Потрясает силой голоса ,мощью энергетики, музыкальностью Великая Ева Подлещ. Такое мощное контральто, такой подвижный голос!!! Совершенно голос не теряет насыщенности и красоты на высоких нотах!!! Какое глубокое контральто , какая техника!!! Не вижу ей равных на мировой оперной сцене! Нет равного ей контральто!!! ВОСТОРГ !!! ❤
She is the definition of a "full-throated" sound. The voice comes literally from deep inside. I saw her several times live in recital and in opera roles, the most memorable being the title role in Handel's Guilio Cesare.
Questo video, per me, è una specie di droga: lo apro sempre quando ho bisogno di darmi un po' carica, e ogni volta l'emozione è immutata. Davvero nulla di dire, una voce magica, onnipotente, che l'interprete riesce a piegare come più le piace, con un impeto, un'allure che sembrano una cosa d'altro mondo. Splendida.
O mon amie, quelle faveur, Et quel ordre inhumain! Je prévois ses soupçons, Je prévois ma terreur, Et la seule pensée D'une épreuve insensée D'effroi glace mon cœur.
Amour, viens rendre à mon âme Ta plus ardente flamme; Pour celle qui m'enflamme, Je vais braver le trépas. L'enfer en vain nous sépare, Les monstres du tartare Ne m'épouvantent pas.
That's a so long time ago, when Radio-Canada still showed classical concerts sometimes. Now, even the cultural channel (ARTV) doesn't show them. In the last 3 years, on public TV in Canada, we've only got a Messiah (condensed in an hour) and Beethoven's 9th symphony (with speakers during the 3rd movement).
Oui, je le pourrai! Je le veux, je le jure! Amour, amour, j'espère en toi Dans les maux que j'endure. Douter de ton bienfait Serait te faire injure. C'en est fait, dieux puissants, J'accepte votre loi.
5:56 I wish i could look at the score with this cadenza that Podles, Larmore, Crebassa and Kassarova do at the end... I HEARD it was written by Vioradot, but i never saw a manuscript or an edition with this cadenza, pity.
pourquoi s'attarder à ces secousses qui ne sont que secondaires devant la perfection de la voix, qui, pour l'avoir entendu à plusieurs reprises à l'opéra, est encore plus magnifique "en vrai" !
la voce e la tecnica sono impressionanti. La tessitura è estesissima. Il colore è bellissimo, le volate sono perfette sostenute e scorrevolissime. L'unica cosa che non capisco sono i suoi movimenti in special modo quelli del collo. Serrvono forse per togliere qualche tipo di tensione muscolare?? cmq a parte questo merita un 11. cantante divina poco conosciuta purtroppo.
Eine dämonisch, dramatische Stimme, die in allen Lagen eine Technik entwickelt und es mit ihrem schauspielerischen Talent schmückt. Eine grandiose Stimme, die durchaus in der Lage ist 3 Oktaven mühelos zu intonieren. Da läuft es mir kalt den Rücken runter! So eine Stimme, habe ich noch nie gehört, geschweige empfunden !!
Qu'entends-je? qu'a-t-il dit? Eurydice vivra! mon Eurydice! Un dieu clément, un dieu propice Me la rendra! Mais quoi! je ne pourrai, Revanant à la vie, La presser sur mon sein?
In fact Gluck recycled it from his opera Don Juan - which is why the style differs so markedly from the rest of Orphée's arias - and between them Berlioz and Viardot (also a composer, who wrote her own cadenza for this) turned it into an OTT showstopper! I prefer Baker's Orfeo version (Addio, addio, o miei sospiri) since she does justice to the music and doesn't just try to show off à la Viardot.
I do not agree to that. It is not showing off; it is just the most elaborate ending of an act. You simply have to go out with a bang. Viardot did understand that perfectly. On the other hand: Dame Janet Baker is indeed a gem too! Podles is the best though
ewa podles l unica a mantenere lo scettro ceduto da marilyn horne sovrana in rossini e repertorio barocco...l unica appunto dopo di lei e credo anke unica xke dopo la podles non ci saranno piu regine!
Nobody can sing like that and nobody will. It is only one La Podles! Kazik
R.I.P. Ewa,.. Grazie grazie grazie...
Потрясает силой голоса ,мощью энергетики, музыкальностью Великая Ева Подлещ. Такое мощное контральто, такой подвижный голос!!! Совершенно голос не теряет насыщенности и красоты на высоких нотах!!! Какое глубокое контральто , какая техника!!! Не вижу ей равных на мировой оперной сцене! Нет равного ей контральто!!! ВОСТОРГ !!! ❤
She is the definition of a "full-throated" sound. The voice comes literally from deep inside. I saw her several times live in recital and in opera roles, the most memorable being the title role in Handel's Guilio Cesare.
Français absolument parfait et bien articulé, entièrement compréhensible, chant parfait, diction sans faute, merci madame.
Ah bon ? Grande chanteuse, mais un français version compote dans la bouche
Questo video, per me, è una specie di droga: lo apro sempre quando ho bisogno di darmi un po' carica, e ogni volta l'emozione è immutata. Davvero nulla di dire, una voce magica, onnipotente, che l'interprete riesce a piegare come più le piace, con un impeto, un'allure che sembrano una cosa d'altro mondo. Splendida.
Sa voix est absolument magique!
She's such an expressive singer. Excellent diction here too! Phenomenal as always.
Absolutely extraordinary! Podles is at her best here, and this performance reveals what makes her one of a kind!
She is amazing! i love her performance of this aria.
Ewa can sing all opera from baroque to modern. I feel grateful that I have heard her sing in person in Giulio Cesare in Seattle. What a vocal range!!
The only one out there today ---2007, that is worthy of the title---DIVA!!!
Fenomenal! Que voz maravilhosa!
*_She's NOT human & NOT from this vocal planet !_*
vilpaph , thank you so much !!!
I admit to being a contralto fan ! What a simply wonderful singer !!!
ABSOLUTELY DIVINE!!!!!!!!
...It doesn't get any better...Just a wonder to hear, and watch. She makes my ears happy ^_^.
O mon amie, quelle faveur, Et quel ordre inhumain! Je prévois ses soupçons, Je prévois ma terreur, Et la seule pensée D'une épreuve insensée D'effroi glace mon cœur.
great contralto voice, congratulations, you great lady, even God likes to listen to you *ciprian romania*
how right you are. lucian tot din romania
Love her, she’s absolutely phenomenal both in vocalizing and artistic ways.
great great great,brava Ewa Podles,she is the best contesse in "Pique Dame" but i don't find the video on youtube/somebody can add it?
Amour, viens rendre à mon âme Ta plus ardente flamme; Pour celle qui m'enflamme, Je vais braver le trépas. L'enfer en vain nous sépare, Les monstres du tartare Ne m'épouvantent pas.
That's a so long time ago, when Radio-Canada still showed classical concerts sometimes. Now, even the cultural channel (ARTV) doesn't show them. In the last 3 years, on public TV in Canada, we've only got a Messiah (condensed in an hour) and Beethoven's 9th symphony (with speakers during the 3rd movement).
Oui, je le pourrai! Je le veux, je le jure! Amour, amour, j'espère en toi Dans les maux que j'endure. Douter de ton bienfait Serait te faire injure. C'en est fait, dieux puissants, J'accepte votre loi.
in 2008, La Cieca in La Gioconda, and she was a great succes (in the smallest role). And nothing for 24 years before...
5:56 I wish i could look at the score with this cadenza that Podles, Larmore, Crebassa and Kassarova do at the end... I HEARD it was written by Vioradot, but i never saw a manuscript or an edition with this cadenza, pity.
La voce regina
goddess!
la dina ewa canta la musica del alma y profunda sensibilidad
RIP
pourquoi s'attarder à ces secousses qui ne sont que secondaires devant la perfection de la voix, qui, pour l'avoir entendu à plusieurs reprises à l'opéra, est encore plus magnifique "en vrai" !
la voce e la tecnica sono impressionanti. La tessitura è estesissima. Il colore è bellissimo, le volate sono perfette sostenute e scorrevolissime. L'unica cosa che non capisco sono i suoi movimenti in special modo quelli del collo. Serrvono forse per togliere qualche tipo di tensione muscolare?? cmq a parte questo merita un 11. cantante divina poco conosciuta purtroppo.
@leprincebeaumont ...condivido in pieno
It's true Goddess do walk the earth.
Eine dämonisch, dramatische Stimme, die in allen Lagen eine Technik entwickelt und es mit ihrem schauspielerischen Talent schmückt. Eine grandiose Stimme, die durchaus in der Lage ist 3 Oktaven mühelos zu intonieren. Da läuft es mir kalt den Rücken runter! So eine Stimme, habe ich noch nie gehört, geschweige empfunden !!
Has she ever sung at the Met in NY?
Qu'entends-je? qu'a-t-il dit?
Eurydice vivra! mon Eurydice!
Un dieu clément, un dieu propice
Me la rendra!
Mais quoi! je ne pourrai,
Revanant à la vie,
La presser sur mon sein?
In fact Gluck recycled it from his opera Don Juan - which is why the style differs so markedly from the rest of Orphée's arias - and between them Berlioz and Viardot (also a composer, who wrote her own cadenza for this) turned it into an OTT showstopper! I prefer Baker's Orfeo version (Addio, addio, o miei sospiri) since she does justice to the music and doesn't just try to show off à la Viardot.
I do not agree to that. It is not showing off; it is just the most elaborate ending of an act. You simply have to go out with a bang. Viardot did understand that perfectly. On the other hand: Dame Janet Baker is indeed a gem too! Podles is the best though
da brivido
Traducir titulo
O my god! I am french and i understand one word on five!the voice do not do all in french opera!
hey, voltaire you ain`t ,look up her French in Marc Rodrigues opinion above.
@@misscameroon8062 Voltaire1377 is absolutely right
ewa podles l unica a mantenere lo scettro ceduto da marilyn horne sovrana in rossini e repertorio barocco...l unica appunto dopo di lei e credo anke unica xke dopo la podles non ci saranno piu regine!
I loved it but the cadenza was overdone to the point I forgot what she was singing.
Fioritura covers a multitude of sins. Suggest Schuman-Heink, Besanzoni, Tourel,