Lvov was so great! This and Предстояще Кресту are among my favorite Orthodox pieces. I think this performance is too slow, though -- Recordings by Nicolas Afonsky late of New York and Piotr V Spassky late of Paris from the 50's/60's get it right IMO. It is surely to be slow and mystical, but just _how_ slow is surely an issue. VitalyGR hasn't been around on this channel for many years, but, thank you wherever you are for the tremendous gift of this Russian Orthodox treasure-trove...
I've always wanted to be a music educator and to teach a course in music theory. I'd make this a non-graded dictation test: "Add corrections, or even additional parts, to the music based on what you hear versus what you see as given." It'd be an awesome way for people to identify where they can hear certain voices (SATB) better than others. And in this case, even some Oktavists. I know nobody asked, but I guess I hope that gives a music theory teacher an idea for their curriculum since I didn't follow through myself with being a music educator.... Great piece and excellent performance, btw. I love it.
Очень интересная картина получилась.Соло альта с хором :) Очевидно альт стояла близко к микрофону.Но это не испортило,а скорее привнесло новую краску в это известное,и что уж греха таить,уже запетое всеми произведение. Понравилось,+5.
on the first page of the note sheet, i think it reads, *below the pp* -that the Oktavist, may sing an entire octave below the written notes. During the rest of the song there is no written notes below G2, even though i hear oktavist's singing an entire octave below ..!
Nice catch, "hereafter the bass line doubles to an octave" is exactly what is written. I was wondering, trying to read through what I thought was the bass 2 part. Now I'm wondering if in Russian choirs, the bass part is just automatically filled with oktavists, and anyone who's not is just a different variation of bass 1. The thing in this piece is that even at that point, it's all very much easy to sing for non-oktavists too.
Waitaminute. Bass 2 part is off. Or is there a bass 3 part, am I just hearing profundos going C3 instead of C4 (1:54 ; and then A2 instead of A3 just after, at 2:21 ) ? I'm following the bass 2 part, but the sheets says "keep going up", and I can hear the octave under. In fact, anything written above G3 can be heard an octave lower. Are those "normal" basses or just the oktavists keeping up (down) with the high range of this piece ? I would suspect the latter, but I'm still unclear.
There is a problem in the notation : the a flat of the sopranos, 9 bars before the end should be a dotted half and not just a half - and same thing of the f of the altos, 4 bars before the end, which should be dotted too
SE INSCRIE INTRE IMNELE RELIGIOASE MARCANTE ALE ORTODOXIEI ȘI ESTE INTERPRETAT EXCELENT. MAI IMPORTANT, TE ADUCE DE ORIUNDE AI FI LA RUGACIUNE. MULTUMIM
A good recording, but in my opinion best suited for male choir. Check out Moscow Sretensky Choir. St. Sergius RepresentationChoir ( V. Gorbik ) may have a recording as well.
потому что поется это песнопение вместо Херувимской песни на литургии, и за это время происходит перенос даров, и надо, чтобы за время пения успели все сделать
Y ou can't glorify God with an intermediary. Orthodox does not use musical instrument like an organ, so low voices are very important. this is church music and not festive music.
Roman Catholic here, this is such a beautifully sung song. God bless all our orthodox brothers and sisters. I pray one day we can all be one.
AMEN. Glory to you, our Lord and Savior Jesus Christ!
Truly beautiful music - so elevating and sad at the same time
Я сам не верю в бога но уверен что это написал сам бог😍😍😍😍
Beautiful! Thank you. I can listen and listen and listen...soprano part is like angel.
Благодарю вас за эту святую подарок. Thank you for this holy gift.
Muchas gracias por compartir esta música tan bella
Glorious
Beautiful. Thank you for posting this with the score. I learned a great deal.
Божественно. Проникает в душу...
Lvov was so great! This and Предстояще Кресту are among my favorite Orthodox pieces. I think this performance is too slow, though -- Recordings by Nicolas Afonsky late of New York and Piotr V Spassky late of Paris from the 50's/60's get it right IMO. It is surely to be slow and mystical, but just _how_ slow is surely an issue.
VitalyGR hasn't been around on this channel for many years, but, thank you wherever you are for the tremendous gift of this Russian Orthodox treasure-trove...
I've always wanted to be a music educator and to teach a course in music theory. I'd make this a non-graded dictation test: "Add corrections, or even additional parts, to the music based on what you hear versus what you see as given." It'd be an awesome way for people to identify where they can hear certain voices (SATB) better than others. And in this case, even some Oktavists. I know nobody asked, but I guess I hope that gives a music theory teacher an idea for their curriculum since I didn't follow through myself with being a music educator.... Great piece and excellent performance, btw. I love it.
Fantasticno, bravo pravoslavna braco iz majke Rusije@ Pozdrav iz pravoslavne Srbije
Beautiful!
all I want to know is who is the one person crazy enough to dislike this...
All i want to know is who the oktavist is
¡GUAPO!
А кто соблюдает слово Христа, в том истинно любовь Божия совершилась: из сего узнаем, что мы в Нем.
une veritable merveille interpretation parfaite merci
Thank you for uploading this. We are singing it Thursday Night (Maundy Thurs.).
YES
Очень интересная картина получилась.Соло альта с хором :) Очевидно альт стояла близко к микрофону.Но это не испортило,а скорее привнесло новую краску в это известное,и что уж греха таить,уже запетое всеми произведение.
Понравилось,+5.
Awesome. For an English rendition, check out the CD Liturgy of the Presanctified Gifts, by the St. Vladimir's Seminary Choir, 1972.
on the first page of the note sheet, i think it reads, *below the pp* -that the Oktavist, may sing an entire octave below the written notes. During the rest of the song there is no written notes below G2, even though i hear oktavist's singing an entire octave below ..!
Nice catch, "hereafter the bass line doubles to an octave" is exactly what is written. I was wondering, trying to read through what I thought was the bass 2 part. Now I'm wondering if in Russian choirs, the bass part is just automatically filled with oktavists, and anyone who's not is just a different variation of bass 1. The thing in this piece is that even at that point, it's all very much easy to sing for non-oktavists too.
@@lonewaer listen version with Kochetov as oktavist...now that version has that oktavist true sound.Be blessed in Jesus name
Waitaminute. Bass 2 part is off. Or is there a bass 3 part, am I just hearing profundos going C3 instead of C4 (1:54 ; and then A2 instead of A3 just after, at 2:21 ) ? I'm following the bass 2 part, but the sheets says "keep going up", and I can hear the octave under. In fact, anything written above G3 can be heard an octave lower. Are those "normal" basses or just the oktavists keeping up (down) with the high range of this piece ? I would suspect the latter, but I'm still unclear.
From bar 4, the composer (or editor) notes that the bass part may be doubled an octave lower throughout
Спасибо большое вам за лучшее лекарство, как Божественное пение. Храни вас господь.
Would love to see what the words are of this wonderful music and voices. Please in English.
!!!!!!!!!!!!!!!!!!!!!
There is a problem in the notation : the a flat of the sopranos, 9 bars before the end should be a dotted half and not just a half - and same thing of the f of the altos, 4 bars before the end, which should be dotted too
SE INSCRIE INTRE IMNELE RELIGIOASE MARCANTE ALE ORTODOXIEI ȘI ESTE INTERPRETAT EXCELENT. MAI IMPORTANT, TE ADUCE DE ORIUNDE AI FI LA RUGACIUNE. MULTUMIM
3:23
Спасибо огромное! Подскажите, пожалуйста, где я могу ноты для смешанного хора найти? Благодарю заранее.
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
A good recording, but in my opinion best suited for male choir. Check out Moscow Sretensky Choir. St. Sergius RepresentationChoir ( V. Gorbik ) may have a recording as well.
fuck me and my life, this is awesome
an accurate description of what I felt listening to this masterpiece
The fallen angel..
Все супер,единственное пожелание, -не затягивать так,добавить немного движения! А то как-то статично звучит... Простите ради Христа 🙏🙏🙏
Russian Choirs are the Best
Exact!
Эх, вступления не синхронные.
очень затянуто... ну очень...
В храме, где большая акустика, с такой темой самое то)
потому что поется это песнопение вместо Херувимской песни на литургии, и за это время происходит перенос даров, и надо, чтобы за время пения успели все сделать
I prefer baroque choir music than these songs, it is very monotonous without using orchestra with the choir.
Y ou can't glorify God with an intermediary. Orthodox does not use musical instrument like an organ, so low voices are very important. this is church music and not festive music.
Your an ignorant moron. Go away
Thx for your arrogant opinion. Duly noted, now eff off
Quel rapport entre musique instrumentale et chant religieux? Stupide!