I always stun my music teacher with those polyrhythms, even just air drumming. The big genius I see in the outro is how it all becomes one brutal force of power and how it builds to the continuous run, then to another phase. It goes for 4 minutes, in 4 different sections, each with different ideas. The outro is like savage judgment for sin in four forms. My aunt liked how Burden and Porcelain told stories, even though she didn't enjoy Watershed's harsh vocals. All O albums tell a story.
I've pulled all of Traced in Air onto my channel. It's much less heavy, but still the same Cynic in everything else. How about specifically Deliverance? The way the song works as a song means it, unlike most Opeth songs, can get their own reviews.
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I always stun my music teacher with those polyrhythms, even just air drumming. The big genius I see in the outro is how it all becomes one brutal force of power and how it builds to the continuous run, then to another phase.
It goes for 4 minutes, in 4 different sections, each with different ideas. The outro is like savage judgment for sin in four forms.
My aunt liked how Burden and Porcelain told stories, even though she didn't enjoy Watershed's harsh vocals. All O albums tell a story.
I've pulled all of Traced in Air onto my channel. It's much less heavy, but still the same Cynic in everything else.
How about specifically Deliverance? The way the song works as a song means it, unlike most Opeth songs, can get their own reviews.
yeah!