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I'm even more greatful to God that he gave chance to me to be born in this country and breathing and living in this classical and devotional culture thanks god❤️🇮🇳❤️🇮🇳❤️🇮🇳
It is not so much the country but more about love and appreciation of people who show such excellence. That exists in every country, esp a rich musical tradition in Pakistan, for example, Nusrat Fateh Ali Khan.
@@harischandkhemraj6311 Who are you to thank him and why are you thanking him?? He is as much an Indian (I assume) as you are. Both of you are equal. We are equal in this country and under the almighty.
You have a rich cultural heritage and a great sense of art. I sometimes envy you but I can still listen to this music or watch the dancing. Cultural exchange is wonderful too.
In this song Saint Tukaram (in poetic touch) warns us of the bhoota (ghost ie. actually referring Bhagavan Panduranga) which will posses anyone stepping into pandaripur and which won't leave (ensuring moksha ie. without another birth). After listening to this soul stirring performance, I feel that hearing this by itself will make one be possesed by that bhoota, without even visiting pandaripur. What a divine outpouring! Long live Indian culture and tradition. They have put in such good use of their high end classical carnatic music training. They have learnt singing abhangs in traditional manner.
Not recently after mobile era youngsters sir. Even in early 70s in all temples and Major towns I have sat thru as a five year old with parents attending a a team of amazing bhajan singers in Tamil Nadu - singing mesmerising abhangs during festivals particularly Hanuman pooja, Srinivasa, Meenakshi kalyana (vivaha) festivals thru midnight ending by around 3 a.m.
That is the broad-mindedness of Tamilnadu and Tamil culture. Embracing every language & the inclusiveness which you cannot find in any other states in India.Rather there will be debate among many & name calling when Tamil language is appreciated or being centred. Many many instances, I have noticed and observed the impartiality and hatred by MANY if NOT ALL.
तुका पंढरीसी गेला या ओळी मधील श्लेष अलंकार हा तुकोबारायांच्या अद्वितीय प्रतिभेचा अविष्कार आहे आणि त्यातही विशेष म्हणजे मराठीचा अजिबात गंध नसलेल्या दक्षिण भारतीय गायकांनी अत्यंत खुबीने गायला आहे हे एका मुरलेल्या मराठी गायकाला सुद्धा जमणार नाही. रंजनी आणि गायत्री ताईंच्या कलेला आणि त्यांच्या सादरीकरणाला शतशः नमन🙏
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This is sheer poetic brilliance of Saint Tukaram, wherein he uses satire to compare God (Vitthal) to a Ghost, who hypnotizes or in a way jinxes anyone who goes to meet him, so much that the devotee will never return back to the material world, through recounting his own such experience. Tukaram was permanatly devoted to Vitthal for his entire life and thus he says that the Ghost (Vitthal) has jinxed me too. Superb poetry and superb singing!
Divine! Every year in the month of Aashaada, July, Warkaris ( pilgrims) in thousands set out from the village of Dehu, to walk around 230 kms. to Pandharpur. They are joined by thousands more on the way. It is a sacred journey that takes them to their Dearest Vithoba and Devi Rukmaiee, enshrined in the temple at Pandharpur. As they walk they sing these bhajans, a thousand sustained voices rising in song to the accompaniment of dholak, ekthara and dhothara, manjira, karthal, thabla. They sing the songs of the Bhakthi Saanths, like Saanth Thukaaraam. These Saanths were the great singing souls who helped keep the spiritual strength of India from failing in the fierce adversities of those times. Even if one cannot sing, just walking along with the pilgrims will be a transformative experience for anyone.
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Ra Ga ..Just returned from a Pilgrimage trip to Pandharpur. The grace of Panduranga is really great. Hearing this song in repeat mode. What a rendition. Soulful and rejuvenating. पंढरीचे भूत मोठे आल्या गेल्या झडपी वाटे बहु खेचरीचं रान बघ हे वेडे होय मन जाऊ नका कोणी, तिथे जाऊ नका कोणी जे गेले, नाही आले परतोनी तुका पंढरीसी गेला पुन्हा जन्मा नाही आला..and the song has few more stanzas. The video embraces just the first & fouth stanzas. Just 4 lines. The SWARAS & the JATI take us to another level. Accompanying artists add flavor to this number !!!
yeah, Maharashtra was ruled by Kannadiga and Andhra dynasties for thousands of years. The Telugu Satvahana Empire ruled Maharashtra from 200BCE to 200CE (400 years). The Kannada Empires of the Badami Chalukyas, the Rashtrakutas and the Kalyani Chalukyas ruled Maharashtra from around 600CE to 1150CE (550 years). The Bijapur Sultanate aka Adil Shahi Dynasty, which used Kannada, Persian, Urdu and Marathi as court languages, ruled Karnataka and Maharashtra from 1550sCE to 1660sCE (about 110 years). This was why Kannada was widely spoken and hugely important in Maharashtra for quite a long time.
@ranjith bhushan nothing to get offend..... He is referring to ancient and medieval history.... mostly south of maharastra Karnataka and Andhrapradesh have similar kind of culture...if you would go to these states you will find same colour Palette....even Telugu new year Ugadi falls on the same day of Gudi padva....
@@VijendraSingh-hc5ky Sambhaji , shivaji's ruled over areas until Tanjore in tamilnadu about 350 years ago. Even the name Sambhjiche Ahar (Sambhar comes from him). The bhakthi tradition had saints from todays andhra , maharashthra, karnataka and all were promoted under the maratha rule
@ranjith bhushan कानडा राजा पंढरीचा वेदांनाही नाही कळला अंतपार याचा The Kanada king of Pandhari (Pandharpur) Even Vedas couldn’t gauge his bounds. निराकार तो निर्गुण ईश्वर असा प्रकटला असा विटेवर उभय ठेविले हात कटीवर पुतळा चैतन्याचा
I have lost counts how many times I would have listened to this beautiful abhang........each time hearing it brings tears & goosebumps though I don't understand all those words but can figure out the bhava in it......don't go to pandaripur.....there's one bhooth (demon) pandaripur lord who will capture & will never let you go off .......so rapturous feeling........ Beware people! Pandhari (Pandharpur) is haunted by a dreadful ghost. Be careful when you are passing by this place or visiting it. This ghost nabs every one going near the place. If you are afraid of being possessed by the ghost, change your path or just cancel your plan in the interest of your (so called) well being. That was literal meaning. In the hindsight, Maharaj wants to suggest exactly the opposite. He hints, if you stay away from the place, you will never have the divine experience which is possible only in the company of Vitthal-Rakhumaai. (Rukmini is referred to as Rakhumaai in Pandharpur and elsewhere by devotees.) And this is possible only if you go to Pandhari. The place will possess you when you will reach this place. You will loose your own self, ego, desires and the earthly beliefs. Thus, in no time, you will experience a closeness to the God.
काय अप्रतिम रचना..तुका पंढरीसी गेला, पुन्हा जन्मा नाही आला. 🙏 जसे जसे शब्दातील अर्थ उलगडत जातात, त्याप्रमाणे निर्माण होणार्या भावनांना ह्यांचा आवाज उंचावत नेतो. तुकारामांच्या मुक्तिचा मार्ग कर्नाटकी संगीतामधून अशा प्रकारे जाणून घेण्यातला आनंद काही वेगलाच आहे.
If I have Authority then after this darbar performances of these two legendry artists, I would have given Padma shri, Padma vibhushan, Padma bhushan, Bharat Ratna and National Award to these two Godesses....
पुन्हा जन्मा नाही आला...these lines sung so beautifully with perfect philosophical touch, u sisters literally portrayed the exact picture of how Tukaram went on the path of moksha and how finally he got it!
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Many advanced Matunga -Chembur Mumbaikars who learnt Carnatic music and are at an advanced stage of Music spend time learning Hindustani Music or Abhang & Marathi Lok Sangeet. Amalgamation of different musical sampraday creates magic.
@@maheshdeshmukh3384 शौनकने कर्नाटकी शैली म्हटले आहे. भारताच्या दोन शास्त्रीय संगीतांपैकी एक असलेली ही शैली आहे, त्यात भाषेचा संबंध नाही, आणि तसेही मल्याळम भाषा यात कुठेही नाही!
@@maheshdeshmukh3384 शास्त्रीय संगीताचे दोन प्रकार आहेत- हिंदुस्थानी आणि कर्नाटकी भीमसेन जोशी वगैरे गायक हिंदुस्थानी संगीताचे तर ms सुब्बुलक्ष्मी वगैरे कर्नाटकी संगीताचे
I am Indian and because of Darbar I know more about India, i don’t know how to appreciate your work but thank you for this kind of work, and making this kind of quality music to available for people like us.
Hi Shivank Pandey, Thanks for your message and your kind words :-) We are passionate about Indian classical music because we think it has a life-transforming quality. Through this platform, we try to share with you some of the finest music in Indian classical music. We would love for you to subscribe and JOIN our channel - for a small monthly subscription you will have access to full raga performances from the finest musicians in the world 😊The best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation. Your membership will help us produce further content for all to watch 😊
चाहे कोई भी भाषा या शैली का गीत हो पर अगर वह शास्त्रीय संगीत से लयबद्ध हो तो सीधे दिल और आत्मा से जुड़ जाता है बहुत ही शानदार गायकी है आपकी,,,I salute your perfirmance
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I being hail from East, Kolkata, but listening to the duo, Ranjani Devi & Gayatri Devi related to this Marathi Abhang, takes me into a complete trance, connecting my soul to the Supreme Lord, seeking divine blessings, divine oneness... 🙏 Would love to hear more 🙏
I wasn't born there but my Grandad was, he was Hindu, and a very peaceful man. He moved to England at the age of 23. I have visited India with him, and also after his death to take his ashes to the Ganges. I feel blessed to have a family and blood connection to your country, here's to many more deeply inspiring visits hopefully in the future 💚🕉️
Hi Lucas Paints, Thanks for your message - music can make you feel that way … we also get goosebumps and this is why we are so passionate about Indian classical music and sharing this beautiful art form. If you enjoyed this music you will love our premium subscription service which contains hundreds of full-length raga performances. You can start your free no-obligation 3-day trial of the Darbar Concert Hall by clicking bit.ly/39MGHov - you can also get the Darbar App which will let you download content and watch offline, this is great for when you are offline or travelling. The best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation. Your membership will help us produce further content for all to watch. We would love to have you join our Darbar family :) Start your free trial now at bit.ly/2TAjzF7
Everything is great & beyond words Abhang - Sant Shri Tukaram Voices - Legend Ranjani & Gayatri Mridangam - Shri Sai Giridhar Great recording, Many thanks to Darbar festival for this precious gift.
My respectful regards to RaGa sisters. I am hearing their Abhang for 15th time today (22-3-22) so much addicted for enjoying their music. My blessings to you both.
1. switch off the volume and watch facial expressions, body movements, hand gestures it divulges a lot about the music. also communication with other accompanying artists (head movements at 4:13) . 2. bring focus on background instruments, mridanga drum and violin in particular for this performance. 3. then bring attention to the whole the meta, gestalt Devotees of the awaiting lord please remember you can do daily online darshan of both himself and his shakti Rukhmini. "Pandhariche Bhoot Mothe" The spirit(Vithoba) that lives in Pandhari is immense. "AalyaGelya jhadapi Vaate" It posseses whosoever goes there "Bahu khechrich Raana Bagh hey Veday hoy Mana||" It is dangerous forest and you will loose your mind. "Thithe Jaavu nakaa konnee Gailay Nahi aalay Parathoni"|| Don't go there, because those who went there did not come back. "Tuka Pandharisi gelaa Punha Janma Nahi Aalaa" Tuka (Tukaram) went to Pandhari and was released from birth and death cycle
this song words translate '' the saint tukaram went to one of holy cities pandharpur and he was possesed by ghost but the actual meaning is he went to pandharpur and purity of god and devotion took over him and he felt the city like heaven and he never came back'' the saint wrote song to test devotion of people and he thought that people will get scared but their devotion was so strong they said god will protect us and went to pandharpur. this song is in my mother tongue marathi
Delightful, is this from the Travancore relationship with the Maratha Kingdom. The kings kept the Temple treasures in their Temples tijori , outside their own use. This music relates to their joining the culture of their subjects ! Terrific
This Marathi Abhang is a gorgeous rendering with excellent accompaniments For Tamil speaking singers the pronunciation and intonation in Marathi are absolutely authentic! Hearty Congratulations on this beautiful rendering! Best Wishes
Unknowingly we the entire BHARAT get connected through our cultural aspects like MUSIC and DANCE.. This is very strong and. Our individual language may be different but Culturally we connect 100 %. I listened to one story of NAARASIMHA by an ASSAM friend which is exactly the same as what we know. Vaishnavi Devi Temple story is major PRASANGA in YAKSHAGANA in DAKSHINA KANNADA District of Karnataka for the last 100 years or more. These BHAJANS bring us closer .. Thanks a lot .. This is befitting use of technology TH-cam
The more we discover our Bhartiya culture and music the bigger it becomes ! It seems like there are 100 different countries in India with their own ecosystem! Bharat is bigger then the mighty Universe it seems! So Proud to be born in the land of The Great Bharat! Jai Bharat!
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Mesmerizing voice of this duo, shri Sai Giridhar is getting signal from Ms.Ranjini mam for the fast beat and ms Gayathri mam approving it, all happening in lighting speed through signals is so thrilling. God Bless.
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Only thing I know that as a musician I feel if a song hits you in your mind and soul it is the purest form of music...I think this is the song..my hearty appreciations to all music lovers and musicians❤❤
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Excellent ......even though there are many sisters...u both are unique and special....u both are actually fantafabulous....really inspiring.....no words to describe....
Marathas ruled for 300 years from Tanjore. They protected our Hindu traditions and our music and enriched our traditional practices... a debt of gratitude that can never be repaid.. when our great poet Subramaniaya Bharati sang his immortal songs during our country's independence, he sang : Singha Marathiyar (Maratha Lions)... you should look at Maratha paintings etc on display in the south!
Wonderful singing by these two Artists! Both compliment each other beautifully and make the listeners very happy!! GOD bless them for a very long life, so that, we may listen to their singing to our heart's content!!!
Hi Rengaraju Manoharan R Manoharan, Thanks for your message. We loved this video and had to share with you. Please SHARE this video with your friends. If you enjoyed this music, you will love our premium subscription service (Darbar Concert Hall) - it is a treasure chest of Indian classical music packed full of hundreds of full-length raga performances, interviews and in-conversation sessions which all help you grow on your musical journey and let's you binge-watch music with no annoying ads or pop-ups on your screen. You can start your free no-obligation 3-day trial of the Darbar Concert Hall by clicking bit.ly/39MGHov - you can also get the Darbar App which will let you download content and watch offline, this is great for when you are offline or travelling. The best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation. Your membership will help us produce further content for all to watch. We would love to have you join our Darbar family :) Start your free trial now at bit.ly/2TAjzF7
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Outstanding ! The vocals were simply out of this world. The accompanying musicians were in a class of their own. The finish was perfect. What a performance!!!
Sir George Bernard Shaw wrote - “On the face of India are the tender expressions which carry the mark of the almighty Creator’s hand” And this is proof of it !
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Its amazing to see South Indian artists to take north indian music pieces to sing. MS Subblakshmi also did it. I hardly see any north indian artists do the same
By the way, the language is marathi and Maharashtra is not far from south, but the closest is it's culture to the south.. It is not at all the north of India.
rahul sawant Yes. I agree marathi culture is very similar to south. What commentor meant was no Hindustani singer tries to sing kirtanam from south saints. But here they train marathi abhangas in chennai also along with karnatak music ( tyagaraj, purandara das , etc)
S KK there is reason behind it. Dhrupad is original ancient Divine classical music and vocal. Carnatic and Hindustani originated from it. Carnatic vocals are very complex and difficult while Hindustani is easy in comparison. Though prior to 13th century there no differentiation bw north and south classical music both were same. But after invasion and temples demolition, Northern musicians and singers had to perform only in courts and they had to change the music, raag and talas. Venna and Mridangam replaced by sitar and tabla. If you notice in carnatic, singers clearly pronounce the name of God and goddesses because it was developed in temples but in North it is absent because it was developed in courts.
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I am taken back to a time, where this country was taken by arts in every corner, and sounds of Abhangs, Devarnamas, Kritis, Bhajans, resounded in every corner of this country..
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this is a masterpiece all in terms of the way it has been sung with deepest level of bhaav and the music accompanying this.... absolutely stunning... I listen to this almost every day and sometimes several times a day 🙏🙏🙏🙏🙏
Divine Bhajan nectar is flowing......RAGA sisters making everybody going into Deep Divine Ecstasy......Sant Tukaram Abhang really making forget every thing.......Great RAGA sisters is playing their role effectively in taking the mankind into deep Devotion. Sairam.
2021 pandemic year. What a darbar. Fantastic voices. Beautiful raagas music to beat this horrid pandemic. Looking on from the Caribbean island Trinidad. Namaskaar.
Hi Ananth Ram Gadepalli, Thanks for your message and your generous words :-) We have some GREAT NEWS! This year, Darbar Festival is going global for the first time ever! Meaning you can watch the events wherever you are in the world. - This year the festival will be FREE for all subscribers. - Watch with your friends & family from the comfort of your own home. - Or watch on the go with the new Darbar APP! Don’t miss this chance to see the BEST of Indian Classical Music from our Darbar to yours. Please sign up and support our charity produce more Indian classical music videos. Darbar Festival 2020 | 23 - 27 Dec 2020 | www.darbar.org
Darbar has one of the finest recording quality
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💯
Carnatic music
Nice
Yes in India we have very low recording quality and People dont seem to bother...
Two tamil Carnatic vocalists singing marathi abhang
Beautiful India 😀🙏
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The mridangam and ghatam are absolutely hypnotic in this! They deserve as much credit as R/G!
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I'm even more greatful to God that he gave chance to me to be born in this country and breathing and living in this classical and devotional culture thanks god❤️🇮🇳❤️🇮🇳❤️🇮🇳
Thank you for expressing your love for your Motherland.
It is not so much the country but more about love and appreciation of people who show such excellence. That exists in every country, esp a rich musical tradition in Pakistan, for example, Nusrat Fateh Ali Khan.
@@harischandkhemraj6311 Who are you to thank him and why are you thanking him?? He is as much an Indian (I assume) as you are. Both of you are equal. We are equal in this country and under the almighty.
You have a rich cultural heritage and a great sense of art. I sometimes envy you but I can still listen to this music or watch the dancing. Cultural exchange is wonderful too.
@@priyasri111 what a lovely suggestion...love u brother,this is called india
In this song Saint Tukaram (in poetic touch) warns us of the bhoota (ghost ie. actually referring Bhagavan Panduranga) which will posses anyone stepping into pandaripur and which won't leave (ensuring moksha ie. without another birth). After listening to this soul stirring performance, I feel that hearing this by itself will make one be possesed by that bhoota, without even visiting pandaripur. What a divine outpouring! Long live Indian culture and tradition. They have put in such good use of their high end classical carnatic music training. They have learnt singing abhangs in traditional manner.
Wow. Loved this before I knew the meaning. Love it even more now. Thanks for sharing!
Yes, it's by Sant Tukaram Maharaj
Thanks for teaching us🙏🙏🙏🙏🙏🙏🙏🙏
Not recently after mobile era youngsters sir.
Even in early 70s in all temples and Major towns I have sat thru as a five year old with parents attending a a team of amazing bhajan singers in Tamil Nadu - singing mesmerising abhangs during festivals particularly Hanuman pooja, Srinivasa, Meenakshi kalyana (vivaha) festivals thru midnight ending by around 3 a.m.
That is the broad-mindedness of Tamilnadu and Tamil culture. Embracing every language & the inclusiveness which you cannot find in any other states in India.Rather there will be debate among many & name calling when Tamil language is appreciated or being centred. Many many instances, I have noticed and observed the impartiality and hatred by MANY if NOT ALL.
दक्षिण भारतीय गायिकांनी अप्रतिम मराठी अभंग सादर केला आहे.
तुका पंढरीसी गेला या ओळी मधील श्लेष अलंकार हा तुकोबारायांच्या अद्वितीय प्रतिभेचा अविष्कार आहे आणि त्यातही विशेष म्हणजे मराठीचा अजिबात गंध नसलेल्या दक्षिण भारतीय गायकांनी अत्यंत खुबीने गायला आहे हे एका मुरलेल्या मराठी गायकाला सुद्धा जमणार नाही.
रंजनी आणि गायत्री ताईंच्या कलेला आणि त्यांच्या सादरीकरणाला शतशः नमन🙏
That's not just singing.. they are in a deep meditation...
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Well said.. it’s true
true wow .!!!!!!!!
I'm proud that I took birth in a country with such a rich culture and heritage. I love my country more after watching this.
Vandey Mataram
i
Beyond my words..
Vandey Mataram vande mataram 🙏🏻
😀😀😀
Vandey Mataram
Why bande mataram?
This is sheer poetic brilliance of Saint Tukaram, wherein he uses satire to compare God (Vitthal) to a Ghost, who hypnotizes or in a way jinxes anyone who goes to meet him, so much that the devotee will never return back to the material world, through recounting his own such experience. Tukaram was permanatly devoted to Vitthal for his entire life and thus he says that the Ghost (Vitthal) has jinxed me too.
Superb poetry and superb singing!
I am from pandharpur but i never heard that high level spiritual abhang . thank u . I m really feel peace in my heart when i heard this abhang
Truly said.
Add on information: both ranjini and Gayatri are sisters born in a Tamil family in Maharashtra
Divine!
Every year in the month of Aashaada, July, Warkaris ( pilgrims) in thousands set out from the village of Dehu, to walk around 230 kms. to Pandharpur. They are joined by thousands more on the way. It is a sacred journey that takes them to their Dearest Vithoba and Devi Rukmaiee, enshrined in the temple at Pandharpur. As they walk they sing these bhajans, a thousand sustained voices rising in song to the accompaniment of dholak, ekthara and dhothara, manjira, karthal, thabla. They sing the songs of the Bhakthi Saanths, like Saanth Thukaaraam. These Saanths were the great singing souls who helped keep the spiritual strength of India from failing in the fierce adversities of those times.
Even if one cannot sing, just walking along with the pilgrims will be a transformative experience for anyone.
Hi Chandra Ravikumar,
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This is WORTH watching million times
Although I don't know Marathi, I love this song. I have heard it at least 200 times.
addicted to this, watching it once everyday atleast.... real goosebumps.... mesmerizing music
Eashwar Balaji me watch morethan 20 times per day
Eashwar Balaji same I to
Me too
Eashwar Balaji w
Me also sir
Ra Ga ..Just returned from a Pilgrimage trip to Pandharpur. The grace of Panduranga is really great. Hearing this song in repeat mode. What a rendition. Soulful and rejuvenating.
पंढरीचे भूत मोठे
आल्या गेल्या झडपी वाटे
बहु खेचरीचं रान
बघ हे वेडे होय मन
जाऊ नका कोणी, तिथे जाऊ नका कोणी
जे गेले, नाही आले परतोनी
तुका पंढरीसी गेला
पुन्हा जन्मा नाही आला..and the song has few more stanzas. The video embraces just the
first & fouth stanzas. Just 4 lines. The SWARAS & the JATI take us to another level.
Accompanying artists add flavor to this number !!!
आपण मराठी अभंग गायलात त्याबद्दल एक गायिका म्हणून आपल कौतुक करते धन्यवाद..!! शुभेच्छा...
I really never thought marathi bhajans could be there with carnataki classical as base it is amazing to this rendition
kshitij deshpande in
kshitij deshpande each has its own flavour in the end its all a dingle melting pot, we all are one
Carnatik music flourished under the Maratha rulers of Tanjore. Why should one be surprised?
Carnatic music of Janani p Iyer&.Karthik padmanabhan Iyer
@@sandhyachavali well said
Such a progressive innovative efforts by Tamil
I believe Maharashtra is culturally close to south
yeah, Maharashtra was ruled by Kannadiga and Andhra dynasties for thousands of years.
The Telugu Satvahana Empire ruled Maharashtra from 200BCE to 200CE (400 years).
The Kannada Empires of the Badami Chalukyas, the Rashtrakutas and the Kalyani Chalukyas ruled Maharashtra from around 600CE to 1150CE (550 years).
The Bijapur Sultanate aka Adil Shahi Dynasty, which used Kannada, Persian, Urdu and Marathi as court languages, ruled Karnataka and Maharashtra from 1550sCE to 1660sCE (about 110 years).
This was why Kannada was widely spoken and hugely important in Maharashtra for quite a long time.
Above all these sisters were brought up in Mumbai... So they are good at singing abhangs
@ranjith bhushan nothing to get offend..... He is referring to ancient and medieval history.... mostly south of maharastra Karnataka and Andhrapradesh have similar kind of culture...if you would go to these states you will find same colour Palette....even Telugu new year Ugadi falls on the same day of Gudi padva....
@@VijendraSingh-hc5ky Sambhaji , shivaji's ruled over areas until Tanjore in tamilnadu about 350 years ago. Even the name Sambhjiche Ahar (Sambhar comes from him). The bhakthi tradition had saints from todays andhra , maharashthra, karnataka and all were promoted under the maratha rule
@ranjith bhushan कानडा राजा पंढरीचा
वेदांनाही नाही कळला अंतपार याचा
The Kanada king of Pandhari (Pandharpur)
Even Vedas couldn’t gauge his bounds.
निराकार तो निर्गुण ईश्वर
असा प्रकटला असा विटेवर
उभय ठेविले हात कटीवर
पुतळा चैतन्याचा
I have lost counts how many times I would have listened to this beautiful abhang........each time hearing it brings tears & goosebumps though I don't understand all those words but can figure out the bhava in it......don't go to pandaripur.....there's one bhooth (demon) pandaripur lord who will capture & will never let you go off .......so rapturous feeling........
Beware people! Pandhari (Pandharpur) is haunted by a dreadful ghost. Be careful when you are passing by this place or visiting it. This ghost nabs every one going near the place. If you are afraid of being possessed by the ghost, change your path or just cancel your plan in the interest of your (so called) well being.
That was literal meaning. In the hindsight, Maharaj wants to suggest exactly the opposite. He hints, if you stay away from the place, you will never have the divine experience which is possible only in the company of Vitthal-Rakhumaai. (Rukmini is referred to as Rakhumaai in Pandharpur and elsewhere by devotees.) And this is possible only if you go to Pandhari. The place will possess you when you will reach this place. You will loose your own self, ego, desires and the earthly beliefs. Thus, in no time, you will experience a closeness to the God.
Wow! You've penned the expressions in the abhanga so beautifully!
I am lost already..
काय अप्रतिम रचना..तुका पंढरीसी गेला, पुन्हा जन्मा नाही आला. 🙏 जसे जसे शब्दातील अर्थ उलगडत जातात, त्याप्रमाणे निर्माण होणार्या भावनांना ह्यांचा आवाज उंचावत नेतो. तुकारामांच्या मुक्तिचा मार्ग कर्नाटकी संगीतामधून अशा प्रकारे जाणून घेण्यातला आनंद काही वेगलाच आहे.
If I have Authority then after this darbar performances of these two legendry artists, I would have given Padma shri, Padma vibhushan, Padma bhushan, Bharat Ratna and National Award to these two Godesses....
I am blessed to be born in this rich cultural land of heritage
पुन्हा जन्मा नाही आला...these lines sung so beautifully with perfect philosophical touch, u sisters literally portrayed the exact picture of how Tukaram went on the path of moksha and how finally he got it!
Oh these people have come straight from another world to make this world beautiful....
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The signature part of the song from 3:50 to 3:54.. Look at the expression on ranjani' face when gayathri gives the fast gamakamas. What a team.. wow
Yes! Their energy, synergy and synchronization are exemplary; true sisters ...
From 3:50 to 3:54 it is Ranjani Mam singing and Gayatri Mam enjoying the music
It is Ranjani Mam singing in the mentioned time.
Yeah
Shriram Sreenivasan i
अद्भुत कलाकृती! कर्नाटकी शैलीत पहिल्यांदाच एक अभंग ऐकतोय. धन्यवाद +darbarfestival
Shounak Kulkarni and
Many advanced Matunga -Chembur Mumbaikars who learnt Carnatic music and are at an advanced stage of Music spend time learning Hindustani Music or Abhang & Marathi Lok Sangeet.
Amalgamation of different musical sampraday creates magic.
कर्नाटक नाही मल्याळम भाषा आहे ती केरळ ची
@@maheshdeshmukh3384 शौनकने कर्नाटकी शैली म्हटले आहे. भारताच्या दोन शास्त्रीय संगीतांपैकी एक असलेली ही शैली आहे, त्यात भाषेचा संबंध नाही, आणि तसेही मल्याळम भाषा यात कुठेही नाही!
@@maheshdeshmukh3384
शास्त्रीय संगीताचे दोन प्रकार आहेत- हिंदुस्थानी आणि कर्नाटकी
भीमसेन जोशी वगैरे गायक हिंदुस्थानी संगीताचे तर ms सुब्बुलक्ष्मी वगैरे कर्नाटकी संगीताचे
I am Indian and because of Darbar I know more about India, i don’t know how to appreciate your work but thank you for this kind of work, and making this kind of quality music to available for people like us.
Hi Shivank Pandey,
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Through this platform, we try to share with you some of the finest music in Indian classical music.
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चाहे कोई भी भाषा या शैली का गीत हो पर अगर वह शास्त्रीय संगीत से लयबद्ध हो तो सीधे दिल और आत्मा से जुड़ जाता है
बहुत ही शानदार गायकी है आपकी,,,I salute your perfirmance
Justein Beiber should see this ...he willl forgot what music was😍😍😍😍
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Before him Tony kakkr have to watch it
True!
I being hail from East, Kolkata, but listening to the duo, Ranjani Devi & Gayatri Devi related to this Marathi Abhang, takes me into a complete trance, connecting my soul to the Supreme Lord, seeking divine blessings, divine oneness... 🙏 Would love to hear more 🙏
I wasn't born there but my Grandad was, he was Hindu, and a very peaceful man. He moved to England at the age of 23. I have visited India with him, and also after his death to take his ashes to the Ganges. I feel blessed to have a family and blood connection to your country, here's to many more deeply inspiring visits hopefully in the future 💚🕉️
🙏☸️🕉️
🙏👍
Hi Lucas Paints,
Thanks for your message - music can make you feel that way … we also get goosebumps and this is why we are so passionate about Indian classical music and sharing this beautiful art form.
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Everything is great & beyond words
Abhang - Sant Shri Tukaram
Voices - Legend Ranjani & Gayatri
Mridangam - Shri Sai Giridhar
Great recording, Many thanks to Darbar festival for this precious gift.
My respectful regards to RaGa sisters. I am hearing their Abhang for 15th time today (22-3-22) so much addicted for enjoying their music. My blessings to you both.
This is the epitome of Indian Classical Musical.
1. switch off the volume and watch facial expressions, body movements, hand gestures it divulges a lot about the music. also communication with other accompanying artists (head movements at 4:13) .
2. bring focus on background instruments, mridanga drum and violin in particular for this performance.
3. then bring attention to the whole the meta, gestalt
Devotees of the awaiting lord please remember you can do daily online darshan of both himself and his shakti Rukhmini.
"Pandhariche Bhoot Mothe" The spirit(Vithoba) that lives in Pandhari is immense.
"AalyaGelya jhadapi Vaate" It posseses whosoever goes there
"Bahu khechrich Raana Bagh hey Veday hoy Mana||" It is dangerous forest and you will loose your mind.
"Thithe Jaavu nakaa konnee Gailay Nahi aalay Parathoni"||
Don't go there, because those who went there did not come back.
"Tuka Pandharisi gelaa Punha Janma Nahi Aalaa" Tuka (Tukaram) went to Pandhari and was released from birth and death cycle
Ivar Hakuse, how do you know Marathi?
Hermosas voces, me transportan a sus tierras con sólo oírlas. Me encantan.
Namasté a todos ^^
Namaste Karin
muy bien Karin !! me alegro mucho de oir eso ...!!
Namaste.....dont no what you said , but still 🙏🙏🙏
this song words translate '' the saint tukaram went to one of holy cities pandharpur and he was possesed by ghost but the actual meaning is he went to pandharpur and purity of god and devotion took over him and he felt the city like heaven and he never came back'' the saint wrote song to test devotion of people and he thought that people will get scared but their devotion was so strong they said god will protect us and went to pandharpur. this song is in my mother tongue marathi
@@pranavbhayekar2898 She said, beautiful voices; the voices transport her to their country.She loves them
This is so Surreal...It does hypnotize the audience.
Delightful, is this from the Travancore relationship with the Maratha Kingdom. The kings kept the Temple treasures in their Temples tijori , outside their own use. This music relates to their joining the culture of their subjects ! Terrific
This Marathi Abhang is a gorgeous rendering with excellent accompaniments
For Tamil speaking singers the pronunciation and intonation in Marathi are absolutely authentic!
Hearty Congratulations on this beautiful rendering!
Best Wishes
swayam Lakshmi and Saraswati rendering about madhava seems so.........very blissful
This is great, what a pitch and strength in voice. Indian singing towards its pinnacle.
Unknowingly we the entire BHARAT get connected through our cultural aspects like MUSIC and DANCE.. This is very strong and. Our individual language may be different but Culturally we connect 100 %. I listened to one story of NAARASIMHA by an ASSAM friend which is exactly the same as what we know. Vaishnavi Devi Temple story is major PRASANGA in YAKSHAGANA in DAKSHINA KANNADA District of Karnataka for the last 100 years or more.
These BHAJANS bring us closer .. Thanks a lot .. This is befitting use of technology TH-cam
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The more we discover our Bhartiya culture and music the bigger it becomes !
It seems like there are 100 different countries in India with their own ecosystem!
Bharat is bigger then the mighty Universe it seems!
So Proud to be born in the land of The Great Bharat!
Jai Bharat!
published on my birthday
tears of joy
Mridangam player is awesome. He enhanced the singers and the song
Listening this today on Ashadhi ekadashi ....Superrr ♥️♥️🥺
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Even a renowned singer need a help 1:48 glad to see her helping her sister...
This is my still favourite abhang ever, but it is more underrated it deserves lot more views and appreciations
These two sisters are God sent Angels... :(
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The hidden beauty of Abhang is its extra ordinary percussion sangat.Great combination.
Ranjani and Gayatri madam u r just awesome singers I have started loving carnatic due to it
shamb. 4m.havi0 jade46s6 so0
What a Raag CHK and fantastic nice alapana.....Pranam from Kerala 👌
without this video my day is not enough 😍😍😍😍
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Karnataki gayki madhun alela marathi abhang
Adbhut
Great ❤
Love and respect from all Marathi audience ❤.....( we are not different but only difference is language and geographical Location ).....सादर प्रणाम 🙏
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Really blessed to have heard this song. What a chemistry between the two. Heard this countless times but still the magic doesn't fade away
Purpose of birth fulfilled. Great opportunity not to miss.
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रजनी व गायत्री जी यांनी मराठी अभंग अप्रतिम सादर केला आहे ! दरबार गृपचे आभार !
One of the Best of semi classical marathi abhang.....
Marathi music as always phenomenal!
Excellent. India is a blessed country to have talented singers like this. BHARATH MATHA KI JAI. (VIJAYA)
I have listened to these two immensely talented ladies at least 25 times during the past 2 years. What a performance. My respects.
Me encanta. Gracias por compartir esta bella música. ♡
Mesmerizing voice of this duo, shri Sai Giridhar is getting signal from Ms.Ranjini mam for the fast beat and ms Gayathri mam approving it, all happening in lighting speed through signals is so thrilling. God Bless.
Ranjani Gayatri are one of the finest and composed singers I've ever heard!!!!! Just love their voice and harmonizations!!!! 👏
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one of the world's best singing....❤
நன்றி நன்றி நன்றி
ஆயிரம்.கோடி. நன்றிகள்.இப்பிரபஞ்சத்திற்கு
Great Perfomance Ranjani and Gayatri. Love you. Expecting more abhangs from you.
Only thing I know that as a musician I feel if a song hits you in your mind and soul it is the purest form of music...I think this is the song..my hearty appreciations to all music lovers and musicians❤❤
I don:t know if any other singers sing Abhang like these sisters! Kudos to them.
I'm proud that I'm a friend of ranjani mam's daughter.
Rendition of Marathi Abhang by duo sisters with deep sense of devotion is strikingly animated n energetic and defy all eulogy of it's excellence.
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Excellent ......even though there are many sisters...u both are unique and special....u both are actually fantafabulous....really inspiring.....no words to describe....
punha janma nahi aala
...both r blessed by vithumauli n maymarathi🙏🙏🙏
so good Carnatic touch to Marathi bhajan that of tukaraam!!! so good
Marathi is also language of Carnatic music like Kannada, Tamil and Telugu.
Marathas ruled for 300 years from Tanjore. They protected our Hindu traditions and our music and enriched our traditional practices... a debt of gratitude that can never be repaid.. when our great poet Subramaniaya Bharati sang his immortal songs during our country's independence, he sang : Singha Marathiyar (Maratha Lions)... you should look at Maratha paintings etc on display in the south!
Jaw-dropping performance!! I think I am just no one to comment on them.. Feeling huge respect for these divine gopis!
Wonderful singing by these two Artists! Both compliment each other beautifully and make the listeners very happy!! GOD bless them for a very long life, so that, we may listen to their singing to our heart's content!!!
Drawing close to the Divine Vittalji by this abang. Pray Lord Vittala to bless all who listen to this.
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Whenever I listen to this literally I got goosebumps... unki voice bahut strong hain...🥰maa saraswati ki bahut krupa hain un par...
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दरबार पंढरीचे भुत मोठे सुंदर आहे.
Outstanding ! The vocals were simply out of this world. The accompanying musicians were in a class of their own. The finish was perfect. What a performance!!!
Sir George Bernard Shaw wrote -
“On the face of India are the tender expressions which carry the mark of the almighty Creator’s hand”
And this is proof of it !
Have lost count of the number of times this rendition has made everything better, healing one wound at a time. Unmatched! Forever grateful 🙏🏽
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I don't know how many times i have watched this video. It's just brilliant.
Hi APC 87,
Thank you so much for your support and kind words :)
I am listening abhanga in karnatiki for the first time. very beautiful.
Just unbelievable performance. one of the best I've ever heard. Carnatic and Hindustani singers truly rock.
Its amazing to see South Indian artists to take north indian music pieces to sing. MS Subblakshmi also did it. I hardly see any north indian artists do the same
Sounds like west is also north for few South :)
By the way, the language is marathi and Maharashtra is not far from south, but the closest is it's culture to the south.. It is not at all the north of India.
rahul sawant
Yes. I agree marathi culture is very similar to south.
What commentor meant was no Hindustani singer tries to sing kirtanam from south saints.
But here they train marathi abhangas in chennai also along with karnatak music ( tyagaraj, purandara das , etc)
S KK there is reason behind it. Dhrupad is original ancient Divine classical music and vocal. Carnatic and Hindustani originated from it. Carnatic vocals are very complex and difficult while Hindustani is easy in comparison. Though prior to 13th century there no differentiation bw north and south classical music both were same. But after invasion and temples demolition, Northern musicians and singers had to perform only in courts and they had to change the music, raag and talas. Venna and Mridangam replaced by sitar and tabla. If you notice in carnatic, singers clearly pronounce the name of God and goddesses because it was developed in temples but in North it is absent because it was developed in courts.
tony thomas learning north indian languages is easy than south indian languages.
Undoubtedly the best abhang ever......also the best sung by the duo....RANJANI & GAYATRI...
This abhang srsly gave me a feeling of shivering when I heard it for the first time.....which is today...
But I wish ifI would have heard it before
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Very interesting to listen to cernataci singers singing Marathi Bhajan, Very nice.good Marathi Pronounciations.
I am taken back to a time, where this country was taken by arts in every corner, and sounds of Abhangs, Devarnamas, Kritis, Bhajans, resounded in every corner of this country..
Every person performing in Darbar Festival is All Legends ...✨✨💐💐 ...Darbar you are keeping our Culture Alive Bigg Thanks to you ❤️
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this is a masterpiece all in terms of the way it has been sung with deepest level of bhaav and the music accompanying this.... absolutely stunning... I listen to this almost every day and sometimes several times a day 🙏🙏🙏🙏🙏
Tears rolled down w/o my knowledge
GREAT singing. Out of the world. Raman Iyer from Dallas TX
the abhang is very soothing and takes to other world.
Divine Bhajan nectar is flowing......RAGA sisters making everybody going into Deep Divine Ecstasy......Sant Tukaram Abhang really making forget every thing.......Great RAGA sisters is playing their role effectively in taking the mankind into deep Devotion. Sairam.
Geetha Madhuri will
Beautiful rendition..
Reminds me of my hometown Pandharpur
2021 pandemic year. What a darbar. Fantastic voices. Beautiful raagas music to beat this horrid pandemic. Looking on from the Caribbean island Trinidad. Namaskaar.
Thank you Darbar for introducing me to the finest of the finest in the world of Indian Classical Music.
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Darbar Festival 2020 | 23 - 27 Dec 2020 | www.darbar.org
Truly the spirit of Pandharpur is captivating. From heart to heart.❤