояр и Шуйского 2:31:00 3й монолог Бориса 2:01:30 4 д.3 к.хор Не сокол 2:05:35 хор Расходилась 2:14:10 песня Юродивого Лейтесь
Most Western listeners only know Arkhipova as Azucena in the Orange Trovatore-72, yet she was one of the most renowned post-war Russian sopranos. Started her career as a professional architect and then brought these lines, precision and style into her singing. Try her 60-70s Handel, Tschaikovsky, Caccini; Carmen, Polina, Amneris, Eboli. This is the classic Russian school, very different from what you might be hearing from Russian sopranos of 2000s.
What a performance! This is actually the 1908 version of the opera. Not everybody agrees if this is the ‘right’ version of the opera. In this version it’s the 3. Act which is different from other versions but is one of the great highlights of the opera.
It is the Bolshoi, and I have heard different versions at other opera houses already, but this is the best, especially the intro. They are still performing this version in nowadays. I love it.
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Не в восторге от того что взяли оркестровку Римского- Коросакова, но костюмы, декорации и исполнение- красота! Все таки с классической мцузыкой в СССР был полный порядок.
Rimsky-Korsakov orchestration + St. Basil's scene + Chromi scene, so to be precise, neither of the three. This version was created in 1948 by Leonid Baratov.
@@lebutzke1890 According to Russian Wiki, the St. Basil's scene was actually orchestrated by Ippolitov-Ivanov, so the most precise answer is probably Rimsky-Korsakov-Ippolitov-Ivanov...
This is Rimsky-Korsakov but the St. Basil scene was not present in his version and was added in 1948 (as far as I remember, orchestrated by Ippolitov-Ivanov).
@@daryakiryushko2246 thank you, it sounded a bit lush for Mussoursky, saw it again recently with the Met, good acting but singing a bit flat. I think that sometimes happens as it's almost too much for the brain to handle acting, singing on pitch and projecting, and keeping accurate rhythm at the same time!
"На Руси" = "in Rus" if speaking about professional historical matters. In 'lay' cases, such as subtitles - simply "In Russia". The direct translation - "on Russia" - is not grammatically correct.
For foreigners this is a good opportunity ti get the feeling about genuine Rissian opera as it was created and as it should be free of Polish or Bulgarian interpretations about things they just have no snallest ideas due to theirs narrow national ideas being limited to Coca-Cola consumtion... The Bolshoi in 1970 has had a privileg to create the original operas or ballets no matter how much it costs or how long the preparation will take time to reach the standard level. With brake of Soviet Ministry of Culture the humanity has lost the standards of classic culture degradated to the Hollywood movies or to the Monaco's Circus. Clowns and TV shows - that's what the modern consumption population needs and expects...
![Самая простая нерешённая задача - гипотеза Коллатца [Veritasium]](/img/n.gif)
The scene with Arkhipova and Piavko (her real life husband) is unforgettable. Archetypal great Russian/Soviet singers. Breathtaking!
Je suis à Moscou dans mon salon et sur grand écran je suis en admiration devant les chanteurs ❤️🇷🇺❤️🇷🇺❤️ et les costumes grandioses !!!! Décors👍💕⚜️💕⚜️🇷🇺 💕 fabuleux merci pour cette merveilleuse soirée ❤️
I love music with a lot of tension in it, and the coronation scene along with its prelude is one of my favourite segments of music. I get chills every time I hear the prelude to it!
Yes. I adore the prelude!
I may never get to see this in person, my favourite opera ever. But seeing it here is fantastic. I love the fact that people actually act in Russian opera as well as sing.
I said the same for 10 years but they finally play it in my city ❤ (Budapest)
Splendid!! Thank you so much for sharing this.
Лучшая постановка с лучшими исполнителями 👏
I have seen and listened to Boris many times. Once in the MET but it was not the real thing. Then I listened to a performance with the conducting of Abbado... it sounded like an Italian opera, in spite of the main roles were sung by Russion singers. Then with the Kiiv Opera. But the most formidable performance was in Budapest with Nesternko. I was sobbing at the coronation scene. Yes, at the coronation scene and not when Boris dies, because Nesterenko performed it in a way that we could forseen the events to come to him. This was one of my greatest opera experience.
I saw it at the Met in 1975 quite riveting, I remember the main actor Boris, forgot who was playing it, crashing down a set of stairs, audience gasped, was this an accident or stagecraft?
Real thing is Jerome Hines or Shalyapin!
@@thomastereszkiewicz2241 It was Martti Talvela who was 6'08 in height who tumbled down the stairs. It was intentional. Surprising, however, that the Met would request their singers to take such risks. Especially people who are so tall, their bone structure can be quite fragile. If I had been Martti Talvela, I would have told them, "No, I will descend the stairs and collapse at the foot of the stairs."
Boris Godunov is my favorite opera. I've seen it in person only once, at the Metropolitan Opera in New York. I must admit that that
production pales compared to this. Magnificent!!
I just watched this; and it was the best Boris I've seen so far. What a wonderful opera. You always learn new
things. I didn't know that Shuisky knew that Boris killed the Tsarevich. I thought the False Dmitri was terrific,
and the Marina so cold, manipulating. The Polonaise was handled beautifully. The scene with the Fool,
where the crowd shifts alliances a couple of times was so clear. Outside of Les Troyens/Cunning Little
Vixen, this is my favorite opera.
Thanks for English Subtitles Darya. Mary Chicago
Darya, this upload is a great gift form you to us. Thank you very much for giving us the opportunity to read the words of the play, and watch this majestic performance with the glorious costumes and the great number of participants artists, from the time of USSR, the time where a lot of money was spent in Arts in Russia. We can all understand the difference of the artistic value between any play performed on USSR (Opera or Ballet) and the rest of the world, and this will never change. Thank you, once more.
love you
Divina...cos'altro dire?! Le prime due scene sono da brividi, solo l'Holländer wagneriano riesce a farmi provare le stesse sensazioni. La scena, i costumi, Nesterenko, i cori , l'orchestra e la direzione, il cast, tutto forse eguagliabile ma non superabile. Quand'anche avesse composto solo il Godunov Mussorgsky sarebbe entrato nell'Olimpo dei compositori ⭐⭐⭐⭐⭐
♥️♥️♥️
Thank you very much indeed for this upload. I love this opera. Had a cat I named Boris Godunov.
I love this opera. From my childhood. I know every note.
Beautiful sets; beautiful costumes; just beautiful.
2:54 пролог л/м пристава
3:29 На кого ты нас
5:00 Митюх, а Митюх
14:20 вступление к 2 картине пролога
16:18 хор Слава
19:25 1й монолог Бориса
24:30 1 д 1 к.сцена и монолог Пимена
38:15 ариозо Гришки
45:15 1 д.2 к. Песня Варлаама
52:00 сцена с приставами
1:12:20 2 д.2й монолог Бориса
1:18:30 сцена Бориса и Шуйского
1:27:00 сцена бреда
3 д.2 к. 1:45:24 сцена Гришки и Марины
4 д.1 картина
1:53:10 песня Юродивого
1:55:00 хор Хлеба
2:19:54 сцена бояр и Шуйского
2:31:00 3й монолог Бориса
2:01:30 4 д.3 к.хор Не сокол
2:05:35 хор Расходилась
2:14:10 песня Юродивого Лейтесь
спасибо🙏💕
1:13 muzika:
1:13 orkestrovoe vstuplenie k opere: 1:13 1.tema, 2:08 2.tema (leitmotiv pristava), 2:08 1 картина пролога (nachalo scenicheskogo deistvia),
2:54 leitmotiv pristava v orkestre, 3:28 hor "На кого ты нас pokidaesh ? ",
5:00 horovoi rechitativ "Митюх, а Митюх ! ", 5:53 vozvrashchenie i gnev pristavov, 6:05 leitmotiv pristava, 6:43 prikaz pristava narodu orat' za Borisa,
6:52 repriza hora "На кого ты нас ? " (v orkestre postoianno leitmotiv pristava),
14:13 вступление к 2 картине пролога (kolokol'nii zvon) -> scena koronacii,
15:55 repliki kniazia Šuiskogo : "Da zdravstvuet car'... ! " i 16:11 "Slav'te ! ",
16:15 хор "Слава" ("Uzh kak na nebe solncu krasnomu slava, slava ! " ) ,
19:18 ( 19:22 ) 1й монолог Бориса "Skorbit dusha... Kakoi to strah nevol'nii",
20:05 "O pravednik", 21:26 "Teper' poklonimsia...", 21:43 "A tam - szivat' narod ! ",
22:13 pred'ikt -> 23:00 ( 23:03 ) repriza хора "Слава",
24:10 1 д 1 к : сцена v monastire (vo vstuplenie - 1й leitmotiv hronista Pimena),
24:38 монолог Пимена "Eshtsho odno, poslednee skazanie",
38:08 ариозо Гришки --> 38:28 leitmotiv carevicha Dimitria v orkestre,
39:20 1 д 2 к : сцена v korchme u granici Litvi, tema pesni Varlaama v orkestre,
45:00 -> 45:08 -> 45:15 -> 45:23 zastol'naia pesnia Varlaama "Kak vo gorode bylo vo Kazani" ( 45:53 , 46:14 , 46:39 , 47:04 dal'neishie strofi i 47:27 koda),
52:24 iavlenie pristavov i scena, 52:53 -> 52:58 Varlam i Misail: "Starci chestnie",
53:14 leitmotiv Dimitria v orkestre,
1:01:12 2 д : scena v Kremle,
1:12:01 2й монолог Бориса, 1:12:20 1 chast' "Dostig ia vysshei vlasti... ",
1:13:00 "Naprasno mne kudesniki suliat", 1:13:35 "V sem'e svoei",
1:14:20 2 chast' "Tiazhka desnica groznogo sud'i ", 1:15:21 "Molitvoi tioploi",
1:15:56 "A tam donos, boiar kramola", 1:16:23 repriza 2 chasti "I v liutom gore",
1:16:55 koda "I dazhe son bezhit" (podgotovlenie sceni gallucinacii),
1:18:30 сцена Бориса и Шуйского -> 1:26:03 scena gallucinacii Borisa:
1:26:03 razvitie rasskaza Šuiskogo o careviche Dimitrie ->
-> 1:26:20 Boris: "Dovol'no!" (progonit Šuiskogo), 1:26:45 Boris: "Uf, tiazhelo ! ",
1:27:00 сцена бреда, Boris: "Ia chuvstvoval - vsia krov'", 1:27:20 "O sovest' ! ",
1:27:34 chasi s kurantami zvoniat (ostinato tritona v orkestre),
1:28:36 Boris uvidel prizraka Dimitria, "Von..., von tam... ! Chto eto?",
1:29:15 orkestrovaia kul'minacia, 1:29:35 Boris: "Gospodi, Ti ne hochesh smerti",
1:30:36 3 д (pol'skoe), 1:30:50 leitmotiv Dimitria,
1:45:24 ариозо Марины в сцене Гришки и Марины,
1:48:55 4 д 1 к, scena u sobora Vasilia Blazhenogo,
1:52:57 vihod Юродивого s mal'chikami,
1:53:10 песня Юродивого "Mesiac edet, kotionok plachet" (bessmislennii tekst),
1:54:23 dialog mal'chikov s Юродивым, 1:54:39 mal'chiki grabiat Юродивого,
1:54:50 zhaloba Юродивого -> 1:55:06 хор "Kormilec batiushka ! Хлеба ! ",
1:59:20 4 д 2(3) к, scena pod Kromami, v lesu,
2:01:30 хор "Не сокол letit po podnebesiu",
2:05:35 -> 2:05:42 хор "Расходилась , razgulialas' sila, udal' molodeckaia", tema, 2:06:19 seredina hora "Oi ti, sila silushka" (tanceval'naia tema),
2:06:40 pred'ikt (podstrekateli Varlaam i Misail) -> 2:07:09 repriza hora,
2:07:23 koda hora, 2:07:54 vozglas protesta "Careubiice smert' ! ",
2:08:05 grigorianskii horal pol'skih monahov "Domine, Domine ! ",
2:14:09 песня Юродивого "Лейтесь, лейтесь, sliozi gor'kie" (razumnii tekst),
2:16:36 4 д 3(2) к, scena v Kremle (Granovitaia palata),
2:24:56 iavlenie hronista Пимена, 2й leitmotiv Пимена,
2:31:00 3й монолог Бориса "Proshchai moi sin ! Umiraiu... ",
2:34:00 molitva Borisa "Gospodi, Gospodi, vozzri ! ",
2:36:30 pogrebal'nii kolokol'nii zvon, 2:36:54 pravoslavnii hor,
2:38:30 "Povremenite, ia car' eshcho ! " - i smert' Borisa,
2:39:22 orkestrovaia koda Des dur (filosofskaia ideia operi - iskuplenie greha stradaniami i smertiu greshnika, okonchatel'noe proshchenie cariu Borisu so storoni Vysshih sil);
Nem értek aemmit , de azt érzem hogy csodás . Le vagyok nyügözve.olvashatnám is , de az éneklés fantasztikus. Mqjd megint megnézem.
2:54 пролог л/м пристава
3:29 На кого ты нас
5:00 Митюх, а Митюх
14:20 вступление к 2 картине пролога
16:18 хор Слава
19:25 1й монолог Бориса
24:30 1 д 1 к.сцена и монолог Пимена
38:15 ариозо Гришки
45:15 1 д.2 к. Песня Варлаама
52:00 сцена с приставами
1:12:20 2 д.2й монолог Бориса
1:18:30 сцена Бориса и Шуйского
1:27:00 сцена бреда
Thank you Darya. Never before and since a more majestic and perfect version. We deeply appreciate your contribution to our knowledge of other-times magnificent art.
No viene al caso en este vídeo, sino pondría "desgarrenlos en pedacitos y dolorosamente a los cómplices fuera de Los Olivos de los 2 Robles y de los 2 Taxistafílicos de jirón Recuay en Los Olivos, Lima, Perú. Pero de todas maneras agradecimientos eternos al señor que haya subido este vídeo precioso de fines de los '70s
15:05 - The Coronation Scene (Red Square; Godunov, boyars, chorus - Сцена коронации)
19:22 - My soul is sad... (Monologue of Godunov- Скорбит душа...)
24:21 - One more, the final record, and my annals are ended... (Chudov Monastery; Pimen, Grigory - Еще одно, последнее сказанье)
40:27 - The Inn Scene (Lithuanian Border; the Innkeeper, Grigory, Varlaam - Cцена в корчме)
1:01:11 - The Scene in the Tsar's Palaces (Godunov, Fyodor, Xenia, the Nurse, Shuiskii - Сцена в царских палатах)
1:11:33 - I have achieved supreme power... (Monologue of Godunov - Достиг я высшей власти...)
1:30:34 - The Polish Scene (Castle of Voevoda Mniszech; Grigory, Marina, chorus - Польские картины)
1:49:26 - The Holy Fool Scene (Square before a Cathedral in Moscow; Godunov, The Holy Fool, chorus - Сцена c Юродивым)
1:59:19 - The Scene in the Forest (Varlaam, Misail, Grigory, chorus - Сцена в лесу)
2:16:37 - The Death of Tsar Boris (The Cremlin; Godunov, Shuiskii, Fiodor, chorus - Смерть Царя Бориса)
2:30:58 - Farewell, my son, I am dying... (The final monologue of Godunov - Прощай, мой сын, умираю я...)
15:15 (Inside the Kremlin at the Ascention Church?)
Olyan mint a Bànk Bán .Hazám , hazám te mindenem. Tudom , hogy mindenem neked köszönhetem. Sirnom kell....csak a mienk jobb....volt egyszer egy ember aki ezt fantasztikusan énekelte . Szenvedélyesen ,még a nyála is kifröccsent . Szép , kékszemü magyar volt.
Thank you so much for this glorious experience, Darya! I loved it. My heart went out to the tortured Boris. He was magnificent in the role and I lived it with him.
This is a masterpiece! Thank you Darya for sharing this amazing piece of music
Questa è l'opera più immensa di tutti i tempi......io sono un wagneriano.....ma davanti al Boris anche lui capitola. Queta versione è forse la migliore in assoluto.
Un basso magnifico!!!
Credo che qui ci sia tutta l'anima russa. Nesterenko è magnifico. Ha cantato molto anche da noi. Conosce perfettamente il melodramma italiano e la nostra lingua. E' quasi uno di noi.
Absolutely phenomenal !!!
What helps make this great, truly fabulous, all around performance so satisfying is the effective video production that’s well-shot and edited.
3 д.2 к. 1:45:24 сцена Гришки и Марины
4 д.1 картина
1:53:10 песня Юродивого
1:55:00 хор Хлеба
2:19:54 сцена бояр и Шуйского
2:31:00 3й монолог Бориса
2:01:30 4 д.3 к.хор Не сокол
2:05:35 хор Расходилась
2:14:10 песня Юродивого Лейтесь
Nesterenko is superb!
Thank you so much for this upload!!!!!
Wish they still did productions like this
Absolute master piece
Arkhipova in the Polish Scene 1:33:41 - what a fine soprano.
And the squillo of this tenor... 1:47:09
Most Western listeners only know Arkhipova as Azucena in the Orange Trovatore-72, yet she was one of the most renowned post-war Russian sopranos. Started her career as a professional architect and then brought these lines,
precision and style into her singing. Try her 60-70s Handel, Tschaikovsky, Caccini; Carmen, Polina, Amneris, Eboli. This is the classic Russian school, very different from what you might be hearing from Russian sopranos of 2000s.
maravilloso!!!!!!!!!
Great soviet production!
What a performance! This is actually the 1908 version of the opera. Not everybody agrees if this is the ‘right’ version of the opera. In this version it’s the 3. Act which is different from other versions but is one of the great highlights of the opera.
It is the Bolshoi, and I have heard different versions at other opera houses already, but this is the best, especially the intro.
They are still performing this version in nowadays. I love it.
Best opera of Russia! Love it!
Thanks
R.I.P. Evgeny Nesterenko.
Wow, this is so much better than regieoper! Imagine if they had used this approach for The Snow Maiden!
Thank youuuuuu
45:23 Cool tavern song.
Sublime
Непревзойденная и увы, невозвратная школа Русского классического вокала , хоровых постановок . БРАВИССИМО !!!
Я думаю, что Борис - годунов
метафиская опера на философскего мысля.
La pub en plein milieu c est monstrueux
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I'd love to sing in an opera like this but I am not godunov.
Lol
for this story you can pretend to be ;)
Не в восторге от того что взяли оркестровку Римского- Коросакова, но костюмы, декорации и исполнение- красота! Все таки с классической мцузыкой в СССР был полный порядок.
¡Por favor habiliten los subtítulos en castellano que somos muchos en Hispanoamérica desde México a la Patagonia en Argentina
11:00 - Old Believers enter
19c말 세기전환기
1- 서유럽 (외 지역) = [민족주의 음악]
러시아
무소륵스키- [보리스 고두노프]
2:29:50
Can someone tell me which orchestration this is? Is it Mussorgsky's, or Rimsky-Korsakov‘s?
It would seem to be Rimsky's.
Is this the Rimsky-Korsikov orchestrated version?
49:22
Why does this version omit the last words of this opera, sung by the Fool or Simpleton: "Poor, suffering Russia"?
2:14:41, they've made changes in this version
Which version is this: 1869, 1872, or Rimsky-Korsakov?
Rimsky-Korsakov orchestration + St. Basil's scene + Chromi scene, so to be precise, neither of the three. This version was created in 1948 by Leonid Baratov.
@@rgd8625 Actually, the precise answer you gave in the first part (Rimsky-Korsakov).
@@lebutzke1890 According to Russian Wiki, the St. Basil's scene was actually orchestrated by Ippolitov-Ivanov, so the most precise answer is probably Rimsky-Korsakov-Ippolitov-Ivanov...
anyone know what orchestration version this is?
I guess its the original orchestration from himself??? The version-problem of this opera is really complicated...😂
@@Balakirev_ I know Rimsky Koraskov (spelling) fattened up the original Mossursky Orchestration which was a bit thin and harsh.
This is Rimsky-Korsakov but the St. Basil scene was not present in his version and was added in 1948 (as far as I remember, orchestrated by Ippolitov-Ivanov).
@@daryakiryushko2246 thank you, it sounded a bit lush for Mussoursky, saw it again recently with the Met, good acting but singing a bit flat. I think that sometimes happens as it's almost too much for the brain to handle acting, singing on pitch and projecting, and keeping accurate rhythm at the same time!
24:10
I’m sorry but “Na Roussie”= “На руси” it is not “In Russia” . That who made the subtitles is not very good in history
"На Руси" = "in Rus" if speaking about professional historical matters. In 'lay' cases, such as subtitles - simply "In Russia". The direct translation - "on Russia" - is not grammatically correct.
For foreigners this is a good opportunity ti get the feeling about genuine Rissian opera as it was created and as it should be free of Polish or Bulgarian interpretations about things they just have no snallest ideas due to theirs narrow national ideas being limited to Coca-Cola consumtion...
The Bolshoi in 1970 has had a privileg to create the original operas or ballets no matter how much it costs or how long the preparation will take time to reach the standard level.
With brake of Soviet Ministry of Culture the humanity has lost the standards of classic culture degradated to the Hollywood movies or to the Monaco's Circus.
Clowns and TV shows - that's what the modern consumption population needs and expects...
Эхх, как же правильно сказано! То что сейчас воротят в большом- это просто пипец!