Джойс , восхищаюсь Вами. !!! Впервые увидела и услышала Вас в Севильском и .... влюбилась в Ваш голос.! Такой Розины я не видела. Вы создали образ такой яркий и непохожий на все другие. После этого я стала следить за Вашими новыми ролями и работами .Мастер классы какие потрясающие!!! Вы отличный педагог!!! Спасибо за Ваш труд !❤❤❤
It is somewhat ironic that a counter tenor is singing this aria; when gluck made readjustments for his great opera for the French it was improved (personal opinion) since the French had no use for the castrati he rewrote Orphee as a high tenor. He also added a great deal of very beautiful music and since this aria is very difficult it is frequently omitted.
He did use chest voice but mostly on just the lowest dips into the lower register. Countertenors typically do not use as much chest voice as you would expect from a female voice in the same register. It's a different approach to making sound in that range.
@@JackieLanceTenor that’s correct ! As a counter tenor myself, that’s what happens. Chest voice would be used in the lower register towards the passagio and even there it would be kind of mixed not fully chest because the transitions back to the higher register are more efficient.
@@Febr.89 I am also a countertenor. Well, I'm working on it. I went to school for performance as a tenor but never felt comfortable with that and always leaned towards being a CT but wasn't able to really study it in school. It's a work in progress. Lol anyway, I do use a good bit more chest voice starting at around Eb or D right above middle C. I try to navigate the passaggio more like a low mezzo/contralto. But I still can't always mix the same way they do. I really try to work on my transitions so it's not too heavy but it's difficult. Most of the time I feel I'm pretty successful though.
Джойс , восхищаюсь Вами. !!! Впервые увидела и услышала Вас в Севильском и .... влюбилась в Ваш голос.! Такой Розины я не видела. Вы создали образ такой яркий и непохожий на все другие. После этого я стала следить за Вашими новыми ролями и работами .Мастер классы какие потрясающие!!! Вы отличный педагог!!! Спасибо за Ваш труд !❤❤❤
Di Donato a d'excellentes qualités pédagogiques
BRAVO, Key'mon!!!!!
Joyce DiDonato rules !
I watched him compete at operalila 2021 and thought he should have won. He is amazing
Wow, what a voice! Bravo
An amazing instrument! I love every bit of this performance! Your upper register is beautiful and well placed.
Thanks for your comment, and we're happy to hear that you enjoyed this performance.
What a brilliance voice!
Thanks visiting our channel and listening!
A brilliant voice indeed
Bravo!!!!!
This guy is living proof that Countertenors still LIVE and our gifted.
Wow... arrepiei! 👏👏👏
Bellissima voce, mi piace davvero molto
It is somewhat ironic that a counter tenor is singing this aria; when gluck made readjustments for his great opera for the French it was improved (personal opinion) since the French had no use for the castrati he rewrote Orphee as a high tenor. He also added a great deal of very beautiful music and since this aria is very difficult it is frequently omitted.
Morbidezza, rimane quasi costantemente morbido,insolita caratteristica per una voce controtenorile.BRAVO
A beautiful voice. He should have acknowledged the pianist.
No chest voice? why? If he is a man, he must use the chest voice in combination with the falsetto.
Hey ! I need more explanation of what you said. Please.
@@Febr.89 www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000052464
He did use chest voice but mostly on just the lowest dips into the lower register. Countertenors typically do not use as much chest voice as you would expect from a female voice in the same register. It's a different approach to making sound in that range.
@@JackieLanceTenor that’s correct ! As a counter tenor myself, that’s what happens. Chest voice would be used in the lower register towards the passagio and even there it would be kind of mixed not fully chest because the transitions back to the higher register are more efficient.
@@Febr.89 I am also a countertenor. Well, I'm working on it. I went to school for performance as a tenor but never felt comfortable with that and always leaned towards being a CT but wasn't able to really study it in school. It's a work in progress. Lol anyway, I do use a good bit more chest voice starting at around Eb or D right above middle C. I try to navigate the passaggio more like a low mezzo/contralto. But I still can't always mix the same way they do. I really try to work on my transitions so it's not too heavy but it's difficult. Most of the time I feel I'm pretty successful though.