Collodion test / Which one is the best? / Vlog 78

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  • เผยแพร่เมื่อ 2 ต.ค. 2024
  • In this vlog I'm breaking a myth about contrast in collodion photography. It does not exist. You can make whatever contrast you like with (almost) whatever collodion. Less exposure more development will cause higher contrast and vice versa. In Film photography the same principle is known as pull / push process in the film developing stage.
    PS: sorry, I forgot to check my audio levels.
    My favourite collodion is Osterman's standard collodion
    4ml of water
    3 gr of CdBr2
    4 gr of KI
    140 ml of alcohol
    140 ml ether
    220 Collodion 4% USP quality
    You may continue this kind of knowledge sharing by purchasing my book
    www.borutpeter...
    Or becoming my patreon
    / borutpeterlin
    Or by direct donation
    paypal.me/borut...

ความคิดเห็น • 60

  • @peterrenn6341
    @peterrenn6341 4 ปีที่แล้ว +4

    Very interesting! Everyone wants an 'out of the bottle' solution. As you've proved, exposure/development will get you where you need to be. Thanks for an informative video - as always.

  • @JamesPearson
    @JamesPearson 4 ปีที่แล้ว +2

    Very interesting video, as always, Borut. Thank you. I always appreciate you debunking the myths that are propogated around making collodion photographs, it's often too easy to get influenced by the 'latest theories' that are not well founded.

    • @BorutPeterlinPhotography
      @BorutPeterlinPhotography  4 ปีที่แล้ว +2

      Thank you James. I'm glad you like it and find it useful. My intention is mainly to educate and share the knowledge that was passed to me from others in this case Mark Osterman.

  • @richardk6043
    @richardk6043 3 ปีที่แล้ว +1

    Tutti Frutti… ? Master of collodion…. Bartender from hell. “What’s in this?”… “everything”.

  • @21switchfoot
    @21switchfoot 4 ปีที่แล้ว +2

    thank you for this! Much like all of your videos, super informative. Being a beginner in wetplate I had a lot of difficulty trying to figure out what collodion to use and hoping i'm using the best. This definitely clarified what i was questioning.

  • @matteoberneye5983
    @matteoberneye5983 4 ปีที่แล้ว

    This is a great video, thank you for sharing!

  • @lostinspacestudio
    @lostinspacestudio 2 ปีที่แล้ว

    Poe boy observations bate interesting..how to apply to portrait though. Certainly can't do 5 minute exposures. Stuck with high contrast?

  • @nikosmamalos
    @nikosmamalos 4 ปีที่แล้ว

    I enjoyed your workshop so much!!! The least I can say is that witnessed Topshit in person!

  • @Alex-bc9hh
    @Alex-bc9hh 4 ปีที่แล้ว +1

    Your videos are amazing ! I am just getting interested in the process and i expect my first results in a few months

  • @fgrecki
    @fgrecki 4 ปีที่แล้ว +1

    For TutiFruti is amazing. So far I am at this stage,that I don't know what I am doing ;)

  • @andyvan5692
    @andyvan5692 3 หลายเดือนก่อน

    very interesting review Borut; but a question, in this review you don't mention the asa you rate it at, I assume its around 1-3, from std wet plate discussions on TH-cam. and the light you used (ie the power, and exposure settings), to see what it takes to get these images.
    also, for newbies to this process how do each compare with say Kodak EkTar 100, or other relatively available negative films, esp. as far as contrast, tonality, etc.

  • @RogerHyam
    @RogerHyam 4 ปีที่แล้ว

    Thanks for this Borut. I love your wet plate videos most.
    I'm stuck with Poe Boy because I live in a 2 bedroom flat with my family and my conscience won't let me use cadmium in the bath or store ether in the broom cupboard. Maybe if I had a garage things would be different but that is never going to happen. With Poe Boy I reckon I have a two or three week window when I can do portraits with it then it is too slow and I have to do still lifes.

    • @BorutPeterlinPhotography
      @BorutPeterlinPhotography  4 ปีที่แล้ว +3

      Poe Boy is good, it just has its limitations and knowing what the limitations are, then there are no limitations, just adjustments.

  • @Murgoh
    @Murgoh 3 ปีที่แล้ว

    It would be very interesting to try tintype but I think getting all the chemicals would be difficult or at least very expensive here in Finland. I guess most of them could be ordered by a pharmacy but probably the prices would be outrageous.
    Anyway, I'm still waiting my very first large format camera (Graflex Speed Graphic) to be delivered so I'll probably be shooting just plain old film (and maybe some paper negatives) for a while still.

  • @tamassanta6819
    @tamassanta6819 4 ปีที่แล้ว

    Hi Friend,
    Thanks for all your helpful videos, great job!!!
    I just got a question you may have the answer. I mainly doing architectural photography on film, my favourite film is the Ilford Delta 100 and 400 ISO, because of the extremely sharp images and huge dynamic range I can get with them.
    I saw the collodiom negatives are very sharp as well and also you can have big dynamic range as you mentined here but do you think they can bring the same quality in the mentined values than the Delta?
    The reason I am asking, because I try to find handicraft technick from the past I can get the same result as with the Delta.
    One more think, what about the print? Which one is the best to getting highest quality regards sharpness and tonality?
    Many thanks in advance for your answer. :)

  • @Николай-я2и1ы
    @Николай-я2и1ы 2 ปีที่แล้ว

    Hey, can u type other recipes of collodion ? Thnx

  • @jin9311
    @jin9311 4 ปีที่แล้ว

    Hello. I am a Korean subscriber. Always looking good. I want to use poe boy collodion. The poe boy collodion seems to need 3 times more exposure time than other collisions. And what do ether and cadmium bromide do? Collodion with ether and cadmium bromide appears to be more sensitive to light.

  • @patriciadudley7536
    @patriciadudley7536 4 ปีที่แล้ว

    Interesting video, thanks Borut. I don't understand how you did the test strip??

    • @BorutPeterlinPhotography
      @BorutPeterlinPhotography  4 ปีที่แล้ว +2

      1) Fully open darkslide, exposure 5 s
      2) close it a bit, exposure 5s
      3) close it a bit, exp 10s
      4) close it a bit 20s
      5) close it a bit 40s
      Now you have a step test from 5-80s!

  • @sdfhjklhsfdjdsflhkds
    @sdfhjklhsfdjdsflhkds 4 ปีที่แล้ว

    This vlog and the next one are must-sees for wet plate photographers. Out of curiosity, what was that lighting rig you were using? Are those CFLs or hot lights?

  • @damarladathu1176
    @damarladathu1176 2 ปีที่แล้ว

    Hi

  • @jin9311
    @jin9311 3 ปีที่แล้ว +1

    Hello. Does the ostermans standard formula need filtration?

    • @BorutPeterlinPhotography
      @BorutPeterlinPhotography  3 ปีที่แล้ว

      Good question. I've encourage a really great technique of speeding up ripening of the Osterman's collodion receipt. You mix salts+water+ether, then you leave it overnight to settle down, then you decant and filter the solution and lastly add the collodion. After the bubbles are gone, you are ready to go

  • @phillip2446
    @phillip2446 2 ปีที่แล้ว

    LOL

  • @nasragiel
    @nasragiel 4 ปีที่แล้ว

    Do you have a Cadmium free recipe with Lithium? :) I've just made my own Poe Boy and it works fine, it even produces great images with just a single flash out of Speedotron with 2400ws. But I would like to get even faster collodion. :P

  • @fivehouse7880
    @fivehouse7880 3 ปีที่แล้ว

    Hi. Congrats for your videos are amazing for learning more. Just would like to ask two things. 1- where do you get those black glass plates protected wit the plastic film and ready to use? 2- Did you share the formula of your tutti frutti developer? thank you

    • @BorutPeterlinPhotography
      @BorutPeterlinPhotography  3 ปีที่แล้ว

      That black plates are plexiglass. Developer is different every time I tweek it. No big discoveries there

  • @teresashinkansen9402
    @teresashinkansen9402 4 ปีที่แล้ว

    Have you tried using calcium bromide/iodide? I was searching for salts that could be used to improve Poe boy's collodion and noticed calcium halides have much higher solubility in ethanol than the potassium ones so I wonder if they work better, also they are quite hygroscopic so it might even keep the plate wet for longer. Probably Im trying to reinvent the wheel but that's the fun of this, I haven't tried myself yet because I have to make the salts (can't find them anywhere) but as soon as I make them and test them I will update with results.

    • @BorutPeterlinPhotography
      @BorutPeterlinPhotography  4 ปีที่แล้ว

      No, I have not, nor am I intending to. Although with calcium bromide my Tutti Frutti would be even more tutti and more more frutti.

  • @alfredomejorconfilm1411
    @alfredomejorconfilm1411 4 ปีที่แล้ว

    I love the video, as always. By the way Borut, you have skipped 10 numbers in the blog numbering. A greeting from Spain.

    • @BorutPeterlinPhotography
      @BorutPeterlinPhotography  4 ปีที่แล้ว +1

      I'm an artist, I can do that. He, he,... Thx, I'll fix that later. Can't do it on my phone.

  • @tamassanta6819
    @tamassanta6819 3 ปีที่แล้ว

    Hi Friend,
    Thanks for all your helpful videos, great job!!!
    I just got a question you may have the answer. I mainly doing architectural photography on film, my favourite film is the Ilford Delta 100 and 400 ISO, because of the extremely sharp images and huge dynamic range I can get with them.
    I saw the collodiom negatives are very sharp as well and also you can have big dynamic range as you mentined here but do you think they can bring the same quality in the mentined values than the Delta?
    The reason I am asking, because I try to find handicraft technick from the past I can get the same result as with the Delta.
    One more think, what about the print? Which one is the best to getting highest quality regards sharpness and tonality?
    Many thanks in advance for your answer. :)

    • @BorutPeterlinPhotography
      @BorutPeterlinPhotography  3 ปีที่แล้ว

      Well, big difference is that film records all visible light, whereas collodion records UV and blue spectrum. If you don't like blown out sky, then collodion is not your choice. From definition and tonality collodion negative is an extra good medium. But remember these days most people shoot wet plate collodion POSITIVE (Tintype, ambrotype), and that is from tonality point of view really bad medium, probably worse than Polaroid. What you've told me, I would dive into dry collodion negative, so you don't have to develop on the spot. Is it worth the hustle? I'm biased, I would say yes, but 99,999% of photographers would say no.

    • @tamassanta6819
      @tamassanta6819 3 ปีที่แล้ว

      @@BorutPeterlinPhotography Thanks a lot for your help. So the dry collodion negativ give the same quality than the wet collodion negative (tonality and sharpness)?

  • @nunca_te_acostaras
    @nunca_te_acostaras 4 ปีที่แล้ว

    8:30 XDXDXDXD dinamic range!!!!!

  • @kpkndusa
    @kpkndusa 4 ปีที่แล้ว

    Good video, I like the comparison of the diferent collodions. The Osterman positive collodion is basicaly the same as Coffers Ol'relyable. After reading the formula for Osterman collodion I noticed they must have changed the preportions of ether and alcohol in the positive collodion. The positive collodion I use mostly now is a positive collodion from Estabrook, for me it works the best. Thanks for what you do.

    • @BorutPeterlinPhotography
      @BorutPeterlinPhotography  4 ปีที่แล้ว +1

      Yes, I believe that Osterman and Coffer are using some traditional receipt and we named their receipts with their name. Maybe we are talking about the same receipt, who knows. I've heard another name that is basically the same receipt, I don't remember it, but I remember it was funny name and it was some kind of Bride.
      Do you want to share the receipt that works for you best? Here in the comment section would be great.

    • @kpkndusa
      @kpkndusa 4 ปีที่แล้ว

      @@BorutPeterlinPhotography I'll do that.

    • @kpkndusa
      @kpkndusa 4 ปีที่แล้ว +1

      Here is the Estabrooke collodion for positives. This has become my "go to" collodion, it can make negatives also.
      Part A
      Amm iodide, 2.4 gm.
      Cad iodide, 1.2 gm.
      Cad bromide, 1.2 gm.
      Alcohol, 100ml.
      Part B
      Collodion USP, 120 ml.
      Ether, 50 ml.
      If faster ripening is wanted, two drops odine tincture can be added after mixing A & B.
      This collodion mixes clear. If desired the oidides and bromide can be disolved in 3 ml. of water then added to the alcohol. The sensitized film is very light in color.

  • @filibertkraxner305
    @filibertkraxner305 4 ปีที่แล้ว

    This is the first time I saw a side-by-side comparison of various collodion recipes. I learned so much. Thanks Borut!

    • @BorutPeterlinPhotography
      @BorutPeterlinPhotography  4 ปีที่แล้ว +1

      I know. There were too many myths. I hope now they are dead and replaced by the facts. That said, let me highlight the George Eastman House and Mark Osterman, from who I've learned majority of stuff mentioned in the video.

    • @filibertkraxner305
      @filibertkraxner305 4 ปีที่แล้ว

      @@BorutPeterlinPhotography Excellent job, and very encouraging as always. I'm going to start my journey by getting my hands on Mark Osterman's collodion book, and take it from there. Unfortunately, it's out of print at the moment, but I'll find it eventually.

  • @oldschoolcollodion
    @oldschoolcollodion 4 ปีที่แล้ว

    Very amusing.🌟

  • @brianrae1624
    @brianrae1624 4 ปีที่แล้ว

    hey so these already look awesome but is there any process to tone collodion?

    • @BorutPeterlinPhotography
      @BorutPeterlinPhotography  4 ปีที่แล้ว +1

      There are two major branches of wet plate collodion process. Nowadays 99,9% of wet plate collodion images are made as a positive, either ambrotype or tintype, but historically most of the collodion images were made as a negative. From the glass negative prints were made and in the contrast to today's photography 19th Century photographer had 40 different processes to make a print. Prints could be toned. In theory also collodion positive plates could be toned but nobody does that nowadays

    • @brianrae1624
      @brianrae1624 4 ปีที่แล้ว

      Topshit Photography thanks for the details I watched your glass negative/split toning vid that was epic stuff

  • @EmanuelePassarelli
    @EmanuelePassarelli 4 ปีที่แล้ว

    Numero uno! I need "Tutti Frutti" in my life 😂

  • @elangeldelamusica
    @elangeldelamusica 4 ปีที่แล้ว

    now you starting to look VERY tired

    • @BorutPeterlinPhotography
      @BorutPeterlinPhotography  4 ปีที่แล้ว +1

      I'm on my way to Paris and you can imagine all the stuff waiting to be done before departure. I got tired before, I can handle it while publishing new vlog.

    • @elangeldelamusica
      @elangeldelamusica 4 ปีที่แล้ว

      @@BorutPeterlinPhotography Stay strong Borut!

    • @BorutPeterlinPhotography
      @BorutPeterlinPhotography  4 ปีที่แล้ว

      @@elangeldelamusica trying to stay strong is one of the most tirying things, wouldn't you agree? Greetings from the nightride.

    • @elangeldelamusica
      @elangeldelamusica 4 ปีที่แล้ว

      @@BorutPeterlinPhotography intended not macho strong, but survival strong. But I concur, it is.

  • @tatissy6556
    @tatissy6556 4 ปีที่แล้ว

    What is the beginner friendly collodion would you recommend?

    • @BorutPeterlinPhotography
      @BorutPeterlinPhotography  4 ปีที่แล้ว

      Lots of people choose cadmium free collodions, but all of those are not easy to start with. Also quick clear collodion with ammonium iodide and cadmium Bromide is very sensitive to excess water. I would recommend Osterman's standard, the one its receipt is in the description box.

    • @tatissy6556
      @tatissy6556 4 ปีที่แล้ว

      @@BorutPeterlinPhotography thanks!

  • @njshaji3523
    @njshaji3523 4 ปีที่แล้ว

    Wooow can u assist me plzz pro ..