DUDE. This turned out incredible. I honestly like the 100mm it feels more personal and engaged with the subject & story as well as the lighting. Truly grateful to be able to learn from you in real life and on this platform
I love so much your lightning breakdowns and the result of this one looks amazing. Im still puzzle with that lights to start into filmmaking, mostly interested on doing cinematic shorts and tell stories but still puzzle if I should begin with only 1 amaran 300c or perhaps a 60x + 150c/200x because of the budget available
Just watched the Neon Demon last weekend. As well as rewatching Drive and Only God Forgives. Nicolas Winding Refn has such a distinct and interesting visual style. Great lighting workout using some fun inspiration.
Hello, thank you for your great videos, I have a question, do you think that switching from an 8-bit camera like the Sony A7iii to a 10-bit camera like the Sony A7iv can improve the quality of my videos or buying more and better lights and learn how to use them , I am about to buy some gear for the studio but im I doubt what to buy
I really liked the look of the 100mm personally. That's what I like about zoom lenses, when I can't decided if I want 35mm or 50mm, I meet in the middle at like 42mm and call it quits, haha!
Thanks for the breakdown! If you don't mind, I have a question. Did the practical light on the mirror have a dimmer or shine at full power? How did it turn out so soft and not bright?
@@BradyBessette there's two really dope runway scenes - both def shot on anamorphic i believe. one early on, and then the one with the mirrors shotdeck.com/assets/images/stills/thumb/small_TA6BLICW.jpg shotdeck.com/assets/images/stills/95C3TW12.jpg
Great Video, as usual. I had a preferrence for the 100mm. It's amazing how you can change moods with your good eye. Thank you. But dude....the nails....wtf? Looks like a small girl who played with her mom stuffs. Looks dirty and childish. I don't get it. You're master of beautifying things and get those nice fingers spoiled and ruined by Emo style...why... Keep up the good work dude. 🙂
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DUDE. This turned out incredible. I honestly like the 100mm it feels more personal and engaged with the subject & story as well as the lighting. Truly grateful to be able to learn from you in real life and on this platform
Very creative and useful! Thank you for making this!
You are the mascot for the new age of cinematographers on TH-cam!
Beautifull shot and lightning Bradyyyy!!!
Thank you Leo!!
I love so much your lightning breakdowns and the result of this one looks amazing. Im still puzzle with that lights to start into filmmaking, mostly interested on doing cinematic shorts and tell stories but still puzzle if I should begin with only 1 amaran 300c or perhaps a 60x + 150c/200x because of the budget available
I am from west bengal and i came here only from learned english language from your video i enable auto caption in English language
Aw hello! ❤️
@@BradyBessette probably i think,
You earn all Indian's video editor respect..and you earn my respect .. . Love from india
Man I love your work..
My guy is a walking Aputure commercial
I just like the lights 🤷🏼♂️🤷🏼♂️🤷🏼♂️
Just watched the Neon Demon last weekend. As well as rewatching Drive and Only God Forgives. Nicolas Winding Refn has such a distinct and interesting visual style. Great lighting workout using some fun inspiration.
Amazing as always 😎
Thank you🥺
They have a mini ramp there? That’s dope
Really cool 😊 the right lighting is so difficult to achieve at times 😅 thx for the tips
It really is!! Thank you!!
Hello, thank you for your great videos, I have a question, do you think that switching from an 8-bit camera like the Sony A7iii to a 10-bit camera like the Sony A7iv can improve the quality of my videos or buying more and better lights and learn how to use them , I am about to buy some gear for the studio but im I doubt what to buy
I really liked the look of the 100mm personally. That's what I like about zoom lenses, when I can't decided if I want 35mm or 50mm, I meet in the middle at like 42mm and call it quits, haha!
Hahahaha it’s so hard!!
Please please please make more of these videos
hey brady can you make a tutorial about lighting spaces ?? Thank You!!
Great video Brady - what do you set the white balance to when shooting this? Thanks!
i luv u
But I luv u more
Very nice brother ; what do you think about 200x from amaran 🤔
Brady!
Hi!
Value ❤
Thanks for the breakdown! If you don't mind, I have a question. Did the practical light on the mirror have a dimmer or shine at full power? How did it turn out so soft and not bright?
He said that he dimmed them. He kept them low so it wouldn’t give to much glow to the subjects face.
👊😝💯
bro redo the runway scene!
Which scene????
@@BradyBessette I think he means this one... th-cam.com/video/-BWQy_9QRVc/w-d-xo.html
@@BradyBessette there's two really dope runway scenes - both def shot on anamorphic i believe. one early on, and then the one with the mirrors
shotdeck.com/assets/images/stills/thumb/small_TA6BLICW.jpg
shotdeck.com/assets/images/stills/95C3TW12.jpg
don't you just hate it when people comment "first"?
I see what you did here
You needed 85 or something
Great Video, as usual. I had a preferrence for the 100mm. It's amazing how you can change moods with your good eye. Thank you. But dude....the nails....wtf? Looks like a small girl who played with her mom stuffs. Looks dirty and childish. I don't get it. You're master of beautifying things and get those nice fingers spoiled and ruined by Emo style...why...
Keep up the good work dude. 🙂