अन्नू कपूजी मै आपकी एक्टींग का सबसे बडा फेन हूँ. मगर आपको जो न्याय मिलना चाहिए था वह नहीं मिल पाया, इसका बडा दुख है. वैसेही आपकी आवाज - गायन व सादरीकरण मे बेहतरीन! आप इतिहास के बडे अभ्यासक है. आजका यह स्वर्गीय जयकिशन जी की यादमे सादर किया हुआ प्रोग्राम डहुत अच्छा लगा. पल्लवी जी का सहभाग से कार्यक्रम की उँची बढी. आपकी क्षमा माँगते हुए कुछ सुझाव देता हूँ। राज कपूर जी की संगीत टिम गीत लिखना, संगीत तैयार करना इसके लिए अक्सर लोणावळा जातेथे. रास्तेमे एक धाबा जैसा हॉटेल मे अक्सर चाय-नाश्ते करून लिए रूकते थे. उस हॉटेल का एक रामय्या नामका तेलगू भाषक वेटर शंकरजी का फेवरेट था. (शंकरसिग रघुवंशी जीका जन्म मध्यप्रदेश का था मगर उनका पुरा बचपन हैदराबाद मे गया जहाँ उनके पिताजी नौकरी करते थे. वह तेतगु भी फ्ल्युएंट बोलते थे. शंकर जीने तबलेकी तालिम व कसरत भी हैदराबाद मे ही लेने के बाद मुंबई आए.) रमय्या टेबलपर आनेमे देर होनेपर शंकर जीने टेबलपर ही ठेका लगाया.... रमय्या वस्तावय्या रमय्या वस्तावय्या! जिसका अर्थ रमय्या जल्दी आवो. यह ठेका गुनगुनते ही बाजूमे बैठे शैलैंद्र जी ने तुरंतही आवाज दिया.... मैने दिल तुज़को दिया. और मुखडा व चाल तैयार हुआ! दुसरा किस्सा आपने जो कथन किया है व राज कपूर जी के एक फिल्म का प्रिमियर शो मराठा मंदिर थिएटरमें था उसी वक्त का है. उस जमानेमे शूटिंग या प्रिमियर शो पर ही अपने फेवरीट सितारोंको मिलनेका चान्स रहता था. तो मराठा मंदिर थिएटर के सामने जब दिलिपकुमार और देव आनंद साहब राजजी के साथ दिखे तब भीडने घेर लिया. मगर जब एक हँडसम उँची गाडी व सूटबूटमे आया तब सब लडकियाँ यह तोन हिरोंको छोडके गाडी तरफ भाग निकली! और यह तीनोही मुसकुराते बोल उठे की आज पता चला असली हिरो कौन है। तिसरी बात... कुछ साल बाद काम की प्रेशर की वजहसे दोनो अलग अलग कंपोझिशन करते थे. और दोनो मे एक अलिखित करार था की किसने क्या बनाया इसका जिक्र कभी नही करेंगे। संगम का.... यह मेरा प्रेमपत्र पढकर की तुम नाराज ना होना... इतना लोकप्रिय हुआ की उसने सब हदे पार की. जयकिशन जी ने किसी एक इंटरव्ह्यूमे कह दिया की इसकी रचना उन्होने की! बस्स... शंकरजी जो मूलतः एक पहलवान थे और स्वभाव से गरम दिमागके थे उन्होने दिलपे लिया और दोनो मे अनबन हो गया. वास्तविक दत्ताराम व जयकिशन जी को प्रुथ्वी थिएटरमें लानेवाले शंकर जी ही थे. इसलिए जयकिशन जी भी उन्हे अपना दोस्त के साथसाथ गुरू भी मानते थे. दुर्भाग्य की बात यह है शैलैंद्र व जयकिशन दोनो करीबन४२-४३ की आयुष्य मे चल बसे और अपने दोस्त के साथ दुखभरी दास्ताँ की वजहसे. एक राजजी व दुसरा शंकरजी की दर्दसे! मगर जयकिशन जी हॉस्पिटलमे आखिर तक कहते थे की मै शंकर की साथ कभी नहीं छोडूंगा! चल बसे पर शंकर-जयकिशन नाम सबके ओठोपर कायम हुआ!
इतनी अच्छी पेशकश शंकर जयकिशन पर नहीं सुनी ।शंकर जयकिशन संगीत के नाम पर चमकने वाले वो चांद सुरज है जो रहती दुनिया तक याद किये जाएंगे ।उनके संगीत में जवानी सी उमंग और मदमस्त करने वाली खुशबू है ।
Annu Ji Maine Ye Program (19th October 2022) Ko Suna Amar Jaikishan Ji ki Wife se Aap ki Baat suni us ke liye Dil se Dhanyawad Shankar Jaikishan Ji ka Sangeet Rehti Duniya Tak Amar Rahe Ga
अनु जी, मैं आपका तहेदिल से शुक्र गुज़ार हूँ। मैं शंकर जयकिशन का बचपन से फैन हूँ। समझ लीजिये दीवाना हूँ। और आपने जो ये प्रोग्राम दिया जिससे मैं आपका भी फैन हो गया हूँ। क्या ज़माना था इस जोड़ी का, फ़िल्म की कहानी चाहे जैसी हो अगर संगीत SJ का है तो उस फिल्म को सुपर हिट होने से कोई नहीं रोक सकता। एक बात और भी थी कि उनकी हर फिल्म के सभी के सभी गाने सुपरहिट होते थे। वेस्टर्न म्यूजिक और भारतीय संगीत दोंनो क्या कॉम्बिनेशन देते थे। और मैं समय की भी बलिहारी मानता हूं कि 1950 से 1970 का समय भारतीय फिल्म संगीत का स्वर्णयुग था, न भूतो न भविष्यति। इस दौर में छोटे या बड़े सभी संगीतकार ने गज़ब के गाने कंपोज़ किये। मेरी आपसे फोन पर बात करने की इच्छा है, शंकर जयकिशन जी के और भी बहुत सारे किस्से मैं आपसे शेयर करना चाहता हुँ। ताकि आप और भी वीडियो SJ के बारे में बनाएं। आपका फैन शिव कुमार कसारा भीलवाड़ा राजस्थान। Mo. 9414978749
अन्नुकपुर भाई आप का बहुत बहुत धन्यवाद आपने शंकर जयकिशन जी का बहुत सुन्दर उनके संगीत से सजी हुई गीत सुनाया और परिचय देते हुए मन को शुकुन मीला। इनके लिए बहुत प्यार जय श्री राधे कृष्णा जय हिन्द जय भारत जय छत्तीसगढ़।
मैं ये बात सही नहीं मानता। मेरे हिसाब से 80-90 के दशक के गाने भी उन सुवर्ण युग जैसे ही हैं। इस दौर के संगीतकारों की रचनाएँ सुनते हैं तो इस बात का पता चलता है। खैयाम, भप्पी लहरी, लक्ष्मीकांत प्यारेलाल, राजेश रोशन, आरडी बर्मन आदि संगीतकारोंने किशोरदा, रफी, लता, आशा, कविता, अल्का, अनुराधा, सुरेश वाडकर, एसपी बाला, अमित कुमार, मनहर, भुपेन्द्र, शब्बीर कुमार, महंमद अजीज जैसे फनकारों से जो रचनाएँ तैयार की है वो आज भी मेलोडीयस लगती हैं और 60 - 70 वाले दशक के गानों के तरह ही सुनना अच्छा लगता है। बहुत लोग उन सुवर्ण युग के गानों को जिस शौक से सुनते हैं उतने ही शौक से 80-90 वाले दशक के गानों को भी सुनना पसंद करते हैं। हाँ, मैं मानता हूँ कि 1987-88 के बाद जैसे गाने आने लगे शायद वहीं से हिन्दी फिल्म संगीत का मेलोडी वाला सुवर्ण युग खत्म हो गया।
शंकर जयकिशन का संगीत हमेशा जीवित है।कभी पुराना नही है। जो भी संगीत का चाहनेवाले है उसका कोई नकोई गीत शंकर जयकिशन का गीत जरूर होगा। मेरी पसंद के कोई 10 गीत में 6,7 गीत शंकर जयकिशन के संगीत के ही हैं।
Annu Sir, you are really great🌹🙏🌹 Privileged to listen respected Pallavi ji for the first time. This is by all means the best presentation so far. Let me tell you that I am also one of your big fan and like your all presentations, especially Antakshari. 🌹🙏🌹🙏🌹
This being a music related programme and when it is a Tribute Programme for Jaikishan, it would have been Appropriate if you had played at least one line each of His Famous Creations.
Facts will not sieze to exist even if it is ignored .when you listen to shankar Jaikishan music then you start realising that this is the Music,the music to ear,heart and soul.All time great , genius and legendary music director duo shankar Jaikishan were musicians who have magical touch in their composition.They have redefined the melody unka jadu shir chad kar bolta tha .uss time par shankar Jaikishan ji ka Jalwa sach me aisa hi tha and to corborate my statement let me share some of the compelling factor behind this . actuallyThe main USP of legendary music director duo Shankar Jaikishan was that all songs of their album became instantly hit,this was the rarest of rare virtues any composer could posses but they were blessed by God Grace and this particular film is a great example of it. Another USP was their compositions were so catchy and liked by masses and classes equally.in addition to that be it orchestra arrangements,creation of preludes and Interludes,use of chorus , back ground score,title songs or theme songs shankar Jaikishan were the Trend setters in all respect.shankar Jaikishan were indeed miles ahead of their contemporaries in all the department of music and they proved it time and again.unki baat hi alag thi aur unka andaz bhi juda tha rather in short I must say that the whole team of shankar Jaikishan was simply superb and genius to the core ,the music composers duo were par excellence who said to have devine touch in their composition.
Anuji, thanks for the valuable information on Jaikishanji, SJ were part and parcel of Golden era of Hindi cinema. They were lucky enough to have lyricists like Shailendra and Hasrat Jaipuri, Singers like Rafi saab, Lataji, Mukeshji. Then music was taken very seriously in those days, there used to be marathon sittings between film director, composers, singers, actors, lyricists to finalize a song. Well, Dil Ek Mandir is a memorable movie with outstanding songs including the above mentioned stalwarts. The rift occurred between SJ is taking credit of composition of one song of film Sangam, ये मेरा प्रेम पत्र पढ़कर कहीं नाराज न होना. Because there was a Gentlemen's agreement between the two that nobody will ever take any credit of any composition and this agreement was broken.
Posted by Saswata Acharjee : Thank you Annu Kapoor sir for your presentation . Even I feel the fact that many of the news on Internet regarding these legends show rumours (I feel) and they are too bad to be believed even . I will not mention anyone's name .
RESPECTED ANNUJI, CRORES OF NAMASKAR TO YOU. YOUR PRESENTATION IS SUPERB. YOUR PRESENTATIONS ARE ALWAYS GENTLE AND MELODIOUS THAT TOUCHES TO MY HEART AND SOUL. IT IS YOUR GREATNESS THAT YOU DO NOT TALK OF ANY ILL ABOUT ANYBODY ALTHOUGH YOU KNOW ALL THOSE THINGS.
Tku annuji aapne hame pallavi mam ki awaj sunai hamare pas shabdhi hi nahi kaise aapka shukriya ada kare hamane suna tha pallavi mam koi programme shamil hona nahi chahti ya t v par bhi anna nahi chahti.Tku mam jsikishin sahab ki yade share karne ke liye. Tku o ce again.
Pallabi Jaikishan's statement should not be stretched too far as to mean Shankerji was responsible for Jaikishanji's alcoholism and death. SJ composed tunes separately since 1963, that is since Jaikishanji's marriage. Sharda came in 1964 and the dispute over substituting Sharda for Lata in Suraj came to the fore in 1965. But according to Lekh Tondon the difference between Shankar and Jaikishan sorted out later. They were working together from Mera Naam Joker (1969-70), and conducted many orchestra shows that time. So the reason for Jaikishan's drinking habit must be different.
Kindly take long interviews of those limited number of great persons of golden era who are still alive with us to write the history. Please collect all the stories behind each songs and other facts.
Annu Sir, I will also like to ADD that music means SJ and SJ means music. Naushad- SJ - OP Nayyar ultimate TRIO of Indian Film Industry. Naushad Sshab was highly appreciative of SJ🌹🙏🌹
In the year 2004 i met late Sri dattaram shanker Jaikishan neverparted he told me I tried my best to meet pallaviji but i failed in the year 2001 lukkely i met Chaitanya but he not allowed inside
Annu Kapoor, kudos to you for a program well conceived and delivered. But, a small correction. There were no personal differences between Shankar and Jaikishan. Theirs was one relationship that remained intact till their very end. The reason SJ started to compose separately was to meet the deadlines for over thirty movies on hand. Jaikishan wanted to spend more time with his young wife and kids and Shankar spent time at their music room. This was blown out of proportion by those who wanted to spread rumors of a make believe ‘rift’ between the two. Another rumor was that Sharda was the cause of differences between the composer duo which could be farther from the truth. Shankar had great admiration and respect for Lata and would never substitute her for Sharda.
Lakshmi Tummala Ji your post is out of tremendous love for music maestros Shankar-Jaikishan. As an ardent fan of the magicians myself, I express my gratitude and affection for you. I am a 69 year old now I was born a little later than their first movie Barsat was released. But the magic of their music had such a strong pull on me that I started following them. There is no denying the fact that despite different traits they both had tremendous respect and love for each other. Both of them were masters in their chosen field since their personalities were so different and their styles too were so different that probably made their music truly inimitable all the music directors of the golden era (which had such a galaxy of composers and music directors) were influenced by the patent Shankar-Jaikishan style many had copied but none could equal the original. The year 1964 was quite important in the life of the duo. They had maximum number of hits in 1964 but 1964 also laid down the foundation of some differences between the two. They were not only very popular but very prolific too. Most of their work was done individually and when someone finally composed a tune the same was played before the other to have his advice and suggestions. After this modification the song was invariably recorded in the presence of the duo. There as an understanding between them that though they will compose individually yet they will never tell anybody who composed what. 1964 Sharda who was being trained and mentored for quite some time was offered two songs in SURAJ and these songs became the rage of the nation. All the songs of the film were hits but Baharo Phool Barsao by Rafi saheb topped the chart in 1965 (the release year of the film). Till that time there was only one prize for playback singing. Since Titli Udi was equally popular the sponsors had to bring in an additional award to cover this song and now onwards there was separate filmfare award for male and female playback. It is said (I cant say whether this was a rumor) under a signed article Jaikishan gave a hint that Baharo was composed by him. In 1964 the song Mei Ka Karun Raam was to be recorded for SANGAM and Lata was reluctant to sing it she finally sang when hard pressed by Raj Kapoor and Shankar saheb. After this song she had a grudge against both Shanker sahab and Raj Kapoor though she kept singing for Shankar Jaikishan she stopped singing for RK banner and would not sing Shankar's composition if case she came to know that it is composed by him. The entry and instant popularity of Sharda Ayengar further aggravated the impaired relationship (between Lata & Shankar). She kept propping up Laxmikant Piarelal particularly after the untimely and sad demise of Jaikishan saheb she stopped working for Shanker-Jaikishan banner altogether later the jinx was broken in 80's with Sanyasi but their relationship was hardly anywhere near the previous intimacy. LP also prevailed upon Lata to start for RK banner through Bobby. This is what I recall from my memory about them.
@@soni10001 As per my understanding, Jaikishan ji revealed that Ye mera prem patra padhkar(Sangam) was his composition in any show not the suraj's song... Which actually did hurt shankar ji little bit as it the violation of the pact. Nevertheless they never showwd their differences in public and always worked under One name.
Why Anu Kapoor you are not giving special program only on Shankar of Shankar Jaikishan the new and given more than 1000 songs with Hazrat and Shailendra as a lyrics, Please kindly give on Shankar ji a program and give him homage.
Dear 92.7 big fm agar ye program information ke saath gane ke saath bhi sunane Ko mile to achha. Matlab jo pahle jaise anuji ne redio pe present kiya tha.
Anuji tarif ki kiya tareef karoon aap to encyclopedia hai film knowledge ka main choon ke Sangeet Bhagti hoon kisi bhi music composer ke bare main kuch kahoon meri it I knowledge nahin lekin mujhe zati taur par NAUSHAD JI Aur C RAMCANDARJI bohot hi pass and they
Really great combination of SJ duo and Legendary singer Rafi Sahab. Composed solo and duets which live till today.
अन्नू कपूजी मै आपकी एक्टींग का सबसे बडा फेन हूँ. मगर आपको जो न्याय मिलना चाहिए था वह नहीं मिल पाया, इसका बडा दुख है. वैसेही आपकी आवाज - गायन व सादरीकरण मे बेहतरीन! आप इतिहास के बडे अभ्यासक है. आजका यह स्वर्गीय जयकिशन जी की यादमे सादर किया हुआ प्रोग्राम डहुत अच्छा लगा. पल्लवी जी का सहभाग से कार्यक्रम की उँची बढी.
आपकी क्षमा माँगते हुए कुछ सुझाव देता हूँ। राज कपूर जी की संगीत टिम गीत लिखना, संगीत तैयार करना इसके लिए अक्सर लोणावळा जातेथे. रास्तेमे एक धाबा जैसा हॉटेल मे अक्सर चाय-नाश्ते करून लिए रूकते थे. उस हॉटेल का एक रामय्या नामका तेलगू भाषक वेटर शंकरजी का फेवरेट था. (शंकरसिग रघुवंशी जीका जन्म मध्यप्रदेश का था मगर उनका पुरा बचपन हैदराबाद मे गया जहाँ उनके पिताजी नौकरी करते थे. वह तेतगु भी फ्ल्युएंट बोलते थे. शंकर जीने तबलेकी तालिम व कसरत भी हैदराबाद मे ही लेने के बाद मुंबई आए.) रमय्या टेबलपर आनेमे देर होनेपर शंकर जीने टेबलपर ही ठेका लगाया.... रमय्या वस्तावय्या रमय्या वस्तावय्या! जिसका अर्थ रमय्या जल्दी आवो. यह ठेका गुनगुनते ही बाजूमे बैठे शैलैंद्र जी ने तुरंतही आवाज दिया.... मैने दिल तुज़को दिया. और मुखडा व चाल तैयार हुआ!
दुसरा किस्सा आपने जो कथन किया है व राज कपूर जी के एक फिल्म का प्रिमियर शो मराठा मंदिर थिएटरमें था उसी वक्त का है. उस जमानेमे शूटिंग या प्रिमियर शो पर ही अपने फेवरीट सितारोंको मिलनेका चान्स रहता था. तो मराठा मंदिर थिएटर के सामने जब दिलिपकुमार और देव आनंद साहब राजजी के साथ दिखे तब भीडने घेर लिया. मगर जब एक हँडसम उँची गाडी व सूटबूटमे आया तब सब लडकियाँ यह तोन हिरोंको छोडके गाडी तरफ भाग निकली! और यह तीनोही मुसकुराते बोल उठे की आज पता चला असली हिरो कौन है।
तिसरी बात... कुछ साल बाद काम की प्रेशर की वजहसे दोनो अलग अलग कंपोझिशन करते थे. और दोनो मे एक अलिखित करार था की किसने क्या बनाया इसका जिक्र कभी नही करेंगे। संगम का.... यह मेरा प्रेमपत्र पढकर की तुम नाराज ना होना... इतना लोकप्रिय हुआ की उसने सब हदे पार की. जयकिशन जी ने किसी एक इंटरव्ह्यूमे कह दिया की इसकी रचना उन्होने की! बस्स... शंकरजी जो मूलतः एक पहलवान थे और स्वभाव से गरम दिमागके थे उन्होने दिलपे लिया और दोनो मे अनबन हो गया. वास्तविक दत्ताराम व जयकिशन जी को प्रुथ्वी थिएटरमें लानेवाले शंकर जी ही थे. इसलिए जयकिशन जी भी उन्हे अपना दोस्त के साथसाथ गुरू भी मानते थे. दुर्भाग्य की बात यह है शैलैंद्र व जयकिशन दोनो करीबन४२-४३ की आयुष्य मे चल बसे और अपने दोस्त के साथ दुखभरी दास्ताँ की वजहसे. एक राजजी व दुसरा शंकरजी की दर्दसे! मगर जयकिशन जी हॉस्पिटलमे आखिर तक कहते थे की मै शंकर की साथ कभी नहीं छोडूंगा! चल बसे पर शंकर-जयकिशन नाम सबके ओठोपर कायम हुआ!
इतनी अच्छी पेशकश शंकर जयकिशन पर नहीं सुनी ।शंकर जयकिशन संगीत के नाम पर चमकने वाले वो चांद सुरज है जो रहती दुनिया तक याद किये जाएंगे ।उनके संगीत में जवानी सी उमंग और मदमस्त करने वाली खुशबू है ।
Annu Ji Maine Ye Program (19th October 2022) Ko Suna Amar Jaikishan Ji ki Wife se Aap ki Baat suni us ke liye Dil se Dhanyawad Shankar Jaikishan Ji ka Sangeet Rehti Duniya Tak Amar Rahe Ga
Jaikishan ji was the greatest musician of Indian film industry
(Shankar jaikishan).
U r abosoulety right
Shankar Jaikishan sahab aap logo ki bahut yaad aati hai.please come back.
अनु जी, मैं आपका तहेदिल से शुक्र गुज़ार हूँ।
मैं शंकर जयकिशन का बचपन से फैन हूँ।
समझ लीजिये दीवाना हूँ।
और आपने जो ये प्रोग्राम दिया जिससे मैं आपका भी फैन हो गया हूँ।
क्या ज़माना था इस जोड़ी का, फ़िल्म की कहानी चाहे जैसी हो अगर संगीत SJ का है तो उस फिल्म को सुपर हिट होने से कोई नहीं रोक सकता।
एक बात और भी थी कि उनकी हर फिल्म के सभी के सभी गाने सुपरहिट होते थे।
वेस्टर्न म्यूजिक और भारतीय संगीत दोंनो क्या कॉम्बिनेशन देते थे।
और मैं समय की भी बलिहारी मानता हूं कि 1950 से 1970 का समय भारतीय फिल्म संगीत का स्वर्णयुग था, न भूतो न भविष्यति।
इस दौर में छोटे या बड़े सभी संगीतकार ने गज़ब के गाने कंपोज़ किये।
मेरी आपसे फोन पर बात करने की इच्छा है,
शंकर जयकिशन जी के और भी बहुत सारे किस्से मैं आपसे शेयर करना चाहता हुँ।
ताकि आप और भी वीडियो SJ के बारे में बनाएं।
आपका फैन
शिव कुमार कसारा
भीलवाड़ा राजस्थान।
Mo. 9414978749
PL share on u tube I am interested
शंकर जयकिशनमेजयकिशनमेरेबहुतपसनतसनगीतकारहैऊनकापसनतजयजयवैनतीरागजानेकहागयेओदिनबसनतोपवनपागलमैनहोभुलुनगाकृषणनाथकुलकरणीखारघर9320243313
Nice Programme by Annu kapoor,my first fvt SJ especially Jaikishan RIP.
Shankar Jaikisan... the greatest musician of all time
I Love Shankar Jaikishan Great Music Director
Sir, aapne jai kishan ji ke bare me jo batlaye, iske liye Aapke charno me mera koti koti pranam 🙏🙏🙏🙏🙏
The Golden era of music will stand incomplete without these 2 Gr8 masters of melody, the vacuum caused by their death will never b filled.
Very nice and admirable presentation by Anni Kapoorji. So many new things come to my knowledge about renoune pair of music director Shankar Jaikishan.
Annu Kappor sir all your programs are best ! Pls keep entertaining us .
अन्नुकपुर भाई आप का बहुत बहुत धन्यवाद आपने शंकर जयकिशन जी का बहुत सुन्दर उनके संगीत से सजी हुई गीत सुनाया और परिचय देते हुए मन को शुकुन मीला। इनके लिए बहुत प्यार
जय श्री राधे कृष्णा जय हिन्द जय भारत जय छत्तीसगढ़।
There should not be any comparison between the duo Shankar and Jaikishanji.
Both were having natural Talents squarely.
The greatest duo of Indian cinema
the great legendary shankar jaikishan jee
When golden era of Bollywood songs ended, Jaykishanji passed away.
मैं ये बात सही नहीं मानता। मेरे हिसाब से 80-90 के दशक के गाने भी उन सुवर्ण युग जैसे ही हैं। इस दौर के संगीतकारों की रचनाएँ सुनते हैं तो इस बात का पता चलता है। खैयाम, भप्पी लहरी, लक्ष्मीकांत प्यारेलाल, राजेश रोशन, आरडी बर्मन आदि संगीतकारोंने किशोरदा, रफी, लता, आशा, कविता, अल्का, अनुराधा, सुरेश वाडकर, एसपी बाला, अमित कुमार, मनहर, भुपेन्द्र, शब्बीर कुमार, महंमद अजीज जैसे फनकारों से जो रचनाएँ तैयार की है वो आज भी मेलोडीयस लगती हैं और 60 - 70 वाले दशक के गानों के तरह ही सुनना अच्छा लगता है। बहुत लोग उन सुवर्ण युग के गानों को जिस शौक से सुनते हैं उतने ही शौक से 80-90 वाले दशक के गानों को भी सुनना पसंद करते हैं। हाँ, मैं मानता हूँ कि 1987-88 के बाद जैसे गाने आने लगे शायद वहीं से हिन्दी फिल्म संगीत का मेलोडी वाला सुवर्ण युग खत्म हो गया।
There won’t be a composer like JAIKISHENJI 🙏
Shankar Jaikishan the legends of Indian cinema. The name is enough.
शंकर जयकिशन का संगीत हमेशा जीवित है।कभी पुराना नही है। जो भी संगीत का चाहनेवाले है उसका कोई नकोई गीत शंकर जयकिशन का गीत जरूर होगा। मेरी पसंद के कोई 10 गीत में 6,7 गीत शंकर जयकिशन के संगीत के ही हैं।
Departed Soul of Jaikishan Rest in Peace
King singer ever born Rafi sahab❤❤❤❤❤❤❤you. Afghan boy from my beautiful Holland... 01-04-2020
Bhayya aap aaj aap k programme k dwara rulayabhi aur paramanand bhi prapt karwaya .
Aap ko aur Mrs jaikishan ji ko mera pyar bhara namaskar aur bohat bohat subh kamnaye
जयकिशन साहेब की सजीला चेहरा देखकर हर किसी का दिल मचल सकता है
Annu Sir, you are really great🌹🙏🌹
Privileged to listen respected Pallavi ji for the first time. This is by all means the best presentation so far. Let me tell you that I am also one of your big fan and like your all presentations, especially Antakshari. 🌹🙏🌹🙏🌹
बहुत ही सुन्दर
जानकारी से भरपूर प्रस्तुति ।
Jai kishan ji bahut jaldi chale gye es Duniya se jai kishan ke jane ke baad bhi shankar ji ne shankar jai kishan ke naam se sangeet deya
Every day I learnt from new sirji .Many many thanks to you for the untold story of our legend's of our great nation.
This being a music related programme and when it is a Tribute Programme for Jaikishan, it would have been Appropriate if you had played at least one line each of His Famous Creations.
Facts will not sieze to exist even if it is ignored .when you listen to shankar Jaikishan music then you start realising that this is the Music,the music to ear,heart and soul.All time great , genius and legendary music director duo shankar Jaikishan were musicians who have magical touch in their composition.They have redefined the melody unka jadu shir chad kar bolta tha .uss time par shankar Jaikishan ji ka Jalwa sach me aisa hi tha and to corborate my statement let me share some of the compelling factor behind this . actuallyThe main USP of legendary music director duo Shankar Jaikishan was that all songs of their album became instantly hit,this was the rarest of rare virtues any composer could posses but they were blessed by God Grace and this particular film is a great example of it. Another USP was their compositions were so catchy and liked by masses and classes equally.in addition to that be it orchestra arrangements,creation of preludes and Interludes,use of chorus , back ground score,title songs or theme songs shankar Jaikishan were the Trend setters in all respect.shankar Jaikishan were indeed miles ahead of their contemporaries in all the department of music and they proved it time and again.unki baat hi alag thi aur unka andaz bhi juda tha rather in short I must say that the whole team of shankar Jaikishan was simply superb and genius to the core ,the music composers duo were par excellence who said to have devine touch in their composition.
ANNU you are great i missed a great chance to meet you in Mauritius on HUM shooting i'm a Mauritian you speak so clearly URDU & Shanskrit.
Long live Shankar-Jaikishan
LONG LIVE SHANKER JAIKISHAN
Anuji, thanks for the valuable information on Jaikishanji, SJ were part and parcel of Golden era of Hindi cinema. They were lucky enough to have lyricists like Shailendra and Hasrat Jaipuri, Singers like Rafi saab, Lataji, Mukeshji.
Then music was taken very seriously in those days, there used to be marathon sittings between film director, composers, singers, actors, lyricists to finalize a song.
Well, Dil Ek Mandir is a memorable movie with outstanding songs including the above mentioned stalwarts.
The rift occurred between SJ is taking credit of composition of one song of film Sangam, ये मेरा प्रेम पत्र पढ़कर कहीं नाराज न होना.
Because there was a Gentlemen's agreement between the two that nobody will ever take any credit of any composition and this agreement was broken.
P00pp00
SJ are legendary composers
Posted by Saswata Acharjee :
Thank you Annu Kapoor sir for your presentation . Even I feel the fact that many of the news on Internet regarding these legends show rumours (I feel) and they are too bad to be believed even . I will not mention anyone's name .
Aaj apki film Dream Girl new dekhi maza aya you were so funny keep it up good work Annu sahab 😀👍👍👍👍
Annu kapurji thanks 🙏🙏🙏
RESPECTED ANNUJI, CRORES OF NAMASKAR TO YOU. YOUR PRESENTATION IS SUPERB. YOUR PRESENTATIONS ARE ALWAYS GENTLE AND MELODIOUS THAT TOUCHES TO MY HEART AND SOUL. IT IS YOUR GREATNESS THAT YOU DO NOT TALK OF ANY ILL ABOUT ANYBODY ALTHOUGH YOU KNOW ALL THOSE THINGS.
Tku annuji aapne hame pallavi mam ki awaj sunai hamare pas shabdhi hi nahi kaise aapka shukriya ada kare hamane suna tha pallavi mam koi programme shamil hona nahi chahti ya t v par bhi anna nahi chahti.Tku mam jsikishin sahab ki yade share karne ke liye. Tku o ce again.
Pallabi Jaikishan's statement should not be stretched too far as to mean Shankerji was responsible for Jaikishanji's alcoholism and death. SJ composed tunes separately since 1963, that is since Jaikishanji's marriage. Sharda came in 1964 and the dispute over substituting Sharda for Lata in Suraj came to the fore in 1965. But according to Lekh Tondon the difference between Shankar and Jaikishan sorted out later. They were working together from Mera Naam Joker (1969-70), and conducted many orchestra shows that time. So the reason for Jaikishan's drinking habit must be different.
i am the number one fan of sankar jaikishan in india. hari krishna swamy hyderad0
Hari Krishn
Annu ji shankar jaykishan ki jori me se Shankar ji ki v bat kre .
Kindly take long interviews of those limited number of great persons of golden era who are still alive with us to write the history. Please collect all the stories behind each songs and other facts.
Annu Sir, I will also like to ADD that music means SJ and SJ means music.
Naushad- SJ - OP Nayyar ultimate TRIO of Indian Film Industry.
Naushad Sshab was highly appreciative of SJ🌹🙏🌹
And also S D Burman.
In the year 2004 i met late Sri dattaram shanker Jaikishan neverparted he told me I tried my best to meet pallaviji but i failed in the year 2001 lukkely i met Chaitanya but he not allowed inside
Shankar Ji praised only
OP Nayyar and SD Burman
@@AjaySharma-jn4sr - Yes Sir, you are very very right. Without doubt respected S.D. Birman is one of all time greatest Music Directors. 🙏🙏🙏🙏
Male or female rafi sahab was the best singer for ever
Annu Kapoor, kudos to you for a program well conceived and delivered. But, a small correction. There were no personal differences between Shankar and Jaikishan. Theirs was one relationship that remained intact till their very end. The reason SJ started to compose separately was to meet the deadlines for over thirty movies on hand. Jaikishan wanted to spend more time with his young wife and kids and Shankar spent time at their music room. This was blown out of proportion by those who wanted to spread rumors of a make believe ‘rift’ between the two. Another rumor was that Sharda was the cause of differences between the composer duo which could be farther from the truth. Shankar had great admiration and respect for Lata and would never substitute her for Sharda.
SJ were great musician
Very true.
Lakshmi Tummala Ji your post is out of tremendous love for music maestros Shankar-Jaikishan. As an ardent fan of the magicians myself, I express my gratitude and affection for you. I am a 69 year old now I was born a little later than their first movie Barsat was released. But the magic of their music had such a strong pull on me that I started following them. There is no denying the fact that despite different traits they both had tremendous respect and love for each other. Both of them were masters in their chosen field since their personalities were so different and their styles too were so different that probably made their music truly inimitable all the music directors of the golden era (which had such a galaxy of composers and music directors) were influenced by the patent Shankar-Jaikishan style many had copied but none could equal the original. The year 1964 was quite important in the life of the duo. They had maximum number of hits in 1964 but 1964 also laid down the foundation of some differences between the two. They were not only very popular but very prolific too. Most of their work was done individually and when someone finally composed a tune the same was played before the other to have his advice and suggestions. After this modification the song was invariably recorded in the presence of the duo. There as an understanding between them that though they will compose individually yet they will never tell anybody who composed what. 1964 Sharda who was being trained and mentored for quite some time was offered two songs in SURAJ and these songs became the rage of the nation. All the songs of the film were hits but Baharo Phool Barsao by Rafi saheb topped the chart in 1965 (the release year of the film). Till that time there was only one prize for playback singing. Since Titli Udi was equally popular the sponsors had to bring in an additional award to cover this song and now onwards there was separate filmfare award for male and female playback. It is said (I cant say whether this was a rumor) under a signed article Jaikishan gave a hint that Baharo was composed by him. In 1964 the song Mei Ka Karun Raam was to be recorded for SANGAM and Lata was reluctant to sing it she finally sang when hard pressed by Raj Kapoor and Shankar saheb. After this song she had a grudge against both Shanker sahab and Raj Kapoor though she kept singing for Shankar Jaikishan she stopped singing for RK banner and would not sing Shankar's composition if case she came to know that it is composed by him. The entry and instant popularity of Sharda Ayengar further aggravated the impaired relationship (between Lata & Shankar). She kept propping up Laxmikant Piarelal particularly after the untimely and sad demise of Jaikishan saheb she stopped working for Shanker-Jaikishan banner altogether later the jinx was broken in 80's with Sanyasi but their relationship was hardly anywhere near the previous intimacy. LP also prevailed upon Lata to start for RK banner through Bobby. This is what I recall from my memory about them.
@@soni10001 As per my understanding, Jaikishan ji revealed that Ye mera prem patra padhkar(Sangam) was his composition in any show not the suraj's song... Which actually did hurt shankar ji little bit as it the violation of the pact. Nevertheless they never showwd their differences in public and always worked under One name.
Lakshmi you are correct
Shankar Jaikishan, music ke jadoogar..
Dear annuji maestro late Jaikishan last breath at 12"30 Sunday late shanker also died on Sunday at early hours
Shankar Jaikishan Jaisa Music Director ab Film Industry ko Kabhi Nahi Mile Ga Shankar Jaikishan ke Sangeet ki Dhoom Rehti Duniya Tak Kayam Rahe Gi
Shankar jaikishan were far better then RD burman
SJ were composers of composers
@@rajendraranade7579 true. R. D. बेकार थे.
Don't compare sjvwith any one
Of course it goes without saying that they were far better than any composers ever
Shankar jaikishan Jaise music director koi dusra nahin hua
Why Anu Kapoor you are not giving special program only on Shankar of Shankar Jaikishan the new and given more than 1000 songs with Hazrat and Shailendra as a lyrics, Please kindly give on Shankar ji a program and give him homage.
Sir N Datta ke bareme phi kuch programme banaye. Tku so much for this prograame. Regards
Very interesting story.
Splendid presentation ❤️
Very nice
best of best s j
I really enjoy your shows. However, I wish you would include the songs on the TH-cam uploads.
Excellent share...
is duo ki safalta ki saari batene sabhi batate hain lekin inki mrityu ke baad inke faimly ke kya haalat huye.
Please don't divide the tune sj themselves never mentioned that of any tune
Once jaikishan ji by mistake revealed that ye mera prem patra padhkar (sangam) was his composition.
Because Rafi sahab sang with a beautiful voice
@@himtri9790 usi karan dispute chalu huye dono ke bich
YOU NEVER REPLIED TO MY DVD.
Jai kishan ji ke jes chair mein baithe the us per karebh ek mahine tak koi nahi baitha ek mom light jalta tha
Annu ji is jodt ke bare me jitna kha jaye cam h ye to great Great Great the
Dear 92.7 big fm agar ye program information ke saath gane ke saath bhi sunane Ko mile to achha.
Matlab jo pahle jaise anuji ne redio pe present kiya tha.
I sent you my DVD of How Film music adapted WEstern Orchestra .
❤❤❤❤❤
Wallpaper mukesh chand mathur
thx
👍👍👍🙏🙏🙏
Anuji tarif ki kiya tareef karoon aap to encyclopedia hai film knowledge ka main choon ke Sangeet Bhagti hoon kisi bhi music composer ke bare main kuch kahoon meri it I knowledge nahin lekin mujhe zati taur par NAUSHAD JI Aur C RAMCANDARJI bohot hi pass and they
nice
Nice
Introductory lecture was boaring ...
Shankar-Jaikishan was best and will remain best till music remains in the world
There is no doubt that S.J.were legends.But Annu Kapoor is boring.
रमैया वस्तावय्याका किस्सा गलत है |
Annu kapoor ka bakwas hi jyadahai,naga na sangeeth ..
Yb
Wegood
Nice
very nice