HOW TO EDIT SEASCAPE PHOTOGRAPHY IN LIGHTROOM
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- เผยแพร่เมื่อ 16 เม.ย. 2022
- How I process and edit my landscape photography using Adobe Lightroom Classic 2022. It has been a while since I have released a new tutorial, so I figured this would be helpful, it also covers the new masking system.
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#lightroom #lightroomtutorial #landscapephotography - บันเทิง
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Good suggestion about feathering the sky selection.
The best photographer and my personal favourite
Love the video, Michael! Changing the background color kinda blew my mind a little!
You do a fantastic job of enhancing your images and bringing them back to life without making them look overcooked / unrealistic.
Color grading is something I keep coming back to and wishing I approached it in a different way. I actually voted for an editing tutorial, so very glad to see it. Your content always makes me want to do better. Can't wait for the next video!
I agree, I feel like color grading is a great technique for someone trying to develop a personal style, initially. I used to use color grading frequently, but these days it's very rare to inject it into my scenes, and if so, it's very minimal.
Cranking a slider up to 100 to see what it does is something I always associate with you.
"I'm gonna pull a Shainblum here and see what this slider is even doing..."
Such a great tip.
I always enjoy seeing someone with skills process an image. I also always find that everyone does the adjustments in a different order. And there never seems to be a wrong way to attach the process. For me, I always start with lens correction if I do it after basic adjustments I have to go back and readjust the basics.
I agree with you here, I'm almost a decade into photography and editing images, using LR and PS, and I still find great gratification in watching someone else edit an image. For one, I always learn something new, almost every time, like in this video when Mike used the radial gradient to vignette the sky and subtracted out a linear gradient to remove the foreground. Brilliant simple technique and I love the effect on the sky! Mike has such an elegant hand in post, all his techniques are broad and subtle, and I find as I get more experienced as a photographer -- this is the direction I want my own work to follow. Like, trying to convey the idea, color, contrast, whatever, with the absolute least technique. Just enough to get the viewer to see what I want, without punching them in the face with the edit or the specific technique.
I would say I struggle the most with color. Trying to be sure my colors are how I want them and if they make since because I want the viewer to feel like they are there looking at the image. Great video!
Nice video Michael!
Exposure blending with luminosity masks is my nemesis. No matter how many times I "learn it" it always throws me for a loop when it comes time to apply it. I have no problem using luminosity masks for dodging/burning but for some reason exposure blending with them and ending up with a realistic result perpetually eludes me.
Really good tip on feathering the select sky adjustment!
Have you checked out tutorial video from Sean Bagshaw or Jimmy McIntyre? I learnt everything from them. Affordable price an incredible value.
Great to see some post processing tutorials again. I think color balance is one of the hardest things to learn.
Deciding how much truth should be in the photo. Thank you for all your inspiration.
Absolutely love your content Michael. Happy Easter!
Thank you for this Michael, love the simple workflow
Thanks for this insightful video!
Thank-you for this it was extremely helpful
Hey Michael! As usual, I enjoyed your processing video. It is always calming to watch your videos and it feels very soulful. One thing that I find difficult most times during post-processing is using luminosity masks for exposure and time blending. I know these are advanced techniques and I still have a long way to go to get a grasp on it.
Superb images Michael :-)
Thank you for the video. It's nice to see adjustments to an image with a current version of LR. The new tools for local adjustments and their subtleties are amazing. I'm going to have to watch your video several times to learn it all. So much has changed in the last year. You referenced using Adobe Color as the 'OK 'color profile. Focusing on the most accurate profile would be the color profile of your camera's sensor. To do that, use ColorChecker Camera Calibration (24-patch classic target) to create the camera sensor's profile and add that to your choices ( instead of Adobe Color, you use Nikon D850). Then you start with a calibrated color profile. Just like your monitor, calibrated. You can create profiles for each camera body (Sony, Canon, Fuji, etc.). Try it and watch the color shifts from the default Adobe Color. Unless color accuracy is only important for portraiture and reproduction. Just a thought!
White Balance is a bit challenging for me sometimes. Thanks for the video!
Thanks for sharing your knowledge and passion with all of us 👍🏽
Thanks a lot for the tip with the background, very useful 👍🏻
thanks for this very useful and important tips for editing Seascape photos. I always like you approach to photography in general. my greatest problem is Colour Grading
Thanks for the tutorial, the virtual copy was a very nice trick. One thing I usually struggle with is matching my colors and contrast (usually the latter) on my desktop with my phone. My phone just kills the contrast. It could be a factor of color space calibration, glare, brightness and a lot more between the devices.
Great video. My issue is always balancing the light and shade in my images. I am currently working on improving my selective process to improve where I feel my images can be lightened or darkened. I feel this is one of the best ways to add that individual touch to my images so I develop a style that is all mine.
For me it is running water...usually some waterfall or stream in a woodland...darker/brigter/clarity/dehaze back and forth 😁 anyway great video as always 👍 thanks
This is why you are my favorite...... Frikkin genius.
My main limitation is using LR 6.2 but after watching this video I think there's usually a work around. One just has to get creative.
Great and simple tutorial. I am glad to see that you are not doing any crazy edits ... like a sky replacement or 17 range masks ;)
I always find that I struggle with over saturating the image. Thanks for showing your process, I really love your work!
Enjoyed listening to you Michael, you have some great ideas. Like you, I use a lot of complex editiing tools like lum masking, but the new masks in LR has meant I am going into PS less which is good for time sometimes. However, if I have 3 exposures to blend you'll bet i'll hit PS.
As always a great tutorial. I have been using DxO Photolab5 for some time and find that the combination of tools gives easy selective editing and is well worth a test for any one using Lightroom and or photoshop.
Nice!
WB, CROP, and CALIBRATION.
biggest issue: work with color. I understand color theory, I know how to adjust colors with different tools. Despite seeing tons and tons of images, I still struggle when editing colors to get them "right" and not receiving comments like "play a bit with that yellow, so it does not look like pee..." or "that green is strange" :D
Where can one read or learn about colour theory with regards to editing? It really is a puzzle to me..
Thanks Mike for going through each of the LR panels with brief explanations. What adapter did you use for your Nikon 14-24mm lens ? I use Sigma EF- E for my Irix 15mm (Canon EF mount) to my Sony A7RIII.
great video Michael,,, I personally struggle with the new selective tools. I just go into photoshop and use Lumenzia after my basic raw adjustments are done in LR
Nice video Michael. To answer your question, I always think your images have a certain pop to them, even if they are not saturated or contrasty. I struggle to get this in my photos without pushing the saturation or contrast up. Without that the photos look meh or washed out. Hope that makes sense😅
Subtracting with a gradient from a selection was new for me. Shure gonne use that! I'm always in doubt how to control black and white tones, or witch sliders to use. Is it the best to use Alt+black/white, or to use the panel colourcurve, or just use the contrastslider in main panel? Thnx. Michael
Great tutorial! Only suggestion I have, since we can customize the order of the dropdowns in Lightroom, move Lens Correction to the top and take care of it first. Depending on the lens there might be some more extreme cases of distortion & vignetting that once corrected can change your exposure; don't want to spend the time getting the right exposure only to have to go back after.
Another video that I'm walking away from learning something new. I've fallen in love with the new masking tools LR added in, however the one struggle that I continue to face is contrast. I also do the same background change from white to black to see how my image looks, yet my contrast still seems to be overdone at times. Any advice in regards to how you tackle second guessing this tool?
Hi! I really love your videos. I'm learning a lot!
Just one quick question; do you use presets for landscape photography? I come from real estate photography and use it quite a lot, where scenarios are pretty much repetitive. But I'm not familiar with landscape.Thanks!
Michael your seascape photography is my always favorite. Recently I bought Sony fe 16-35mm f2.8 GM. I was curious how to edit seascape photo. I did follow Chris Burkard minimal editing techniques.
Checkout his live seascape processing video
th-cam.com/video/OxitDa35JiA/w-d-xo.html
Nicely done Michael. On Lens correction, you can set this to be done automatically when you originally add your Raw images into Lightroom. Thanks for sharing again.
Stay safe 🇦🇺
Good call, thanks for the tip! :)
Excellent tutorial Michael! Thanks for the hints you gave us.
Exposure blending is always almos impossible to do! And the results ar less than awful! I have bought lots of luminosity masks tools like Lumenzia, Raya Pro, TK8 panel and pretty much with any of those, the results are horrible and the quality picture ends up being impossible to use. Any advice on how to get better results while taking pictures for later do the post processing wiht some of those tools?
Hello Michael, something I struggle with is whether to use clarity in the sky. Many say, clouds are soft and fluffy and should not be touched whilst others routinely sharpen that area. I am inclined not to sharpen or use of clarity. Not being an expert, I normally take a general approach. Just wondered if you have any views on this subject...
Hello, great photos, but I have a question, what editing monitor do you use? Since I understand that the monitor is very important to obtain more realistic colors, greetings
Informative as always. Thanks. One question: What percent of your photos do you move into Photoshop to apply finishing touches after editing them in LR?
I find that using Photoshop to edit 24.8% of my images is optimal. Your mileage may vary.
I would say its 50/50 for me at this point :)
Do you try take photos Fuji GFX 100S?
My biggest problem is tackling color banding.
Maybe one issue that I am coming back to is overexposed water in sunset seascapes. You cant really blend them in due to separate waves motion (or exposure times) or recover the highlights if they are blown. Its really cumbersome as long as the sun is not yet really close to the horizon. Maybe you have a trick for that.
Helpful video…in a couple of cases, using intersect would probably be easier rather than using erase? For instance if you want a gradual darkening of the sky, use a graduated filter plus intersect with sky…
I have a problem with masking and the intersect when using the luminosity, the effected area goes gray and muddy.
Also adjusting the colour when using the brush, the colour doesn’t just effect the brushed part?
Hello. Following along and updated my lightroom but I do not see the new masking tool?
I definitely struggle the most with contrast depth. Turning up the contrast changes the balance between the whites and the blacks and makes it too punchy. Bringing up the dehaze too far makes everything unrealistically dark in the shadows. I tend to find my images left needing more black white separation but not sure how to get it without blowing one or the other out
A recurring issue for me is printing after editing..
on the screen the image looks good, when printed it is dark to the point of having to re edit.
A perspective blend on those sea stacks make them bigger would had been more attractive...i struggle with white balance and rushing with too much global edits..
A neat trick in lightroom, if you're using mac, hold shift and double click on whites, then repeat on blacks. Doing this almost always fixes the exposure of your image without having to use the exposure slider. Obviously depending on the image you might have to make a few minor adjustments the whites and blacks as needed, but overall it works wonders.
I have issues with the color grading.
Such as?
I struggle with gradient filters.
I often feel like I dont know where I want to go with the edit and start randomly moving sliders around then I rush through it and over do the edit.
Considered a crop with the close ups you have around 7:00? Skips the foreground ....
Most struggle with: Adding and subtracting masks. Or making complex believable masks. Including luminosity masks.
Challenge: luminosity masking
I prefer the original