In this brilliant night, some of the loggionisti were against her, and being the spirited Greek woman she was, she used the moment to heighten Anna's drama. She fled to the front of the stage, hurling this magnificent cabaletta, beginning with "Giudici, ad Anna? Giudici?!" Her huge eyes were opened as wide as the lion's mouth in Rome, making her Milanese public her loyal subjects along the way!
È lei la più grande della storia, perché sapeva cantare benissimo le opere anche dove le altre erano bravissime; ma le altre non erano in grado di cantare opere per le quali la Callas è immortale!
Stupid EMI for not committing a commercial studio-recorded LaScala Bolena, Alceste, Ifigenia and Poliuto instead of Boheme, Pagliacci, and Manon Lescaut, roles she never sang on stage.
This scene embodies the full art of bel canto when sung by Callas and no other. She spits out the words with anger and defiance to convey the emotion of the score while maintaining a firm but sinuous legato line. The notes are propelled, not emitted, right on the tip of Callas’ breath. The passages of coloratura and slow rising scales are not used as pretty decoration - they express a titanic anger, and the final D knocks the wind out of me every time. It is both piercing and explosive. Furthermore, Callas takes the entire scene at a pace that would choke others.
En este personaje la Callas captó desde el inicio la esencia, su voz madura y su esplendida técnica hace que cada palabra sea construida para que con la música que ella era, nosotros los mortales pudiéramos disfrutar. Esta producción es perfecta y este concertante es uno de los momentos mas electrizante grabados hasta ahora, la parte final nos deja sin aliento. En el más alto nivel del altar de las interpretaciones es esta Anna. Eterna Callas, la Divina.
In this brilliant night, some of the loggionisti were against her, and being the spirited Greek woman she was, she used the moment to heighten Anna's drama. She fled to the front of the stage, hurling this magnificent cabaletta, beginning with "Giudici, ad Anna? Giudici?!" Her huge eyes were opened as wide as the lion's mouth in Rome, making her Milanese public her loyal subjects along the way!
Definitely Callas was from another Galaxy. She just came here to pass her message and left.
She was really too much for this miserable world
That Callas creature was something else altogether. She WAS opera!
When I listen to Callas I have to remind myself that she was a human being.
È lei la più grande della storia, perché sapeva cantare benissimo le opere anche dove le altre erano bravissime; ma le altre non erano in grado di cantare opere per le quali la Callas è immortale!
She was the pinnacle of a dying world....the last godess , if there was any godess before her....a presence never equalled by anyone....
The Best Anna Bolena Ever...!!!
Stupid EMI for not committing a commercial studio-recorded LaScala Bolena, Alceste, Ifigenia and Poliuto instead of Boheme, Pagliacci, and Manon Lescaut, roles she never sang on stage.
MARIA CALLAS: UNICA GRANDE DIVINA!!!! IRRIPETIBILE! MAGNIFICA!!!! TI AMO!!!!!👏👏👏👏👏👏👏👏👏👏👏👏👏👏💯💯💯💯💯💯💯💯💯💕💕💕💕💕💕💕
This scene embodies the full art of bel canto when sung by Callas and no other. She spits out the words with anger and defiance to convey the emotion of the score while maintaining a firm but sinuous legato line. The notes are propelled, not emitted, right on the tip of Callas’ breath. The passages of coloratura and slow rising scales are not used as pretty decoration - they express a titanic anger, and the final D knocks the wind out of me every time. It is both piercing and explosive. Furthermore, Callas takes the entire scene at a pace that would choke others.
I can hardly believe my ears .... WOW, La Divina!
un miracolo della natura questa donna
Superba... Nella stretta finale ci mette del suo anche la Simionato... Emozionante...
Una meraviglia di donna... Ansi ...un Angelo!!!
Oh my word what a voice!!!!! Perfection. Perfect technique etc. This is so brilliant it drives one to tears. RIP dearest Maria. La Divina per sempre.
En este personaje la Callas captó desde el inicio la esencia, su voz madura y su esplendida técnica hace que cada palabra sea construida para que con la música que ella era, nosotros los mortales pudiéramos disfrutar. Esta producción es perfecta y este concertante es uno de los momentos mas electrizante grabados hasta ahora, la parte final nos deja sin aliento. En el más alto nivel del altar de las interpretaciones es esta Anna. Eterna Callas, la Divina.
Magnificent, simply magnificent.
This is just so exciting... the building momentum ...that final note...
A gift so unique and wonderful and unrepeatable that Callas worked so hard to leave us this unrepeatable wonder!