Vector Graphics - Auto vs Manual Digitizing
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- เผยแพร่เมื่อ 11 ก.ย. 2024
- Logically one would assume that the better the artwork, the better the results, right? When it comes to embroidery digitizing artwork it does not get any better than a vector file. Vector files are designs that are created using tools that create objects, layering colors, and special effects that can be resized from a matchbook cover to a billboard without losing quality or the integrity of the design.
Their counterpart, a raster image like a jpg or png file is made up of pixels related to dpi (dot per inch), and depending on the resolution it becomes very blurred or pixelated when resizing or zooming into the artwork. Generally, the quality of an auto-digitized design will directly be affected by the quality or resolution of the designs. The higher and clearer the resolution the better the odds of the software creating clean objects with fewer nodes.
So back to vector, true vector images are generally created in two popular programs these days CorelDraw and Illustrator. That said, very few embroidery digitizing programs do work with those native “art” languages as they are independent programs. Hatch is one of the few that do actually integrate and communicate with one of these programs, if a Hatch user owns Corel8 the software will automatically identify that the program is on your system and ask if you like it to communicate directly with Hatch.
Sounds like a dream come true! Well, it would be if the artist creating the CorelDraw file did so with the idea in mind that the artwork was going to be embroidered onto a garment. The big difference is that most artists create vector file with the purpose of it being printed in some way, not stitched. Because of that the generally layer colors and creates clean lines between color separations. What that means to an embroiderer using a vector file that would be “automatically” converted to stitches is that it creates multiple layers of stitches on top of each other with no pull compensation or pathing and splicing of objects.
Essentially it sees an object and simply fills it in, leaving an incredible amount of editing to make the job right! Could using a true vector object be an asset? Yes, if you created the vector artwork from the beginning keeping in mind that you would be using thread and not ink. Which in reality means you’d need to learn two programs, a drawing program, and a digitizing program, and essentially do the same job twice.
So, we are back where we started. Learning to manually digitize is still more proficient and produces better quality embroidery than Auto-Digitizing even when using the “best” artwork available.
As a quick sidenote… would I ever use a vector image within my Hatch software? Sure, if I have identified that it would meet my needs with regards to embroidery and it would save me time. Truth is, this very rarely has happened after decades of working in this industry. And to make that determination I still need the same theory that allows me to create designs manually.
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What are your thoughts on auto-digitizing Vector files? :)
Check out our first video on Auto vs Manual Digitizing here: th-cam.com/video/1fo8LRTt6ys/w-d-xo.html
Whist I agree that for many files manually digitising is a good way to go vector I find that there are many instances where vector files can speed up the digitising process. Many home embroideries also use die cutting machines and are used to using svg vector files to cut paper. They also have access to software that is much cheaper than Adobe Illustrator and Corel Draw to alter these files. It is perfectly possible to split these files in this software to remove the overlapping areas before importing to the embroidery software. People who use die cutting software are used to adding bleed lines around images for print and cut which is similar to stitch compensation. I use Silhouette Studio Business Edition to create and export SVG files. I use Premier+ 2 Ultra as my digitising software which allows you to remove the overlap layers on import and adjust the stitch compensation, direction of fill stitches and the start and end points of designs. Many paper crafting suppliers now offer svg versions of their metal dies and their craft stamps, which can be a good starting point for embroideries, especially intricate Redwork designs (check their ‘Angel’ policies for copyright before using these files).
👍🏻
I try to watch most of your videos because I have trauma with Digitizing; thank you so much for teaching.
I tried this feature and OMG a game changer for me. I just have one question? If you use a font that is a cursive script how do you make it a clean weld in the SVG file. I tried remove stitch angles and weld but it still is not connected correctly in SVG file. Thank you!
Hi John... You are AWSOME........ Love your Vids..
I can tell you from experience in the printing industry. Designers don't think about printing either. Its all digital and rgb conversions. Such a mess half the time.
Double sided coin :)
What is the Best Corel Draw to get ???