I love this Mozart sonata. And about the exposition episode, I have seen something similar occuring in the Pathetique Sonata, although I myself consider the Pathetique Sonata to be a 3 theme sonata form like this: Theme I, C minor -> Theme II, Eb minor in Exposition, starts in F minor in Recapitulation -> Theme III, Eb major with these characters: Theme I: C minor scale in octaves in the bass, adrenaline rush that just doesn't want to let go so easily, Theme II: Hand crossing, melody starts in the bass and rises up, Peaceful, or is it? Theme III: Alberti Bass in contrary motion, More joyful tone, but not for long Since all 3 of these themes get broken down and developed after the G minor reprise of the Grave, that supports the idea of a 3 theme sonata form in Beethoven's Pathetique Sonata.
This is so great, it reinforces the theory so much more than books, siing it in practice over a whole piece like this. It reinforces also what a bloody genius Mozart was, as if we needed reminding! xD Thanks for all of the hard work this must have taken, looking forward to many more!
@@trocomposition4216 Welcome bro I love the chord progressions of Mozart,Beethoven and Bach a lot of today's musicians get an idea from this genius composers 😊
Hi! It’s a bit of a dilemma. Roman numeral/chord analysis can be misleading/confusing when it comes to Mozart, but at the same time figured bass isn’t generally helpful because many listeners don’t feel confident with it. I’ll have a think how best to communicate harmony for the next one 👍
playing first movement of this for a year now... still capturing and entrancing... especially the recap part is a masterclass in composition and theme development. I have heard that Mozart has written this piece around the time that her mother died and he was in tour, away from home. That's probably why it is so intense. The second movement is in major but sounds sadder than minor!
Yes, I'm sure some would frown on the hints of romanticism in this performance of the second movement but I love it! Hope your own performance is progressing well 👍
Allegro maestoso- 0:23
Andante Cantabile Con Espressione- 9:30
Presto- 20:53
Thanks
Excellent. Bravo!!! I'm studying this piece and this amazing video helped me so much. Thanks!!!
You're very welcome 😊 Good luck with the practice!
Look into something known as Galant Schemata
this is what I looked for,! you are the real music youtuber!
THE MOST USEFUL KIND OF VIDEOS
Glad you found it useful!
MORE OF THESE THEY ARE SENSATIONAL I NEED ANALYSES PLEASE :)
You out here saving lives
I love this Mozart sonata. And about the exposition episode, I have seen something similar occuring in the Pathetique Sonata, although I myself consider the Pathetique Sonata to be a 3 theme sonata form like this:
Theme I, C minor -> Theme II, Eb minor in Exposition, starts in F minor in Recapitulation -> Theme III, Eb major
with these characters:
Theme I: C minor scale in octaves in the bass, adrenaline rush that just doesn't want to let go so easily,
Theme II: Hand crossing, melody starts in the bass and rises up, Peaceful, or is it?
Theme III: Alberti Bass in contrary motion, More joyful tone, but not for long
Since all 3 of these themes get broken down and developed after the G minor reprise of the Grave, that supports the idea of a 3 theme sonata form in Beethoven's Pathetique Sonata.
This is so great, it reinforces the theory so much more than books, siing it in practice over a whole piece like this.
It reinforces also what a bloody genius Mozart was, as if we needed reminding! xD
Thanks for all of the hard work this must have taken, looking forward to many more!
Many thanks! Glad you found it useful 😊
❤
Excellent compositional focus
Thanks, Neil!
I had to analyze measures 50-62 of this for a theory exam on Enharmonic German Augmented 6ths, and this really helped a lot. Thanks!
Glad it was useful!
thank you soooooooooooooooooooo much
You're very welcome!
I love playing this sonata especially section b of the second movement
Hats off to Mozart, then the artist's beautiful performance, and of course your excellent hard work! Thank you!!
Thanks, May! You’re welcome ☺️
May I know where the first topic stands?
This is great sonata. Emil Gilels aces this to perfection !
Totally agree. An amazing pianist! 👍
5:04 is the SECOND DEVELOPMENT, as he will do in 40° sinphony and as will do Beethoven in his own music
Thanks
3:21
What kind of piano are you using?
Hi! Gilels is playing a Steinway.
Amazing
Thank you so much for sharing!👏
You’re very welcome! 😊
♥️♥️♥️♥️♥️👏
Beautiful lesson and Beautiful piano sonata
Thanks, Michael! 😊
@@trocomposition4216 Welcome bro I love the chord progressions of Mozart,Beethoven and Bach a lot of today's musicians get an idea from this genius composers 😊
Thanks a lot 🙏
You're very welcome! 😊
Cara, você é bom mesmo.
Obrigado! 😊
Очень хорошо. Очень. Ну очень!
Спасибо! 😊
better if to put the chords
Hi! It’s a bit of a dilemma. Roman numeral/chord analysis can be misleading/confusing when it comes to Mozart, but at the same time figured bass isn’t generally helpful because many listeners don’t feel confident with it. I’ll have a think how best to communicate harmony for the next one 👍
playing first movement of this for a year now... still capturing and entrancing... especially the recap part is a masterclass in composition and theme development.
I have heard that Mozart has written this piece around the time that her mother died and he was in tour, away from home. That's probably why it is so intense. The second movement is in major but sounds sadder than minor!
Yes, I'm sure some would frown on the hints of romanticism in this performance of the second movement but I love it! Hope your own performance is progressing well 👍