This One Chord Will Make You a Better Musician
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- เผยแพร่เมื่อ 27 ก.ค. 2024
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0:00 Intro
0:33 This Progression Changed My Life
1:22 Basic B
2:50 Lucky 7
4:50 Sub Sandwich
5:38 Acting Sus
7:07 One-Two Punch
9:28 Combo Platter - เพลง
Great lesson. Would do a part 2 on solo’ing over this!
Agreed
💯
If you're looking for good song examples check out "Rich Girl" by Hall & Oats or "Wait For The Moment" by vulfpeck. They also use a beautiful sec ii-V-turnaround to lead to the IV, say F maj.
Thank you for another extremely illuminating video. I play guitar but am able to apply everything you're teaching.
4:16 I appreciate the unapologetic use of E♯°7 instead of F°7. I too often see people respelling to avoid E♯ to make things “easier”. It actually make things harder to read because it obscures the relationship between the chords. E♯°7 to F♯m looks like vii°7 to i while F°7 to F♯m looks like ♭i°7 ?? to i.
The only apologetic should be the people referring it as F7, cause in music theory context ALWAYS matter
Jeff. Your videos have really helped me as a piano player and I’m forever grateful. Keep doing the videos. Much thanks and gratitude.
Not even five minutes into the video and am so helped by the knowledge bombs already!! ♥️✝️🙏
I’ve watched so many instructionals on TH-cam. And you still are the best at teaching chord substitutions. Thank you so much! Every time I watch these it’s like a refresher.
I've watched a million passing chord videos and i finally understand... thanks to your great way of explaining!!!
Best video yet. Please show, in a follow-up video, how to add interesting bebop lines over these cool chord changes. Thank you!
you are AMAZING !!!! Thank you, I'm learning so much!!
This is pretty much all i need for the next year of practice!!! Thanks Jeff!
You’re simply the best !!!!!!!
Really informative video it was confusing at first but after watching few times i got it . Thanks 🙏
Beautiful progressions. I'll have to try them all. Thank you Jeff
I could listen to that chord progression in the intro all day!
Great lesson. I tell my students secondary dominants and 2-5s are one of the best ways to spice up your playing.
I loved the song at the end of SNL too.
Good stuff man!
THIS IS AMAZING.
Brilliant thanks
OMG ! such a precious tutorials....
This was so packed with goodness. Nice one!
great info thanks
Thank you!
I ❤ it thanks for the video
It is very good!
Pure gold
Love the intro!!!!!
Where were you when I needed a new piano teacher back when I was 15.... Damn. Anyways, I consider myself lucky having found you now. Lots to catch up to. Lots to learn. Learning has never been more fun. Thanks, Jeff.
🙌🙌🙌/ Unmissable!!! Great teacher!
Just the SNL chords were worth the price of admission. Then came the "but wait, there's more" to the power of eleventy!
delivery 💯 🫡 🙏🏻
Love the Acting Sus. It's an opened-up "Steely Dan" chord...Amaj7(add2). A-B-C#-E-G# with 2 in the bass. Jeff I see B13sus as B-C#-E-F#-G#-A (1-9-11-5-13-b7). The 5 is better omitted like you did however.
Great video, Geoff……I am a sax player but I find all this theory interesting if a little bit hard to keep up!
Im going to have to watch this another 100 times, but I will get it…😂
10/10 vid
Super cool, thanks a lot. But I perhaps missed one thing. In the combo platter you did not start with the CMac7 and why comes out of the sudden the Bb7#11 into the game? And why do we use an EMaj9 at the end? You never used such chords in all examples of this video. But even if I don't get - super great work and very inspiring 🙂
So that's where your "Funk up ya chords" song comes from. :)
Been looking for that sus sound for a minute now....thanks Jeff your videos are awesome 🔥🔥🥂
With the Lucky 7, I don't understand why you went to the Harmonic minor. I would have just looked at F#m and went directly to the Natural minor chart, which would have given me an E7 instead of that E#dim7. Same with melodic minor, which is a E#min7b5, all completely different sounds. So what is the music theory reason behind using the VII of X in the Harmonic minor scale?
I was wondering that too but can't find the rationale
love n appreciate ur dad jokes x
I heard there was a secret chord. And now I know.
sheeeeeeeeesh, bruh so much musical steroids on this video. Great Knowledge. A lot of math to.
Gorgeous progressions, Jeff. It'll take a lifetime for me to learn them all! Some of what you've covered here reminds me of a video of Bonnie Raitt & Nora Jones doing a soulful version of Tennessee Waltz. () I don't know much about Jones, but particularly the intro she plays sounds a lot like some of your ideas. My ear has never been good enough to figure out what she's playing, but maybe if I work on your suggestions, I might.
Many of these riffs sounds like the intro that TH-camr 'Mathologer' always uses as an intro to his video: th-cam.com/video/yAEveAH2KwI/w-d-xo.html&ab_channel=Mathologer
Its almost the same chords used in the verses of New York State of Mind.
😂the intro
Pink Floyd uses this concept in breathe over the lyrics, all your life will ever be. As a way to get back to E minor. Richard Wright actually stole that from Miles Davis Kind of blue. G major D7 sharp 9 C diminished 7 over E flat to E minor
A bit of help with voicing would really set this off...
Basically use the dominants as paths notes... Do you really have a music degree?
Awesome video. Clear, friendly, and super useful. 🔥