If you’d make an course on mixing like a big one I would buy 100% and tell my class about it. Thanks allot for the content, ur the only one teaching us the real shit with good quality examples. Theee goaaatttttt
Thanks for making this - in your next video about Gold Clip, can you PLEASE explain in detail "what to listen for in the DELTA signal"? -obviously we're going to hear the tips of transients which have been clipped, but "what" are we listening to/for exactly in the delta signal? (what specifically is a "GOOD" delta sound? - THAT would be an awesome thing to cover in yr next video! 🤗)
i love youur videos and i know you from soundbetter:) amazing to have you on youtube omg. thank you. and do I put the gold clip right before my ozone maximizer? finally a great engineer on youtube omg. sell a course I m buying.
This is all good, but the most important thing 90% miss is eliminating the information in the mix that is not relevant (makes mix boxy, dull, not larger than life etc.) and destroys all future attempts to push your mix to the limits in mastering etc. Yes, low end, O.K. it's obvious like an elefant in the room, but the big thing is eliminating the massive amounts of low - mids on every tracks (maybe one element, track or two are exceptions, it deppends on the frequency structure of the track...) so you have the space then for your mix to explode in the mastering stages. You don't eliminate them 100% but "you set the stage" (having belanced moves of course between elements so they work together) with all the tracks for boosting that stage (where 99% of the music is: from approx. 100HZ up to approx. 2KHZ) in mastering with analog hardware gear, mastering plug ins, saturation etc. You can squeeze max. out of your expensive gear rader than just playing the elimination game that could be played with 10$ software ... O.K. enough, this one is for free for all the guys that struggle, but I'm not going to give away more, it was too much try and error for more than 20 years. It's counterintuitive when you see it what the pro mixers are doing (it would blow your mind what kind of radical moves are happening...) but it's a game changer in the end making a difference between an average producer, mixer and a pro level guy. Space (for loudness etc.) the final frontier, haha.
Great addition, thank you! Absolutely. It’s crucial to get it right at the source rather than 'fixing' things later, as this approach yields the best results in mastering.
Obviously u can't achieve a 0 true peak with analogue limiter, so what u put after ur gear when u come back into the daw? After my bettermaker2.0 i always put a proL2 like if it was a clipper(super low attack and super fast release) without increasing gain.
No, it indeed doesn’t do true peak limiting to 0. If you want that, a simple limiter after coming back in the DAW can be a great way to go, for example, the Ozone Maximizer. However, it’s all project-dependent, so it can differ per session.
@@thismixissick ive seen many mastering of EDM track at +1.8 true peak... And I'm taking about Luca pretolesi's mastering... Then I don't know if it so necessary works on true peak if u master on analogue gear... After my BM 2.0 true peak when I push significantly it always+1.2 /1.5... rms 3 Lufs 4
yea i think gold clip would be a great alternative to fl studios sh*tty soft clipper, just the price but🥲 thanks for the tips bro! they truly are GOLDEN tips😂
Only engineer i follow for mastering on ableton now. I watched the fader pro course it was amazing. My new bible. Thank you for everything 🙏
Thank you! Great you’ve enjoyed the new Faderpro course!
If you’d make an course on mixing like a big one I would buy 100% and tell my class about it. Thanks allot for the content, ur the only one teaching us the real shit with good quality examples. Theee goaaatttttt
Thanks so much man. Great to hear! Keep an eye out, as there’s a new super in-depth course coming up together with Faderpro.
Awesome Bram! Thanks for the lessons.
You’re so welcome!
Top Mastering Content Bro ! Really enjoyed and learned alot from your faderpro masterclass ! Please keep making content , your channel is a gem!
Great to hear, thank you! You’ll definitely love the new upcoming course with Faderpro then, keep an eye out!
Thanks for making this - in your next video about Gold Clip, can you PLEASE explain in detail "what to listen for in the DELTA signal"?
-obviously we're going to hear the tips of transients which have been clipped, but "what" are we listening to/for exactly in the delta signal? (what specifically is a "GOOD" delta sound? - THAT would be an awesome thing to cover in yr next video! 🤗)
100% sounds like a great plan! I’ll make sure to do a delta dedicated video soon!
@@thismixissick awesome, can't wait! 🤗
Great video bro ❤ hope your next tutorial course on fader pro is more out the box work flow 👍🏽
Most viewers use plugins, so it’s gathered to them. However, I would love to do more analog mastering videos on here for you!
i love youur videos and i know you from soundbetter:) amazing to have you on youtube omg. thank you. and do I put the gold clip right before my ozone maximizer? finally a great engineer on youtube omg. sell a course I m buying.
Thank you! Feels great to be here. Go time! Yes, that’s where it’ll perform great.
@@thismixissick Thank you. i m seriously looking forward your course. I will be patiently waiting.
New course coming up soon with Faderpro!
+1 for Gold Clip video
A gold clip vid would be great.
Sounds like a plan!
This is all good, but the most important thing 90% miss is eliminating the information in the mix that is not relevant (makes mix boxy, dull, not larger than life etc.) and destroys all future attempts to push your mix to the limits in mastering etc. Yes, low end, O.K. it's obvious like an elefant in the room, but the big thing is eliminating the massive amounts of low - mids on every tracks (maybe one element, track or two are exceptions, it deppends on the frequency structure of the track...) so you have the space then for your mix to explode in the mastering stages. You don't eliminate them 100% but "you set the stage" (having belanced moves of course between elements so they work together) with all the tracks for boosting that stage (where 99% of the music is: from approx. 100HZ up to approx. 2KHZ) in mastering with analog hardware gear, mastering plug ins, saturation etc. You can squeeze max. out of your expensive gear rader than just playing the elimination game that could be played with 10$ software ... O.K. enough, this one is for free for all the guys that struggle, but I'm not going to give away more, it was too much try and error for more than 20 years. It's counterintuitive when you see it what the pro mixers are doing (it would blow your mind what kind of radical moves are happening...) but it's a game changer in the end making a difference between an average producer, mixer and a pro level guy. Space (for loudness etc.) the final frontier, haha.
Great addition, thank you! Absolutely. It’s crucial to get it right at the source rather than 'fixing' things later, as this approach yields the best results in mastering.
Thanks! Do you like the Carnaby HE2 in mastering?
No, I love it!
Thanks for the great tips...cheers
Happy you’re enjoying them!
19:16 glaad i wasnt using headphones.. please be careful, i almost jumped and i was on my speakers.
Otherwise great content here, subscribed.
Glad too, I’ll keep an eye out on it!
Obviously u can't achieve a 0 true peak with analogue limiter, so what u put after ur gear when u come back into the daw? After my bettermaker2.0 i always put a proL2 like if it was a clipper(super low attack and super fast release) without increasing gain.
No, it indeed doesn’t do true peak limiting to 0. If you want that, a simple limiter after coming back in the DAW can be a great way to go, for example, the Ozone Maximizer. However, it’s all project-dependent, so it can differ per session.
@@thismixissick ive seen many mastering of EDM track at +1.8 true peak... And I'm taking about Luca pretolesi's mastering... Then I don't know if it so necessary works on true peak if u master on analogue gear... After my BM 2.0 true peak when I push significantly it always+1.2 /1.5... rms 3 Lufs 4
Absolutely, and it sounds excellent when done that way. However, you don’t always want tracks to hit over 0.
Lots of guys are hitting -2 these days
If you can get there with no distortion fair play
100%
yea i think gold clip would be a great alternative to fl studios sh*tty soft clipper, just the price but🥲
thanks for the tips bro! they truly are GOLDEN tips😂
Orange clip is actually inspired by the FL clipper. Worth checking out!
@@thismixissick really? i had no idea lol, i probs will give a look at it, as i think FL clipper is a little harsh