@@MrThelonious "I do know what I'm. talking about" Perhaps in your mind you do. Let me ask you this. For the first few minutes, how many notes do you hear sounding simultaneously? Oh, and you may call me Jasper.
It seems there may be some places that wouldn't be possible for one to play as the piece develops, but even if all were possible for one person to play, the piece is admittedly more effective with two pianos as shown, because of the sonoric trade off, especially live and in person. And besides I suspect some illusory effects are going on that unless someone has the score or sits and listens on repeat for awhile it will not be apparent to them. But also just the close proximity of the ranges of each player alone might render it impossible for one. And...to end this digression, If anything it is way more effectively executed by two instead of one in any case. The sublteties can be pinpointed according the parts each player has, and there is a complex interplay of accents and other markings.
Incredible playing.
This reminds me of Phillp Glass, I like it very much.
brilliant! thanks for sharing
Seems to me that two hands could play it just fine. In fact, seems like one hand could handle most of it (except for getting back down).
there should have been more pause after the play...claps ruined it....such an awesome musik...
Ah yes - nothing better than a piece for 2 pianos that could be played on one.
I'd like to see you try...
@@MrThelonious I suggest you take a few years of lessons with your neighborhood piano teacher so that you better understand what you're hearing.
@@jaspernatchez I do know what I'm. talking about Mr. Arrogant.
@@MrThelonious "I do know what I'm. talking about" Perhaps in your mind you do. Let me ask you this. For the first few minutes, how many notes do you hear sounding simultaneously? Oh, and you may call me Jasper.
It seems there may be some places that wouldn't be possible for one to play as the piece develops, but even if all were possible for one person to play, the piece is admittedly more effective with two pianos as shown, because of the sonoric trade off, especially live and in person. And besides I suspect some illusory effects are going on that unless someone has the score or sits and listens on repeat for awhile it will not be apparent to them. But also just the close proximity of the ranges of each player alone might render it impossible for one. And...to end this digression, If anything it is way more effectively executed by two instead of one in any case. The sublteties can be pinpointed according the parts each player has, and there is a complex interplay of accents and other markings.
Reich Redux