Why oh why did we lose Tatiana Troyanos so young? Still we were able to enjoy this incredible singer , actress and musician and there are the recordings of course, so I say thank you for the gift that she was to us all.
Troyanos was one of my greatest mezzosopranos. Her timbre, her technic and her legatos were so beautiful. There is one recording of Massenet's "Werther" with her and I think this is the best and most impressive Charlotte (including her pronounciation) I ever heard. Unfortunately she had a sad and too early ending. I will never forget her.
Troyanos was on fire here! She died far too young. She added such great life and vigor to each character she sang (or created, as is Die Teufel von Loudun's case).
I love to hear the aria with Troyanos in this scene, the costumes, the setdesine so very much! It`s a pure pleasure! Lissening and watching. Thank you for uploading!
Como español solo por ver a la princesa de Éboli bien representada con su famoso parche en el ojo. Y las ropas e indumentarias de todo el reparto se merece todo mi aplauso esta representación. Se nota que se molestaon en hacerlo bien, fiel a la estética y ambientación de la época. Bravo
Absolutely marvelous! Every note is tack on. The coloratura is seamless and flows gracefully to achieve a thrilling auditory experience. This is a difficult aria to sing; I doubt any mezzo could sing it better.
Thank you for sharing this magnificent video with us. I have been trying to find entire operas with Tatiana Troyanos, but found only "La Clemenza di Tito." She is phenomenal. I hope she is now singing with the angels. Good wishes, M.
I'm so old. I saw this, live, at the Met, in this, the first production. It may not be the greatest Verdi opera, but it's certainly one of the longest. Yes, it is excellently done. Troyanos does a wonderful job. Would you expect anything else from her? But so does the disgraced James Levine. And so does Betsy Norden, who seems never to forget that she is playing a part. I'm a theatrical director, by the way. You can look up Deloss Brown and see why I have particular prejudices. I'm very glad this is on line, and I look at it often. It's perhaps my favorite piece of Verdi. I'm a Bach-Brahms-Wagner person.
3:28 EBOLI Nel giardin del bello saracin ostello, All'olezzo, al rezzo degli allòr, dei fior, Una bella almèa, tutta chiusa in vel, Contemplar parea una stella in ciel. Mohammed, re moro, al giardin sen va; Dice a lei: “T'adoro, oh gentil beltà! Vien', a sé t'invita per regnar il re; La regina ambita non è più da me”. CORO Tessete i veli, vaghe donzelle, Mentr'è nei cieli l'astro maggior. E sono i veli, al brillar delle stelle, più cari all'amor. EBOLI “Ma discerno appena, chiaro il ciel non è, I capelli belli, la man breve, il piè. Deh! Solleva il velo che t'asconde a me; Esser come il cielo senza vel tu de'!". Se il tuo cor vorrai a me dar in don, Il mio trono avrai, ché sovrano io son. Tu lo vuoi? T'inchina, appagar ti vo'. Allah! la regina!” Mohammed 'sclamò. CORO Tessete i veli, vaghe donzelle, Mentr'è nei cieli l'astro maggior. E sono i veli, al brillar delle stelle, più cari all'amor.
It sounds to me thar Troyanos have difficulty in combining "chest voice" with the upper range, and she usually gets stuck in between, with a sound that lacks "purity".
Those lower coloratura runs that weave around the lower passagio would be IMPOSSIBLE if she had trouble knitting her registers. But as you can hear, she had no trouble at all, speed, accuracy and warm, sensuous tone. I heard her live many times - she was one of the greats!
@@brunnhilde7193 100% agree. As a dramatic mezzo myself I will also add that doing runs like that spanning a couple of octaves means you absolutely have to keep it light in the chest voice
Verdi was very bad for writing this role as Eboli, not only for the vocal quality. Giuseppe had written 3 Opera to arrive at the perfection of Don Carlos
Why oh why did we lose Tatiana Troyanos so young? Still we were able to enjoy this incredible singer , actress and musician and there are the recordings of course, so I say thank you for the gift that she was to us all.
Troyanos slays this. No one else comes close, really.
Troyanos is unparalleled here. The duet, as I see it, is the jewel in the crown. So effortless and flawless.
Scene e costumi, meraviglia. Eboli mia amatissima Tatyana, mio cherubino preferito. I love you
Una delle più belle voci che abbia mai sentito! Meravigliosa!
Troyanos here is unbeatable. Extremly well sung, incredibly well acted (Look what she did with her eye...)
For me is the best rendition on stage ever.
I agree. She was something special
@Emil Poulain i heard that on here. Incredible
The lovely Tatiana Troyanos as Principesa Eboli 😍☀️🤩
🌹
Troyanos was one of my greatest mezzosopranos. Her timbre, her technic and her legatos were so beautiful. There is one recording of Massenet's "Werther" with her and I think this is the best and most impressive Charlotte (including her pronounciation) I ever heard. Unfortunately she had a sad and too early ending. I will never forget her.
Troyanos was on fire here! She died far too young. She added such great life and vigor to each character she sang (or created, as is Die Teufel von Loudun's case).
This is my favorite scene in he whole entire opera.
Mine too!
А Вы посмотрите эту сцену в исполнении Ирины Архиповой. Какая игра !Как прелестна! Обольстительна! И вокальная техника превосходна !
don carlos is a huge work ..
.
but from auto-da-fe onwards to the end it is a masterpiece
That's a nice scene, but please, no. Verdi would take this as an insult and he would be right. 😄
I love to hear the aria with Troyanos in this scene, the costumes, the setdesine so very much! It`s a pure pleasure! Lissening and watching. Thank you for uploading!
Bravissima la Tatiana!
A voice so absolutely unique in its beauty.
FACTS DANA!! Avid here
I like that she stands from the beginning with her back to the stage
Como español solo por ver a la princesa de Éboli bien representada con su famoso parche en el ojo. Y las ropas e indumentarias de todo el reparto se merece todo mi aplauso esta representación. Se nota que se molestaon en hacerlo bien, fiel a la estética y ambientación de la época. Bravo
She lost her eye in a duel when she was just a girl.
It is the WRONG eye according to the painting I have seen of the Princess.
Maravillosa Tatiana Troyanos. Brava!!!!!!!!
Absolutely marvelous! Every note is tack on. The coloratura is seamless and flows gracefully to achieve a thrilling auditory experience. This is a difficult aria to sing;
I doubt any mezzo could sing it better.
Agree. Elina Garanca is one that I think matches her. They're both wonderful.
Garanca not even remotely close.
Fiorenza Cossotto also sang it very well.
not even remotly close
@Robert Lee, Countertenor I fully agree.
Bravissima Tatiana! 😍
So much vocal commitment! Brava, Diva!
That was outstanding!
Tebaldo ed Eboli together perfectly beautiful
Absolutely fantastic!
The best rendition of Eboli
Une grade dame .
Magnífica!
MARAVILLOSA ARIA ,PRECIOSAS VOCES , EN EL JARDIN DE LA BELLEZA
Fantastic! My favorite aria in the whole performance!
Stupefacente.bravissima.
Thank you for sharing this magnificent video with us. I have been trying to find entire operas with Tatiana Troyanos, but found only "La Clemenza di Tito." She is phenomenal. I hope she is now singing with the angels. Good wishes, M.
my favorite eboli
Molto affascinante anche se molto seria...il canto è molto bello.
I'm so old. I saw this, live, at the Met, in this, the first production. It may not be the greatest Verdi opera, but it's certainly one of the longest. Yes, it is excellently done. Troyanos does a wonderful job. Would you expect anything else from her? But so does the disgraced James Levine. And so does Betsy Norden, who seems never to forget that she is playing a part. I'm a theatrical director, by the way. You can look up Deloss Brown and see why I have particular prejudices. I'm very glad this is on line, and I look at it often. It's perhaps my favorite piece of Verdi. I'm a Bach-Brahms-Wagner person.
Excellent performance
GRANDISSIMA❤
Cant get better than this! Perfection
+Shahrdad. Yes, Garanca is outstanding but in my opinion, Troyanos was a phenomenon that happens once in a generation - maybe two.
Garanca? You must be really kidding?! I hope so.
Garanca ha! Such an under-sung wimpy voice! No comparison to Troyanos.
Garanca ?🤣😂🤣😂🤣😂. Just another pretty face her voice small and forgettable. Troyanos a legend!!!!!!!
Another mosquito PLEASE AND Cosotto was just as bad. Arnold Bourbon Amaral
Troyanos is far far better than Garanca..
I'm in love with the soprano who is singing at 1:28. I deeply love everything about her.
kianoosh ghaffarzade she is so Walt Disney. 👍
That's Betsy Norden
Sublime
Troyanos interprete superba magnifica mi sapete dire il resto del cast.
BRAVISIMA!
3:28
EBOLI
Nel giardin del bello saracin ostello,
All'olezzo, al rezzo degli allòr, dei fior,
Una bella almèa, tutta chiusa in vel,
Contemplar parea una stella in ciel.
Mohammed, re moro, al giardin sen va;
Dice a lei: “T'adoro, oh gentil beltà!
Vien', a sé t'invita per regnar il re;
La regina ambita non è più da me”.
CORO
Tessete i veli, vaghe donzelle,
Mentr'è nei cieli l'astro maggior.
E sono i veli, al brillar delle stelle,
più cari all'amor.
EBOLI
“Ma discerno appena, chiaro il ciel non è,
I capelli belli, la man breve, il piè.
Deh! Solleva il velo che t'asconde a me;
Esser come il cielo senza vel tu de'!".
Se il tuo cor vorrai a me dar in don,
Il mio trono avrai, ché sovrano io son.
Tu lo vuoi? T'inchina, appagar ti vo'.
Allah! la regina!” Mohammed 'sclamò.
CORO
Tessete i veli, vaghe donzelle,
Mentr'è nei cieli l'astro maggior.
E sono i veli, al brillar delle stelle,
più cari all'amor.
Este era su papel nadie como ella para la princesa Eboli extraordinaria
PS Is that Betsy Norden as Tebaldo?
Beautiful in every way ... I like the Version of Christa Ludwig very much ..
이 얼마나 당당하고 아름다운 곡인가?
Brava
Grande . Excuse - me .
DIEU💞🌿🇻🇦✝️🇲🇬🌿💞 ACCUEILLEZ DANS VOTRE PARADIS💞💒💞 L'ÂME ⛑🇻🇦⛑DE MADAME TATIANA TROYANOS !!!💛🌿💐✝️💐🌿💛💐🧖♂️🐇🇻🇦🌻🇻🇦🇲🇬💐🇻🇦🌻🇻🇦🌻🦫💞💛🎻🌿💐⛑🧸
Ja tatjana ein mezzojuwel,eine jahrhundertstimme ,hohe gesangscultur
Akon hathor❤😂❤❤
1:24
Өте жақсы!
A very good version, but Elena Obraztsova is even more impressive because more powerful in the low notes.
Yes, more powerful but not as precise and tasteful
Powerful in the low notes, but Elena Obraztsova also blatantly ignored Verdi's dynamic markings.
Хороша.
It sounds to me thar Troyanos have difficulty in combining "chest voice" with the upper range, and she usually gets stuck in between, with a sound that lacks "purity".
Those lower coloratura runs that weave around the lower passagio would be IMPOSSIBLE if she had trouble knitting her registers. But as you can hear, she had no trouble at all, speed, accuracy and warm, sensuous tone. I heard her live many times - she was one of the greats!
@@brunnhilde7193 I don't agree. I would say more: does she even have a chest voice?
You're kidding, right?
@@brunnhilde7193 Obviously not.
@@brunnhilde7193 100% agree. As a dramatic mezzo myself I will also add that doing runs like that spanning a couple of octaves means you absolutely have to keep it light in the chest voice
Verdi was very bad for writing this role as Eboli, not only for the vocal quality. Giuseppe had written 3 Opera to arrive at the perfection of Don Carlos
Great voice but she absolutely lacks any sense of sensuality and humor here... She sings it like a stiff etude
Brava
Хороша.