The Marriage of Figaro - Overture (Mozart; Orchestra of The Royal Opera House, Antonio Pappano)
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- เผยแพร่เมื่อ 6 ก.ย. 2020
- Find out more: www.roh.org.uk/tickets-and-ev...
Mozart's great comic opera of intrigue, misunderstanding and forgiveness returns to the Royal Opera House.
Antonio Pappano and the Orchestra of the Royal Opera House perform the Overture from Mozart's The Marriage of Figaro (Le nozze di Figaro) during The Royal Opera: Live in Concert.
The Royal Opera: Live in Concert features an outstanding cast performing much-loved classics of the opera repertory, joined by current Jette Parker Young Artists, 67 members of the Orchestra of the Royal Opera House and members of the Royal Opera Chorus, performing together in person for the first time since we closed our doors to the public on 16 March. The concert is hosted by the BBC’s Katie Derham.
It is available to watch on-demand from stream.roh.org.uk
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Why would someone dislike it? Such a masterpiece!
I assume there might be those who are skeptical of the way in which the orchestra is spread out like this. the speed of sound travel can create problems for players' listening to one another's instrument , which was an opinion of one of my family member who listened to this video
It's you
It was Salieri
@@ivyrivlin4032 lmao
Because they don't like music.
Love this so much
I wondered why they were sitting so far apart, and then I saw the date.
XD
Covid
🤣
Yes, I love the music, but the horrible social distancing reminds me of the rule of the Satanic WHO,WEF UN, SAGE TROLLS
I love Antonio, best conductor and music teacher I’ve seen.
Yeah, it seems he was a good teacher, however Antonio killed Mozart.
@@RiceStranger He is very good at explaining certain musical concepts to the uninitiated but I'm not fond of his conducting. This seems a bit slow and lacking it 'spirit'. Just my opinion.
@@gesualdodavenosa8550 You misunderstood my comment and now that I reread it, I understand why. I meant that Antonio Salieri killed Mozart, in reference to the theories about it and the film Amadeus... (kind of a dumb comment as you see).
I know nothing about Pappano.
@@RiceStranger Ha Ha! I would never have guessed and I've completely forgotten about Salieri. According to a friend of mine who is a Salieri scholar, he definitely had nothing to do with Mozart's death but then again who knows?
👏❤️
From Parma, Italy.
I love Italy and it people
The wonderfulness of this orchestra performance is off the charts, and far superior splendor
My love for Mozart‘s music is higher than the mountain and deeper than the sea
What a wonderful way to express your appreciation for Mozarts music. I share your view entirely :-)
@@jamesadams9688
Thankyou
From
A corner of Tokyo where the cherry blossoms is in full bloom
🇯🇵🌊😌🎍🎎🗻🗾🏯🌸💮㊗️⛩️🎌
Yes!!!
Upload the full final scene from La Sonnambula with Lisette Oropesa and Caro Elisir with Charles Castronovo.
Love it thanks for having this music
I also have an orchestra composition so nice to listen to
Mozart's understanding of human emotions is irreplaceable. Just in this overture alone, he captures the gamut of the sublime drama that is to ensue in the forthcoming acts. One of my favourite operas of all time!
PS: The use of the bassoon in this work is especially impressive instrumentation by Mozart. And I noticed that this orchestra has several female bassoonists! It's a hard study, but the world needsmore bassoonists! Kudos to this production.
Perfection.
Incredible fantastic stupendous! Love 💖💖💖💖
3:16
God bless you lady❤1 of the hardest instruments ever💯🤦♀️
Amazing performance by the orchestra, but I just feel that the acoustics sound wrong. I guess the building wasn't designed to have the orchestra playing in the auditorium.
but its covid
BRAVI!!! 👏🏼👏🏼👏🏼
Just think for a moment what classical musicians were going through at that moment in time, and you can’t help but feeling a lump in the throat. Music touched us so deeply, even during those dark and confusing years.
And people at the Grammy Awards think they actually did something????😂😂😂😂😂 Pure genius ladies and gentlemen amazing to watch people with so much talent in one room God bless you all❤🙏👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻BEAUTIFUL😢 YOU make Mozart so proud!!!!!
I just got that feeling that you must have a brilliant type of humor
Terrific performance but I agree with the comment from Katrina Bryce below about acoustics
No doubt that the conductor is one of the best interpreter of Mozart's opera. To me, found No rival composers before and after Mozart.
So no Rach, Chop, Tch, Beeth, even Bach?
It remind of me of Tom playing it in cartoon
Tom and Jerry? I love you!
👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽
I'm doing this for school
👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻
Say words
Does anyone know why 2 of the basses aren't playing?
Because normally in a classical piece, you would only see 2-3 basses. That way the orchestra’s voicing is more balanced. You could technically have all 4 basses play, but there’s a possibility of the bass section overpowering the upper voices. I’m guessing the conductor specified that he only want two basses for this piece, so that might be another reason why 2 of the basses aren’t playing.
Am here the fourth son of mozart
😏😏😏😏😏
Pappano always looks like a goldfish snatching crumbs from the water.
My uncultured ass still thinks of this as the music that opens Trading Places.
0:00-0:02 Rachmaninoff
Sorry y like conductors well dressed
It's NOT Rachmaninoff Mrs. TeeVee
😅😅
Sitting so far apart leads to those arpeggiated cadences. Too bad.
At which points do you hear that?
Maybe for social distancing???
Nonsence
@@jamesadams9688 This is a two year old comment from me. I listened again just now and stand by it. Especially at 3:50, cadences are arpeggiated.
It's an opera orchestra, so players are accustomed to sitting closely in a pit. That's very different than this stage spacing. I think that's it.
As distance grows, one must ignore the room sound and concentrate on the conductor. This is familiar to percussionists. We also see this with huge ensembles, where the concertmaster and bass singers are often quite removed from one another.
So, Mr. Adams, check out that section at 3:50 - it's glaringly obvious.
Or, you could get off your backside and stop being an arrogant know-all. Yes, there are timing problems all the way through, and it’s too slow, BUT it’s during covid when they were lucky to be allowed to play AT ALL. We’ve suffered so much, classical musicians have been utterly decimated while bankers and accountants worked seamlessly from home. They are sitting too far apart, they can’t hear each other well, and there’s time delay going around them. Choirs and orchestras couldn’t function at their full potential. I’m moved to tears by the bravery and fortitude of these humans, continuing to make music and ease our pain. So I don’t give a rat’s backside that yes they’re not together. They’re not together all the way through, not just at cadences. It doesn’t matter one bit. I’m still in tears of joy and gratitude!!
I’m no expert, but the timing in the beginning is a little off, and violin tempo is too slow at times, otherwise it was very well done.