The performance of this aria is simply masterful and dignified. Mrs. Agnes Baltsa showed art at the highest level, the last high A that shot like a bullet knocked me off my feet. This performance is a model for me to which I will always compare other performers of this role. It is a pity that Karajan cut out this aria.
Che voce...quale interprete...che produzine.. il vero Verdi. Amo verdi ..ed il D. carlo.... oggi non c,e quasi piu nulla in opera, e poi le produzioni. ......
I had a stroke with the low part. We don't see nowadays a chest voice witch that level of development, richness, squillo, NOTHING! Nowadays the REAL chest voice was death... Sad. 🥲🤡
This is for all those who say that the low register should be weak and less bright when compared to the mid and high register... FEEL THE QUALITY OF THESE CHEST NOTES!!! It shines brighter than the middle register and shines like the head voice. According to Garcia, THAT is the correct way to sing belcanto.
Who in the world says the low register should be weak? Even sopranos tend to sound feeble without a solid chest voice. There is so much nonsense that poses as vocal pedagogy.
EBOLI Nel giardin del Bello, saracin ostello, all’olezzo, al rezzo degli allòr, dei fior una bella almèa tutta chiusa in vel, contemplar parea una stella in ciel. Mohammed, re moro, al giardin sen va; dice a lei: «T’adoro, O gentil beltà! Vien’, a sé t’invita per regnar il re. La regina ambita non è più da me.» Coro: Tessete i veli, vaghe donzelle, mentr’è nei cieli l’astro maggior. Sono i veli, al brillar delle stelle, sono i veli più cari all’amor! EBOLI «Ma discerno appena, (chiaro il ciel non è) i capelli - belli, la man breve, il piè. Deh! Solleva il velo che t’asconde a me; esser come il cielo senza vel tu de’!» Se il tuo cor vorrai a me dar in don, il mio trono avrai, ché sovran io son! Tu lo vuoi? T’inchina, appagar ti vo’: «Allah! La regina!» Mohammed sclamò. Coro: Tessete i veli, vaghe donzelle, mentr’è nei cieli l'astro maggior. Sono i veli, al brillar delle stelle, sono i veli più cari all’amor!
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This woman must have the biggest balls ever. To sing that passage in chest voice...it boggles my mind. Outstanding!
Agnes Baltsa was the only one who sang this aria with fire! Such a big voice and passion! I can listen to this over and over!
So right you are!!!
Bumbry did as well
I would say Shirley Verrett, but she doesn't come close to Baltsa!
Listen to Bianca Berini, TRUE verdian mezzosoprano
for me is the one and only Elena Obraztsova, who really nailed it.
But Baltsa definitely gets a worthy 2d place
Superb use of chest voice. She nailed a difficult aria!
OUTSTANDING!! She is the best Eboli ever!
Many "Eboli´s" i have listen to but i always come back to Miss Baltsa as her way of creating the role is the best.
Merveilleuse Agnès Baltsa grande mezzo et grande mise en scéne de don Carlos j´adore cet opéra 🙏🙏👑🎩🎼
The performance of this aria is simply masterful and dignified. Mrs. Agnes Baltsa showed art at the highest level, the last high A that shot like a bullet knocked me off my feet. This performance is a model for me to which I will always compare other performers of this role.
It is a pity that Karajan cut out this aria.
Amazing.. The best mezzo of the previous century.
Εξαιρετική!!!!!!!!!
Che voce...quale interprete...che produzine.. il vero Verdi. Amo verdi ..ed il D. carlo.... oggi non c,e quasi piu nulla in opera, e poi le produzioni. ......
E che Orchestra!!! La perfezione!
The one and only who ever did this aria properly! Masterpiece
1:11. I just about had a stroke. Brilliant.
I had a stroke with the low part. We don't see nowadays a chest voice witch that level of development, richness, squillo, NOTHING! Nowadays the REAL chest voice was death... Sad. 🥲🤡
Nunca me gusto mucho esta cantante, pero debo reconocer que tiene un lugar entre los.grandes❤
La coloratura è fantastica!
que voz por dios, me encanta
The gratest princess EBOli ever❤️ྀི
Brilliant coloratura!!!!
This is for all those who say that the low register should be weak and less bright when compared to the mid and high register... FEEL THE QUALITY OF THESE CHEST NOTES!!! It shines brighter than the middle register and shines like the head voice. According to Garcia, THAT is the correct way to sing belcanto.
Who in the world says the low register should be weak? Even sopranos tend to sound feeble without a solid chest voice. There is so much nonsense that poses as vocal pedagogy.
Chest voice is so critical and overlooked today. All the greats utilize it in a significant way
@@jonathanholley3407 The modern school of sing...
@@operadoc Unfortunately... And that is why the noble art of singing is lost.
@@FelipeViannaNutriUFRJ hopefully not forever. Saioa hernandez is a hope for now. Generous with her chest voice
Que bonita coloratura..Im in love..😍
Qué Teatro es? MAGNÍFICA!!🎉❤😊
The best Eboli
La Baltsa! The one, the only.
The best Eboli alongside Bumbri. I just can't understand why Karajan cut this aria. Shame on him.
Often he cut Elisabetta's final Aria some middle part , too.
@@hada9568 Why?
che musicalità straordinaria!
Sono assolutamente d'accordo! C'è una sintonia incredibile con il colore dell'orchestra. Meravigliosa artista!
Bravo!
Brilliantly!
But why only the first verse?
A powerhouse of beauty!
I love this song! But why has the 2nd verse been omitted?
She ran out of breath.
@@BellaFirenze What an nonsense comment! It was Karajan decision!
Estupenda. ¡Lástima que solo cantara la mitad!
Brava!!
bravaaa
Omg wow…..
No second part of the aria?
Ferocious chest voice/
😍😍
Why oh why would Karajan cut the second verse of this?
Baltsa asked him to. She didn't want to tire her alleged precious voice.
@@BellaFirenze I find that unlikely considering he did the same with Ludwig, and Baltsa sang it uncut in other performances
@@manolis.799 Well, maybe she had to go pee.
@@BellaFirenze wth lol
👏👏♥️😄
EBOLI
Nel giardin del Bello,
saracin ostello,
all’olezzo, al rezzo
degli allòr, dei fior
una bella almèa
tutta chiusa in vel,
contemplar parea
una stella in ciel.
Mohammed, re moro,
al giardin sen va;
dice a lei: «T’adoro,
O gentil beltà!
Vien’, a sé t’invita
per regnar il re.
La regina ambita
non è più da me.»
Coro:
Tessete i veli,
vaghe donzelle,
mentr’è nei cieli
l’astro maggior.
Sono i veli, al brillar delle stelle,
sono i veli più cari all’amor!
EBOLI
«Ma discerno appena,
(chiaro il ciel non è)
i capelli - belli,
la man breve, il piè.
Deh! Solleva il velo
che t’asconde a me;
esser come il cielo
senza vel tu de’!»
Se il tuo cor vorrai
a me dar in don,
il mio trono avrai,
ché sovran io son!
Tu lo vuoi? T’inchina,
appagar ti vo’:
«Allah! La regina!»
Mohammed sclamò.
Coro:
Tessete i veli,
vaghe donzelle,
mentr’è nei cieli
l'astro maggior.
Sono i veli, al brillar delle stelle,
sono i veli più cari all’amor!
W Baltsa! W Verdi!
She sings in a soprano style
extragalactic
!!!
yes, second verse is cut....abominable
Che orrore...
Le belle statuine...tutto orrendamente tagliato. Una porKerja alla Karajan.
Preferisco a la Cossotto
Anch'io.