@@MichaelZambetasJr You are welcome. Was that roughly the idea of the composition ? I'm not a composer, so I wouldn't be able to figure that without reading into it - it's just that any artwork on 'banned' Saint Uriel is rare and it is interesting to see what inspires it.
@@MichaelZambetasJr "People during the period of medieval were praying to Saint Archangel Uriel so much that the Church decided to hide him." I know of the Council of Rome, guarding against apocryph apocalyptic writing, yet I'm also aware about the continuity of veneration in Coptic orthodoxy (a schism from a Byzantine 'Melkite' supremacy). There had been efforts to restore the practice in early modern times, some explicitly reported on by Vatican TV. It is just interesting, given this circumstance of a lack of the practice when it is given attention in a piece of art as this.
'G minor was, for Mozart, the most suitable fate-key throughout his life for the expression of pain and tragedy.' (Federhofer)
Thank you!
@@MichaelZambetasJr
You are welcome.
Was that roughly the idea of the composition ?
I'm not a composer, so I wouldn't be able to figure that without reading into it - it's just that any artwork on 'banned' Saint Uriel is rare and it is interesting to see what inspires it.
@@christophmahler People during the period of medieval were praying to Saint Archangel Uriel so much that the Church decided to hide him. Really!
@@MichaelZambetasJr
"People during the period of medieval were praying to Saint Archangel Uriel so much that the Church decided to hide him."
I know of the Council of Rome, guarding against apocryph apocalyptic writing, yet I'm also aware about the continuity of veneration in Coptic orthodoxy (a schism from a Byzantine 'Melkite' supremacy).
There had been efforts to restore the practice in early modern times, some explicitly reported on by Vatican TV.
It is just interesting, given this circumstance of a lack of the practice when it is given attention in a piece of art as this.