Doing this exact scene as a monologue for my drama final- what i'm doing is putting more anger into it ! ! The monologue said angry, but this isn't. yeah.
If there is truly justice, the bishops, priests and church leaders who burned Joan of Arc long ago should be all burning in hell to this very day, almost 600 years later.
To shut the lightness up into the darkness has caused a greater explosion. .. then mankind can ever imagine... to lie to an innocent soul is cruelty cuz the Innocence will arise against the Liars.... today would be as it was yesterday just a different time different place and Joan of Arc will have her grace and skin back upon her beautiful face thank you Father the Kingdom has arrived🕀🕀🕀
jean was slagged off for her performance but i didn't see a lot wrong with it; jean of arc was metaphorically burned to death by the fbi; her real death was allegedly suicide, but some say she was 'helped.' both joan & jean died in france.
cause she wasn't on the lines. she literally dropped a bunch. she took huge pauses/"dramatic sighs" in places where she should have driven the thought through quicker and turned a powerful monologue by joan of fucking arc into a sad sobfest. if she'd memorized better she probably could have done a better job. or maybe it was the director's fault. who knows
Putter: Is that a boy or a girl? Lloyd: It's a girl. Joan of Arc. She dressed up as a man and all the French follows her to fight the English. Billie Jean: Did she win? Lloyd: Yeah and no. She heard voices: Stop being a peasant, be a soldier. Truth, Justice. And she won. She beat the English. And then... Putter: Then what? Lloyd: French burned her...ALIVE!
Virtually nothing in this scene is historical: read the transcript and (better yet) the descriptions by the many eyewitnesses who were at the trial. Joan of Arc didn't say anything similar to the speech in this scene, nor was her hair cut that short nor could it have been after a year in prison with nothing to cut it.
It’s art, not a national geographic documentary. No one said it was factual, things can be beautiful and represent the essence of the truth without being historically accurate
@@cassiemckinney7624 Many comments to these types of videos, and many media articles about the film, claim that it's historically accurate and so there's a need to set the matter straight.
@@robinrubendunst869 LOL yes the terrible, terrible playwright george bernard show. ok then. its probably the huge gaps between every word to sigh sadly/heavily and let the energy drop between every word that ruined the performance. also, she skipped multiple lines, probably just forgot them. i think those pauses were her searching for the words possibly. if she'd memorized better she would've probably been able to get through the speech quicker
@@robinrubendunst869 Actually, Graham Greene adapted Shaw's play for the film. The problem is that cinema, at that point, was fast moving toward a psychologically naturalist style of acting but the dialogue here has the stilted style of an earlier theatrical era. Seberg is caught trying mightily to straddle two different styles/eras/mediums of dramatic presentation. It may work as theater - and still does, but not on film.
Saint Joan of the Stockyards Article Talk Language Download PDF Watch Edit Learn more This article relies largely or entirely on a single source. (March 2010) Saint Joan of the Stockyards (German: Die heilige Johanna der Schlachthöfe) is a play written by the German modernist playwright Bertolt Brecht between 1929 and 1931, after the success of his musical The Threepenny Opera and during the period of his radical experimental work with the Lehrstücke. It is based on the musical that he co-authored with Elisabeth Hauptmann, Happy End (1929).[1] In this version of the story of Joan of Arc, Brecht transforms her into "Joan Dark", a member of the "Black Straw Hats" (a Salvation Army-like group) in 20th-century Chicago. The play charts Joan's battle with Pierpont Mauler, the unctuous owner of a meat-packing plant. Like her predecessor, Joan is a doomed woman, a martyr and (initially, at least) an innocent in a world of strike-breakers, fat cats, and penniless workers. Like many of Brecht's plays it is laced with humor and songs as part of its epic dramaturgical structure and deals with the theme of emancipation from material suffering and exploitation.
I love Jean Seberg. She seemed like such a loving and cultured woman in her interviews.
Doing this exact scene as a monologue for my drama final- what i'm doing is putting more anger into it ! ! The monologue said angry, but this isn't. yeah.
This is my favorite Joan of Arc movie. Jean Seberg did Joan of Arc best.
If there is truly justice, the bishops, priests and church leaders who burned Joan of Arc long ago should be all burning in hell to this very day, almost 600 years later.
The first time I've heard of this movie was a clip that played in the background of the movie "The Legend of Billie Jean".
To shut the lightness up into the darkness has caused a greater explosion. .. then mankind can ever imagine... to lie to an innocent soul is cruelty cuz the Innocence will arise against the Liars.... today would be as it was yesterday just a different time different place and Joan of Arc will have her grace and skin back upon her beautiful face thank you Father the Kingdom has arrived🕀🕀🕀
How ironic that the Catholic Church itself created this Saint. So brilliantly portrayed by Seberg.
well those who condemned her were clergy beholden to english government not really following church law
Maria Falconetti was the best Joan D'arc for me , but Jean Seberg did a wonderful job too.
... and what did they have in common? They both committed suicide.
Where can I watch it ???
Can you please upload this movie…request from me as it is prescribed as apart of our exam syllabus
At that time British and some French serventman bishops, priests were coward and have a fear from one Braveheart women because God be with her.
Saya orang Indonesia. Saya kesini gara2 baca bukunta Soe Hok Gie
1412:
Mom: so cute
That time was just wasted with death
wha?
jean was slagged off for her performance but i didn't see a lot wrong with it; jean of arc was metaphorically burned to death by the fbi; her real death was allegedly suicide, but some say she was 'helped.'
both joan & jean died in france.
cause she wasn't on the lines. she literally dropped a bunch. she took huge pauses/"dramatic sighs" in places where she should have driven the thought through quicker and turned a powerful monologue by joan of fucking arc into a sad sobfest. if she'd memorized better she probably could have done a better job. or maybe it was the director's fault. who knows
Legend RIP angel heart of steel heart of lion hope u are with God shine in heaven you always shined on earth x
0:15
Putter: Is that a boy or a girl?
Lloyd: It's a girl. Joan of Arc. She dressed up as a man and all the French follows her to fight the English.
Billie Jean: Did she win?
Lloyd: Yeah and no. She heard voices: Stop being a peasant, be a soldier. Truth, Justice. And she won. She beat the English. And then...
Putter: Then what?
Lloyd: French burned her...ALIVE!
Virtually nothing in this scene is historical: read the transcript and (better yet) the descriptions by the many eyewitnesses who were at the trial. Joan of Arc didn't say anything similar to the speech in this scene, nor was her hair cut that short nor could it have been after a year in prison with nothing to cut it.
It’s art, not a national geographic documentary. No one said it was factual, things can be beautiful and represent the essence of the truth without being historically accurate
@@cassiemckinney7624 Many comments to these types of videos, and many media articles about the film, claim that it's historically accurate and so there's a need to set the matter straight.
She's great. The script, not so much. Apparently the critics crucified her for this performance. They should have gone after the writer.
Orpheus90 um, that would be George Bernard Shaw.... perhaps the culprit is Preminger, the director.
@@robinrubendunst869 LOL yes the terrible, terrible playwright george bernard show. ok then. its probably the huge gaps between every word to sigh sadly/heavily and let the energy drop between every word that ruined the performance. also, she skipped multiple lines, probably just forgot them. i think those pauses were her searching for the words possibly. if she'd memorized better she would've probably been able to get through the speech quicker
fuck off, jean and the script were both great.
puritanist ethic at it's finest.
@@robinrubendunst869 Actually, Graham Greene adapted Shaw's play for the film. The problem is that cinema, at that point, was fast moving toward a psychologically naturalist style of acting but the dialogue here has the stilted style of an earlier theatrical era. Seberg is caught trying mightily to straddle two different styles/eras/mediums of dramatic presentation. It may work as theater - and still does, but not on film.
This movie sucks!
You shck
Suck
Milla Jovovich did it better
you're being ironic. I will not take the bait.
no way
Jean Seberg is incomparable!
Because it was filmed in color??
milla was good, but no.
Saint Joan of the Stockyards
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This article relies largely or entirely on a single source. (March 2010)
Saint Joan of the Stockyards (German: Die heilige Johanna der Schlachthöfe) is a play written by the German modernist playwright Bertolt Brecht between 1929 and 1931, after the success of his musical The Threepenny Opera and during the period of his radical experimental work with the Lehrstücke. It is based on the musical that he co-authored with Elisabeth Hauptmann, Happy End (1929).[1] In this version of the story of Joan of Arc, Brecht transforms her into "Joan Dark", a member of the "Black Straw Hats" (a Salvation Army-like group) in 20th-century Chicago. The play charts Joan's battle with Pierpont Mauler, the unctuous owner of a meat-packing plant. Like her predecessor, Joan is a doomed woman, a martyr and (initially, at least) an innocent in a world of strike-breakers, fat cats, and penniless workers. Like many of Brecht's plays it is laced with humor and songs as part of its epic dramaturgical structure and deals with the theme of emancipation from material suffering and exploitation.