Best Marathi Abhang Ever | Ranjani & Gayatri | Raga Chandrakauns | Music of India
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The young Carnatic singers borrow from Hindustani music, using Raag Chandrakauns’ spacious shape to colour an abhang (‘uninterrupted’ devotional song).
Learn more about the music:
An abhang is a devotional song in praise of Vitthala, an incarnation of Vishnu, who is often depicted as a dark young boy standing on a brick, arms akimbo. The word translates from Marathi as ‘uninterrupted’, referring to the form’s continuous poetic flow, which originates with ancient Varkari poet-saints of the Maharashtra region. They are typically exuberant, and are used to celebrate the communal experience of pilgrimage.
Here the abhang is set to the Hindustani Raag Chandrakauns, a spacious, distinctive, and comparatively modern scale. It cannot be easily classified into any particular thaat - instead it resembles Malkauns with a shudda instead of a komal Ni, to give SgmdNS. The shuddha Ni is played prominently, profoundly recolouring the mood. The raga becomes tenser and less introspective than Malkauns, lending itself to faster tempos. It is often borrowed into film music and Carnatic song.
Ranjani and Gayatri are sisters who sing and play Carnatic music on violin. They were born into a musical family and their talent was recognised very early (it is said that they could identify complex rhythmic patterns and hundreds of different ragas by early childhood). They trained within the family, as well as receiving violin lessons from T.S. Krishnaswami and vocal instruction from P. S. Narayanaswamy. They are notable as prolific song composers, and for fusing ideas from Hindustani and Carnatic music.
Recorded for Darbar on 17 Oct 2015 at London’s Southbank Centre
-Ranjani & Gayatri (vocals)
-HN Bhaskar (violin)
-Sai Giridhar (mridangam)
-Giridhar Udupa (ghatam)
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Two tamil Carnatic vocalists singing marathi abhang
Beautiful India 😀🙏
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I'm even more greatful to God that he gave chance to me to be born in this country and breathing and living in this classical and devotional culture thanks god❤️🇮🇳❤️🇮🇳❤️🇮🇳
Thank you for expressing your love for your Motherland.
It is not so much the country but more about love and appreciation of people who show such excellence. That exists in every country, esp a rich musical tradition in Pakistan, for example, Nusrat Fateh Ali Khan.
@@harischandkhemraj6311 Who are you to thank him and why are you thanking him?? He is as much an Indian (I assume) as you are. Both of you are equal. We are equal in this country and under the almighty.
You have a rich cultural heritage and a great sense of art. I sometimes envy you but I can still listen to this music or watch the dancing. Cultural exchange is wonderful too.
@@priyasri111 what a lovely suggestion...love u brother,this is called india
The mridangam and ghatam are absolutely hypnotic in this! They deserve as much credit as R/G!
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In this song Saint Tukaram (in poetic touch) warns us of the bhoota (ghost ie. actually referring Bhagavan Panduranga) which will posses anyone stepping into pandaripur and which won't leave (ensuring moksha ie. without another birth). After listening to this soul stirring performance, I feel that hearing this by itself will make one be possesed by that bhoota, without even visiting pandaripur. What a divine outpouring! Long live Indian culture and tradition. They have put in such good use of their high end classical carnatic music training. They have learnt singing abhangs in traditional manner.
Wow. Loved this before I knew the meaning. Love it even more now. Thanks for sharing!
Yes, it's by Sant Tukaram Maharaj
Thanks for teaching us🙏🙏🙏🙏🙏🙏🙏🙏
Not recently after mobile era youngsters sir.
Even in early 70s in all temples and Major towns I have sat thru as a five year old with parents attending a a team of amazing bhajan singers in Tamil Nadu - singing mesmerising abhangs during festivals particularly Hanuman pooja, Srinivasa, Meenakshi kalyana (vivaha) festivals thru midnight ending by around 3 a.m.
That is the broad-mindedness of Tamilnadu and Tamil culture. Embracing every language & the inclusiveness which you cannot find in any other states in India.Rather there will be debate among many & name calling when Tamil language is appreciated or being centred. Many many instances, I have noticed and observed the impartiality and hatred by MANY if NOT ALL.
Darbar has one of the finest recording quality
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💯
Carnatic music
Nice
Yes in India we have very low recording quality and People dont seem to bother...
Add on information: both ranjini and Gayatri are sisters born in a Tamil family in Maharashtra
Fun fact - Marathi is the only Indo-Aryan language (or non-Dravidian language) in which the Carnatic music is composed.
But I think it's not carnatic.. it is Hindustani
How do you assume that these were composed to be sung in carnatic music? These are devotional poetry...
There is no Aryan dravadian, stop propagating western BS, there is no archaeological evidence or any shit behind that logic
Brajbhasha and Saurashtri are also used for Carnatic song.
The famous Dhanasree Thillana of H.H. Swati Thirunal Maharaja is in Brajbhasha.
Are you sure Marathi has no contribution from southern languages? Then why does it sound so different from Hindi?
That's not just singing.. they are in a deep meditation...
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Well said.. it’s true
true wow .!!!!!!!!
I'm proud that I took birth in a country with such a rich culture and heritage. I love my country more after watching this.
Vandey Mataram
i
Beyond my words..
Vandey Mataram vande mataram 🙏🏻
😀😀😀
Vandey Mataram
Why bande mataram?
दक्षिण भारतीय गायिकांनी अप्रतिम मराठी अभंग सादर केला आहे.
तुका पंढरीसी गेला या ओळी मधील श्लेष अलंकार हा तुकोबारायांच्या अद्वितीय प्रतिभेचा अविष्कार आहे आणि त्यातही विशेष म्हणजे मराठीचा अजिबात गंध नसलेल्या दक्षिण भारतीय गायकांनी अत्यंत खुबीने गायला आहे हे एका मुरलेल्या मराठी गायकाला सुद्धा जमणार नाही.
रंजनी आणि गायत्री ताईंच्या कलेला आणि त्यांच्या सादरीकरणाला शतशः नमन🙏
Divine!
Every year in the month of Aashaada, July, Warkaris ( pilgrims) in thousands set out from the village of Dehu, to walk around 230 kms. to Pandharpur. They are joined by thousands more on the way. It is a sacred journey that takes them to their Dearest Vithoba and Devi Rukmaiee, enshrined in the temple at Pandharpur. As they walk they sing these bhajans, a thousand sustained voices rising in song to the accompaniment of dholak, ekthara and dhothara, manjira, karthal, thabla. They sing the songs of the Bhakthi Saanths, like Saanth Thukaaraam. These Saanths were the great singing souls who helped keep the spiritual strength of India from failing in the fierce adversities of those times.
Even if one cannot sing, just walking along with the pilgrims will be a transformative experience for anyone.
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Its disaster why Indians got attracted to senseless western pop/ rap music which have foul/sexual context . It's really disaster that we didn't recognize value of carnatic music :(
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True and people really need to have better taste
yes you are right including children also .Parents must make them realise the value of Carnatic music to their children at a very young age
Music is divine, doesn't matter its western, instrumental or Indian classical. Its only the people, how they use and what for, that makes difference. In every language there are excellent songs, For example listen to Feeling good ny Nina , th-cam.com/video/BNMKGYiJpvg/w-d-xo.html. And observe how many twists and ghamakas she used.
i think different things have their own quirks. learning something different doesnt means forgetting whats already there!
This is WORTH watching million times
Although I don't know Marathi, I love this song. I have heard it at least 200 times.
I just forgot Shreya ghosal
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आपण मराठी अभंग गायलात त्याबद्दल एक गायिका म्हणून आपल कौतुक करते धन्यवाद..!! शुभेच्छा...
addicted to this, watching it once everyday atleast.... real goosebumps.... mesmerizing music
Eashwar Balaji me watch morethan 20 times per day
Eashwar Balaji same I to
Me too
Eashwar Balaji w
Me also sir
I am from pandharpur but i never heard that high level spiritual abhang . thank u . I m really feel peace in my heart when i heard this abhang
Truly said.
1. switch off the volume and watch facial expressions, body movements, hand gestures it divulges a lot about the music. also communication with other accompanying artists (head movements at 4:13) .
2. bring focus on background instruments, mridanga drum and violin in particular for this performance.
3. then bring attention to the whole the meta, gestalt
Devotees of the awaiting lord please remember you can do daily online darshan of both himself and his shakti Rukhmini.
"Pandhariche Bhoot Mothe" The spirit(Vithoba) that lives in Pandhari is immense.
"AalyaGelya jhadapi Vaate" It posseses whosoever goes there
"Bahu khechrich Raana Bagh hey Veday hoy Mana||" It is dangerous forest and you will loose your mind.
"Thithe Jaavu nakaa konnee Gailay Nahi aalay Parathoni"||
Don't go there, because those who went there did not come back.
"Tuka Pandharisi gelaa Punha Janma Nahi Aalaa" Tuka (Tukaram) went to Pandhari and was released from birth and death cycle
Ivar Hakuse, how do you know Marathi?
Justein Beiber should see this ...he willl forgot what music was😍😍😍😍
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Before him Tony kakkr have to watch it
True!
I really never thought marathi bhajans could be there with carnataki classical as base it is amazing to this rendition
kshitij deshpande in
kshitij deshpande each has its own flavour in the end its all a dingle melting pot, we all are one
Carnatik music flourished under the Maratha rulers of Tanjore. Why should one be surprised?
Carnatic music of Janani p Iyer&.Karthik padmanabhan Iyer
@@sandhyachavali well said
Such a progressive innovative efforts by Tamil
I believe Maharashtra is culturally close to south
yeah, Maharashtra was ruled by Kannadiga and Andhra dynasties for thousands of years.
The Telugu Satvahana Empire ruled Maharashtra from 200BCE to 200CE (400 years).
The Kannada Empires of the Badami Chalukyas, the Rashtrakutas and the Kalyani Chalukyas ruled Maharashtra from around 600CE to 1150CE (550 years).
The Bijapur Sultanate aka Adil Shahi Dynasty, which used Kannada, Persian, Urdu and Marathi as court languages, ruled Karnataka and Maharashtra from 1550sCE to 1660sCE (about 110 years).
This was why Kannada was widely spoken and hugely important in Maharashtra for quite a long time.
Above all these sisters were brought up in Mumbai... So they are good at singing abhangs
@ranjith bhushan nothing to get offend..... He is referring to ancient and medieval history.... mostly south of maharastra Karnataka and Andhrapradesh have similar kind of culture...if you would go to these states you will find same colour Palette....even Telugu new year Ugadi falls on the same day of Gudi padva....
@@VijendraSingh-hc5ky Sambhaji , shivaji's ruled over areas until Tanjore in tamilnadu about 350 years ago. Even the name Sambhjiche Ahar (Sambhar comes from him). The bhakthi tradition had saints from todays andhra , maharashthra, karnataka and all were promoted under the maratha rule
@ranjith bhushan कानडा राजा पंढरीचा
वेदांनाही नाही कळला अंतपार याचा
The Kanada king of Pandhari (Pandharpur)
Even Vedas couldn’t gauge his bounds.
निराकार तो निर्गुण ईश्वर
असा प्रकटला असा विटेवर
उभय ठेविले हात कटीवर
पुतळा चैतन्याचा
This is sheer poetic brilliance of Saint Tukaram, wherein he uses satire to compare God (Vitthal) to a Ghost, who hypnotizes or in a way jinxes anyone who goes to meet him, so much that the devotee will never return back to the material world, through recounting his own such experience. Tukaram was permanatly devoted to Vitthal for his entire life and thus he says that the Ghost (Vitthal) has jinxed me too.
Superb poetry and superb singing!
Love form Iran.
Arash Fariman is better o
thnx bro
Sepas baradar e man! Barshoma❤
We respect and value persian culture. Unfortunately Islam has destroyed your ancient culture to its core! Iam proud even 800 years of islamic rule couldnt destroy Sanadhana Dharma
Love to Iran, from India
Even a renowned singer need a help 1:48 glad to see her helping her sister...
Listening this today on Ashadhi ekadashi ....Superrr ♥️♥️🥺
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Ra Ga ..Just returned from a Pilgrimage trip to Pandharpur. The grace of Panduranga is really great. Hearing this song in repeat mode. What a rendition. Soulful and rejuvenating.
पंढरीचे भूत मोठे
आल्या गेल्या झडपी वाटे
बहु खेचरीचं रान
बघ हे वेडे होय मन
जाऊ नका कोणी, तिथे जाऊ नका कोणी
जे गेले, नाही आले परतोनी
तुका पंढरीसी गेला
पुन्हा जन्मा नाही आला..and the song has few more stanzas. The video embraces just the
first & fouth stanzas. Just 4 lines. The SWARAS & the JATI take us to another level.
Accompanying artists add flavor to this number !!!
without this video my day is not enough 😍😍😍😍
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The signature part of the song from 3:50 to 3:54.. Look at the expression on ranjani' face when gayathri gives the fast gamakamas. What a team.. wow
Yes! Their energy, synergy and synchronization are exemplary; true sisters ...
From 3:50 to 3:54 it is Ranjani Mam singing and Gayatri Mam enjoying the music
It is Ranjani Mam singing in the mentioned time.
Yeah
Shriram Sreenivasan i
Hermosas voces, me transportan a sus tierras con sólo oírlas. Me encantan.
Namasté a todos ^^
Namaste Karin
muy bien Karin !! me alegro mucho de oir eso ...!!
Namaste.....dont no what you said , but still 🙏🙏🙏
this song words translate '' the saint tukaram went to one of holy cities pandharpur and he was possesed by ghost but the actual meaning is he went to pandharpur and purity of god and devotion took over him and he felt the city like heaven and he never came back'' the saint wrote song to test devotion of people and he thought that people will get scared but their devotion was so strong they said god will protect us and went to pandharpur. this song is in my mother tongue marathi
@@pranavbhayekar2898 She said, beautiful voices; the voices transport her to their country.She loves them
I am blessed to be born in this rich cultural land of heritage
Listen to this abhang with closed eyes in earphones....trust me! that's enough to give adrenaline rush to Ur mind.
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I am Indian and because of Darbar I know more about India, i don’t know how to appreciate your work but thank you for this kind of work, and making this kind of quality music to available for people like us.
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@Azor Ahai, This Abhang (devotional song to Vitthala of Pandharpur) written by Saint Poet Tukaram of Maharashtra is in a poetic form known as Ninda-stuti (criticism-praise) which is akin to a roasting. Saint Tukaram is "roasting" his Lord. Here is my attempt at translating it in Hindi. I hope you can read Devnagri script
पंढरी का भूत बहुत ही बड़ा है,
मत जाओ उसके रास्ते।
वो उस राह आने-जाने वालों पर झपटता है। वह रास्ता बड़ा ही खतरनाक है।
तुकाराम गया उस रास्ते पर,
तो वह फिर कभी जन्म ही नहीं आया!
(उसको मोक्ष प्राप्त हुआ। उसे जन्म-मृत्यु के चक्कर से छुटकारा मिल गया!)
Hi Prashant Nasery,
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I have lost counts how many times I would have listened to this beautiful abhang........each time hearing it brings tears & goosebumps though I don't understand all those words but can figure out the bhava in it......don't go to pandaripur.....there's one bhooth (demon) pandaripur lord who will capture & will never let you go off .......so rapturous feeling........
Beware people! Pandhari (Pandharpur) is haunted by a dreadful ghost. Be careful when you are passing by this place or visiting it. This ghost nabs every one going near the place. If you are afraid of being possessed by the ghost, change your path or just cancel your plan in the interest of your (so called) well being.
That was literal meaning. In the hindsight, Maharaj wants to suggest exactly the opposite. He hints, if you stay away from the place, you will never have the divine experience which is possible only in the company of Vitthal-Rakhumaai. (Rukmini is referred to as Rakhumaai in Pandharpur and elsewhere by devotees.) And this is possible only if you go to Pandhari. The place will possess you when you will reach this place. You will loose your own self, ego, desires and the earthly beliefs. Thus, in no time, you will experience a closeness to the God.
Wow! You've penned the expressions in the abhanga so beautifully!
I am lost already..
panDHarIcE bhUta mOTHE
AlyA gElyA jhaDapI vATE
bahu khEcarIcam rAna
bagha hE vEDE hOya mana
tithE jA-U nakA kONI
jE gElE nAhI AlE paratOnI
tukA panDHarIsI gElA
punhA janmA nAhI AlA
The forces at Pandhari (The town of Pandharpur) are immense
Anyone travelling through there beware!
The forests there are dangerous
Watch out, the mind will be caught in a frenzy!
Dare not venture there, refrain from setting foot in that land
Whosoever went that way, returned not again!
Your Tukaram went that way
Never again did he see the cycle of birth and death again!
पुन्हा जन्मा नाही आला...these lines sung so beautifully with perfect philosophical touch, u sisters literally portrayed the exact picture of how Tukaram went on the path of moksha and how finally he got it!
Me encanta. Gracias por compartir esta bella música. ♡
swayam Lakshmi and Saraswati rendering about madhava seems so.........very blissful
Delightful, is this from the Travancore relationship with the Maratha Kingdom. The kings kept the Temple treasures in their Temples tijori , outside their own use. This music relates to their joining the culture of their subjects ! Terrific
I wasn't born there but my Grandad was, he was Hindu, and a very peaceful man. He moved to England at the age of 23. I have visited India with him, and also after his death to take his ashes to the Ganges. I feel blessed to have a family and blood connection to your country, here's to many more deeply inspiring visits hopefully in the future 💚🕉️
🙏☸️🕉️
🙏👍
Hi Lucas Paints,
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Oh these people have come straight from another world to make this world beautiful....
Hi M M, Thanks for your message - you are right, this is a wonderful performance that we had to share with you. ALSO - Kindly support our channel by subscribing and JOINING our channel - for a small monthly subscription you will have access to full raga performances from the finest musicians in the world 😊We are a registered charity and your membership will help us produce further content for all to watch 😊
I being hail from East, Kolkata, but listening to the duo, Ranjani Devi & Gayatri Devi related to this Marathi Abhang, takes me into a complete trance, connecting my soul to the Supreme Lord, seeking divine blessings, divine oneness... 🙏 Would love to hear more 🙏
Its amazing to see South Indian artists to take north indian music pieces to sing. MS Subblakshmi also did it. I hardly see any north indian artists do the same
Sounds like west is also north for few South :)
By the way, the language is marathi and Maharashtra is not far from south, but the closest is it's culture to the south.. It is not at all the north of India.
rahul sawant
Yes. I agree marathi culture is very similar to south.
What commentor meant was no Hindustani singer tries to sing kirtanam from south saints.
But here they train marathi abhangas in chennai also along with karnatak music ( tyagaraj, purandara das , etc)
S KK there is reason behind it. Dhrupad is original ancient Divine classical music and vocal. Carnatic and Hindustani originated from it. Carnatic vocals are very complex and difficult while Hindustani is easy in comparison. Though prior to 13th century there no differentiation bw north and south classical music both were same. But after invasion and temples demolition, Northern musicians and singers had to perform only in courts and they had to change the music, raag and talas. Venna and Mridangam replaced by sitar and tabla. If you notice in carnatic, singers clearly pronounce the name of God and goddesses because it was developed in temples but in North it is absent because it was developed in courts.
tony thomas learning north indian languages is easy than south indian languages.
Love and respect from all Marathi audience ❤.....( we are not different but only difference is language and geographical Location ).....सादर प्रणाम 🙏
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superb performance... marathi diction is awesome...i actually had expected a southern accent but dat isn't the case!
Secondly the taans they have rendered too are in Hindustani style in pure akars..so it added to the effect and seems like a Hindustani vocalist is singing.. gr88 work
They were raised up in North India. South Indian musicians are usually comfortable in singing in north indian languages. MS Subhalakshmi, Aruna Sairam, Bombay Jayshree are examples. North Indian singers singing in south indian languages are rare. An exception is Kaushiki who sings carnactic compositions of Balamuraliji
We Marathi are more close to south Indians than north Indians by culture especially with Karnatak.
maharashtra is more south indian in various aspects. mumbai gave me a feel of distant chennai when i visited
They are brought up in Mumbai. Marathas ruled Tanjavur for a long time so Tamilians sing all the abhangs because of that.
This karnataka music not hindustani
This is the epitome of Indian Classical Musical.
Pandhari Che Bhoota Mothe
Aalya Gailya Zhadapi Vaatay
Bahu Ghethalicha Raana
Bagha hey Veeday hoya Mana
Thethay Jaavu nakaa konnee
Gailay Nahi aalay Parathoni
Tuka Pandhari see gailaa
Punha Janma Nahi Aalaa
Hi Shreeya Ram,
Thanks for taking the time to send in the lyrics to us :)
These two are my favorite singers. I really wish I can come to be like them in music. Ahah, so melodious
#Chaarulaya - Music Academy in Kanyakumari - #Violin, #Veena, #Flute, #Tapla, #Keybooard, #Guitar
plz visit:-
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This is great, what a pitch and strength in voice. Indian singing towards its pinnacle.
अद्भुत कलाकृती! कर्नाटकी शैलीत पहिल्यांदाच एक अभंग ऐकतोय. धन्यवाद +darbarfestival
Shounak Kulkarni and
Many advanced Matunga -Chembur Mumbaikars who learnt Carnatic music and are at an advanced stage of Music spend time learning Hindustani Music or Abhang & Marathi Lok Sangeet.
Amalgamation of different musical sampraday creates magic.
कर्नाटक नाही मल्याळम भाषा आहे ती केरळ ची
@@maheshdeshmukh3384 शौनकने कर्नाटकी शैली म्हटले आहे. भारताच्या दोन शास्त्रीय संगीतांपैकी एक असलेली ही शैली आहे, त्यात भाषेचा संबंध नाही, आणि तसेही मल्याळम भाषा यात कुठेही नाही!
@@maheshdeshmukh3384
शास्त्रीय संगीताचे दोन प्रकार आहेत- हिंदुस्थानी आणि कर्नाटकी
भीमसेन जोशी वगैरे गायक हिंदुस्थानी संगीताचे तर ms सुब्बुलक्ष्मी वगैरे कर्नाटकी संगीताचे
This is so Surreal...It does hypnotize the audience.
this is a masterpiece all in terms of the way it has been sung with deepest level of bhaav and the music accompanying this.... absolutely stunning... I listen to this almost every day and sometimes several times a day 🙏🙏🙏🙏🙏
WOW! Please upload more videos of such awesome vocal forms! /\
Purpose of birth fulfilled. Great opportunity not to miss.
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My respectful regards to RaGa sisters. I am hearing their Abhang for 15th time today (22-3-22) so much addicted for enjoying their music. My blessings to you both.
Someone help, I`m addicted!
Me too!!!
Ranjani and Gayatri madam u r just awesome singers I have started loving carnatic due to it
shamb. 4m.havi0 jade46s6 so0
2:24 - 2:54 - "Gayatri Zone"..+1
Loved your comment. 😃
Great observation.
Come to think of it, these days, it's really hard being a vocal performer.
Luckily, I belong in your group...!
These two sisters are God sent Angels... :(
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Saint tukaram calling ghost to lord krishna (panduranga)
Lot of thing will not understand. How can someone call ghost to god . But this is different level of devotion
jagatguru sant tukaram Maharaj ki jai ram krushna Hari.
INDIA for the win. Everyone is speaking about Ranjani & Gayatri, so I won't repeat myself. But also, the percussions are ridiculous!
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@@darbarfestival No, I didn't mean it in a bad way. Quite the opposite. The percussions are so good (that's what I meant by ridiculous). The singing is in a different league as well. 11/10 for the whole performance. I'm obsessed. Sorry for the misunderstanding.
thanks darbar wonderfull work, art direction, lights, sound, artist evrthing is just incredible thanks to all of you
published on my birthday
tears of joy
It's my luck to watch this amazing carnatic music of marathi though i don't know marathi
Fantastic performance ! The support from mridangam and ghatam is extremely great. who were playing them?
Mridangam- Vidwan Sai Giridhar, Ghatam - Vidwan Giridhar Udupa....
I agree.
Maestro Sai Giridhar on mridangam, Maestro Giridhar Udupa is playig the ghatam.
The ghatam was played by Sri Giridhar Udupa, and the Mridangam by Sri Sai Giridhar.
Unknowingly we the entire BHARAT get connected through our cultural aspects like MUSIC and DANCE.. This is very strong and. Our individual language may be different but Culturally we connect 100 %. I listened to one story of NAARASIMHA by an ASSAM friend which is exactly the same as what we know. Vaishnavi Devi Temple story is major PRASANGA in YAKSHAGANA in DAKSHINA KANNADA District of Karnataka for the last 100 years or more.
These BHAJANS bring us closer .. Thanks a lot .. This is befitting use of technology TH-cam
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Excellent. India is a blessed country to have talented singers like this. BHARATH MATHA KI JAI. (VIJAYA)
This Marathi Abhang is a gorgeous rendering with excellent accompaniments
For Tamil speaking singers the pronunciation and intonation in Marathi are absolutely authentic!
Hearty Congratulations on this beautiful rendering!
Best Wishes
If I have Authority then after this darbar performances of these two legendry artists, I would have given Padma shri, Padma vibhushan, Padma bhushan, Bharat Ratna and National Award to these two Godesses....
Anyone Noticed what happened at 1:47??
Bro can u explain plz
I think... it was a minor misunderstanding of beat maybe... which sometimes happen when you are too much involved in alaap...and when you come out you have to look.... Ohh what matra (beat no.) is going on... Btw this is my opinion... And forgive me if I interpreted that wrong.
Really blessed to have heard this song. What a chemistry between the two. Heard this countless times but still the magic doesn't fade away
so good Carnatic touch to Marathi bhajan that of tukaraam!!! so good
Marathi is also language of Carnatic music like Kannada, Tamil and Telugu.
Marathas ruled for 300 years from Tanjore. They protected our Hindu traditions and our music and enriched our traditional practices... a debt of gratitude that can never be repaid.. when our great poet Subramaniaya Bharati sang his immortal songs during our country's independence, he sang : Singha Marathiyar (Maratha Lions)... you should look at Maratha paintings etc on display in the south!
I have been listening to this masterpiece everyday for the last month and I am forever grateful to Darbar for uploading this.❤ Please help me identify the video for the music that starts from 5.18 .Its been tugging me to listen to the whole piece past couple of days.
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- Colours of Dhrupad | Pandit Nirmalya Dey | Raag Adbhut Kalyan - th-cam.com/video/HAosR0mya7c/w-d-xo.html
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th-cam.com/video/spRQEectgB8/w-d-xo.html
This is the song!
Very interesting to listen to cernataci singers singing Marathi Bhajan, Very nice.good Marathi Pronounciations.
Hi. Very nice Chandrakauns. Briefly Carnatic Music 🎶 aalapanai (1 to 3 kaalam/avakasam) then Keerthanai / melakartha raga). Whereas I'm bhajans Abhang etc. A jumpstart on charanam and alaap intertwined style is of high standards. In violin 🎻 alaap due to audio clarity tampura music 🎶 gliding along is heard too. Hereinafter me would end with E. and O. E. A compulsory addendum. Thank you.
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- Meditation playlist - full of amazing meditative music - th-cam.com/play/PLUF0f6tPgIwhw8fApkQBEUvjg3JkYBjXT.html
- Stunning Chandrakauns + Madhukauns | Ranjani & Gayatri - th-cam.com/video/CoyoCFYMQsc/w-d-xo.html
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Excellent ......even though there are many sisters...u both are unique and special....u both are actually fantafabulous....really inspiring.....no words to describe....
I am taken back to a time, where this country was taken by arts in every corner, and sounds of Abhangs, Devarnamas, Kritis, Bhajans, resounded in every corner of this country..
richness of music...
shivukumar pattar
ranjani gayatri
Every person performing in Darbar Festival is All Legends ...✨✨💐💐 ...Darbar you are keeping our Culture Alive Bigg Thanks to you ❤️
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even tuka maharaj will be happy listening in heaven
This raag has a very unsettling tone and vibe. It is advised that Chandrakauns is not played in front of children or the elderly.
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This abhang srsly gave me a feeling of shivering when I heard it for the first time.....which is today...
But I wish ifI would have heard it before
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1:50 Ranjani picks up and both sync so smoothly! Grin on Gayathri's face was probably 'cause of that. So good!
True love this duo ❤
Move over Mona Lisa, prettier, but oh so fleeting, smile at 2:21
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Beautiful rendition..
Reminds me of my hometown Pandharpur
amazing chemistry can be seen at 1:47
I don't know how many times i have watched this video. It's just brilliant.
Hi APC 87,
Thank you so much for your support and kind words :)
Exceptional rendering with divine gift of sonorous voice blending devotion with melody, remarkable voice vibration of conjoined voice. All plaudits to duo sisters.
Hi Raghavendra Rao,
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🤦n Justin bieber's videos have multi millions n billions of views !
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Wonderful experience . I hear this piece minimum once in week . Its a Like Laminar flow of soothing music . May god bless and would be Happy to Hear Natya Sangeet from Maharashtrian tradition. I am interested in one Song "Narayana Rama Ramana: from them.
Hi Mukund Godbole,
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Jaw-dropping performance!! I think I am just no one to comment on them.. Feeling huge respect for these divine gopis!
We need a new word to describe this electric performance !!
பாடல் : பண்டரிசே பூத மோடே
மொழி : மராத்தி
ராகம் : சந்ரகௌன்ஸ்
பண்டரி சே பூத மோடே
ஆல்யா கேல்யா தடபி வாடே
பஹூ கேதலிச ராணா
பகஹே வேடே ஹோய மானா
தீதே சவுனகா கோணி
கேலே நஹி ஆலே பரதோணி
Azlagu Tamil
Music help human being to become more conscious in devotion and faith. Sangeet is helping to imbibe what Tukaram wants to convey the message of God.
Outstanding ! The vocals were simply out of this world. The accompanying musicians were in a class of their own. The finish was perfect. What a performance!!!
the abhang is very soothing and takes to other world.
I don:t know if any other singers sing Abhang like these sisters! Kudos to them.
दरबार पंढरीचे भुत मोठे सुंदर आहे.
काय अप्रतिम रचना..तुका पंढरीसी गेला, पुन्हा जन्मा नाही आला. 🙏 जसे जसे शब्दातील अर्थ उलगडत जातात, त्याप्रमाणे निर्माण होणार्या भावनांना ह्यांचा आवाज उंचावत नेतो. तुकारामांच्या मुक्तिचा मार्ग कर्नाटकी संगीतामधून अशा प्रकारे जाणून घेण्यातला आनंद काही वेगलाच आहे.