I'm not a screenwriter, but I'm attempting to write my first novel and this interview was like an awakening on the craft. I've tried to listen to other writers, writers I really enjoy and think are fantastic, but they just aren't that interesting to listen to. This was gripping and I had to watch it all even though I intended to watch only a couple clips here or there. Thanks for the fantastic information, tremendous interview!!
Yea this is better for non-writers. It’s more of a good story/narrative than it is helpful tips. If he actually had valuable advice on how to write great films/tv he would’ve written great films/tv. Sadly he’s just a talker nothing more
I loved what he said about story vs "ideas." The fact is, "What is an idea?" Well, it's ABCDEFG... ect. and by the time you're done explaining the "idea," you have actually told a story, and every nuance of that idea is just an expansion of that story. Also, throwing away. He's right. Writing is relatively easy, the real art is in throwing away, the same way a sculpture is created by throwing away the excess material.
Whats an idea?? A great idea triggers imagination, triggers a spark, a need to write, the energy, enthusiasm and mental imagery you'll need if you ever want to finish your first draft.
@@jayv8068 The golden ticket for a song, and for writing ol araund over and agen. Just look too pikcure's je, Doc Walter lol to look and looking agen soo deeple. Must bee in det lokation, or kn thet beeing. Thet is holy, Dady teyk kemick and Hamlet. Boring
This was amazing. Really great interview. I'm reading his latest book for the 100th time. It's an immensely helpful book for screenwriting. I'd love to meet him one day. It was really cool to see the whole interview in one sitting. Thanks Film Courage!
Film Magician We are happy to know that you found the full interview worth the wait. And we certainly hope you have the chance to meet him. He was very kind to us both times we met with him.
Film Courage He seems like a really generous, smart and funny guy. I'm sure all your subscribers will be watching and re-watching this for all valuable information. Amazing interview. Good job
I love how Film Courage interviews this lifelong screenwriting professor who says the key to success in screen writing is TIME and how you have to rewrite your screenplay 17 times over years and years. That's the KEY. Then Film Courage has another video interview on the right side with an African American writer titled, "How I Wrote My First Script In 3 Weeks And Sold It To A Hollywood Studio by Markus ". You Hollywood idiots crack me up:)))
Real Talk. I have gained valuable insight from Richard I’ve never heard anyone describe the mechanics of story writing so compellingly and so superbly. Bravo! Side note: I think he’s going to be an awesome Grandpa for his grandson. Congrats!
This is probably my favorite interview that Film Courage has done. I tend to not like what academics have to say about writing, but Walter comes off as insightful, ebullient, and relatable. You get a feeling that he really understands the writing process, which makes him fascinating to listen to.
This was such an endearing and affirming watch. Next time I'm freaking out, because everything I’ve written is unreadable drivel, this will be my go-to, instant karma. Thanks indeed.
i thought i would watch 10 minutes and get back to writing, but it was like watching a movie. Thanks Richard and Film Courage everything made sense, but like the airplane ride it was boring. Back to writing.
That first question could have been asked off camera beforehand....but on the other hand, his reply immediately made him seem like a really nice guy :)
Wow! Tremendous interview... Such wisdom. Every word in accord with my own thoughts and feelings on the subject. What a teacher! Thanks for this. What a dream to have this guy as a teacher. If you do, you're really lucky. I'm in UCLAx, taking a short film screenwriting class. Loving it. Cranked out 15 little scripts already .🙂 But this guy... Wow, tremendous! (did I say that already?)
I could listen to Professor Richard all day. Like a breath of fresh air. He has actual, real, useful things to say about writing. No BS. No click-baity gimmicks. I see a lot of these '21 things you must do when writing a book' or '10 things that you must not do' and they're pretty much all horseshit. I'll say it again, horseshit. Writing is not like a paint by numbers picture. Not only do these lists of rules run the risk of stifling creativity and creating a swathe of homogeneous rubbish, they can tie writers up in knots ensuring they've tick everything off these ridiculous lists.
Dear professor, one hour per day makes 365 hours a year. One month lasts 720 hours. Then, going to sleep one hour later every day would give you half a month in a year, not two months. Still a very good idea to put in practice. Thank you very much and congratulations for your amazing teaching
The best moment for me is around 56:00:00 "The situations define the character. [...] Stay open to the surprises. [...] Your characters are going to surprise you. [...] If it runs off the rails a little bit, that's great. Go with it and see where it will take you. [...] Let be surprised, otherwise it will become too intellectual, it becomes heady. We need our heads, we need our intellect, but not in the movie theatre. That's a place where we live not in the head but in the heart, in the belly, in the groin. It's not about understanding and knowing, it's about feeling, it's about passion." professor of screenwriting, Richard Walter.
Thank you Richard, for your time. Enjoyable and meant to be for me as I needed to hear all of it and the last re trimming, more than anything right now. Thanks you again!
Anyone else actually interesting in hearing him talk about his day? (re: "real life is boring") I like listening to him. Okay, it would get boring eventually, but I made it through the whole thing entertained.
It's seldom I watch anything this long, but I found the man thoroughly fascinating. Goes to his statement to not be boring... in this case through the aid of making a point about storytelling through the use of storytelling. And after watching, I revisited my script that I will soon shoot once I secure personal funding. And as he stated that a movie doesn't have to have sex and violence to be successful, as long as it is interesting, I felt relieved since there is sexual innuendo in my movie but no violence. Maybe someone has written about this before, but I would like to see Professor Walter, Richard, address the art of writing in a way to achieve a good story told in a way that allows low-budget shooting of the story. I think I have achieved this through the use of dialog (talk is cheap... to shoot '-) Maybe others could benefit from this writing tool.
I want this script to have the loss of life and what it stems from , the constant learning experiences , the good deed conquering the bad deed , the good falling to the bad , the grasp on hope , etc . I want to create authentic, relatable characters . I don't want to use anything cliche .
Inspiring talk and fun to listen to his thoughts about the idea as not enough. Of course not. Art has to embrace both the what and the how and to open into the wonder of life
wow..just realized ive had his book for ages, can open it anywhere for inspiration and heart felt encouragement, instead of the trend toward battering the reader with rules and doom. Neat
Today I find amazing Art here on TH-cam and in Videogames, as crazy as that might sound. Before we needed to go to museums and other curated spaces to find the best artists. Today in the digital era the mediums are different. Many artists have switched from oil and canvas to photoshop and a pad. Many storytellers are creating incredible virtual worlds and stories to be played by the protagonists/players. It is a different world than it was 30 40 years ago.
Is this Regina Meredith conducting the interview? It's her voice and style (and talking about indigo children makes me certain it's her). She asks the perfect questions and knows how to listen! This is actually great art - the art of interviewing!
I agree about the story. This is coming from a perspective i think which considers the perception of the audience. After all, the storyteller and the audience are both human. For example, a great "STORY" like Citizen Kane, is always placed on top of most important and best films.
GREAT point that the idea,, i.e. the premise/logline, if that's good that's all you have. It's the Acts, the phases, the scenes. A good movie is all good scenes and no bad scenes. Got some great scenes in it as well then it's a very good script. Multiple to many great scenes, it's a classic. So simple.
This is great advice, but ideas aren't just underdeveloped stories. They are a premise; the reason for telling the story. Ideas are not worthless, they are the driving force. A good story without an applicable idea (external validity) is truly useless. Maybe there is a misunderstanding of what an 'idea' is in his course.
Every time I start thinking I don't have enough time to write I remember Diana Gabaldon. She wrote her first novel working a full-time job, and a part-time freelance job, with three kids under the age of six. If she found time to write, anybody can find time to write.
I only write picture books but I like to watch videos about screenwriting, there's always sth cool to learn. A screenplay and picture book manuscript come alive with pictures, maybe that's why I find it helpful, there's a common ground. You can see wisdom on his face so I clicked. The best people to learn from are the older ones who have been there, done that... I agree with him about the ideas not being the most important. Sometimes I would buy a book based on the great idea/tagline and I would be disappointed with the contents ---> execution of that idea and I would say to my husband " this could have been good if executed better because the idea was interesting." Yet you can come across "boring idea" but executed so well that you will love it ( book or movie). I have a great idea for an adult novel/movie but it is not my thing to write for adults so what is it worth? A great idea is only great if you can apply it well and then you have a great story people love.
I think watching and really paying attention to this man just changed my life. The DELETE button...who knew??? He shares with honesty and kindness blended together.
Screenwriting is certainly a seductive milieu. I really appreciate the professor's tipping of the hat about writing a novel in lieu of a script. The upside, given that one's novel is published...or not, is that it offers a potential entree into Hollywood filmaking. Case in point: Rex Picket optioned the film rights to Sideways prior to it being published, which endured many rejections from publishers. As it turned out, the novel was published after the film was produced. Writing can be such a harsh mistress.
It's hard to take a writing instructor seriously when he uses words like "stupider" and "lousy," and when he warns about boring content in movies but spends ten minutes explaining why students are on a first-name basis with instructors, or citing how a student was accepted after cajoling him rather than on merit, but I found some of the interview helpful.
Is a pedagogical approach to cinematography. A very good and economic one if you are teaching to hundreds of graduates a year in a factory-like business model such as the university. But it has nothing to do with the real cinematography, as image- and not-text based representation of ideas. Like Peter Greenaway, Stanley Cubrick, Wes Anderson, D. Lynch, or even the Coen Brothers define it. After listening to this very entertaining interview, I read the recommended book from Pressfield. That shows me what sort of books Professor Walter enjoys; but let's not talk about personal preferences (Breaking bad!). Folks, the real inspiration comes from reading good books and watching good movies. Better be a good consumer, than a bad producer...
I thought that "£ideas are useless" was a rather provocative statement :-) However, after my initial evaluation of an elevator pitch for The Godfather and Jaws, for example, the elevator pitches for Alien, The French Connection (I and II) and Juno, rapidly and alarmingly demonstrated that Richard Walter's assertion, that ideas are useless, it's the story that matters, made more and more sense. For me, this raises two points: 1). For most of the time, ideas expressed as elevator pitches are useless, and you only know what you have, after you write the idea up as a story. 2). As the most evocative part of the elevator pitch becomes less and less evocative than Mafia Godfather; Great White shark, etc., the elevator pitch has to become more complicated, so that the greater level of detail, evokes more interest, in the idea, which, at its most basic, for Juno, is: Teenage girl gets pregnant. . . Teenage girl gets pregnant, and has to choose who is the best to adopt her baby. . . Regardless of the confounding complications of elevator pitches and their value as ideas, they can be very useful as a way for the writer to keep their eye on the ball, and not get lost in the wilderness of mirrors that is the story.
+Britton Roberts BTW Not saying this as a rebuke of Professor Walter, he of course has no obligation to like the Coen Brothers. I was just surprised that he used them as an example. A wonderful interview. Insightful and generous.
i wanted to punch him, but then i remembered he´s a human, and the Coens are GOD, and humans sometimes hate GOD which is permissible, great interview though.
I would like to script ,show a story similar to the movie called The Wood , starring Omar Epps . I want my script to have comedy and seriousness naturally , but nothing gruesome , yet , depicts realness .
The one thing keeping someone from achieving his potential in screen writing could be as simple a thing as being unable to type or at the least hating to type. Also having people hack one's devices for ideas. Some might prefer to analyze or review. Not much typing.
Just watched this. Very interesting and lots of great advice. But have to say 'boring' is a very subjective measure for film and TV and books. Interestingly I love Breaking Bad, it's gripping and exciting and gut wrenching. But every time I have gone to watch The Sopranos, I literally fall asleep half way through the episode! So, yeah. Some very subjective opinions here also about what makes for great story. The reality: different kinds of stories, and their telling, tickle different folks perhaps.
As long as I live, I will never understand why some people think that only creative stuff that they like is "art". The reality is, art is art, whether you like it or not, is irrelevant. Vincent van Gogh's art wasn't really appreciated while he was alive. His fame was more posthumous. Regardless, there needs to be a huge variety of art, so that various people around the world can find something that they like. Art is subjective. I prefer Pablo Picasso's pre-cubist works. Abstract art really isn't my cup of tea. There were probably a lot of people, back in the day, who never, in a million years, would have thought that Picasso's art would become as popular as it has.
Question for Mr. Walter and Others: *The Ghost Writer*, by Roman Polanski... In my opinion, one of the best-made films I've ever seen. The epitome of perfect editing, nothing more or less needed... Just amazing. Thoughts?
![The Idea: The Seven Elements of a Viable Story for Screen - Erik Bork [FULL INTERVIEW]](http://i.ytimg.com/vi/8s45pNvEBIc/mqdefault.jpg)
![The Idea: The Seven Elements of a Viable Story for Screen - Erik Bork [FULL INTERVIEW]](/img/tr.png)
![Writing For Emotional Impact - Karl Iglesias [FULL INTERVIEW]](/img/n.gif)
I'm not a screenwriter, but I'm attempting to write my first novel and this interview was like an awakening on the craft. I've tried to listen to other writers, writers I really enjoy and think are fantastic, but they just aren't that interesting to listen to. This was gripping and I had to watch it all even though I intended to watch only a couple clips here or there.
Thanks for the fantastic information, tremendous interview!!
What is your novel about ?
Agree. Excellent interviewee.
I have been watching this over and over again over the last 5 years. It's amazing and I am not even a writer.
Thank you for all the visits over the years!
Everyone is a writer my friend 😉
Yea this is better for non-writers. It’s more of a good story/narrative than it is helpful tips. If he actually had valuable advice on how to write great films/tv he would’ve written great films/tv. Sadly he’s just a talker nothing more
Aint' it amazing? It truly is.
I loved what he said about story vs "ideas." The fact is, "What is an idea?" Well, it's ABCDEFG... ect. and by the time you're done explaining the "idea," you have actually told a story, and every nuance of that idea is just an expansion of that story.
Also, throwing away. He's right. Writing is relatively easy, the real art is in throwing away, the same way a sculpture is created by throwing away the excess material.
writing is not easy
if your more worried about how your putting your idea down, don't even try. Idea is everything...unless you have no natural story telling ability
Whats an idea?? A great idea triggers imagination, triggers a spark, a need to write, the energy, enthusiasm and mental imagery you'll need if you ever want to finish your first draft.
instaBlaster...
@@jayv8068 The golden ticket for a song, and for writing ol araund over and agen. Just look too pikcure's je, Doc Walter lol to look and looking agen soo deeple. Must bee in det lokation, or kn thet beeing. Thet is holy, Dady teyk kemick and Hamlet. Boring
Thank you Prof Richard Walter for giving your precious time and help a beginner from Brazil! Hope you plant more seeds all over online.
This guy has the best things to say on this channel so far.
This was amazing. Really great interview. I'm reading his latest book for the 100th time. It's an immensely helpful book for screenwriting. I'd love to meet him one day. It was really cool to see the whole interview in one sitting. Thanks Film Courage!
Film Magician We are happy to know that you found the full interview worth the wait. And we certainly hope you have the chance to meet him. He was very kind to us both times we met with him.
Film Courage He seems like a really generous, smart and funny guy. I'm sure all your subscribers will be watching and re-watching this for all valuable information. Amazing interview. Good job
I love how Film Courage interviews this lifelong screenwriting professor who says the key to success in screen writing is TIME and how you have to rewrite your screenplay 17 times over years and years. That's the KEY. Then Film Courage has another video interview on the right side with an African American writer titled, "How I Wrote My First Script In 3 Weeks And Sold It To A Hollywood Studio by Markus ". You Hollywood idiots crack me up:)))
Would you recommend his book to any writer? Sounds like a solid read.. 100 times! It's gotta be good
This guy is GOOOOOOOOOOD!.....
Real Talk. I have gained valuable insight from Richard I’ve never heard anyone describe the mechanics of story writing so compellingly and so superbly. Bravo!
Side note: I think he’s going to be an awesome Grandpa for his grandson. Congrats!
This is probably my favorite interview that Film Courage has done. I tend to not like what academics have to say about writing, but Walter comes off as insightful, ebullient, and relatable. You get a feeling that he really understands the writing process, which makes him fascinating to listen to.
Take the reader on a thrill ride where they didn't expect to go.
Enough to make it an adventure.
Enough to mame it aj adventure's.
I learned more here then in my Screenwriting course last semester. Grrr.
Bad news for those teachers of the course.
@@MrChinchilla_hn lol
Learned a lot here too and not even in screen writing 🤠👌🏻
It's been three weeks that I have been watching this over and over every day, I love everything he says 👏👏 thank you
I'm envious to people who get professors like him. Thank you for this gift!
This was such an endearing and affirming watch. Next time I'm freaking out, because everything I’ve written is unreadable drivel, this will be my go-to, instant karma. Thanks indeed.
i thought i would watch 10 minutes and get back to writing, but it was like watching a movie. Thanks Richard and Film Courage everything made sense, but like the airplane ride it was boring. Back to writing.
Video Kings TT Good one.
What I love about Richard, he's blunt, straightforward, he doesn't give you roses. Hard but simple truth
That first question could have been asked off camera beforehand....but on the other hand, his reply immediately made him seem like a really nice guy :)
Loved his insight about Inherent Vice... more like "inherent snooze" lol
Thank you Professor Walter for your insight. It is truly appreciated.
Back to my laptop.💻
Love this dude's candor, knowledge, and perspective!!!!!!!!!!
Wow! Tremendous interview... Such wisdom. Every word in accord with my own thoughts and feelings on the subject. What a teacher!
Thanks for this. What a dream to have this guy as a teacher. If you do, you're really lucky.
I'm in UCLAx, taking a short film screenwriting class. Loving it. Cranked out 15 little scripts already .🙂 But this guy... Wow, tremendous! (did I say that already?)
He was spot on about the Coen Brothers movies.
I have been writing for over a year now and watching this interview definitely helped me as a writer thanks
Every second of this was GOLD to me and am 100% sure that am gonna get back to this in the future many many times
I could listen to Professor Richard all day. Like a breath of fresh air. He has actual, real, useful things to say about writing. No BS. No click-baity gimmicks. I see a lot of these '21 things you must do when writing a book' or '10 things that you must not do' and they're pretty much all horseshit. I'll say it again, horseshit. Writing is not like a paint by numbers picture. Not only do these lists of rules run the risk of stifling creativity and creating a swathe of homogeneous rubbish, they can tie writers up in knots ensuring they've tick everything off these ridiculous lists.
Dear professor, one hour per day makes 365 hours a year. One month lasts 720 hours. Then, going to sleep one hour later every day would give you half a month in a year, not two months. Still a very good idea to put in practice. Thank you very much and congratulations for your amazing teaching
the story is much better with the wrong maths... I came to check if someone would mention it and confirm. Tks!
The best moment for me is around 56:00:00 "The situations define the character. [...] Stay open to the surprises. [...] Your characters are going to surprise you. [...] If it runs off the rails a little bit, that's great. Go with it and see where it will take you. [...] Let be surprised, otherwise it will become too intellectual, it becomes heady. We need our heads, we need our intellect, but not in the movie theatre. That's a place where we live not in the head but in the heart, in the belly, in the groin. It's not about understanding and knowing, it's about feeling, it's about passion." professor of screenwriting, Richard Walter.
Thank you Richard, for your time. Enjoyable and meant to be for me as I needed to hear all of it and the last re trimming, more than anything right now. Thanks you again!
As a budding screenwriter myself, this is very helpful.
Anyone else actually interesting in hearing him talk about his day? (re: "real life is boring") I like listening to him. Okay, it would get boring eventually, but I made it through the whole thing entertained.
This was truly wonderful from start to finish. I will cherish his advice for a long time. Much to think about. Thank you.
Love this.. writing is what you Create .. Art that will last forever . I’m a writer and I’m grateful for all the writers before me.
It's seldom I watch anything this long, but I found the man thoroughly fascinating. Goes to his statement to not be boring... in this case through the aid of making a point about storytelling through the use of storytelling.
And after watching, I revisited my script that I will soon shoot once I secure personal funding. And as he stated that a movie doesn't have to have sex and violence to be successful, as long as it is interesting, I felt relieved since there is sexual innuendo in my movie but no violence.
Maybe someone has written about this before, but I would like to see Professor Walter, Richard, address the art of writing in a way to achieve a good story told in a way that allows low-budget shooting of the story.
I think I have achieved this through the use of dialog (talk is cheap... to shoot '-) Maybe others could benefit from this writing tool.
I want this script to have the loss of life and what it stems from , the constant learning experiences , the good deed conquering the bad deed , the good falling to the bad , the grasp on hope , etc . I want to create authentic, relatable characters . I don't want to use anything cliche .
If you haven't read Walter's book, it is a wonderful resource.
Inspiring talk and fun to listen to his thoughts about the idea as not enough. Of course not. Art has to embrace both the what and the how and to open into the wonder of life
Thank you professor i needed this. I wrote my first book but I'm so skeptical and just unsure about, i think it's fear i have
vow. just got lost and ended up watching this clip. never wrote a comment on youtube before; this was probably the most interesting interview ever!
That's pretty awesome. We thank the powers that be that helped you discover this interview. Also happy to receive your first YT comment.
Man, love this guy.... Love listening to him, so brilliant. I'm going back to school lol
wow..just realized ive had his book for ages, can open it anywhere for inspiration and heart felt encouragement, instead of the trend toward battering the reader with rules and doom. Neat
He starts the interview with a story; I am sold.
Today I find amazing Art here on TH-cam and in Videogames, as crazy as that might sound. Before we needed to go to museums and other curated spaces to find the best artists. Today in the digital era the mediums are different. Many artists have switched from oil and canvas to photoshop and a pad. Many storytellers are creating incredible virtual worlds and stories to be played by the protagonists/players. It is a different world than it was 30 40 years ago.
Is this Regina Meredith conducting the interview? It's her voice and style (and talking about indigo children makes me certain it's her). She asks the perfect questions and knows how to listen!
This is actually great art - the art of interviewing!
I agree about the art of interviewing. Not everybody is good at it.
I’ve taught in high school, and special education. I agree with and love the take on authority. I’m also an indigo child 👶🏻 😁
thank you so much for this channel, its a late comment but just wanted to express my thanks!! so helpful
Never too late. Cheers!
Really interesting interview, a lot of well thought out perspectives and he kept it entertaining, this was great.
Wonderful video. I learn so much from these videos on writing.
This guy is really insightful into what it really takes to write a screenplay.
I agree about the story. This is coming from a perspective i think which considers the perception of the audience. After all, the storyteller and the audience are both human. For example, a great "STORY" like Citizen Kane, is always placed on top of most important and best films.
What an incredibly interesting interview. Fascinating man. Excellent and inspiring. Thank you!
Interviewer is in love with the concept of natural/raw talent and he keeps devaluing that. Interviewer should listen to him.
"indigo children"
I wouldn’t assume that. For all we know she presses that question because so many viewers/writers/people over emphasize “innate” ability
Richard is so insightful, helpful, and positive.
I could really use the wisdom of this Master of Story for an Adaptation I'm working with , with an author.
GREAT point that the idea,, i.e. the premise/logline, if that's good that's all you have. It's the Acts, the phases, the scenes. A good movie is all good scenes and no bad scenes. Got some great scenes in it as well then it's a very good script. Multiple to many great scenes, it's a classic. So simple.
This is great advice, but ideas aren't just underdeveloped stories. They are a premise; the reason for telling the story. Ideas are not worthless, they are the driving force. A good story without an applicable idea (external validity) is truly useless.
Maybe there is a misunderstanding of what an 'idea' is in his course.
Every time I start thinking I don't have enough time to write I remember Diana Gabaldon. She wrote her first novel working a full-time job, and a part-time freelance job, with three kids under the age of six. If she found time to write, anybody can find time to write.
thank you Mr. Walter :) great interview about how important Story is.
Amazing guy. Thanks for the interview!
What a mind with such a gift in teaching and guidance
Loved this entire interview. The man is an incredible interview. Thank you so much!
We love Richard Walter. Grateful for our two visits with him.
Inherent Vice ironically is somewhat improvised dialog but very deeply based on a novel by one of the great writers of all time.
Powerful Stuff. I like how explains how using the first name depends on the environment
Love it
this is some of the best advice I've found so far; good stuff.
+Tattoo Artist/Writer Sean Price Great to hear, where else have you been looking?
I love this. At around the 16m. mark, he starts talking about what is commonly known as Sturgeon's Revelation: 90% of everything is crud. How true!
Another great interview from F.C. ; )
I only write picture books but I like to watch videos about screenwriting, there's always sth cool to learn. A screenplay and picture book manuscript come alive with pictures, maybe that's why I find it helpful, there's a common ground. You can see wisdom on his face so I clicked. The best people to learn from are the older ones who have been there, done that...
I agree with him about the ideas not being the most important. Sometimes I would buy a book based on the great idea/tagline and I would be disappointed with the contents ---> execution of that idea and I would say to my husband " this could have been good if executed better because the idea was interesting." Yet you can come across "boring idea" but executed so well that you will love it ( book or movie).
I have a great idea for an adult novel/movie but it is not my thing to write for adults so what is it worth? A great idea is only great if you can apply it well and then you have a great story people love.
Thanks for the valuable and interesting perceptions you shared.
It begins at 13:45 . He admires Hamlet character and his story : what he does and what he says. No to be boring Is the first goal.
I think watching and really paying attention to this man just changed my life. The DELETE button...who knew??? He shares with honesty and kindness blended together.
So much wisdom, thank you!!!!!
Screenwriting is certainly a seductive milieu. I really appreciate the professor's tipping of the hat about writing a novel in lieu of a script. The upside, given that one's novel is published...or not, is that it offers a potential entree into Hollywood filmaking. Case in point: Rex Picket optioned the film rights to Sideways prior to it being published, which endured many rejections from publishers. As it turned out, the novel was published after the film was produced. Writing can be such a harsh mistress.
Wow, that’s a real cinematic voice
It's hard to take a writing instructor seriously when he uses words like "stupider" and "lousy," and when he warns about boring content in movies but spends ten minutes explaining why students are on a first-name basis with instructors, or citing how a student was accepted after cajoling him rather than on merit, but I found some of the interview helpful.
he's a walking defensive mechanism, constantly trying to justify himself and his opinions.
he's good to listen to though, i'm sure he's got some good points as well.
very interesting, especially about the indigos, I am submitting some scripts via Inktip
Thanks for this interview
Great interview. Although I love the Coen Brothers.
Wow this interview is priceless! Thank you for posting this :) :) :)
Is a pedagogical approach to cinematography. A very good and economic one if you are teaching to hundreds of graduates a year in a factory-like business model such as the university. But it has nothing to do with the real cinematography, as image- and not-text based representation of ideas. Like Peter Greenaway, Stanley Cubrick, Wes Anderson, D. Lynch, or even the Coen Brothers define it. After listening to this very entertaining interview, I read the recommended book from Pressfield. That shows me what sort of books Professor Walter enjoys; but let's not talk about personal preferences (Breaking bad!). Folks, the real inspiration comes from reading good books and watching good movies. Better be a good consumer, than a bad producer...
What a well-spoken man.
I thought that "£ideas are useless" was a rather provocative statement :-) However, after my initial evaluation of an elevator pitch for The Godfather and Jaws, for example, the elevator pitches for Alien, The French Connection (I and II) and Juno, rapidly and alarmingly demonstrated that Richard Walter's assertion, that ideas are useless, it's the story that matters, made more and more sense.
For me, this raises two points: 1). For most of the time, ideas expressed as elevator pitches are useless, and you only know what you have, after you write the idea up as a story. 2). As the most evocative part of the elevator pitch becomes less and less evocative than Mafia Godfather; Great White shark, etc., the elevator pitch has to become more complicated, so that the greater level of detail, evokes more interest, in the idea, which, at its most basic, for Juno, is: Teenage girl gets pregnant. . . Teenage girl gets pregnant, and has to choose who is the best to adopt her baby. . .
Regardless of the confounding complications of elevator pitches and their value as ideas, they can be very useful as a way for the writer to keep their eye on the ball, and not get lost in the wilderness of mirrors that is the story.
I agree but must point out that what blows me away may not blow him away. What lasts is what the majority chooses .
Fabulous and informative. Thank you!!!
"The Coen Brothers for example... and I'm not a fan."
Jaw drops
+Britton Roberts BTW Not saying this as a rebuke of Professor Walter, he of course has no obligation to like the Coen Brothers. I was just surprised that he used them as an example. A wonderful interview. Insightful and generous.
i wanted to punch him, but then i remembered he´s a human, and the Coens are GOD, and humans sometimes hate GOD which is permissible, great interview though.
Personally, I'm not a fan as well. The only thing I like by them is No Country for Old Men.
I love em
Fargo was one of the greatest screenplays ever written!
"trafficking your own imagination" so good
I really enjoyed this podcast. February 6th, 2021.
Good find!
I'm loving this, but The War of Art is 192 pages.
Ray Bradbury seemed to really enjoy writing. I think it's possible to be a professional and retain a childlike exuberance; it's just rare.
I effing love Bernie.
I don't like Communists.
OOOH, you mean the movie? Yes, it is incredible.
Bernie.
I would like to script ,show a story similar to the movie called The Wood , starring Omar Epps . I want my script to have comedy and seriousness naturally , but nothing gruesome , yet , depicts realness .
Awesome professor!!
The one thing keeping someone from achieving his potential in screen writing could be as simple a thing as being unable to type or at the least hating to type. Also having people hack one's devices for ideas. Some might prefer to analyze or review. Not much typing.
Interesting insight. :)
I'm scriptwriter and have more than 25 scripts done i always like the writing of stories
lol this guy is fun. thanks for sharing his wisdom and insights
Just watched this. Very interesting and lots of great advice. But have to say 'boring' is a very subjective measure for film and TV and books. Interestingly I love Breaking Bad, it's gripping and exciting and gut wrenching. But every time I have gone to watch The Sopranos, I literally fall asleep half way through the episode! So, yeah. Some very subjective opinions here also about what makes for great story. The reality: different kinds of stories, and their telling, tickle different folks perhaps.
As long as I live, I will never understand why some people think that only creative stuff that they like is "art". The reality is, art is art, whether you like it or not, is irrelevant. Vincent van Gogh's art wasn't really appreciated while he was alive. His fame was more posthumous. Regardless, there needs to be a huge variety of art, so that various people around the world can find something that they like. Art is subjective. I prefer Pablo Picasso's pre-cubist works. Abstract art really isn't my cup of tea. There were probably a lot of people, back in the day, who never, in a million years, would have thought that Picasso's art would become as popular as it has.
Question for Mr. Walter and Others: *The Ghost Writer*, by Roman Polanski... In my opinion, one of the best-made films I've ever seen. The epitome of perfect editing, nothing more or less needed... Just amazing. Thoughts?
wow, i love him. so entertaining
Great video. Best advice for writers.
This was amazing. I so appreciate it!
Abayarde718 Cheers!
Excellent!
Got DAMN I miss being in College.
Don't bring this feeling into reality.