When you make the changes you suggest you are actually changing the name of the chord ie. F9 to F13. I know they are both dominant but will that make any significant tone changes in the way the song is supposed to sound? Just curious.
In jazz, the adding and subtracting of chord tones within the same chord type is always possible. The only limitation is the need to avoid a clash between the melody and the chord tones you choose, and how you voice them.
Mark always comes up with really cool voicing to enhance comping 🏆
NEATO. Lovely sounds and good info on thinking about jazz chord voicings.
Pretty awesome chords right?
Wild! Love the sound of these voicings. Time to put my fretting hand on the stretching machine ,,,
Tasty comping!
Interesting way to look at building more colourful chord voicings. Pity the guitar was mixed so low though.
Thanks Marc 👍🏻
You're welcome! :)
Is there a chord chart with these skeleton voicing?
Yep you got my attention for sure.
How'd you like the voicings?
@@jazzguitar love em, these voicings keep it interesting, thanks for sharing, got much to keep me busy for now.
Good stuff!
Right! :)
When you make the changes you suggest you are actually changing the name of the chord ie. F9 to F13. I know they are both dominant but will that make any significant tone changes in the way the song is supposed to sound? Just curious.
In jazz, the adding and subtracting of chord tones within the same chord type is always possible. The only limitation is the need to avoid a clash between the melody and the chord tones you choose, and how you voice them.