You can't even GET in tune with a 12-string. With individual saddles on an electric, you can adjust the Nashville tuning for the high-pitched strings and they'll be in tune all up the fretboard, the way the others are. You can't do this on a 12 string, as both the low and high string go over the same saddle, so it's inherently not in tune when you fret them. I see an opportunity for a 12-string with 12 adjustable saddles.
Nashville Tuning invented in 1946 by Lucky White and Leodie Jackson of Lucky White and His Dude Ranch Playboys while in Southwestern California. Lucky from Telephone, Texas and Leodie from Blocker Oklahoma. Lucky gave Buck Owens his first gig at the Ships Cafe' in El Monte California 1949. Bucks sound was given to him by Lucky White.
@@jars3n125 A 12-string set has two of each and the high E and B are unison and the standard gauge. A 12-string set is literally a Nashville set and a standard set meant for one guitar.
There’s a terrible curse that plagues guitar players once they reach the intermediate stage… I call it guitar course ad syndrome. Every guitar video you watch will be prefaced by an ad for a guitar course you don’t really need, taught by some random dude you wouldn’t want to ask directions from let alone teach you how to play guitar.
The solution is to start becoming a musician no later than early teens and most of the concepts on TH-cam will be 2nd nature by the time you are adult.
@@garysloan9793 this! TH-cam premium is like what... $20/ month for 4 accounts. Worth every penny. No ads on any devices, and you can actually lock the screen and keep listening. For that and Google music, It's awesome.
I‘m subscribed to Netflix, Prime Video and TH-cam. I would give up the first two way before the latter. Ad-free TH-cam is one of the best things in my life because you can actually focus on great content.
Total Game changer!!! I have 2 Telecaster Deluxes and did one with Stringjoy's Nashville tuning strings. OMG, this is the best advice I have been given in a looooong time! it is better than having a 12 string electric guitar!!!!!!!!! THANK YOU!!!!!!!!!!!!!!!
I'm old. Really. But back in the day, we frequently doubled the electric bass lines with a higher strung 6 string bass or the lower keys of an acoustic piano to give a fuller and complex sound to the bass lines. Love your teaching style sir, easy for us experienced players to immediqately comprehend. Thanks for a great video!
eah, tic tac bass was around too. Danelectro basses sounded great on top of the mix. Thanks for replying and keep up the good teaching!@@lt_johnmcclane
I've converted an old electric to Nashville tuning a couple of years ago and have kept her to that tuning ever since :-) What I totally like about this specific tuning is the fact that the string notes are all clustered in one octave, which yields droning effects (more notes playing at the same pitch at the same time) and chord structures (note groupings) similar to what one usually plays on keyboards.
If you're switching a guitar over to Nashville tuning be sure to set up your guitar: the bridge saddles may need to be adjusted to compensate for the different gauge strings you are using, and the truss rod may need an adjustment due to the change in tension
I totally stumbled onto this concept when I was in a hurry at the music store, and the guy behind the counter was stoned. He sold me a 12 string set and I didn’t realize it until I got home. I was recording acoustic, and it just dawned on me to string up a second guitar with the tiny strings and record two rhythm tracks. I kind of thought it might be this Nashville/high string thing I’d heard about for decades. Consulted the interwebs and, damned if it weren’t!
A band of mine back in the early 90's did a record with Producer Joe Hardy at Ardent Studio in Memphis. Joe had an interesting term for Nashville Tuning. He would say, "Rudy let's put some Angel Hair on this track. R.I.P. Joe. Thanks Rhett, as always, inspiring and educational!!
I've been playing almost 50 years too. I. Kept a 3rd guitar in open E because, well, you know...Leo Kottke. 😁 I have a Martin 12-string but almost never play it. I'm gravitating in my 'old age' toward acoustic blues so I play my much less expensive Fender 6-string. I always wanted to be Robin Trower but the hell with it. Hee hee. I'm me, and that's ok.
As a bassist who might need to play a little guitar to polish a song, this really works for me. One thing that sounds meh is 2 guitarists playing the same chord voicing. This allows me to play the same voicing bit sound different.
I played at church with some friends some time ago. We had two guitars and a mandolin. I thought it would be boring to just be the second guitar sound so I put my guitar into Nashville tuning. The other guys had never seen that before and it kinda blew their minds.
Much appreciate this! I‘m 60 and have been playing most of my life, but never dabbled in - or understood - what Nashville tuning is, and why one would want to use it. Your video was the perfect way to learn about this - also for acoustic guitar.
I've had a Nashville tuned guitar for years. Even the guys in the music shops didn't seem to know about the tuning. To the point where I almost wondered if I had actually read about it or dreamed it!
Yeah, me too, been using it for decades. Not sure it actually "belongs" to Nashville. They call the number system the "Nashville Number system", but it was around when Nashville was just a muddy flat by the river. They claim everything, a bit like the chinese, who claim to have invented everything.
Thanks for covering this, Rhett! I've been recording with my old Sigma acoustic strung exclusively with this method for over 20 years now, and I still love what it does for tracks. When doubled with a standard strung guitar on a strumming track, it makes the Nashville strung guitar sound more like it's part of the drum kit's hi-hats, especially if the two guitars are panned left-right. It really brightens the entire mix. Such a gorgeous sound! One point that I think is important to mention, however, is dedicating an acoustic guitar to string this way and then using only that guitar with this stringing. This is not a method where you re-string to Nashville for one session and then re-string back to normal afterwards, and back and forth. The reason is in the strings themselves... the bottom four strings will be much thinner than the standard strings they're replacing. Since your acoustic guitar's nut and bridge slots were cut to an appropriate depth and width for the thicker standard strings when the guitar was set up, the thinner replacement strings will sit lower in the slots, hence closer to the frets. This lower action on those four bottom strings not only feels awkward, it can often produce ugly buzzing as the lowered strings hit the frets. This means that you will need to shim the nut and/or the bridge, or have a new nut and bridge re-cut, to make the action even with the top two strings that don't get swapped out. When I first tried this stringing method back in 2000, I had the guitar tech at my local music store set up the guitar with this stringing for me because I didn't feel comfortable cutting the new nut and bridge myself. I also believed (rightly, as it turned out) that after a while the change in tension on the neck would require a truss rod adjustment. I still have the original nut and bridge in case I ever want to put the guitar back to its original state, though I seriously doubt I will ever want to. Anyway, I just wanted to make acoustic guitarists aware of this caveat. It's not much of a problem on most electric guitars because they have bridge/saddle height adjustments, so at worst you might have to re-cut a new nut or shim the existing one. I think you'll enjoy creating new soundscapes with this Nashville technique! Cheers!
the skinny strings might need a different tension than the normal string which will affect the straightness of the neck if the strings are whacking the frets, a hack could be to loosen the truss rod
Gosh, just sooo good and useful. I started Nashville experiments a year ago-ish. Bought a Guitar just for this, had it set up, nut, etc. Beautiful! Now to get learning the Mics the Interface, the FL Studio, the Canon M50, the Davinci Studio... Lol. On my way and 68 and never had more fun! You really help and inspire us all at every age. My awesome heartfelt thanks. Sam
Having played for over 55 years, i was of course aware of this tuning but, I always considered it a studio production technique. Thanks Rhett for opening this old brain up to seeing/hearing it as more than just a way to thicken the background. When you played the Emin11add9 I could visualize it's use up front for an intro or as a repeating hook. Thanks for your channel Rhett and for teaching an old dog a new trick!
As soon as i showed my wife this, she demanded one of the guitars always be strung this way. she was thrilled. girls in worship, especially, will love it. and then you do detuning against capos.... golden.
I am definitely going to try this out. Been playing guitar for over 40 years and never heard of Nashville tuning. Really appreciated you sharing this with us!
You probably are not a Nashville studio trivia nerd. I learned of this long ago but I am a nerd like that. Maybe I heard Wild Horses ( Stones) and learned one of the acoustics is in Nashville.
I've been playing for more than 50 years and never knew about this trick. I will be doing it on one of my extra guitars. I only started Alt Tunings about 5 or 6 years ago and fell in love with them. This one is going to be a no brainer!!! Thank you!!!!
Pink Floyd's "Hey You" tuning is very similar to this but uses a second high e in place of the octave up, making the A the lowest pitch. I tend to use that in place of Nashville and don’t really notice the lack of “bass”, especially when in a full mix.
I have an old Kent Metor tuned to Nashville tuning, it's a short scale so it has a really unique sound. It adds a texture to recordings that people can't quite put their finger on. Through a leslie or univibe it's like an organ.
Videos like this make me feel like I found something special. I am certainly going to do this on an old Squire II I learned on back in the 90s. Thanks!
Been playing for 40 years, didn't know about Nashville tuning. And I toured in a country band with live TV dates with well known musicians. You tube is great for seasoned and beginner musicians. Awesome video !
I’d heard of Nashville tuning before and knew it was tuned higher. Didn’t know it was by using 12 string guitar strings though! Think I might have to try this out some time.
Hi Rhett. I have a double neck SG and have replaced the 12 string neck with a 6 string neck. The top neck is the Nashville tuning. It saves time changing guitars and play through a Marshal AVT 150 on differing channels from the foot switch. Sounds amazing!
YOU ARE ABSOLUTELY RIGHT. I HAVE BEEN USING THIS TUNING FOR SEVERAL YEARS AND IT CREATES A NEW MUSICAL WORLD IN MY RECORDINGS. IT OPENS UP INCREIBLE CREATIVE VISTAS. KEEP UP THIS GOOD WORK.
Cool! I had heard of Nashville tuning before, but never took the time to learn what it was. Definitely going to do this with one of mine. Thanks Rhett!
I love having a Nashville-tuned guitar. For the last five years, I've played guitar for my church's modern worship special Christmas service. This year, I decided to have a Nashville-tuned guitar along with my other two electrics. I figured I'd use it on a song or two, but during our first rehearsal, I used it on all but two songs! It sits well in the mix for most songs. It's a gem!
It would have been a good aside to shoutout Pat Metheny's special "half Nashville" tuning which sounds incredible, as well as his usage of normal Nashville tuning!
I would recommend a seperate guitar with a nut cut for Nashville tuning if you like it. Start with a spare guitar like Rhett uses to see if you like it. If you want to keep a guitar is Nashville tuning you will want a specific guitar with a nut cut for the light strings. Also the neck will need a slight setup as there is less tension on the guitar neck. I ended up picking up a Epiphone Les Paul SL where I had a custom nut put on it and also replaced the stock wraparound bridge with a Wilkinson wraparound bridge for feel as my main Epi Les Paul (Les Paul Special in TV Yellow). Its just a preference thing. The new bridge did add some more frequencies that the original did not have. I chose the SL because it was the least expensive and best looking guitar (Turquoise with Ace hardware black knobs) with single coils. Sounds great, 80% of the sound is the neck pickup, the bridge pickup is just very bright to where all those high frequencies are battling each other. I woukd recommend a Telecaster or a Stratocaster for Nashville tuning as well.
@@peterwelsh1932 Stew Mac also makes a device that coverts regular guitars to slide guitars by going over the nut. But for Nashville tuning, a professional nut is the best.
@@gringogreen4719 I was making a joke, -BUTT you just reminded me: I’ve been buying those “zero-fret” conversion nuts for my guitars. Less than $20 a piece usually. CHECK THIS OUT: when you have a “Zero-Fret”, you don’t change the Nut Slots for different gauges! Yay! (I think I learned that from Stew Mac, et al) All that plus tone and tuning stability.
I used to play in an acoustic trio. I always arranged the guitar parts to spread the voicing out while keeping them all in standard tuning. For example, if a song is in G, I’d have one guitar play chord shapes with no capo, a second guitar playin capo 4 using shapes from the key of C, and a third guitar on capo 7 playing D chord shapes. With this guitar arrangement and three part harmonies, the sound was HUGE
Great idea. The sound would be huge. Like a lot of 80s metal bands had two guitars, the lead and the other playing a third or fifth above. Iron Maiden was maybe the best at this, but on acoustic I can imagine how epic your version would be. Are you on TH-cam? I wanna hear it.
@@ronsheehan Sorry to hear it, but that happens. I wish I had recordings of all the bands I played with. Anyway, love the description of your sound, I'll bet it was great.
I used to do this for our live shows back then before pandemic but the only pain in the neck was setting up the guitar because of the difference in string tensions. great video Rhett! and mother of nature! look at that beautiful guitars!
Maybe that's not right but I think it may be because the Lipstick pickups are just one large magnet and pick up whatever you throw at them equally. They're not made to be used with any particular gage or type of string... Don't know if it has any kind of truth, but just a thought !
Thank you! So many cool ideas running around in my head right now. Ordering a couple sets of high tuned strings to try it out on a spare acoustic guitar.
Yep. Unfortunately, this is what doomed my Nashville-tuned Tele... I loved jamming with it too much, so when that high G snapped, I put it back into standard. Currently soft looking for a sub-$100 Squier Tele to permanently put in Nashville tuning.
I've used it live. The last time I used it, I wasn't doing it to double the other guitarist. I used it to get some other sounds like a mandolin/bouzouki. Usually I would use a modal tuning and capo up for something like that but I had brought my Wechter Nashville along that day and decided to try it. It worked out pretty well. But, yeah, it's not something I use a lot.
One note: When you're playing a 12 string you aren't hitting the two strings at the same time. On the down stroke there is a slight delay (few ms) so if you added that 5 or 10ms delay to your regular guitar track it would open it up more and sound even more like a 12 string.
@@kennymacleod4085 did you calculate that with the speed of sound or the speed of your picking arm when strumming...? I think the delay we're talking about is between the two strings being struck.
This is unique feature ( at least at the time) for the Rickenbacker electric 12 string. The low string is on ' top' then the octave. Opposite of the standard acoustic 12
Good job. I have played guitar for 58 years, never heard of the Nashville tuning but I will try it on one of my guitars soon. Great video, thanks Rhett.
I grind Dan Electro guitars one of the ugliest. When they first came out they were a clear acrylic model. One of the first clear guitars kind of a little gimmicky, but I’ve never really liked them myself!
Right up my alley. I have several guitars set up in various tunings to break the monotony. I can definitely have fun with this. Yes I’m an intermediate player and always experimenting. My Daughter got me a banjo guitar and I’ve been having fun with that as well in standard guitar tuning.
I have a short scale electric that used to be my son's (he moved up to standard size) that needs some love. I tried tuning it up a fourth from A to A but having spent all these years with standard tuning I find myself having to think too much. Maybe this is what it needs though I wonder if I could get that high E up an octave too. Who makes an .006 string anyway? I know Billy Gibbons uses something like a .007 or .008 but have never seen them.
@@valvenator Octave4Plus makes .006 Gauge Strings & even thinner so let's go all the way up to Super High E Standard Tuning and yes they make wound versions too which will hold up better cause they're under less tension
I've read somewhere that it was born when a session rhythm player ran out of G strings and put on a first string tuned up to high G. He'd have liked it so much that eventually tried the same approach with the rest of the lower strings. Makes sense to me. I've used this tuning a lot in the past, mostly on acoustic guitars. Have used it to fake a 12 string electric, too. But I find the strings taken from a 12 string set are usually too light for my taste. A good trick is to use the first 4 strings from a (lighter) electric set. .010", .013", .017" and .026" work great on an acoustic set up for .012"s, for example. Excelent video anyway, Rhett. Keep them coming, cheers and best from Brazil.
Thank you, Rhett. Your explanations and demos have shown me the value of Nashville tuning better than anything else I've ever seen, heard, or read about it. Well done!!!
Love the Danelectro. They’re incredible guitars that show even plywood can make great solid bodies tonally. Might not be as comfortable as my RG or a regular non super strat but it sounds great.
@@kentl7228 pickups and electronics are the most important, bridge material, nut material, and string tension also affect the guitar's tone. the biggest thing that shapes your tone is your amp's speakers.
I've actually played something so perfectly twice before that for a couple seconds my two guitars lost their stereo image and became mono out of the speaker. I actually had to redo the take. It's never happened again.
That's pretty cool. Seems like the easy fix would be using two different mics, or tweaking the signal chain if electric, so that even if both parts were technical perfection, they'd still have subtly distinct characters. IDK, I just have a bunch of guitars and gear that I can't really use or play because I assumed that bring more deeply invested would have a motivational effect. It kinda did, but not the way I hoped; I just got great at buying guitars and gear. 😬🙃
I've been playing Nashville tuning for years. My favorite is Johnny Marr. William it Was Really Nothing, You Just Haven't Earned It Yet, Baby. So good.
@@spookerz35 totally! I always wondered how he got those intense jingle jangles in his stuff & knew it wasn't a 12 string. Nashville tuning was a real a-ha moment for me.
Have been jonesing after a small bodied acoustic for a Nashville strung guitar for many years. Those recordings you mentioned in the early 50's were mostly done at RCA by Chet Atkins. I remember reading in a Guitar Player magazine in the early 70's that it was he that created this Tuning. Either way, thanks for bringing it back into interest and I do hope many more players get on to it. Tapping anyone?
Wow 😮 never heard of this. So many possibilities sometimes it’s overwhelming. I can’t even make my normal tuning sound good most days. Think I’ll keep practicing that first 😂
@@musicboy2003 an offshoot of the Midwest emo scene. Dubbed “math rock” bc it tends to employ a lot of unconventional time signatures and alternate guitar tunings. “Never Meant” by American Football is good starter song if you’re interested
@@musicboy2003 Well you're in for a treat then! Math Rock is a roughly 25-ish year old genre, defined by bright intricate instrumental arrangements in odd time signatures. A good starter is if you search for the Japanese band "Toe" and look for a song called, "Path" . Absolutely astounding. The drummer in particular is mind blowing.
I'm impressed. Over 50 years of playing in bands and no one taught me this? And now that I'm moving more into home recording, this is incredible knowledge - I love the jingle jangle guitar sound and creating a beautiful sonic palette of sound. Thanks a billion Rhett!
I have my Variax set up with a kind of Baritone Nashville tuning - lowest 4 strings tuned 7 steps up, highest 2 tuned 5 steps down. Makes for some interesting results when double-tracked with a standard-tuned guitar.
Excellent suggestion...Ok so I had a Variax years ago and am trying to recall... with the Nashville tuning I could get a Variax, use the Monkey software and literally create this tuning and save it into a toggle switch position without needing to change any strings or have the guitar set up or get a new nut, etc., am I correct? (If I am then I presume this is how you obtained the BN tuning you mentioned :) )
@@rickmontgomery3037 or if you have one of the newer variaxes (I have a Standard and a JTV59) you can program alternate tunings like this on the guitar - no computer or software needed.
@@captainfruitbatify Thanks a bunch....since I left that post I've been researching Variax's and may just look into getting a Variax 500 or 600 (I think I used to have the 600), which appear now to be discontinued, so I'll have to go the used route.....the more expensive, current models are actually functioning stand-alone guitars, in addition to offering the modeled guitar sounds of course, so it appears the sound can be combined on those, which along with the finishes, better neck types, woods, etc., would explain the heftier cost -- i.e. you're actually getting two separately playable guitars in one (which in reality is a lot more than I really need at present; I'm just looking for the ability to create altered tunings like Nashville, plus use modeled sounds like I used to play; I remember the one I had had a great classic Strat sound in it, plus the acoustic models were ok, and I particularly liked the banjo sound). I must admit that I noticed one of the newer models has a roller selection knob consisting of alternate tunings, which would be ultra-handy in certain situations...oddly enough though, Nashville tuning doesn't appear to be one of them from what I noticed (but still, it could easily be programmed and saved on the 500 or 600 using the Workbench software (which I may have mistakenly referred to earlier as the Monkey software, unless they're the same thing lol)).
@@rickmontgomery3037 I have an old Variax 300 too. You are right - the older models can do the alternate tuning thing just like the new ones, but you have to use the workbench software to do it. If you buy one, make sure it includes the interface module for attaching to computer. I've seen a lo for sale that don't have this - it was an optional extra on some of the older models.
@@markbluemel9057 ?? "Comfortably Numb" isn't that difficult in standard tuning (Well, except for the solo) so why would you change it up? I got lucky with "Hey You" in that I learned pretty early about the tuning used from an old guitar magazine. I've seen many "transcriptions" through the years in standard tuning and they aren't even close to correct. Even on the rare occasions where they get the notes correct, it's impossible to get that flowing sound. One of these days I'll buy another guitar just for this tuning and finally learn to play it.
I've been playing guitar for around 50 years on & off, I've heard of Nashville tuning before, but never looked into it until today. I'm impressed. Big time. I need to re-string one of mine to do some experimenting with this. Thanks Rhett.
I have a Taylor GS-Mini that I keep in Nashville tuning. Face it, the Mini is a small guitar with not a lot of tone, but mine really sparkles as a high string guitar. It's fun to mess around on and it sounds great in the mix with a standard tuned guitar.
brilliant, another mystery unlocked and I can think of dozens of songs that probably employed this simple trick in the studio to add color and depth to the mix!!! Thankyou Rhett!!! RjK
Very nice job presenting this concept. Albert Lee introduced me to this years ago on a video he had done. Then he proceeded to play lead licks in that tuning and it was mind blowing! When you think a run is going to descend, it changes direction and goes up, and when you think it should go up, it goes down. All the notes are "right", but many have octave displacement. Crazy, but way cool!
Having a twelve string in the tropics would be a great wall hanging! All guitars have problems here. Micro climates every 1/4 mile in costa rica. Even if your in the same spot you have sun with low humidity one minute then cool slow moving fog, then high wind, changes to rain. Your guitars are shrinking and expanding and walking by themselves.
I took one of my acoustic guitars that had a belly hump, after repairing it, I converted it over to Nashville strung, with much less tension on the neck and guitar top ... it shouldn't hump again. I love the tone of the guitar and how that can dramatically change the voice of the chords. Besides alternate tunings, if you throw in Baritone Guitars and regular guitars tuned down to C sharp with heavy strings ... well, no one has an excuse to get bored or stale. Thanks for the vid Rhett ... I always enjoy them.
Definitely interesting, and something I’d like to try. As a more rock oriented player I think it would be useful. I have to wonder what a Nashville strung guitar and a baritone guitar would sound like?
I just put Stringjoy Nashvilles on my Baby Taylor. I haven't been playing that guitar much but that will change now. Love how the Nashville tuning sounds and it fits nicely with with the short scale and small body of the Baby Taylor.
"You can fake a 12 string, but you can do things a 12 string cannot do." Such as stay in tune, for instance.
feature not a bug
feature not a bug
Unless you were Glen Campbell as he was a monster on an electric 12-String.
But yeah, you totally make a great point.
You can't even GET in tune with a 12-string. With individual saddles on an electric, you can adjust the Nashville tuning for the high-pitched strings and they'll be in tune all up the fretboard, the way the others are. You can't do this on a 12 string, as both the low and high string go over the same saddle, so it's inherently not in tune when you fret them.
I see an opportunity for a 12-string with 12 adjustable saddles.
I have one of my 12s dropped to D Standard and it stays in tune much better than the E. Much less stress on the neck as well.
Nashville Tuning invented in 1946 by Lucky White and Leodie Jackson of Lucky White and His Dude Ranch Playboys while in Southwestern California. Lucky from Telephone, Texas and Leodie from Blocker Oklahoma. Lucky gave Buck Owens his first gig at the Ships Cafe' in El Monte California 1949. Bucks sound was given to him by Lucky White.
yep, true story
YES. Truth, he sure did!
Truth is, if you buy a 12-string pack for Nashville tuning, you get two sets in one-one for Nashville and one for standard.
only if you're not replacing the high E and B
@@jars3n125 Why do you say that?
@@andrewt248 because if you watched the video he says that he is keeping the same gauge strings for the high E and B.
@@jars3n125 A 12-string set has two of each and the high E and B are unison and the standard gauge. A 12-string set is literally a Nashville set and a standard set meant for one guitar.
...yeah, he says that in the video
There’s a terrible curse that plagues guitar players once they reach the intermediate stage… I call it guitar course ad syndrome. Every guitar video you watch will be prefaced by an ad for a guitar course you don’t really need, taught by some random dude you wouldn’t want to ask directions from let alone teach you how to play guitar.
@@garysloan9793 or a computer with ad block. Or an app with built in ad block haha
The solution is to start becoming a musician no later than early teens and most of the concepts on TH-cam will be 2nd nature by the time you are adult.
Dude, harshness on the extreme. Sign up for my course of course, totally.
@@garysloan9793 this! TH-cam premium is like what... $20/ month for 4 accounts. Worth every penny. No ads on any devices, and you can actually lock the screen and keep listening. For that and Google music, It's awesome.
I‘m subscribed to Netflix, Prime Video and TH-cam. I would give up the first two way before the latter. Ad-free TH-cam is one of the best things in my life because you can actually focus on great content.
Total Game changer!!! I have 2 Telecaster Deluxes and did one with Stringjoy's Nashville tuning strings. OMG, this is the best advice I have been given in a looooong time! it is better than having a 12 string electric guitar!!!!!!!!! THANK YOU!!!!!!!!!!!!!!!
I'm old. Really. But back in the day, we frequently doubled the electric bass lines with a higher strung 6 string bass or the lower keys of an acoustic piano to give a fuller and complex sound to the bass lines. Love your teaching style sir, easy for us experienced players to immediqately comprehend. Thanks for a great video!
I think that’s known as Tic-Tac bass. It’s basically like a baritone guitar that doubles the bass line
Yeah, tic tac bass was around too. Danelectro basses sounded great on top of the mix. Thanks for replying and keep up the good teaching!
eah, tic tac bass was around too. Danelectro basses sounded great on top of the mix. Thanks for replying and keep up the good teaching!@@lt_johnmcclane
As soon as you play that minor chord, immediate “Hey You”. 🙌🏼
I've converted an old electric to Nashville tuning a couple of years ago and have kept her to that tuning ever since :-)
What I totally like about this specific tuning is the fact that the string notes are all clustered in one octave, which yields droning effects (more notes playing at the same pitch at the same time) and chord structures (note groupings) similar to what one usually plays on keyboards.
If you're switching a guitar over to Nashville tuning be sure to set up your guitar: the bridge saddles may need to be adjusted to compensate for the different gauge strings you are using, and the truss rod may need an adjustment due to the change in tension
Set up deez nuts
@@bongjovi4928 did it take you a year to come up with that wicked burn?
Hahaha
I think the mindgoblin helped
I totally stumbled onto this concept when I was in a hurry at the music store, and the guy behind the counter was stoned. He sold me a 12 string set and I didn’t realize it until I got home. I was recording acoustic, and it just dawned on me to string up a second guitar with the tiny strings and record two rhythm tracks. I kind of thought it might be this Nashville/high string thing I’d heard about for decades. Consulted the interwebs and, damned if it weren’t!
A band of mine back in the early 90's did a record with Producer Joe Hardy at Ardent Studio in Memphis. Joe had an interesting term for Nashville Tuning. He would say, "Rudy let's put some Angel Hair on this track. R.I.P. Joe. Thanks Rhett, as always, inspiring and educational!!
I've had a washburn 12 string for 30 years that, I could never keep in tune so I just made it a six and it's great .I cant wait to try this.
How cool. Even after nearly 60 years of pkaying I still can learn something completely unexpected about guitars. Just subscribed.
Same. Can’t wait to try this out
I agree, actually never paid it no attention but I want try this out
I've been playing almost 50 years too. I. Kept a 3rd guitar in open E because, well, you know...Leo Kottke. 😁 I have a Martin 12-string but almost never play it. I'm gravitating in my 'old age' toward acoustic blues so I play my much less expensive Fender 6-string. I always wanted to be Robin Trower but the hell with it. Hee hee. I'm me, and that's ok.
I’m just 59-y-o and SO feel that too, Pete! 👍🏼
Wow. Been learning and playing on and off since 1974, and the learning never stops. This is by far the best I’ve seen.
As a bassist who might need to play a little guitar to polish a song, this really works for me. One thing that sounds meh is 2 guitarists playing the same chord voicing. This allows me to play the same voicing bit sound different.
I bought a Peavey bass for $70 at a thrift store in Waterbury, Connecticut.
@@Matthew_Eitzman Peavey basses are awesome...their guitars leave a little to be desired, but I don't think I've ever slapped a bad Peavey bass....
I paid more for the case ($120) than the bass. Cleaned it up and put new strings on it. It’s not great, but it’s not junk, either.
I played at church with some friends some time ago.
We had two guitars and a mandolin. I thought it would be boring to just be the second guitar sound so I put my guitar into Nashville tuning.
The other guys had never seen that before and it kinda blew their minds.
I will do that as well and not tell anyone.
@@walterkersting9922 lol
I play at my church and ima take a page from your book and blow them away. 🤘🏼
@@b.wiggins714 plays at church, posts the devil horns hand symbol
@@EdwinDekker71 only in your mind @Edwin Dekker
Much appreciate this! I‘m 60 and have been playing most of my life, but never dabbled in - or understood - what Nashville tuning is, and why one would want to use it. Your video was the perfect way to learn about this - also for acoustic guitar.
After 43 years of playing guitar and hearing all about Nashville tuning, I’m finally doing it and I love it.
I've had a Nashville tuned guitar for years. Even the guys in the music shops didn't seem to know about the tuning. To the point where I almost wondered if I had actually read about it or dreamed it!
Yeah, me too, been using it for decades. Not sure it actually "belongs" to Nashville. They call the number system the "Nashville Number system", but it was around when Nashville was just a muddy flat by the river. They claim everything, a bit like the chinese, who claim to have invented everything.
Thanks for covering this, Rhett! I've been recording with my old Sigma acoustic strung exclusively with this method for over 20 years now, and I still love what it does for tracks. When doubled with a standard strung guitar on a strumming track, it makes the Nashville strung guitar sound more like it's part of the drum kit's hi-hats, especially if the two guitars are panned left-right. It really brightens the entire mix. Such a gorgeous sound!
One point that I think is important to mention, however, is dedicating an acoustic guitar to string this way and then using only that guitar with this stringing. This is not a method where you re-string to Nashville for one session and then re-string back to normal afterwards, and back and forth. The reason is in the strings themselves... the bottom four strings will be much thinner than the standard strings they're replacing. Since your acoustic guitar's nut and bridge slots were cut to an appropriate depth and width for the thicker standard strings when the guitar was set up, the thinner replacement strings will sit lower in the slots, hence closer to the frets. This lower action on those four bottom strings not only feels awkward, it can often produce ugly buzzing as the lowered strings hit the frets. This means that you will need to shim the nut and/or the bridge, or have a new nut and bridge re-cut, to make the action even with the top two strings that don't get swapped out. When I first tried this stringing method back in 2000, I had the guitar tech at my local music store set up the guitar with this stringing for me because I didn't feel comfortable cutting the new nut and bridge myself. I also believed (rightly, as it turned out) that after a while the change in tension on the neck would require a truss rod adjustment. I still have the original nut and bridge in case I ever want to put the guitar back to its original state, though I seriously doubt I will ever want to. Anyway, I just wanted to make acoustic guitarists aware of this caveat. It's not much of a problem on most electric guitars because they have bridge/saddle height adjustments, so at worst you might have to re-cut a new nut or shim the existing one.
I think you'll enjoy creating new soundscapes with this Nashville technique! Cheers!
Alternatively tune down and capo? That removes the nut issues entirely.
Thanks for this. My Nashville strings keep snapping when using them on an acoustic I set aside for it, so maybe a setup would help matters. Cheers!
Very helpful, thank you!
the skinny strings might need a different tension than the normal string
which will affect the straightness of the neck
if the strings are whacking the frets, a hack could be to loosen the truss rod
Gosh, just sooo good and useful. I started Nashville experiments a year ago-ish. Bought a Guitar just for this, had it set up, nut, etc. Beautiful!
Now to get learning the Mics the Interface, the FL Studio, the Canon M50, the Davinci Studio... Lol. On my way and 68 and never had more fun! You really help and inspire us all at every age. My awesome heartfelt thanks. Sam
Why did you decide to go with FL?
as a metal guy, this just opened a whole new world. im excited to set one up like this and play with it. thanks for the info!
You should check out Rebel Meets Rebel. It's Pantera, minus Phil Anselmo, plus David Allen Coe
I've been doin' this "split 12 string thing", and turning other guitarists onto it for decades. Thanks for covering it!
Yep! 👍🏻
Having played for over 55 years, i was of course aware of this tuning but, I always considered it a studio production technique. Thanks Rhett for opening this old brain up to seeing/hearing it as more than just a way to thicken the background. When you played the Emin11add9 I could visualize it's use up front for an intro or as a repeating hook. Thanks for your channel Rhett and for teaching an old dog a new trick!
As soon as i showed my wife this, she demanded one of the guitars always be strung this way. she was thrilled. girls in worship, especially, will love it. and then you do detuning against capos.... golden.
I am definitely going to try this out. Been playing guitar for over 40 years and never heard of Nashville tuning. Really appreciated you sharing this with us!
I really think we missed a golden opportunity to name your course "FRHETTboard Fundamentals"... can't win 'em all!
This is genius, Rhett please change it
@@drdre4397 ...ditto !!!!!
Yes
Surprised he didn’t think of that. Maybe he did but thought it was too cheesy. I think it’s brilliant.
I'd like to add to that....FundamentSHULLs....
Why would anybody thumbs down this video? Thank you for your time! Learned something new!!
How have I not tried this after 32 years of playing. I will be trying this!
You probably are not a Nashville studio trivia nerd. I learned of this long ago but I am a nerd like that. Maybe I heard Wild Horses ( Stones) and learned one of the acoustics is in Nashville.
Just went for it with an acoustic. Interesting! Very sparkly.
I've come across it before but never tried it on one of my own guitars.
Also, your explanation is the best I've heard yet. 👍
I've been playing for more than 50 years and never knew about this trick. I will be doing it on one of my extra guitars. I only started Alt Tunings about 5 or 6 years ago and fell in love with them. This one is going to be a no brainer!!! Thank you!!!!
Pink Floyd's "Hey You" tuning is very similar to this but uses a second high e in place of the octave up, making the A the lowest pitch. I tend to use that in place of Nashville and don’t really notice the lack of “bass”, especially when in a full mix.
Same here! I keep an acoustic strung that way in my studio. You can even get a mandolin type sound if used with a capo a few frets up.
Great tip cheers.
Ahhhb that’s a move. Thanks for that
Didn’t know that Pete, thanks for the suggestion.
Are you in this tuning on the video you have called ideas?
Would you please clarify what that tuning is?
Do you replace only the low E with a high E? Do you change out any of the other strings?
I did this one of my guitars and also to a 6 string guitar banjo, it is one of my favorite writing recording tools!
If I had a guitar for every tuning that you recommend, I'd be flat broke 😂🤣😂
Flat broke, but happy. Most of my guitars stay in flat broke tuning. My next song is going to be titled flat broke mounting.....
On average, half of them should be sharp broke...
@@koda1960 💀
I used to use too many tunings but they were sorta in 'families' like all rhe drop D tunings on one guitar, all rhe LowC together etc
Ryan, then you can do some flat pickin 😁
Absolutely going to do this. I'm 63 been playing since I was 8 and never thought about this. Thanks Rhett.
I have an old Kent Metor tuned to Nashville tuning, it's a short scale so it has a really unique sound. It adds a texture to recordings that people can't quite put their finger on. Through a leslie or univibe it's like an organ.
Between Rhett's video and your comment, I'm extremely inspired... I'm going to get into this Nashville tuning thing!!
Wow…haven’t heard anyone mention a Kent anything since I started playing. Yeah, I’m an old fart! Do you have a video of it???
That's really cool!😎👍✨
Man, I’d really like to hear what that sounds like! Any examples you can point to?
Videos like this make me feel like I found something special. I am certainly going to do this on an old Squire II I learned on back in the 90s. Thanks!
Rhett, I just want to say I love your bass lines in your song mixes
Been playing for 40 years, didn't know about Nashville tuning. And I toured in a country band with live TV dates
with well known musicians. You tube is great for seasoned and beginner musicians. Awesome video !
I’d heard of Nashville tuning before and knew it was tuned higher. Didn’t know it was by using 12 string guitar strings though! Think I might have to try this out some time.
Hi Rhett. I have a double neck SG and have replaced the 12 string neck with a 6 string neck. The top neck is the Nashville tuning. It saves time changing guitars and play through a Marshal AVT 150 on differing channels from the foot switch. Sounds amazing!
YOU ARE ABSOLUTELY RIGHT. I HAVE BEEN USING THIS TUNING FOR SEVERAL YEARS AND IT CREATES A NEW MUSICAL WORLD IN MY RECORDINGS. IT OPENS UP INCREIBLE CREATIVE VISTAS. KEEP UP THIS GOOD WORK.
Cool! I had heard of Nashville tuning before, but never took the time to learn what it was. Definitely going to do this with one of mine. Thanks Rhett!
I love having a Nashville-tuned guitar. For the last five years, I've played guitar for my church's modern worship special Christmas service. This year, I decided to have a Nashville-tuned guitar along with my other two electrics. I figured I'd use it on a song or two, but during our first rehearsal, I used it on all but two songs! It sits well in the mix for most songs. It's a gem!
It would have been a good aside to shoutout Pat Metheny's special "half Nashville" tuning which sounds incredible, as well as his usage of normal Nashville tuning!
...half Nashville "baritone"!!...just saying!!
I had no knowledge of Nashville tuning until I watched this video. I can see using this on my church worship team. Thank you, Rhett.
I would recommend a seperate guitar with a nut cut for Nashville tuning if you like it. Start with a spare guitar like Rhett uses to see if you like it.
If you want to keep a guitar is Nashville tuning you will want a specific guitar with a nut cut for the light strings. Also the neck will need a slight setup as there is less tension on the guitar neck. I ended up picking up a Epiphone Les Paul SL where I had a custom nut put on it and also replaced the stock wraparound bridge with a Wilkinson wraparound bridge for feel as my main Epi Les Paul (Les Paul Special in TV Yellow). Its just a preference thing. The new bridge did add some more frequencies that the original did not have. I chose the SL because it was the least expensive and best looking guitar (Turquoise with Ace hardware black knobs) with single coils. Sounds great, 80% of the sound is the neck pickup, the bridge pickup is just very bright to where all those high frequencies are battling each other. I woukd recommend a Telecaster or a Stratocaster for Nashville tuning as well.
Or throw a Grover “Perfect Nut” over your Nut now and never worry about setup or nothin’ ever again😹
@@peterwelsh1932
Stew Mac also makes a device that coverts regular guitars to slide guitars by going over the nut. But for Nashville tuning, a professional nut is the best.
@@gringogreen4719 I was making a joke, -BUTT you just reminded me: I’ve been buying those “zero-fret” conversion nuts for my guitars. Less than $20 a piece usually. CHECK THIS OUT: when you have a “Zero-Fret”, you don’t change the Nut Slots for different gauges! Yay! (I think I learned that from Stew Mac, et al) All that plus tone and tuning stability.
@@peterwelsh1932
No nuts to butts here!😄
I knew you were Joshing me!
So cool ! I have a guitar tuned in Nashville and i love it. It really does a difference in arrangements .Good point, Rhett !
I used to play in an acoustic trio. I always arranged the guitar parts to spread the voicing out while keeping them all in standard tuning. For example, if a song is in G, I’d have one guitar play chord shapes with no capo, a second guitar playin capo 4 using shapes from the key of C, and a third guitar on capo 7 playing D chord shapes. With this guitar arrangement and three part harmonies, the sound was HUGE
Great idea. The sound would be huge. Like a lot of 80s metal bands had two guitars, the lead and the other playing a third or fifth above. Iron Maiden was maybe the best at this, but on acoustic I can imagine how epic your version would be. Are you on TH-cam? I wanna hear it.
@@jamiecowan170 this group is long gone. It actually predates TH-cam. If there are any recordings, I certainly don’t have them
@@ronsheehan Sorry to hear it, but that happens. I wish I had recordings of all the bands I played with. Anyway, love the description of your sound, I'll bet it was great.
Yes to all of this. Appreciate your comments on chord voicings in Nashville tuning. 'Angel hair' is perfect.
I used to do this for our live shows back then before pandemic but the only pain in the neck was setting up the guitar because of the difference in string tensions. great video Rhett! and mother of nature! look at that beautiful guitars!
The hard panned L/R Nashville tuning using electric x 2 with ambient effects ... v.useful production technique, thanks Rhett!
I don’t know what it is but tuning danelectros differently just sounds the best for some reason
Maybe that's not right but I think it may be because the Lipstick pickups are just one large magnet and pick up whatever you throw at them equally. They're not made to be used with any particular gage or type of string... Don't know if it has any kind of truth, but just a thought !
This video is brought to you by Danelectro
Zep's Kashmir comes to mind
Thank you! So many cool ideas running around in my head right now. Ordering a couple sets of high tuned strings to try it out on a spare acoustic guitar.
What I feel with my Nashville-tuned guitar, is that it’s truly a studio tool (and a great one!) rather than a live or jam instrument
Yep. Unfortunately, this is what doomed my Nashville-tuned Tele... I loved jamming with it too much, so when that high G snapped, I put it back into standard. Currently soft looking for a sub-$100 Squier Tele to permanently put in Nashville tuning.
I've used it live. The last time I used it, I wasn't doing it to double the other guitarist. I used it to get some other sounds like a mandolin/bouzouki. Usually I would use a modal tuning and capo up for something like that but I had brought my Wechter Nashville along that day and decided to try it. It worked out pretty well. But, yeah, it's not something I use a lot.
Love the Nashville tuning. When a song needs an extra sprinkle of magic I use my Nashville tuning guitar. ❤
One note: When you're playing a 12 string you aren't hitting the two strings at the same time. On the down stroke there is a slight delay (few ms) so if you added that 5 or 10ms delay to your regular guitar track it would open it up more and sound even more like a 12 string.
If he's not quantizing there's going to be a tiny bit of difference in the timing in the overdub after all
Good point. I believe 12-string simulator pedals add an upper octave to the lower mids as well as a slight delay.
@@kennymacleod4085 did you calculate that with the speed of sound or the speed of your picking arm when strumming...? I think the delay we're talking about is between the two strings being struck.
What if you play with your fingers?
This is unique feature ( at least at the time) for the Rickenbacker electric 12 string. The low string is on ' top' then the octave. Opposite of the standard acoustic 12
Good job. I have played guitar for 58 years, never heard of the Nashville tuning but I will try it on one of my guitars soon. Great video, thanks Rhett.
That Danelectro is sick and sounds it.
I grind Dan Electro guitars one of the ugliest. When they first came out they were a clear acrylic model. One of the first clear guitars kind of a little gimmicky, but I’ve never really liked them myself!
Right up my alley.
I have several guitars set up in various tunings to break the monotony.
I can definitely have fun with this.
Yes I’m an intermediate player and always experimenting.
My Daughter got me a banjo guitar and I’ve been having fun with that as well in standard guitar tuning.
There's now New Nashville Tuning, it's an updated version of Nashville Tuning where the B String has been replaced w/ an Octave4Plus .006 Gauge High B
I have a short scale electric that used to be my son's (he moved up to standard size) that needs some love.
I tried tuning it up a fourth from A to A but having spent all these years with standard tuning I find myself having to think too much.
Maybe this is what it needs though I wonder if I could get that high E up an octave too.
Who makes an .006 string anyway? I know Billy Gibbons uses something like a .007 or .008 but have never seen them.
@@valvenator Octave4Plus makes .006 Gauge Strings & even thinner so let's go all the way up to Super High E Standard Tuning and yes they make wound versions too which will hold up better cause they're under less tension
I've known of Nashville tuning for a long time but never knew exactly what it was. Thanks for explaining it so well.
I've read somewhere that it was born when a session rhythm player ran out of G strings and put on a first string tuned up to high G.
He'd have liked it so much that eventually tried the same approach with the rest of the lower strings. Makes sense to me.
I've used this tuning a lot in the past, mostly on acoustic guitars. Have used it to fake a 12 string electric, too.
But I find the strings taken from a 12 string set are usually too light for my taste.
A good trick is to use the first 4 strings from a (lighter) electric set.
.010", .013", .017" and .026" work great on an acoustic set up for .012"s, for example.
Excelent video anyway, Rhett. Keep them coming, cheers and best from Brazil.
Great lesson sir. I have heard this jangling tone so many times in so many songs and not realized the trick, but it makes so much sense now!
I love that Danelectro. It doesn't get better than orange sparkle! Thanks for the video Rhett!
Thank you, Rhett. Your explanations and demos have shown me the value of Nashville tuning better than anything else I've ever seen, heard, or read about it. Well done!!!
Love the Danelectro. They’re incredible guitars that show even plywood can make great solid bodies tonally. Might not be as comfortable as my RG or a regular non super strat but it sounds great.
They’re also a bargain. I have a purple sparkle 12 string that I bought used for $300. Plays and sounds fantastic.
yeah because tonewood is a myth
@@averyplaysguitar yup. It is all about the pickups.
@@kentl7228 pickups and electronics are the most important, bridge material, nut material, and string tension also affect the guitar's tone. the biggest thing that shapes your tone is your amp's speakers.
I switched one of my acoustics over. It's never going back. Thanks for the inspiration, Rhett.
I've actually played something so perfectly twice before that for a couple seconds my two guitars lost their stereo image and became mono out of the speaker. I actually had to redo the take. It's never happened again.
i did that several times the last time i was recording, and they complained about it
@@tinnitusthenight5545 not necessarily a brag. in my case the music i was recording was super simple. i can't claim any note worthy talent
That's pretty cool.
Seems like the easy fix would be using two different mics, or tweaking the signal chain if electric, so that even if both parts were technical perfection, they'd still have subtly distinct characters.
IDK, I just have a bunch of guitars and gear that I can't really use or play because I assumed that bring more deeply invested would have a motivational effect. It kinda did, but not the way I hoped; I just got great at buying guitars and gear. 😬🙃
Perfect timing! Earlier this week a friend asked me if I used Nashville tuning!
I've been playing Nashville tuning for years. My favorite is Johnny Marr. William it Was Really Nothing, You Just Haven't Earned It Yet, Baby. So good.
Johnny is a legend!
@@spookerz35 totally! I always wondered how he got those intense jingle jangles in his stuff & knew it wasn't a 12 string. Nashville tuning was a real a-ha moment for me.
50 years of guitar playing - first I've seen this. Thanks!!
Great video Rhett! I’m totally gonna try this on one of my electric guitars 🤘🏻💜
I want to get another tele and do it myself
Great video rhett . Daves gonna try it on one of his electric guitars.
Thanks Rhett Ive been a player for over 55 years and you just showed me a new thing . Going to change one guitar over . Cheers
Have been jonesing after a small bodied acoustic for a Nashville strung guitar for many years. Those recordings you mentioned in the early 50's were mostly done at RCA by Chet Atkins. I remember reading in a Guitar Player magazine in the early 70's that it was he that created this Tuning. Either way, thanks for bringing it back into interest and I do hope many more players get on to it. Tapping anyone?
Yep . I tuned 1 to D standard after watching your other video. Now one in Nashville tuning. I subscribed after the first vidio . Thanx .
Wow 😮 never heard of this. So many possibilities sometimes it’s overwhelming. I can’t even make my normal tuning sound good most days. Think I’ll keep practicing that first 😂
Rhett, I really enjoyed this video. I don't normally like alternate tuning but this really does make some good sense. Thank you for showing us.
I'd love to see someone try this out with big sparkly Math Rock chords & lead parts.
My immediate thought with that first chord he strummed lol
I’ve never heard the term Math Rock before. Please define, thanks!
@@musicboy2003 an offshoot of the Midwest emo scene. Dubbed “math rock” bc it tends to employ a lot of unconventional time signatures and alternate guitar tunings. “Never Meant” by American Football is good starter song if you’re interested
@@musicboy2003 Well you're in for a treat then! Math Rock is a roughly 25-ish year old genre, defined by bright intricate instrumental arrangements in odd time signatures. A good starter is if you search for the Japanese band "Toe" and look for a song called, "Path" . Absolutely astounding. The drummer in particular is mind blowing.
My mind is going toward doom metal
I like it! I had never heard of it. First thing I did after watching this video was ordering a set of strings for Nashville tuning.
I'm impressed. Over 50 years of playing in bands and no one taught me this? And now that I'm moving more into home recording, this is incredible knowledge - I love the jingle jangle guitar sound and creating a beautiful sonic palette of sound. Thanks a billion Rhett!
Yep, I'm gonna play with that. I love getting new sounds. Thanks, Rhett
I have my Variax set up with a kind of Baritone Nashville tuning - lowest 4 strings tuned 7 steps up, highest 2 tuned 5 steps down. Makes for some interesting results when double-tracked with a standard-tuned guitar.
Excellent suggestion...Ok so I had a Variax years ago and am trying to recall... with the Nashville tuning I could get a Variax, use the Monkey software and literally create this tuning and save it into a toggle switch position without needing to change any strings or have the guitar set up or get a new nut, etc., am I correct? (If I am then I presume this is how you obtained the BN tuning you mentioned :) )
@@rickmontgomery3037 exactly right.
@@rickmontgomery3037 or if you have one of the newer variaxes (I have a Standard and a JTV59) you can program alternate tunings like this on the guitar - no computer or software needed.
@@captainfruitbatify Thanks a bunch....since I left that post I've been researching Variax's and may just look into getting a Variax 500 or 600 (I think I used to have the 600), which appear now to be discontinued, so I'll have to go the used route.....the more expensive, current models are actually functioning stand-alone guitars, in addition to offering the modeled guitar sounds of course, so it appears the sound can be combined on those, which along with the finishes, better neck types, woods, etc., would explain the heftier cost -- i.e. you're actually getting two separately playable guitars in one (which in reality is a lot more than I really need at present; I'm just looking for the ability to create altered tunings like Nashville, plus use modeled sounds like I used to play; I remember the one I had had a great classic Strat sound in it, plus the acoustic models were ok, and I particularly liked the banjo sound). I must admit that I noticed one of the newer models has a roller selection knob consisting of alternate tunings, which would be ultra-handy in certain situations...oddly enough though, Nashville tuning doesn't appear to be one of them from what I noticed (but still, it could easily be programmed and saved on the 500 or 600 using the Workbench software (which I may have mistakenly referred to earlier as the Monkey software, unless they're the same thing lol)).
@@rickmontgomery3037 I have an old Variax 300 too. You are right - the older models can do the alternate tuning thing just like the new ones, but you have to use the workbench software to do it. If you buy one, make sure it includes the interface module for attaching to computer. I've seen a lo for sale that don't have this - it was an optional extra on some of the older models.
Nice! I've been playing for a good 50 yrs and have never heard of this. Definitely going to check it out.
The secret to playing ‘Hey You’ by Floyd. People try all day with their capos and equations scribbled on chalkboards. This is the way.
And Comfortably Numb...
@@markbluemel9057 ?? "Comfortably Numb" isn't that difficult in standard tuning (Well, except for the solo) so why would you change it up? I got lucky with "Hey You" in that I learned pretty early about the tuning used from an old guitar magazine. I've seen many "transcriptions" through the years in standard tuning and they aren't even close to correct. Even on the rare occasions where they get the notes correct, it's impossible to get that flowing sound. One of these days I'll buy another guitar just for this tuning and finally learn to play it.
I've been playing guitar for around 50 years on & off, I've heard of Nashville tuning before, but never looked into it until today. I'm impressed. Big time. I need to re-string one of mine to do some experimenting with this. Thanks Rhett.
I have a Taylor GS-Mini that I keep in Nashville tuning. Face it, the Mini is a small guitar with not a lot of tone, but mine really sparkles as a high string guitar. It's fun to mess around on and it sounds great in the mix with a standard tuned guitar.
brilliant, another mystery unlocked and I can think of dozens of songs that probably employed this simple trick in the studio to add color and depth to the mix!!!
Thankyou Rhett!!!
RjK
Jumping Jack Flash
This sounds amazing didn't know that it could be used other than doubling parts
Hello, you are the first to make this clear to me and I'm running with it--it sounds really great. Thank you! JP
After watching this, definitely going to set up one electric and one acoustic in Nashville tuning. Thanks a million, Rhett, great lesson! 👍
Very nice job presenting this concept. Albert Lee introduced me to this years ago on a video he had done. Then he proceeded to play lead licks in that tuning and it was mind blowing! When you think a run is going to descend, it changes direction and goes up, and when you think it should go up, it goes down. All the notes are "right", but many have octave displacement. Crazy, but way cool!
Yes , second guitar going into Nashville tuning asap. Now off to the store for strings....Thanks for showing this to us !
Having a twelve string in the tropics would be a great wall hanging! All guitars have problems here. Micro climates every 1/4 mile in costa rica. Even if your in the same spot you have sun with low humidity one minute then cool slow moving fog, then high wind, changes to rain. Your guitars are shrinking and expanding and walking by themselves.
I took one of my acoustic guitars that had a belly hump, after repairing it, I converted it over to Nashville strung, with much less tension on the neck and guitar top ... it shouldn't hump again. I love the tone of the guitar and how that can dramatically change the voice of the chords. Besides alternate tunings, if you throw in Baritone Guitars and regular guitars tuned down to C sharp with heavy strings ... well, no one has an excuse to get bored or stale. Thanks for the vid Rhett ... I always enjoy them.
Definitely interesting, and something I’d like to try. As a more rock oriented player I think it would be useful. I have to wonder what a Nashville strung guitar and a baritone guitar would sound like?
Great explanation of the why's as opposed to just the how's. I learned a lot that I did not know here today. You earned a sub. Thanks.
When you start experimenting with voicings like maj7, or m7add9, or a m11/maj13, things really start getting interesting in Nashville tuning
I just put Stringjoy Nashvilles on my Baby Taylor. I haven't been playing that guitar much but that will change now. Love how the Nashville tuning sounds and it fits nicely with with the short scale and small body of the Baby Taylor.