Vivaldi - Autumn from The Four Seasons | Netherlands Bach Society
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- เผยแพร่เมื่อ 21 ก.ย. 2024
- 'Autumn' - Concerto No. 3 in F major
from The Four Seasons by Antonio Vivaldi
Netherlands Bach Society
Violin and direction: Shunske Sato
The Four Seasons are among the most populair and best violin concertos written in the baroque era. Recorded on October 7th 2016 at the Muziekgebouw aan 't IJ, Amsterdam. - เพลง
Somehow despite having heard the other three seasons so so so much, I had never heard Autumn until now. What I've been missing out on! The drunken playing is the best part!! So masterfully done by the soloist here, wow!!!
Theorbe player is rocking at 2:30 :) What a wonderful ensemble playing. It's hard to play in tune when Sato is drunk! This is the greatest rendition I've ever heard.
this new interpretation is a revelation.
Such a surprising, intriguing and totally masterful presentation of Vivaldi’s genius. I honestly think that the drunk playing is unique. And maybe the most challenging part for a musician who naturally plays divinely.
Ah, the old musical warhorse - Vivaldi's Seasons. NBS truly rediscovers the essence of these pieces washed out by countless renditions - not trying to be "original" in interpretation, but showing a degree of artistic taste and freedom that only consummate masters are allowed to attempt - with perfect success. Learn how the music should be heartfelt before and while it is played! A landmark performance that deserves to be known way better - the number of views is abysmally low...
where can i sign up to Sato-san's funclub?
(I mean they have so much fun and I really wanna join this)))))
so trueee 🤣
And again, Vivaldi's sonnet:
Allegro
Celebrates the peasant, with songs and dances,
The pleasure of a bountiful harvest.
And fired up by Bacchus' liquor,
many end their revelry in sleep.
Adagio molto
Everyone is made to forget their cares and to sing and dance
By the air which is tempered with pleasure
And (by) the season that invites so many, many
Out of their sweetest slumber to fine enjoyment
Allegro
The hunters emerge at the new dawn,
And with horns and dogs and guns depart upon their hunting
The beast flees and they follow its trail;
Terrified and tired of the great noise
Of guns and dogs, the beast, wounded, threatens
Languidly to flee, but harried, dies.
Legend - thank you.
WOOOOOOOW sato is a madman! LOVE IT!!!!!
Nunca he escuchado tan claros todos los elementos de la naturaleza y escenas descritas por Vivaldi. Gracias esta preciosa y arriesgada interpretación tan divertida y juguetona, como profunda
Great interpretation!
The purists, who think it is not appropriate to use out-of-tune playing and a bit of acting, should read the sonnets that accompany the piece. It is easy to find the translation for the Allegro part:
Allegro
The peasant celebrates with song and dance the harvest safely gathered in.
The cup of Bacchus flows freely, and many find their relief in deep slumber.
I think, the soloist did a great job in illustrating the second line here.
So refreshingly original. Bravo!
magnificent orchestra. mr. shunske sato is great, audacious. no sung original lyrics "interpreted" properly from 1:07 to 1:17 !
congratulations and thank you very much !
I currently have a student polishing all 3 movements of Autumn for an upcoming performance this Fall. Thanks for the inspiration! 🍁🎻👏
Beautiful! Very beautiful! Wow!
wat ontstellend weinig reaktie's tot nog toe.
Dit stuk , hoe de tekst ook is, heeft de naam "de Herfst" en de herfst is grillig, ik vind dit door orkest en door deze geweldige violist schitterend uitgebeeld ! ! Fantastisch goed gedaan !
Bedankt ! en sommige commentaristen moeten niet zo ZEUREN. Laat de Kunst vrij zijn en vrij blijven s.v.p.
if you've played everything in beautifully tune for the last 10 years of recordings, you're allowed to get creative with Vivaldi's musical depiction of being drunk.😅
Sati letting off steam here after years of worship at the alter of JSB.
Touché at this novel and extraordinary creation that awakens every cell ! Gracias desde la vida!
この演奏は紛れもなく名演です！SatoさんがUbriacho(Ubriaco)をこのように表現してくれたことは天才としか言いようがありません。
I know nothing about classical music, so I ask this to someone that knows about this. Why there were moments where they sounded out of tune, for example, at 1:07?
That is a good question. I am a big fan of Netherlands Bach Society - but those passages struck me as odd. Interestingly, the Four Seasons concertos are accompanied by sonnets that explicate the music's message. The passage beginning at 1:07 is accompanied by the text "E del liquor de Bacco accesi tanti" or "The cup of Bacchus flows freely". I think the dissonance here is how the artist chooses to represent the drunkeness inferred from the text.
@@rayw2981 You're right. I checked the sonnets and your explanation makes total sense. I agree with your dissonance idea. Although I saw other versions and they made it more in tune, I have no problem with this version now that I know the reference. I'm not a purist so I appreciate each artist's own interpretation. Thanks for your time explaining.
The baroque era is more about performer's choice to decorate the music than playing exactly how it written on the page. The music is more like the food that you can seasons it how you want to.
gut strings. They went out of tune and he was trying to compensate - pretty good job I thought
Well I mean it's not classical music. Classical music is music co.posed from the years 1800 to early 1900
Hermosa interpretación. 🌹
Amazing!
Enjoyed this thoroughly!
Holy moly
viva Vivaldi. what a genius!
in love with 0:52 part
love you all!
Not playing at equal temperament I like that
😍😍😍❤
1악장
마을사람들은 춤과 노래로 수확의 즐거움을 기뻐하며, 술 취함을 바이올린이 묘사한다
2악장 3:45
모두 춤을 멈추고 노래고 끝나며 조용한 공기가 평화롭더 달콤한 잠이 사람들을 휴식으로 이끈다.
3악장 7:40
새벽이 되자 사냥꾼들은 피리와 총을 들고 개를 데리고 사냥을 떠난다. 총소리와 개 짖는 소리에 짐승들은 상처와 떨며 궁지에서 죽음을 맞이
Thanks!
Magnífico
Does anyone know what the large stringed instrument is? Not the double bass; the more unusual one.
You mean the theorbo ?
@@11ruemadrid yes, apparently so! Thank you 😊
Basically two surgically grafted lute
1:07 Was Sato's violin badly out of tune there? A small flaw in the otherwise stellar interpretation and performance.
It's not a flaw; it merely is a musical translation of the line in Vivaldi's sonnet, "The cup of Bacchus flows freely." (drunkenness)
No, it's done on purpose. Don't you think he sounds like a real drunk person? His playing evokes pictures, I almost can taste the alcohol!
@@randomoneforstuff3696 Thanks for the insight! I didn't know that about this piece. Such a fun little nuanced interpretation!
Brilliant ⚜️
February 24th, 2022: 100 thousand views
Porque desafina en los arpeggios descendientes? , es a propósito ?
Yes, he is imitating someone getting drunk
All of vivaldi if All of Bach is finished? :-)
👏👏👏👏👏
Cómo corre esa liebre... Logra escapar de los perros?
WOW
much claim for the exaggeration of a drunk, as if a drunk act coherently, that escapes the purists who get drunk elegantly
Adagio: 5:04
00:6- Hauptmelodie"das Thema"
00:30 -
00:57 -
01:07 -
kurz bei 01:24 und 01:27 -
02:09 -
02:29 -
02:56 -
03:15 -
05:04 -
Ein ganz
3:33
05:05
Toll
what instrument is it, what looks like a great guitar?
a Theorbo
Sei italiano? Tiorba :)
@@gianninick Sì, sono italiano. Ok, grazie!
no more saki for you.
Read my post
violist mouthing the solo part 9:01 - 9:03 -- sooo cute
Está desafinadísimo. Lo ponemos con mis amigos para reir un ratillo. Muchas gracias por las risotadas. Mi momento favorito es en el minuto 1:06.
Núria, lee mi post.
@@paulojorgecruz6768 si, leí un poquillo y retiro mi comentario. Perdón por mi incultura.
@@nuriamartineztallada2493 Hola Nuria. Qué incultura Núria?
Y Desafina porque quiere, porque *inventa*. El es muy bueno!
bows shooting arrows 9:43
👍👍👍👍👍
Mereu actual si mai dorit de public!
Why doesn't the NBS dare this with one Bach´s pieces? Vivaldi deserves more respect, after all Bach couldn't stop copying him.
Da italiano (come credo sia tu) mi stavo chiedendo anche io una cosa del genere, anche se forse, ottimisticamente, da un altro lato: e cioè, "come mai si può fare con Vivaldi e non con altri?". Del resto l'improvvisazione era parte dello stile italiano, forse più che nel rigido organistico nord Europa; è in un certo senso ammissibile qualche ghiribizzo operistico, a volte addirittura obbligatorio) vedasi il secondo movimento di tutte le Stagioni, Autunno a parte, con quelle melodie ridotte al minimo. Trovo molto bella l'idea dell'ubriaco (1:06) che stona, sbaglia tempo e alla fine cade e sogna. Certo, capisco che ci sia chi lo possa trovare volgare.
@@gianninick thanks for your interesting reply. I'm not Italian but I understood everything you said. It's a fine line I think, how much improvisation is too much? I think Vivaldi composed a lot of characteristics in his music, he described nature with every detail. I'm also aware that playing out of tune on purpose was an ornament and I'm ok with that. However, I think If he wanted so much extra caricature, he would have composed or indicated it.
7:39
10:22 - 10:32: the beast ebbs and breaths its last :( :( :(
Damn he was drunk af
Santimazo Such a Master would never drink before such a performance, this is pure passion.
The first movement showcases a drunk person most of the parts and he played the role of the drunk person ;)
@@serendrixsan9191 lol
Santimazo See my post
Paganini palying Vivaldi
#BreatheSmileAndListen 🎶🍂🍁🍂🎶
#PandemiaCovid19
#Mexico2020
#5thQuarantineDay34
#FistDayOfAutumnAtHome
This is so damn dumb i love it!
Aus
At th-cam.com/video/cRt7d5ZPU2E/w-d-xo.html it's excruciatingly sharp, on purpose, showing he's drunk.
Then again at th-cam.com/video/cRt7d5ZPU2E/w-d-xo.html, and I found this very funny. ;)
Allegro: 7:39
Sorry, call me a square, but I am not impressed with this performance. Sato is brilliant but does not need the hi-jnks.
See my post too
Sehr gut Zeit 00:06
Und 00:30 ‚
Und Zeit 5:55
2:00
5:05
Did he gliss
My mans did not just gliss
offended or splendid.... Certainly provocative
It's funny to see musicians start looking around to see where that loud thumping sound is coming from, at 9:43.
Great, missed the first note. If that didn't set the tone lol.
Basically everything else about the performance is amazing, though. Don't judge a book by its prologue!
@@randomoneforstuff3696 that's not a bad thing. these musicians are at a point where they know exactly what this piece sounds like so to mess up the first note, it has to be intentional.
and it is, it's a subtle indication that this is not going to be a perfectly intonated performance, and then the solo comes in and slaps you in the face.
He didn’t miss the first note though??
@@alexanderthegreat731 I think the harpsichord player played a wrong note. And I don't think it is intentional. They played Autumn right after Summer and there is not that much time in between the movements. All four seasons were a delight to listen to though and my favourite interpretations thus far.
Muy desafinado, acordes arreglados a su manera.
Lejos de las mejores interpretaciones, como las de la Filarmonica de Berlin con Von Karajan, o la de Viena.
Whos watching this cuz there teacher sead so😂😂😂 Me
We can’t play band instruments so mine made us listen to all this crazy non sense
Ik verwachtte toch een hoger niveau van deze violist...
De tekst die in de oorspronkelijke partituur staat bij de Herfst begint zo (in Nederlandse vertaling):
"Met zang en dans viert de boer / het geluk van de overvloedige oogst.
Het vocht van Bacchus vloeit rijkelijk / en velen eindigen in een diepe slaap."
Shunske Sato heeft de dronkenschap kennelijk willen imiteren. Over het resultaat kun je van mening verschillen.... Italiaanse uitvoeringen in de tijd van Vivaldi werden overigens door o.a. de Fransen als "extreem en ongecontroleerd" beoordeeld. Deze uitvoering is ook extreem te noemen.
Ok, dat werpt misschien een nieuw licht op de uitvoering, maar dan zou ik dat er echt wel bij vermelden, en ook het publiek op de hoogte brengen bij live uitvoering... En dan nog vind ik dat je wel losjes en extatisch kan spelen maar qua intonatie binnen de grenzen van welvoeglijke kan blijven. Of er net nog extremer overgaan, en dan ook als ensemble wel duidelijk maken dat het allemaal intentioneel is, want dat lijkt als ik de videobeelden interpreteer nu toch niet het geval te zijn. Wat Fransen extreem en ongecontroleerd noemden in die tijd, zou ik eigenlijk ook niet meteen gelijkstellen met vals, maar eerder met passioneel, spontaan en misschien wat slordig, in het referentiekader van de wellicht galante en keurige (?) Fransen die de kans hadden om daarvan getuige te zijn.
Ik ben het met je eens: zonder verwijzing naar de genoemde tekst komt het nogal vreemd over. In het algemeen ben ik een heel grote fan van de uitvoeringen van de Nederlandse Bachvereniging, maar de uitvoering van de Vier Jaargetijden heeft mijn voorkeur niet, vanwege de grote overdrijvingen van de solist. Hier verkies ik zonder meer de - ook heel pittige - uitvoering van Janine Jansen. th-cam.com/video/zzE-kVadtNw/w-d-xo.html
Ik ben bij deze Live uitvoering aanwezig geweest in de grote kerk in Kampen. Daar heeft Shunske Sato inderdaad verteld dat het de bedoeling is om dronkenschap na te bootsen. Bij de "verzengende hitte in de zomer met veel stekende zonnestralen en irritante insecten riep hij het publiek zelfs op om te zuchten en insecten dood te slaan". Na afloop van het concert heb ik nog even met Shunske Sato gesproken, het is naar mij idee een man het veel humor. Het is ook een stuk wat je live moet meemaken met de uitleg van Shunske erbij.
Arnold Boerema :8
I do not appreciate the liberties taken by the soloist to improvise at multiple locations. I do realize the limitations of gut strings but wonder if this could be not exacerbated by too much stylistic improvisation.
The head of the Interpreter is the problem, or the musician who becomes interpreter too soon! (see my post too)
really embarrassing maybe they think they are at the circus
Do you say that because they claped?
You are wrong. Es una interpretación magistral. Muy pensada y medida. Uede que simplemente no la entiendas
in many of the old times performances the audience applause was almost after every movement. Before writing your primitive elitist jerk comments read some info at least.
Luca, see my post too
Took wayy too much liberties with this piece. Thumbs down for a cringey performance.
Oh come on....Shunsuke Sato is doing his research thoroughly. He's a true artist and sounded like a real drunken lad. Such exciting playing!
you clearly know nothing about baroque music
bad
you don't know what you're talking about
more than bad, hilarious, ridiculous. Huei, see my post too
Was Vivaldi a drunk who played in a Tavern? I don't think so! I think that the dangerous here are SOME "period Interpreters" who really only performs what lives in their minds! Or musicians who becomes conductor too soon. And the adequate approach too.
And I want to point out that my speciality is not Vivaldi but Bach. But since Vivaldi died on the same day as the Master...a gratitude at least.
Moreover: between new and mediocre there is a space. No one virtuous as Vivaldi would play this «thing» here; it's a big lack of respect indeed.
And if Sato is also virtuous, here he is on someone else's work, but the other is Vivaldi, and *playing* like this, is 100% inconceivable, shame on you.
He does something similar on Bach, but without the courage to go that far... the Master obliges! But usually he invents on Bach's score, and for «Inventionen» Bach himself is more than enough! Bach dispenses with interpreters - he even wrote it, through Birnbaum 1736-1738. But Bach is another theme.
These interpretations are dangerous? How so? That is a ridiculous statement.
You may not like this interpretation, which is perfectly fine, you may even comment about disliking it, but calling it "lacking respect" or "shameful" or anything along those lines is not it. It is not for you, but not everything has to be. Maybe move on with your life instead of commenting "See my post" under every other comment here.
Vivaldi's intention with the four seasons was to convey certain scenes (for example: the drunk, the feast, and the hunt in Autumn). I'd argue no interpretation does that as well as this one. Was Vivaldi a drunk? Probably not. Did he try to convey a drunk musically? Yes.
Also, in the Baroque period it was extremely common that musicians/composers reworked the compositions of others, usually as a way of respect. Why shouldn't a modern musician be allowed the same liberties?
@@Federgeistchen-cg2nr Hey, you're the ridiculous one here
"Maybe move on with your life instead of commenting "See my post" under every other comment here."
I don't know you anywhere,
YOU STAY IN YOUR LIFE, YOU'RE THE STUPID ONE,
Maybe you're not a scholar, you don't know anything
this is the FIRST AND LAST ANSWER FOR YOU
I Don't have time for this small talk, Facebook-like
@@Federgeistchen-cg2nr
Hey, you're the ridiculous one here
"Maybe move on with your life instead of commenting "See my post" under every other comment here." ?
I don't know you anywhere.
YOU STAY IN YOUR LIFE, YOU'RE THE STUPID ONE.
Maybe you're not a scholar, and you don't know anything
NB: This is the FIRST AND LAST I ANSWER YOU
I Don't have time for this small talk, Facebook-like
7:27
9:43