After a long day, sore throat, minor car scrape, and just feeling down… Sitting back and watching this made my day. Heck, this made my week. Thank you both for sharing. I can’t thank you enough. Happy day to you!
I really like how Jens changes the comping feel for when Rotem solos. It creates a really interesting shift in dynamic between the two great solos. Excellent stuff!
this is a great video!! for real! it gave me ideas to try to start thinking outside the box, by approaching chords in a different way, see them under a different light, and by doing so, see clearly the different colors that create these beautiful yet overlooked chords. Thank you Rotem and Jens
Good on Jens to mention the Cmaj pentatonic. You can’t go wrong with it and I used to wear it out when I was a bass player, though I stole it from John McVie.
I really like the B minor pentatonic over that Cmaj7, it's like playing around that root note with a bit of a lydian vibe, that lydian feel is probaably with an E minor pentatonic.
When he mentions using Bm pentatonic over the C MAJ 7, why does he say the F# is a b5 and not #4 (or #11) since we are comparing all these pentatonic notes back to the C MAJ7?
B minor pent doesn't have C in it so isn't it weird to call it B minor pent if you are playing it over C major 7? Why wouldn't you just call it C major pent with the 7th added? It's going to really be a hexatonic scale either way, right?
Nahhh bro this collab is legendary
🙏🙏🙏
Jens is a beast! Glad you guys had a sit down.
After a long day, sore throat, minor car scrape, and just feeling down… Sitting back and watching this made my day. Heck, this made my week. Thank you both for sharing. I can’t thank you enough. Happy day to you!
Oh wow!! Love it!! ❤️
Two of our favorite jazz masters of today...What a jam.
Two of my favourite legends at work.....
You two play like you have been playing together for all your lives! Just phenomenal in sync perfection! Thank you for the thrill!
Two great musicians and gentlemen.
Truly mesmerizing when two great musician comes together sharing their musical playing jazz guitar skills.
Man you two guys have helped me so much, Rotem's organic and conscious approach with Jens exercises applied to standards, what else do you need.
I really like how Jens changes the comping feel for when Rotem solos. It creates a really interesting shift in dynamic between the two great solos. Excellent stuff!
this is a great video!! for real! it gave me ideas to try to start thinking outside the box, by approaching chords in a different way, see them under a different light, and by doing so, see clearly the different colors that create these beautiful yet overlooked chords. Thank you Rotem and Jens
You two are masters at your craft as well as being great humans in making this world a better place. ❤
So good to see you guys together!
The jam somehow made me feel nostalgic. Great collab.
I'm a huge fan of both of you. Lots of good ideas here. I hope you collaborate more in the future!
THE TWO JAZZ LEGENDS TOGETHER
🙏🙏❤️
great lesson, thanks!
loving these videos
🙏🙏🙏
Real nice, the two of you are great players, and have great music channels, thanks fro sharing .
Two great guy!!
Thanks for this one!
Love it! You guys slay!
So good!
Good on Jens to mention the Cmaj pentatonic. You can’t go wrong with it and I used to wear it out when I was a bass player, though I stole it from John McVie.
Nice!! Yesss
Love you guys!
A duet masterclass!
feels ilegal to have this video for free, so much learning, thx so much man! keep it up❤
I literally don't even play guitar but have watched so many vids from both of you.
Cool.
Thanks a lot !
Too gooood!
This is a legendary and historical moment 🎉
thanks - great session!👏🏻
Hey! My favs together!
Jens is the best
Yes!
I really like the B minor pentatonic over that Cmaj7, it's like playing around that root note with a bit of a lydian vibe, that lydian feel is probaably with an E minor pentatonic.
nice
When he mentions using Bm pentatonic over the C MAJ 7, why does he say the F# is a b5 and not #4 (or #11) since we are comparing all these pentatonic notes back to the C MAJ7?
You can say that as well
Bacause……. You say “tom-r-to” I say “tom-a-to” ……
I never thought of a cmaj7 as a Emin chord. It makes sense because they are a 3rd away from each other. lol I definitely had a lightbulb moment
Alright guys...time to make a record together 😁🎼🎵🎶
dopeo
Great collab … wish the sound was better 😟.. but so many great ideas flying back and forth.
Great gutarist
I could do with an EP of this. Just gonna put that out into the universe, gents!
Thanks Darrel!!
REWINDED "2 15,32 MANY TIMES ,,
Bminor pentatonic over Cmajor sounds... like you're in a smoky room somehow
Distortion or is that my speakers?
Two perfect musicians against horrible deep noise 😢
Oh my first comment is gone :)
Hi! Thanks for saying hola
Bad audio made it hard to watch - unfortunate other wise a good video
B minor pent doesn't have C in it so isn't it weird to call it B minor pent if you are playing it over C major 7? Why wouldn't you just call it C major pent with the 7th added? It's going to really be a hexatonic scale either way, right?
The notes are the Bm pentatonic that's why
@@RotemSivanGuitar Except they aren't because they include C. It would be ridiculous not to include the root in what you are improvising over.
Ridiculous is a little strong. You don't have to play the root note
@@franklehouillier8865
It works great because the F# from B minor pentatonic creating the #11 over CMaj7, thus it become CMaj7#11
@@franklehouillier8865no it's not. Assuming you have a bass player (or whoever) playing the root, you don't need to play it