@JH YunYes you are right. These recordings are part of the Complete Piano works by Ingrid Haebler on Philips. Ton Koopman recorded the ones on harpsichord Haebler didn't record. I will change the information.
Thank you for all you do for your community. The possibility to listen the music with the score is absolutely precious for all the musicians, particularly for students
This is a jewel, indeed .... Although I have listened to 95% of Mozart music there's always something new to discover and often "something" equals good ..... Certainly not typically Mozartian (the suite, I mean, the others are undisputed under his style of that period) but it's part of his interest into Bach and Baroque he was carrying out as Mozart was a man of sophisticated cultural interests. Little remarque on a few comments I read mentioning Bach style as far as suite. In my humble opinion not all what sounds Baroque and German is Bachian. And my ears didn't associate suite style to Bach, under any circumstance. There's a full world of dozen and dozen of great, excellent, good, decent German Baroque composers, operating before, during and after Bach. I'm not such an expert to name one that would better fit this suite's style. Certainly not Bach, not Händel, not Telemann, not Graupner, not Graun. I hear style of masters bit younger than them. Not to be forgotten that suite is dated 1777 hence 21 years only after Bach's death. Hence late Baroque was just over and younger late Baroque composers might have still been alive and acquainted to Mozart. E.G. JC Kittel or JL Krebs or HN Gerber (who died in 1775) ....
I can't get enough of the playful march! This is the humorous side of Mozart that we saw in Amadeus. (And you can hear a lot of his operas in that piece as well).
The Suite and March were written in same time, same place. The Prelude, or Capriccio I added to them as it saves me time. To me they fit together nicely.
This was around the time Mozart started getting really into Bach's music, and he was friends with Bach's son, so he probably wrote this to pay homage to the Bach family.
Evan Misejka if you compare the Allemande with JC Bach’s sonata in c minor opus 5, one may indeed make that suggestion. It is thought that Bach dedicated that sonata to his father as is stylistically more baroque that the other works that comprise his opus 5. Interesting
![Mozart - Sonata for Two Pianos in D, K. 448 [complete]](http://i.ytimg.com/vi/tT9gT5bqi6Y/mqdefault.jpg)
![Mozart - Sonata for Two Pianos in D, K. 448 [complete]](/img/tr.png)
![Mozart - Violin Concerto No. 3, K. 216 [Grumiaux]](/img/n.gif)
I think it’s played by Ton Koopman, not by Ingrid Haebler.
Agree
@JH YunYes you are right. These recordings are part of the Complete Piano works by Ingrid Haebler on Philips. Ton Koopman recorded the ones on harpsichord Haebler didn't record. I will change the information.
Without this channel I would have never heard this wonderful music before!
Thank you for all you do for your community. The possibility to listen the music with the score is absolutely precious for all the musicians, particularly for students
Mozart was a child at a very young age, and then he wasnt.
One of my favourite Mozart works. It's nice to hear them played on a harpsichord for a change.
Wonderful. I wiil love motzar 's music for ever. Thank you for sharing.
This is a jewel, indeed .... Although I have listened to 95% of Mozart music there's always something new to discover and often "something" equals good .....
Certainly not typically Mozartian (the suite, I mean, the others are undisputed under his style of that period) but it's part of his interest into Bach and Baroque he was carrying out as Mozart was a man of sophisticated cultural interests.
Little remarque on a few comments I read mentioning Bach style as far as suite. In my humble opinion not all what sounds Baroque and German is Bachian. And my ears didn't associate suite style to Bach, under any circumstance. There's a full world of dozen and dozen of great, excellent, good, decent German Baroque composers, operating before, during and after Bach. I'm not such an expert to name one that would better fit this suite's style. Certainly not Bach, not Händel, not Telemann, not Graupner, not Graun. I hear style of masters bit younger than them.
Not to be forgotten that suite is dated 1777 hence 21 years only after Bach's death. Hence late Baroque was just over and younger late Baroque composers might have still been alive and acquainted to Mozart. E.G. JC Kittel or JL Krebs or HN Gerber (who died in 1775) ....
This piece ( K399) is also known as *Suite in the style of Handel*
Bart van Oort heeft ook een prachtige reeks opnames (onder andere van deze werken) gemaakt op fortepiano voor Brilliant Classics
I can't get enough of the playful march! This is the humorous side of Mozart that we saw in Amadeus. (And you can hear a lot of his operas in that piece as well).
Interesting to learn about the many facets of Wolfgang Amadeus Mozart ~ thank you !
2:00
Great... Thank you!!
smash that thumb! subscribe, and ring that bell! in our world, real, like this, is fading away!
At 4.30, the flat is missing from the G both in the score and in the recording. It sounds bad.
I don't hear anything wrong there
Está si que no la conocia, gracias!
Why are these three pieces grouped together please?
The Suite and March were written in same time, same place. The Prelude, or Capriccio I added to them as it saves me time. To me they fit together nicely.
@@bartjebartmans Okay, thanks for the reply.
What happened to the Sarabande lol
Mozart only wrote out the first 5 1/3 measures. There's so little of it that it's not usually performed.
This doesn't feel like Mozart for some reason, I wonder what's wrong with me
probably because it's very baroque sounding
I get what you mean! But for example, 10:49 is Mozart at his Mozartst ;)
This was around the time Mozart started getting really into Bach's music, and he was friends with Bach's son, so he probably wrote this to pay homage to the Bach family.
Evan Misejka if you compare the Allemande with JC Bach’s sonata in c minor opus 5, one may indeed make that suggestion. It is thought that Bach dedicated that sonata to his father as is stylistically more baroque that the other works that comprise his opus 5. Interesting
@@markusboyd4834 it really is. I wish I could go bach and know what they thought and why they did certain things.
Это не Моцарт, имею ввиду Сюиту, а вот Марш - Моцарт.
youre a Mozart, Harry
Bachish
Handelian . Pure Handelian
@@AmiTVerma-to3vn you're right, it's not up to my level but it's a very good try, really
Mozart did go Bach 😂
Definitely not Mozart style
Baroque.