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- เผยแพร่เมื่อ 6 ก.ค. 2024
- If Tariq were to become the ultimate predator, it would mean he would go all out, have no regrets, light the entire goddamn globe on fire, and do it while grinning.
Could he really do that? Sure, he shot his father, so he's definitely competent, but this is not the first time this has happened. If he succeeds, he will be in the lead and by himself.
It wasn't shocking that Diana decided to have the child. Although that was what she desired, it seemed as though she was searching for just one argument in favor of her choice. But everything is so jumbled because of Tariq.
Just a few hours ago, these two were attempting to kill each other; now, they're dividing ultrasound pictures? In addition, Tariq had lied to her about Salim.
After everything Diana had lately lost and everything she had been in danger of, it was astonishing to hear Tariq come out and tell her about his intentions to be the big dog in town, as if that was meant to impress or excite her.
It seems impossible that these two could manage their relationship with little affection or trust and go on to co-parent successfully in the future.
It begs the question of whether Tariq will reconsider his intentions for complete carnage. Hint: the response is not yes.
Diana wasn't the only Tejada facing a decision. Monet made the decision that the time had come for her to take charge, don the world's cutest mother hat, and mend the irreparably broken family.
Power shows can be hilarious because they include characters who are willing to fight to the death, but then quickly shift the topic to discussing the importance of strong family ties and the necessity of putting aside attempted murder in order to unite for the greater good.
Monet's naive belief that a satisfying dinner would help her three children forget about the previous day was evident.
Monet's work always seems to come too little, too late. She's dealing with grown-ups who have their own lives and goals, and the harm has already been done. They are no longer under any obligation to comply with their mother's demands.
Cane is dealing with his own issues. There is less emphasis that Diana put herself in risk now that she has stated she is out and about with her child. Dru, on the other hand, is prepared to move on right now and has always had one foot out the door.
Dru deserves praise for being the one to make Monet answerable. He didn't need to forgive her in the first place, but he did, and he made her earn it by saying what he truly felt.
Monet seems to be about to break out of her routine if she doesn't mention her family ten times or more in each episode. Her mantras of "family first" and "everything I do is for the family" have become meaningless after all this time.
That was all she told herself to rationalize her behavior, even if the majority of what she did was for her own benefit. And it began when she inserted that firearm into Cane's car seat.
She had to decide what to do next, much like Tariq, and she decided to go with the business, though she made some remarks about how important family was, which I find hard to believe.
A recurring element in all of these shows is that people are either born into or live in a world where they are trapped in a game they cannot leave, and most of them don't even want to.
It's all Monet knows, therefore she doesn't want to leave the business. Starting afresh scares me. Tariq was forced to sweep a floor for one shift, which made us cringe at the thought of a life of dishonest work.
This idea that Monet can find a new way to balance the business and her family feels, at best, misplaced, even if her intentions are good. And it had the worst conceivable start.
I'm slow-clapping right now in honor of everyone who suspected that something really wrong with Detective Carter, because not only is he dirty, but he's sick. - ภาพยนตร์และแอนิเมชัน
