After discovering Masayoshi Takanaka I was thinking: "no friggin' way he and Carlos never jammed together." They're so noticably kindred spirits. And sure enough...
I always had the hope that it would happen and to my shock... well, here we are watching that very thing. They're just too similar for them to NOT cross paths. I think the same happened with Kazumi Watanabe and Al Dimeola (I think)
After coming back and really focusing on them playing, I noticed how polite/timid (however you may view it) Takanaka is while playing with Santana. Around the 7:10 mark for the rest of the jam, pay attention to how Takanaka ends his lines early, sometimes just stopping mid riff when Carlos goes to play along with him. At first, I thought maybe Takanaka felt like he was being interrupted. But after some thought, I remembered that Takanaka covered Santana's 'Samba Pati'. Perhaps it was that he was starstruck and didn't want to feel like he was stepping on the foot of someone he respects.
YOO that was a special moment!!! you can tell they were developing synergy in real time and after a few awkward attempts to complement each other they just got into a grove, epic to witness.
I've been listening to Masayoshi Takanaka for just under a year now and I always thought he had a bit of Carlos' style and influence. It's such a wonderful surprise to see this video - thank you for posting Genchari
They actually have quite different styles, Takanaka's notably Japanese as with his songs. Santana a totally different latin type style, nice try at trying to take credit for Takanaka's style though........you remind me of an anime viewer in the west who finds maybe 2 similarities in some anime plot and some western movie and then convinces himself that it's based off the movie.........it's a desperate form of trying to take credit for foreign creations.....pretty lowly.
They don't even have the same style. Santana struggled here and was crappy, he is most used to his latin style than the Japanese type of music. Takanaka stole the show (but it is his song, so to be expected). Santana's music is literally latin based. Takanaka already was playing professionally in 1971, just 2 years before this Santana wasn't even known. Time to stop BSing yourself, Santana is latin rock, blues rock etc. Takanaka is rock, pop, Jazz and Jazz fusion. This video alone should show you how different their styles are, while at certain parts Santana tried to play the song, it just didn't sound right at all. He isn't used to playing stuff like this, that's why he went out of the bounds a bit and tried to work a bit of his own style in there.
@@lordofthebeltsthereturnoft1127 Agree, Mike is trying to relate things in his head to enjoy listening to Takanaka but not have to accept that his style developed in Japan. Instead Mike appears to have BS himself that Takanaka was some little kid learning how to play and looking up and emulating Santana or something. This is the most absurd crap I have ever heard, plus it also has undertones of racism also (even if Mike isn't aware of it). I am sure Mike would feel this way about any Japanese musician he likes, he will try to in a way convince himself they looked up to some foreigner that he likes so he can tell himself that it's foreign skill/style he is listening to (so he can enjoy it in his racist mind). It's pretty disgusting, it's even worse when the styles of Santana and Takanaka aren't even similar at all, other than the fact that they both play guitar. Santana sounded like crap here, Mike probably tells himself that Takanaka must have based his name off Santana also (since they both have a lot of a's and n's). I have come across these types of racists before, they feel offended/triggered by skill from a place like Japan or China. The only way they can enjoy the skill is by telling themselves that it's a foreigner that is responsible for it (then the racist can enjoy it and not have to feel insecure).
@@katinkiplinkyplonk4933 And? That doesn't sound like Santana you low IQ fool, there is a reason you don't have a single like here. No one agrees with you, neither do the Japanese users. Takanaka looked up to Ryo Kawasaki. There isn't a single listing ever from Takanaka claiming he looked up to and emulated Santana, in fact as the other guys said they are only 2 years apart in pro career. Takanaka was already a pro at age 18, learn your facts. Their style is totally different, you are just trying to hear what you want to hear. Which is very telling considering how different it is, you don't even appear to understand how Japanese music even works with it's melody compared to western music.
Japanese soul funk uses latin rithyms: brazilian, cuban... So in a sense Takanaka's style of guitar playing is similar to Santana. I think Takanaka has more control, but Santana got to add so nice flavoe to the song
I grew up listening to Santana and I later found out about Takanaka. I've always seen a similarity between the two guitarists like somewhat of an essence or spirit that they had in common. Then I found out that they played together which was a revelation to me. I feel like Santana's music has been a portal that naturally led me to real genuine and colorful music. I would love to have more information about the short tour that they did in Japan. It seems like they spent some time together at some point. They must have had a lot of fun!
I can't see it, their style is very different. Even in this video alone Santana's style doesn't suit the song and it sounds strange like he was confused what to do a bit. Santana's is more of a latin style. Takanaka's is a style that uses typical Japanese music structure, many people who know Japanese music can listen to a Takanaka song and know it's Japanese without knowing where it's from beforehand.
@@lordofthebeltsthereturnoft1127 You're right about the difference between the two. The similarity I saw was related to the fact that they both have a definite style that one can recognize Immediately. It's not that they are similar as Takanaka is more technical and does indeed have a japanese style, but they both have a melodius and expressive way of playing. I'm also referring to Takanaka's discography outside of Ready To Fly.
my grandpa loves santana and i discover masayoshi a year ago i really want to show him one of my favorite music artists and now i know with what video im gonna show him :)
I have seen and heard the same thing when Carabao (Thailand) have Santana play with them live - I think they feel a little in awe of Santana, but Santana is a very 'giving' musician and he helps out.
5:33 The piano man Kiyosumi Ishikawa is onfire 🔥🔥 doing amazing "hammond" stuff here. You guys always looking Izumi Kobayashi, she's great too but Kiyosumi Ishikawa is the underrated guy. Not enough recognition for his awesome work
After discovering Masayoshi Takanaka I was thinking: "no friggin' way he and Carlos never jammed together." They're so noticably kindred spirits. And sure enough...
@@brentonhobson8524what do you mean?
I always had the hope that it would happen and to my shock... well, here we are watching that very thing. They're just too similar for them to NOT cross paths.
I think the same happened with Kazumi Watanabe and Al Dimeola (I think)
A mexican-american and a japanese musicians playing brazilian music. It's safe to say that music is the universal language.
ME DONT LIKE COMENT
@@germanbieber5869 ME LIKE COMMENT
I can tell this comment got me goosebumps "music = universal language.
I think takanaka is Japanese-chinese
Así es, tienes razón bro .
Best version of ready to fly that exists
th-cam.com/video/ZS1rY32PGaE/w-d-xo.html I can't decide.
Haven't heard any other ones with the same variations as this one. The ending is actually orgasmic
This and the version with Issei Noro.
このコンサート、横浜スタジアムで観ました。あの時の感動がよみがえる！
I WAS AT THIS CONCERT. I WAS STATIONED AT YOKOTA AIR BASE. ICHIBAN CONCERT !!
つべこべ言うな、カッコいいじゃないか！
この時のバンド全体からくるノリが大好きなんです。なんならギター２本ともOFFにしたものがあってもリピートで聴いてられるくらいｗ
高揚感を具現化シタモノ。
タカナカの顔が証明してます。
この映像、あったんですね
( ；∀；)
当時ラジオをカセットに録音して何百回も聴きました。
今日初めてその姿を見ました。40年経ったんだ。
ほんとにありがとうございます。
思い出を振り返るお手伝いが出来て良かったです。実はこの動画の音声はFMでエアチェックしたものです。TVの音声はテロップとか入るたびにノイズが入ったり、そもそも音が悪かったので。微妙に長さが合わなくて画像のコマを落としたり繋いだりで尺を合わせましたｗなのでーよーく見ると途中で微妙にずれたりあったりしてます。編集した本人じゃないと気が付かないかもですがｗ
@@genchari7
素晴らしい！
After coming back and really focusing on them playing, I noticed how polite/timid (however you may view it) Takanaka is while playing with Santana. Around the 7:10 mark for the rest of the jam, pay attention to how Takanaka ends his lines early, sometimes just stopping mid riff when Carlos goes to play along with him. At first, I thought maybe Takanaka felt like he was being interrupted. But after some thought, I remembered that Takanaka covered Santana's 'Samba Pati'. Perhaps it was that he was starstruck and didn't want to feel like he was stepping on the foot of someone he respects.
I've been thinking the same. He is very respectful and a joyful person, Takanaka-san surely is the coolest man.
It took some warming up. But they found their balance and it's amazing to witness.
@@TheCrappyZipper ahahahh exactly, it really sounded uncoordinated at first
Santana made a Takanaka cover too. He covered Oh! Tengo Suerte :)
YOO that was a special moment!!! you can tell they were developing synergy in real time and after a few awkward attempts to complement each other they just got into a grove, epic to witness.
これぞまさに怒涛のリズム！！
魂が揺さぶられる感じがします☺
今現在こういう音楽を演奏する人がいないのが悲しい😢
Yes
当時高校２年生。
上野の自宅から原付でとことこ横浜まで走りました。
チケットは何かの応募で当たったような記憶があります。
ここ数年の猛暑よりも、ずっと暑い夏があの日横浜にありました。
上野から！原チャリの移動距離じゃないですね。この日の他の曲の映像見てもとても暑そうですもんね。氏が「暑くない」って言ってましたね。
何回も見てしまいます💦コレを見ると、本当に元気をもらえます😃👍❤️❗❗
I've been listening to Masayoshi Takanaka for just under a year now and I always thought he had a bit of Carlos' style and influence. It's such a wonderful surprise to see this video - thank you for posting Genchari
They actually have quite different styles, Takanaka's notably Japanese as with his songs. Santana a totally different latin type style, nice try at trying to take credit for Takanaka's style though........you remind me of an anime viewer in the west who finds maybe 2 similarities in some anime plot and some western movie and then convinces himself that it's based off the movie.........it's a desperate form of trying to take credit for foreign creations.....pretty lowly.
They don't even have the same style. Santana struggled here and was crappy, he is most used to his latin style than the Japanese type of music. Takanaka stole the show (but it is his song, so to be expected). Santana's music is literally latin based.
Takanaka already was playing professionally in 1971, just 2 years before this Santana wasn't even known. Time to stop BSing yourself, Santana is latin rock, blues rock etc. Takanaka is rock, pop, Jazz and Jazz fusion.
This video alone should show you how different their styles are, while at certain parts Santana tried to play the song, it just didn't sound right at all. He isn't used to playing stuff like this, that's why he went out of the bounds a bit and tried to work a bit of his own style in there.
@@lordofthebeltsthereturnoft1127 Agree, Mike is trying to relate things in his head to enjoy listening to Takanaka but not have to accept that his style developed in Japan. Instead Mike appears to have BS himself that Takanaka was some little kid learning how to play and looking up and emulating Santana or something. This is the most absurd crap I have ever heard, plus it also has undertones of racism also (even if Mike isn't aware of it). I am sure Mike would feel this way about any Japanese musician he likes, he will try to in a way convince himself they looked up to some foreigner that he likes so he can tell himself that it's foreign skill/style he is listening to (so he can enjoy it in his racist mind). It's pretty disgusting, it's even worse when the styles of Santana and Takanaka aren't even similar at all, other than the fact that they both play guitar. Santana sounded like crap here, Mike probably tells himself that Takanaka must have based his name off Santana also (since they both have a lot of a's and n's).
I have come across these types of racists before, they feel offended/triggered by skill from a place like Japan or China. The only way they can enjoy the skill is by telling themselves that it's a foreigner that is responsible for it (then the racist can enjoy it and not have to feel insecure).
@@katinkiplinkyplonk4933 And?
That doesn't sound like Santana you low IQ fool, there is a reason you don't have a single like here. No one agrees with you, neither do the Japanese users. Takanaka looked up to Ryo Kawasaki. There isn't a single listing ever from Takanaka claiming he looked up to and emulated Santana, in fact as the other guys said they are only 2 years apart in pro career. Takanaka was already a pro at age 18, learn your facts.
Their style is totally different, you are just trying to hear what you want to hear. Which is very telling considering how different it is, you don't even appear to understand how Japanese music even works with it's melody compared to western music.
Japanese soul funk uses latin rithyms: brazilian, cuban... So in a sense Takanaka's style of guitar playing is similar to Santana. I think Takanaka has more control, but Santana got to add so nice flavoe to the song
なつかしいー。これ見に行ったなー。駐車場が見つからなくてスタジアムからオープニングが聞こえてきたときは焦った。もう30年前の話です。
Yes
いいなー。
부럽다..
ドラムの宮崎まさひろ氏、今でも高中師匠のバックでドラム叩いてますね！ 目立たないけど大好きなドラマーです！
未だにご健在で一緒にやられてるのが嬉しいですね、小林泉美さんや木村誠さんなども未だ現役でTH-camにも動画上がってるのでこの頃のメンバーでやってほしいなって思ったりします。
生意気に高坊の時に行きましたわ〜。
恥ずかしながらこの共演が切っ掛けでサンタナを知ったという。
サンタナのギターの音が素晴らしくて感動しましたわ。
いいなー。羨ましい。あのクソ暑そうなスタジアムのどこかにいらしたんですね。いくつかあるこの日のライブの映像に写ってたりして。
サンタナさんもノリノリ、まさに名演、素晴らしいMVです。
I can’t believe this exists what a high energy performance..the time machine wins this one!!
このコンサート、当時奇跡的にチケットが入手できて参戦しました！
今見ても素晴らしいコンサートですね。
Good times.
Man, imagine being there. I dont think id stop talking about this show for YEARS
なんか中毒になる動画です。何回見たことか。
私も自分がupした動画なんですが、コメントを付けて頂くたびにそれを読むためにこのページを開くんですが、その時動画が再生されると、つい最後まで聞いてしまうんですよね。飽きないんですよねこのバージョン。
当時9歳で、夕方家に帰ったらこれがテレビで流れてた記憶がある。（昔過ぎて記憶が曖昧…）
その後、親に連れて行ってもらって、年末の武道館にも行ったなぁ。
記憶は曖昧だけど、高中の音楽は今でも心に深く染み込んでる。
I grew up listening to Santana and I later found out about Takanaka. I've always seen a similarity between the two guitarists like somewhat of an essence or spirit that they had in common. Then I found out that they played together which was a revelation to me. I feel like Santana's music has been a portal that naturally led me to real genuine and colorful music. I would love to have more information about the short tour that they did in Japan. It seems like they spent some time together at some point. They must have had a lot of fun!
Interestingly enough their touring south America with each other soon
Ben Lawrence Really?!
@@bgauthier Yeah I was surprised too.
Pleasantly surprised
I can't see it, their style is very different. Even in this video alone Santana's style doesn't suit the song and it sounds strange like he was confused what to do a bit. Santana's is more of a latin style. Takanaka's is a style that uses typical Japanese music structure, many people who know Japanese music can listen to a Takanaka song and know it's Japanese without knowing where it's from beforehand.
@@lordofthebeltsthereturnoft1127 You're right about the difference between the two. The similarity I saw was related to the fact that they both have a definite style that one can recognize Immediately. It's not that they are similar as Takanaka is more technical and does indeed have a japanese style, but they both have a melodius and expressive way of playing. I'm also referring to Takanaka's discography outside of Ready To Fly.
my grandpa loves santana and i discover masayoshi a year ago i really want to show him one of my favorite music artists and now i know with what video im gonna show him :)
👍
懐かしいです。
１９歳時、兄と行きました！
よく似ていると言われるけど違いがよくわかる。泥臭くて魂を揺さぶられるようなのがサンタナ、対して高中はクリアでメロディアスな感じ。
Well... That's your point of view. They both great to me
自分には、そんな詳しい違い わからないけど
2人共、素晴らしいギタリストでしょう
この動画見てるだけで
幸せだ 笑
@@davidfavre8296i don’t think he was trying to say either was bad. just a difference in tone
こーいう映像音源が残ってることに感謝 ありがとうようつべ
What a neat little corner of youtube.
高校2年の夏、兄貴と行きました。アリーナ席で確か開場が14時ぐらいだったから、メチャ暑かったの憶えてる。
高中ファンですが、サンタナが音合わせでちょっと出した音がメチャいい音で、響きも全然違って凄いな～って思いました🎵
当日、スタジアムで観ていました。
この曲でのカルロス御大も素晴らしかったですし、Europaでの高中さんのプレイも最高でした。
当時のことを思い出してまた熱くなってきました。。。西日がきつくて本当に暑かった（笑）
他の方もおっしゃってますが、アンプもギターも同じようなのに聞こえる音は全然違って、カルロス御大のあのトーンは遠くまで届く音でした。
There is something beautiful about it sounding different-- there's a vitality to music as it's played that can't be replicated.
Cheers, Mr. Fujita
Genuinely some of the best guitar playing I’ve seen
The dream team!!! What an incredible performance from both. A treasure.
음악이라는 공통된 언어로 무대위에서 진심을 담아 대화하는것 그것이 재즈.
全ての楽器が素晴らしい❗️
このライブを見に行けた人が羨ましい。それと、アップしてくださった方に感謝です。
私も観に行けたわけじゃないので、当時は音楽雑誌で写真を見ながらFMから録音したこの演奏を聴いて羨ましがってました。
懐かしいなぁ～～・・・
見に行きましたよ。
サンタナの特注ＳＧ、硬い良い音してますね～。
それにしても暑かったのを覚えてます。
いいなー。てか、コメント上から見てますが行かれた方でこのページに来ていただいてる方が結構いらっしゃいますね。サンタナさんの音が骨太で良いですよね。この翌年氏の音色がガラッと変わったんですよね。
この熱気！高中さんって 人を喜ばせたいっていうのの才能すごいよね 恰好つけたいではなく楽しませたいって
A perfect combination.
高校生の時に現場に居ました。
高中の『暑いっ！』が今でも思い出します。ハンパなく暑かったw
FMで2週連続放送をエアチェクしてカセットテープに録音して擦り切れるくらい聴きました。この画像はテレビ放送でしょうか？まだ高校生だったからビデオを持って無かったからな涙。
懐かしい。本当に有難う。
サンタナのギターかっこ良すぎて涙出てきた☆
すげー！この場に居れたらどれだけ幸せか
Now let's see them do it again in 2019!
Yes!!! This should be done again in 2021!! 2 guitar masters collaborating
@@JohnnyGuitaristOfficial Can't wait for the first 2022's
@@Jonaleko sorry to have kept you waiting so long 👋😅
Lmao can't believe it's almost 2023
高中正義さんとカルロスサンタナさんとの共演、とても素晴らしいですね。2人ともYAMAHAのSGを弾いているんですね。
🥤同感です
見に行ったよ〜🎵 真夏の横浜スタジアム（当時の名称） アリーナ席取ったのに一番後ろの方（笑） 午後2時から始まって終わったのは午後7時頃だったかなぁ。 サンタナ氏の凄さに圧倒されました。
映像見る限り、アリーナの後ろならスタンドの方が見やすいのでは？って感じですね。でも行かれただけ羨ましいです
中ニの時に見に行きました。暑い日の横浜球場。懐かしすぎる！
羨ましいー。（お歳がバレますよｗ）
最高すぎるでしょうこれ。全員なんという才能の持ち主！貴重です！
ですよねー
正に青春の曲です。高中にハマッってから
完全にFusionしかなくなりましたからね。
ジャンルに拘らなくなったのは3年後くらいからです。
작열하는 태양과 시원한 바다가 떠오르는.. 야외에서 맥주 한잔하며 듣고 싶네요.
この時期の高中バンドのメンバーはやっぱり最高だね👍ギター１本でここまでって、ホントいないよ💃
アップありがとうございます😭
don’t know how you got this, but thank you so much.
最終日の博多スポーツセンターでサンタナから高中にトロフィーが授与されたのを思い出しました🎉
いまでも
YAMAHAの1000Mで聴いたら最高でしょうね♪
とりあえず
手持ちの10Mで聴いてみよう♪
ありがとう！ そして、ありがとう！
ＳＧ使いが競演。
知ってはいたけど、コレほどまでのパフォーマンスが！
永久保存版、ＵＰアリガトウございます。
楽しんでいただけて良かったです
My favorite video of all time
Good to see both bands playing together so well.
さすがさんたな
great japan band..sadistics with santana!!! 1981...absolute magic!
dont see cool stuff like this anymore.....
サンタナさんと競演して高中さんも感無量の表情と同時に緊張感も伝わる白熱したライブですね。貴重な映像アップ有難うございました。
この時の高中さんの演奏について、当時は色々言われてましたが、これはこれですごくいいと思います
I gotta thank TH-cam for taking me to this vid, amazing music 🙌💖
当時FMではなく、AMのニッポン放送でライブ中継してたんだよなあ！ ガキの頃、伊豆にある叔父さんの別荘でコーフンしながら聴いてたことを思い出す。
あったんですね、この映像。
行きました、当時付き合っていた彼女とSS席で見ました。
一夏の恋😢
それにしても素晴らしい演奏、
動画ありがとうございます😊
行きたかったです
my 2 favorite guitarists
最高！！
サンタナとタカナカ二人ともカッコイイなサイコー😁(^_^)v
43年前かあ、行きたかったな。熱すぎてやけどしそう。
高中が大好きで、大学一年の時にスタジアムに観に行きました。
感動が蘇りますね！
いいなー
And Santana really enjoy this music.. wow!
高中若いね～ サンタナに相当インスパイアされていて、師匠に挑むって感じですが、チョット緊張してる！？ でも良くわたりあってるのでは。それにしてもサンタナ風格あるなあ。
サンタナは彼の教師ではなかった、高中はすでに18でプロだった。さまざまなスタイルも。
ですよねー。(*・ω・)(*-ω-)(*・ω・)(*-ω-)ウンウン♪
アップされた方どうもありがとうございます。
はるか昔、高校生の頃サンタナさんが好きになり、高中さんとジョイントしたのをテレビで見て居たきがします。
当時はお二人共YAMAHAのSGとメッサ・ブギーのアンプを使っていて音が似ているかもって思っていました。
確かこのジョイントの後、サンタナさんは高中さんのフレーズを曲の最後に弾いて居ますよね、ブラック・マジック・ウーマンだったか、ヨーロッパだったか忘れたけど。
The video we were all waiting for
I looooove this song. So good.
どうしても「UMKさんさんサタデーが始まるよー！」が頭から離れない
「KSBボート・ヨットスクール 受講生募集中!!」のCMを思い出す。
懐かしいLIVE当日横浜スタジアムに友達と二人で居ました、4時間くらいのライブだったような気がします
スタジアムは音が回ってしまって音響的には良くなかったですがそれを凌駕する白熱したライブでした
当時そういうコメントを雑誌等で見たような気がします。まぁスタジアムなのでそうなるでしょうね。でもその場に居られたが何よりの経験だったのではないでしょうか。
what a great combination, I could hear to it non stop for a day. Takanaka and Santana they are great and even greater together
なんてスリリングでエキサイティングなユニゾンだ♪
こんな映像があったとは・・・ありがとうございます！
楽しんでいただいて良かったです。
とても懐かしい… 涙が出る… サンタナのパートに、ニール･ショーンも出てた気がする…
高中サウンドに出逢って３ヶ月…これはヤバい…
懐かしいです。私も家内と見に行きました。
映像ありがとうございます。
羨ましいなー
9月のビルボードチケット取れたら行く予定なんだが、これ、再現してくれないかな？
READY TO FLYのライブバージョンは、やっぱこれが一番最高だよな。
この頃のReadu to fly は勢いのあるノリでしたね。自分もこの時の演奏が好きです。今このページのコメントすべて読みながらもう何回リピートしてるやらｗ
高中がサンタナと共演していたとは知らなかった。
たしかサンタナは高中のギターを「パーカッシブなギターだ」と言っていたように記憶しています。
ロック界の世界的大物が日本のミュージシャンと共演してくれるなんて、夢のようですね。
One of the best collabs I've seen!!
高中は日本で一番大好きなギターリストです。ブルーラグーンの曲でパイオニアのステレオCMで初めて見たときはちょっと衝撃を覚えたくらい！この映像何度も見たけど、流石にサンタナとの競演は少しプレッシャーになっていますね。アドリブはサンタナのフレーズは凄すぎ！比べたら高中はアマチュアに見えるくらい差がありました。トーンも高中全開、サンタナかなり絞ってるようだけど、マイク使用の違いなのかな？日本の高中VS世界のサンタナという感じだけど、日本人にはこの高中のメロディーは最高なんだよね！
ライブいきましたけど、これはなかなかね
あなたのハッタリにがっかりです
高中は頭で考えたアドリブだから正確にはアドリブではない
高中はアドリブできない人
自分でも認めてる
そのとうり
I have seen and heard the same thing when Carabao (Thailand) have Santana play with them live - I think they feel a little in awe of Santana, but Santana is a very 'giving' musician and he helps out.
私も高中さんの曲を初めて聴いたのは!これが最初でした!最初はパイオニアのスピーカーの㎝に使われてました!もう38年も昔でその時私が小学校低学年の時にはこの曲を口ずさんでましたしレコードでも聴いてました!当時からしたらませていたかもわかりませんねぇ!いつ聴いてもいい曲ですねぇ
自分は友人の家で友人のお兄さんに Jolly Jive を聴かされたのが最初かな。Reay To FlyのSuper Live版は、自分の葬式でかけて欲しい曲の１つです。
これは、もうファンにとってはたまらないですね、高中さんはサンタナの影響絵をかなり受けてたようなので、彼にとっては感無量だったと思いますよ、サンタナの時代は、エリック・スローハンド・クラプトンもすばらしかったですね、ギターを弾くフィンガーアクションがあまりにも早くて、逆に遅く見えてしまい、ミドルネームにスローハンドという名を入れ込んだらしいですね、うｐありがとうございます。
サンタナの音がスゴすぎる
超超超かっちょい~ 名作❗
サンタナと共演してるのに その辺に居る『悪ガキ』みたいな 高中正義❣️かっこえー❣️
これは盛り上がるだろうなぁ
盛り上がったようですね。
このライブで、高中さんはサンタナにあわせてパーマをかけたんだよね。
今見ると、アロハシャツも含めて、東映の俳優かよって感じですが笑
Favolosi ! Fantastici! Troppo bravi! Due giganti! Thanks a lot to sharing 😍😍😍
二人とも「神」だ．やろうと思っても，これは出来ない．
凄いですよね。バンド全体がノリノリですよね。
6:57からギターで会話してる気がする・・・凄いなこんな凄いのが俺がハナ垂れの頃に繰り広げられていたなんて。
氏が、あこがれの人と共演できてることに感動しつつ、必至で喰らいついてる感じが好きです。
Um encontro de gigantes! Muito bacana! Um registro histórico!
Why am I only fonding Masayoshi this year..... My mind is being blown though so thank God...🌠🌠🌠
なぜにこんなにも同じギターでも音が違うのですかね。個性以前に高中さんギターペラペラに聞こえますが、マイキングもあるのですかね。カルロスのフレージングのキレと、音作り、太い音は圧倒されますが、顔や髭の濃さがそう思わせるのかも（笑）しかし曲をあまり覚えて来てなさそうで、高中さんは仕切りが大変そうです。ベースはデビッドマーゲン？リズム隊は最高なノリですな。この日に来場されたみなさんは楽しかった思い出でしょう！素晴らしい動画をありがとうございました。
そうなんですよね、このリズム隊のノリがすごいなーって
Es del año 1981 aún yo no nacía pero que buena música ya sonaba en esos tiempos en todo el mundo
this is my favorite video. i love it so much, it always makes my mood better
5:33 The piano man Kiyosumi Ishikawa is onfire 🔥🔥 doing amazing "hammond" stuff here. You guys always looking Izumi Kobayashi, she's great too but Kiyosumi Ishikawa is the underrated guy. Not enough recognition for his awesome work
True, Ishikawa has been playing with Takanaka during the early years
Incredible, the melding of two master musicians and a killer band.
すごいことだと思います、これは。
ハイ。
なにこのサンタナの音。
太くてコシとメリハリがあって透明感もある。
そんで全く高中のプレイの邪魔にならないノリいい感じ。
昔はヤマハSG使ってなんだ、感動。
今のPRSより好きかも。
高中といえばYAMAHA SG（青） or ３トーンサンバーストのストラトですからね。