Finding The BEST Musical Scale
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- เผยแพร่เมื่อ 27 ส.ค. 2024
- I promise this is the best way to find out!
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Music theorists would have you believe that there is no best possible scale: Different scales have different uses, and are appropriate for different musical goals, so picking an objective "best" is not only pointless, it's actively counterproductive. And that's true... but what if it wasn't? What if we could work out the best scale, through the careful, scientifically grounded process of running a bunch of my favorites through a single-elimination bracket? Would that be a good idea? I mean, probably, right? 'Cause that's what I did.
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Jay Beard's Mystic Chord video: • Scriabin's Mystic Chord
My Lydian Chromatic Concept video: • The Book That Changed ...
My Elephant Scale video: • Can Random Notes Make ...
Ethan Hein's Blues Tonality post: www.ethanhein....
My Enigmatic Scale video: • Can You Solve This Mus...
Adam Neely's Locrian video: • Making the LOCRIAN sca...
And thanks to Henry Reich, Gene Lushtak, Eugene Bulkin, Oliver, Adam Neely, Dave Mayer, David Bartz, CodenaCrow, Arnas, Caroline Simpson, Michael Alan Dorman, Blake Boyd, Charles Gaskell, Tom Evans, David Conrad, Ducky, Nikolay Semyonov, Chris Connett, Kenneth Kousen, h2g2guy, W. Dennis Sorrell, Andrew Engel, Peter Brinkmann, naomio, Alex Mole, Betsy, Tonya Custis, Walther, Jake Sand, Graeme Lewis, Jim Hayes, Scott Albertine, Evan Satinsky, Conor Stuart Roe, ZagOnEm, רועי סיני, Brian Miller, Thomas Morgan, Mark James, Matty Crocker, Adam Ziegenhals, Mark, Amelia Lewis, Justin St John-Brooks, DialMForManning, JD White, Andrew Wyld, gunnito, Graham Orndorff, Douglas Anderson, Foreign Man in a Foreign Land, Paul Tanenholz, Tom, William Christie, Kyle Kinkaid, Joyce Orndorff, Mike Wyer, Stephen Tolputt, Isaac Hampton, Mark Mitchell Gloster, Andy Maurer, William Spratley, Don Jennings, Cormag81, Derek Hiemforth, Bryan, Mikeyxote, Milan Durnell, Dan Whitmer, Thel 'Vadam, FAD3 Chaos, Michael Morris, Bill Owens, Martin Romano, George Burgyan, Marc Testart, Carlfish, Matthew Soddy, Flavor Dave, DraconicDon, John W Campbell, Jimmy2Guys, Megan Oberfield, morolin, An Oni Moose, Ken Birdwell, Blue 5alamander, Panda, Cliff Hudson, Olivia Herald, Alin Nica, JayneOfCanton, or dahan, Ethan Savaglio, Robert Bailey, Deirdre Saoirse Moen, juneau, Sina Bahram, Ira Kroll, Patrick Minton, Justin Katz, Roahn Wynar, Chuck Dukhoff of The Stagger Lee Archives, Bob D'Errico, Robert Shaw, Shawn Beshears, David Shlapak, Donald Murray, JD, Rennie Allen, Travis Briggs, Cindy Klenk (Highlands Recording Arts LLC), Jonah C., Greyson Erickson, Matt Deeds, Claire Postlethwaite, Strife, Brian Covey, Miles_Naismith, Jordan Nordstrom-Young, Jay Harris, Sean Murphy, JasperJackal, Tommy Transplant, Wolfgang Giersche, Autographedcat, ParzivaLore, Amanda Jones, Olaf, Colleen Chapman, Gil, M. Dodge Mumford, Jon Purdy, Ken Brown, Colin Kennedy, The Mauses, Tom Belknap, christopher porto, Steffan Andrews, Katherine Drevis, William Wallace, Billy Abbott, Karel P Kerezman, Ted Trainor, mightstill, Nick Loh, Randy Thomson, Antarct, Erika Lee, and Vinayak Nagaraj! Your support helps make 12tone even better!
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Some additional thoughts/corrections:
1) If I was better at my job I might have scripted the bracket to create as many interesting matchups as possible, but I promise this was actually entirely random. I didn't even generate the order of battlegrounds until I'd already written all my scale descriptions, to avoid biasing those. The one thing I did was that, instead of just picking independently random battlefields, I made a list with three of each of them and then randomized that across the 15 rounds, so that each one would show up the same number of times.
2) If I didn't include your favorite scale, sorry! Turns out it's bad!
3) Actually, I should note that I limited myself to scales that could be played on a standard-tuning piano, for simplicity's sake and also to avoid delving into musical cultures I wasn't comfortable presenting myself as an expert on. This is a limitation, and there's a couple things I would've loved to have included otherwise, but it's a fairly common limitation within Western music, and I hope the context of the video makes it clear my analysis isn't meant to apply outside that scope. (Heck, it barely applies within that scope. Why did I make this?)
4) I'm playing pretty fast and loose with enharmonics on the scale degrees here, because a lot of these aren't really best understood as variations on the framework of major. When that's relevant, I did try to stick to the correct degrees (see the b4 in Altered, for instance) but on something like Whole Tone, whether the 5th note is a #5 or a b6 isn't really the point and I went for whichever was easier. (Which led to some incongruities, since adding sharps is usually easier in notation, but adding flats is more conventional when describing scale degrees, so I occasionally labeled something like G# as a b2. Notation is fake anyway.)
5) You may have noticed that sometimes I call the perfect 4th consonant and sometimes I call it dissonant. That's because I'm using two different dissonance models: Acoustically, it's very consonant, creating one of the simplest frequency ratios with the root. Contextually, though, it can be pretty dissonant in scales containing major 3rds, because the 3rd is such a strong tonal note, and it rubs really hard against the 4th. So that's what that's about.
6) The thing I said about the Prometheus scale being usable in any order also applies to Messiaen 3, but that scale has so many notes that I think the distinction is less relevant. Anyway, in case it wasn't clear, what I was trying to get at there is that Scriabin didn't really treat it like it had a fixed root, which makes it hard to consider it a scale.
7) Yes, someone did actually nominate the Elephant Scale, but also yes, I was gonna include it even if no one did. Nepotism, baby!
8) Technically the Enigmatic Scale is slightly different ascending and descending: Going down it's supposed to have a natural 4, not a #4. I didn't wanna deal with that here, but I get into it in my video about it.
9) Some folks refer to the two versions of the Diminished scale as Octatonic Dominant and Octatonic Diminished, and the one I used is Octatonic Dominant, so if you're used to only thinking of the whole-half variation as a "Diminished" scale, I apologize for confusing you.
10) The reason I said that the major V in a minor key "could be interpreted as implying a new scale" instead of just saying it created one is that the Harmonic Minor framework is largely an ahistorical imposition by later generations of musicians. To the best of my understanding, that term didn't really enter the vernacular until the mid-to-late 19th century: Prior to that, using a major V chord was just kinda what you did, without much regard for the technicality of which scale you were supposed to be using, so composers would largely have considered it a perfectly natural part of the minor scale, just not one that influenced their melodic choices. The idea that it was a separate scale with a separate structure came later.
11) You actually can get something of a directional harmony out of Double Harmonic Major by using the dominant 7th chord built on the b2, the so-called Tritone Substitution, but I just thought it was funny that it breaks the actual V chord.
12) Maybe should've included something like "directionality" to give dominant scales an edge, since they're pretty popular, but honestly I think spiciness wound up playing basically that role anyway. Dominant scales are often where we put our spiciest sounds, and no dominant scales lost to non-dominant scales in any of the spiciness rounds. They just have a hard time being chill or poignant, and that wound up being most of their downfalls. (Also Dorian managed to dodge the spiciness and spookiness criteria entirely, either of which would've gone extremely poorly for it.)
13) Having gone through this, I'm not sure there was actually much difference between the spiciness and spookiness categories, I just wanted to balance out the two more grounded-centric criteria of chillness and poignance with a couple that rewarded more unusual scales. I was originally gonna go with etherealness, but spookiness sounded more fun and I didn't think too hard about it. Shockingly, my methodology here may not stand up to academic scrutiny.
Alice in chains have some really good songs and instant recognizable chords. Would love to hear your opinion on them or one of there songs 🙏🏻
Dragon scale armor would be your best defensive option in this battle.
I'd argue serpent scale is better. It might have lower defense but higher agility and stamina which is more important in this case
wrong type of scale
@@Fire_Axus copper dragons are known for their musical nature; some become bards. I think this type of scale is clearly best suited over any of the other metallic dragons - or the chromatic dragons’ scales for that matter!
Exotic scale always beats standard scale material.
The Judicial Scale of Judgment is a good offensive alternative.
I absolutely admire the power move of putting your own scale in the video
Source: I made it up
I no longer remember where I first heard this quote, but it's an important part of my personal philosophy: The time you enjoy wasting is not wasted time. I always enjoy 12 Tone, so if you were worried about wasting my time, don't. :) You might consider doing something like this again around March Madness time. Switch up the players, switch up the criteria, it's got some potential. Once a year sounds about right for frequency.
I've seen a "time you enjoy waisting is not waisted" tattoo with my own eyes and it was beautiful
@@tuomas_Was it tattooed on someone's waist?
I think Dorian is basically the most wellrounded scale. It has a lot of things going for it. The thing is a bunch of other scales I enjoy a lot more in specific scenarios. Every scale is better at one thing than something else.
I for example enjoy Phrygian flat4 a ton but it is basically impossible for it to sound happy/calm. Another one is Lydian flat7 that I enjoy a lot too but it is also really niche. Dorian is a perfect mix of minor and major and the beautiful symmetrical shape means it is one of the mest wellrounded scales IMO.
Totally agree about Dorian. I've placed all the basic 7 modes on a bright to dark spectrum graph at one point, ordered by the process of flats, and Dorian is in the middle. That is: Lydian, Ionian, Mixolydian || DORIAN || Aeolian, Phrygian, Locrian. Viewed this way, I see Dorian as the kind of bridge between the "major" modes and the "minor" modes, perfectly balanced between all of them (even though it's technically considered a minor mode because of the b3). It contains a lot of personality and can be both bright and dark depending on how you use it, so it's super versatile!
(edit: added Phyrigian as pointed out, thx)
@@jonathanwingmusic But Dorian sounds so minor!
@@KingstonCzajkowski Until you hear its major 4 chord.
@@KingstonCzajkowski it does, but it doesn't. That's what makes it so awesome. You can lean heavily toward the major IV and also really highlight that natural 6 in a way that almost gives it a bright major feel before it turns on you ;). As with most scales it just depends where you place your tonal focus, but I find Dorian is great for towing the line between the two worlds!
@@jonathanwingmusicYou forgot Phrygian. Including it actually DOES make Dorian the center of the bright-dark mode scale.
A sliding scale of scale quality.
I'm so happy for my little bean Dorian yay 💙💙💙
It's the first scale I thought of when I saw the title
@@gatergates8813Sāmë hērë
Anyone else hear the guy from that clip that Adam Neeley uses saying “Nostalgia” at 20:53?
"... the b6-5 motion..."
My brain be like:
*aaah*
"Nostalgia."
That's not even the first time Cory had brought this up! I think he had already done so for the Elephant scale, but I don't remember which one.
Thank you for solving what microtonalists have been searching for a while now!! now we finally know truly what is... The Miracle Scale
72-TET - I think it sounds cool!
@@wyattstevens8574 The best criteria of choosing alternate tonality!
Glad you agree Phrygian Dominant is a top 16 scale at least. Scales with augmented seconds rule, especially in the lower notes.
Love Phrygian Dominant too!
Such a great scale for vast desolation.
I was surprised Dorian doesn’t get full points for poignance, I always thought the raised 6th gives it a hint of major that adds that wistfulness you talked about. Think Mad World
"... kinda *funny* ... kinda sad" (the marked "funny" actually starts *on* the "hint of major!")
Then again, the original version of Mad World isn't that sad. It's the sad piano version that's sad... (As I have heard some people describe it, the original is _mad_ world, whereas the piano cover is _sad_ world.)
But yeah, it is true that the "brighter" major 6th gives the scale this kind of wistful quality. The minor 6th in the standard minor scale may sound a bit too dark sometimes - just a bit too obvious. Dorian's sadness is more subtle.
This was super fun and interesting. But the results are biased by the comparisons of only using one quality per comparison. A scale can be very weak in a particular quality, but potentially outshine the other scale in every way.
But this is already a huge undertaking and no one can blame you for shortening it. It doesn't take away anything for me because competition in art means nothing to me. So regardless thanks!🥰 I loved the video!
This might be your best video yet, gotta love the variety in the analysis!
Not me crying in the corner over the harmonics losing in the 1st round.
Guess i have to go write a poignant piece in Phyrgian Dominant now...😂
there’s probably a lot of poignant klezmer in phrygian dominant, i’d take inspiration there
As you mentioned, the first tetrachord of the double harmonic major matches the second tetrachord. Another interesting point about its structure is that it's a palindrome as well, which you mentioned about dorian but not the double harmonic major.
Also, I have noticed that the notes of the double harmonic major are close to the pitches used in the the raga that is usually taught first to students in karnatic music (Mayamalavagowla); but I hadn't realized that this set of notes had a name in Western music as well.
Blackwood decatonic is the BEST scale.
Chillness: it has 5 major chords and 5 minor chords (and it's a superset of equipentatonic, a very chill scale)
Spiciness: the small steps of the scale are only 80% of a semitone so they really rub (and is microtonal)
Spookiness: unfamiliar scale structure and same reasons as spiciness
Structure: it has 5 FOLD LIMITED TRANSPOSITION! Only 2 modes!
Poignancy: 1 of the 2 modes sounds very minory, and the fifths are out of tune
(sadly, you can't play it on a normal instrument, it uses 15 tone equal temperament)
You can't argue with this.
How would someone go about making this scale? In what tet is it found?
@@macneilsketchley my favorite one is the one in 15tet, the repeating cell of 1\15, 2\15 is stacked 5 times to reach the octave so cents would be
80.
240.
320.
480.
560.
720.
800.
960.
1040.
1200.
(the "minor" mode)
based xenpiller spotted in the wild. 2L8s (22edo) i think also would fit a lot of the criteria, but maybe not as much as blackwood. 10 note scales are great
@@abnormality00 lol i just happened to discover your channel like a week ago, love your stuff
@@romeolz thank you!
I really feel like the Blues Scale should include the major and minor thirds. Major/Minor interactions feel like a key aspect of blues to me, finding the darkness in the light and hope in the hopeless. But that's just arguing with history, and I think unless I get a time machine, I'm going to lose that fight. Also, I think a lot of the major/minor clash comes from a major chord progression and a minor melody, which probably shouldn't be considered one scale (or key in this case)
I was so close to changing my name to the enigmatic scale
Your videos rule, I don’t care what you’re doing bc I’m not actually a musician but your method of communicating is awesome and very chill.
Lydian.
Frfr Easy W
Lydian Dominant.
PFP checks out
This video is a great essay on the topic of bias. The unreliable narrator was an excellent touch!
lmao did you hear the part where they made clear it was subjective? or can an autistic person like me read sarcasm better than you
@@abnormality00That autism didn't help you realize the comment you replied to was sarcastic as well!
This is genuinely the funniest music related video on TH-cam to me, I have not cackled like this at music theory in a hot minute🤣🤣🤣🤣
Major winning it's round 2 for chillness, then getting knocked out in round 3 for spookiness is comedy gold😂😂😂
While the diminished scale has those 2 dim7 chords stacked on top of each other, you forgot a key thing about the double harmonic major scale. It's two major 7th chords on top of each other. Gmaj7 and Abmaj7. As you said it has that "ruined" V chord, but flattening the fifth isn't that huge of a problem, especially when it also has a natural tritone sub. It should have won that first battle no doubt.
Unsure if it would have won against dorian in structure due to some bias from the judge, although I admit your arguments where valid, and I feel it might have won the last one against the enigmatic scale. The flat 6 makes it emotional and the augmented second to the sharp 7th does make it seem like its longing for something, so I think it could have won it all if it won against dorian. (I might be biased as it is my favorite scale)
Anyway this was a really fun video, and even introduced me to some scales that I'll have to understand better. I'll definitely be watching your videos on the stranger ones.
I already know the answer: it's Dorian
EDIT: HOLY FUCK I WAS JOKING
Tbh I’d have to disagree with you on the Dorian vs Phrygian dominant one because a scale with a flat 6 and a major third is a lot more poignant than a scale with a natural 6 and a minor 3rd. Flat 6 resolving to 5 is so beautiful, but imo it’s especially poignant when the third of the scale is major because it blends the “happy” major 3rd with the sadness of the b6, adding a punch of bittersweetness to the resolution that just hits you emotionally. Plus, Phrygian dominant has the awesome iv-I progression.
Wow, I’m so glad someone on this site finally that the blues scale isn’t really a scale. There’s minor blues and major blues and they’re not the same, and the way blue notes are used even defy the logic of scales.
I kind of wonder how tournaments for each of the categories would go. Dorian might be an all rounder, but the Jack of all stats is seldom truly exceptional at any one thing.
A simple diatonic major scale is actually quite fascinating if you consider it in the light of ancient Greek tetrachords. One way to look at it would be as a combination of two similar spiral-shaped tetrachords, CDEF and GABC where the note relations would be 9:8 10:9 4:3 or in cents approximately 204 182 112. There you can see the descending spiral form that is of course different from the well-known 221 or whole whole half step formula. In any case if you observe the Ionic column you can see it has the double spiral shape as well.
A few weeks ago I went down a Scriabin rabbit hole, mostly thanks to Jay Beard’s excellent videos. I was expecting the Prometheus scale (aka Mystic chord) to be fascinating, which it is, but was also expecting it to be dark and dissonant, which doesn’t suit the sort of ambient music I’m mostly interested in making. I’ve been surprised by how much potential it has for pleasant if slightly ambiguous harmonies, and unusual but pleasantly wistful melodies. So much so that I’ve actually been able to set up generative ambient pieces using it that I can leave running for hours and chill out to, so the Prometheus scale can actually be remarkably chill.
I would have chosen, of all things, the Ionoptygic scale (Zeitler's name for Ring's scale 3563) instead of, say, Prometheus or the whole-tone scale (or another "whatever else" scale.) I think it's more like Phrygian than anything, actually.
The scales I use most are:
D Minor, E Minor, and C Phrygian dominant. ( I use both the major third and the minor third when I play in Phrygian )
It's genuinely surprising to me that the bracket was random - I paused when you showed it and was genuinely impressed at how well it spread out the most famous and popular scales to avoid overstacking any one matchup.
Also, I forgot about the Elephant Scale! I should write something in that.
I just love listening to you nerding out on music.
„the word as law“ by neurosis taught me a lot about (minor) scales, all sorts of them, in a way that i can enjoy it and comprehend it, by listening to dave edwardsons basslines. the guy is a genius and plays fantastic basslines. can‘t give him enough credit.
Phrygian dominant is one of my favourite scales for writing poingnant stuff haha... so interesting how scales can be heard in such different ways in different contexts
Listing to the podcast! It’s Awesome! It makes me happy to hear this musical convo!
As a music theory nerd, this warmed up my cold, dead heart. Bravo, 12Tone! Well done!
I happen to be writing my next song which prominently uses Dorian #4. It's gonna be a darker, moodier piece orchestrated with a combo of classical and electronic textures.
This is what I've been waiting forrr
That said. Double Harmonic Major should have won.
blackwood or antidiaitonic are pretty cool
HEY!! I'm going to be the one making the Microtonality teases
@@redopal9796 NUH UH
Ahh you beat me to it by 3h
The Jeppesen D Dorian cantus firmus is one of my favorites to write counterpoint against, so I approve of the totally scientific results here.
As an Irish Trad player, I couldn't be happier.
This was fun. I could sit through a sequel with entirely different scales and battle contexts and a bonus round to see if the new champion can unseat Dorian as the best scale ever. Keep on rocking!
I love videos that are like "Why are you watching this? This isn't a good use of your time." Gotta be one of my favorite types of videos.
Finally some classic 12tone, it's been a while.
I'm sure many people will mention scales they like that didn't make it, so I'll put in my fave; mixolydian flat six. It's the fifth mode of the melodic minor scale, which also didn't make the list, but I like mixo-flat-six better so there.
I like aeolian dominant (same scale, different name) too!
A natural minor, is technically the best. Why 'A'? ALL instruments have easy access to the note 'A'. Its become the note (A) that orchestras use to tune. For example 'C' while easy on keyboard, cello, and viola, and commonly referred to as the most natural scale. Does not have such easy access on other instruments of the orchestra. The note A and E, however are easily accessible on almost all instruments.
This has mainly to do with the constrictions of 'non-formatted' instruments, instruments that require a certain study of combinatorics, to produce notes (strings, woodwinds, brass). which consist the bulk of an orchestra.
Keyboards, have arguably easy access to all notes. Hence the proclivity of composers of ages past, to gravitate towards it. For example, despite violin being Mozart's first instrument, because of his musical genius, keyboard (in his case most likely harpsichord) allowed for more experimentation, same with Bach, Beethoven, Handel, Rachmaninov, Chopin, Rossini, and even popular music artists today. Well tempered keyboards are the jack of all trades.
BUT, musically speaking, for parity between various instruments A natural minor (not C major) would be the best base scale to permutate off of.
In the modern era, however, music has become more digital. And the best scale is the one that gets the most hits. Consider Phrygian / Dorian, for those darker super emotive pop beats, that seam to keep hitting the charts since the beatless.
Either way minor modes always come out on top.
Minor is meta.
my favorites are the phrygian dominant, melodic minor and one of it's modes, mixolydian b6. in terms of the best or most useful I'd say the major scale
This was a fun video, if you do more of these chill whimsical videos I'd definitely watch them
All the scales
Dorian was my prediction for exactly all the reasons you outlined, only scale I thought might give it a run for its money would be phrygian dom so it was fitting to see them get it over with in the first round, fun video idea!
Is... is that an Andalite at 5:04? This is the greatest video I've ever seen.
“Well there are two schools of thought…”
This is the silliest and most educational video ok scales.
I loved it so much
I can't believe the Every Dream Sequence Ever Scale lost out on chillness.
Ooo how about a "what scale is worst competiton" video? Rate the scale on how well they do terrible/irritating things? Ie how much weird racism does double harmonic minor enable for film composers ("India? Egypt? Foreign planet where everything is hot sand for some reason? Boom! Double-harm-min!"). Or how being trapped in a car with children singing in a major key makes humans not want to reproduce more (ie making major the Thanosiest scale)?
Awesome vid though! The "tournament" idea is actually a pretty fun way of talking about otherwise dry stuff. Clever!!
G# harmonic minor or Eb harmonic minor. Don't @ me, I'm right.
Another structural point about Dorian, both halves of the scale use the same tetrachord
As a Phrygian Dominant fan, I'll agree that Dorian is the best scale here. The versatility makes it OP in every way.
I am pleased that you reached the correct conclusion about the best scale. 🙂
13:12 i love this channel so much
Could you do an analysis of Kashmir by Led Zeppelin?
Its forsure major or minor
My favorite is objectively phrygian, not phrigian dominant, the major/ harmonic note ruins the darkness of the scale after a while, im always switching between them to keep the overall feel i want
But, people never "like it" when i only play with the phrygian
But as long as im changing it up
Nobody's *ever* complained about me playing in major or minor, period. They always tell me it sounds beautiful, like even when im not trying
Seeing as im new to gutair, only a few years old at least, one can absolutely say theyre judging the raw sound of the scales, when matched with how my newbie hands play
So in terms of ease in playing
And beauty to the beholder
Major, and minor are the best in my humble experience
It didnt fit in my point above
But phryigian is so much more than the middle eatern scale too. It has an unbelievable dark beauty to it, but you have to change your subconcious veiw of the sound in order to hear what im talking about, it is easily one of the most emotional scales when you use it as such
Its basically as much tension as you can get, without the problems locrian has
I.e. it has the most satisfying "home" of all the scales, that doesn't even make it sound like the song is over, its like the outro to wherever i may roam, it can go on forever, and you are more than happy to listen while it does whille bathing in the dark beauty and energy of the sound
Like instead of, "ah. Home, now we rest, such a beautifu- oh cool theres more"
Phrygians home is like "ah yesssssssss, they went home with it
Okay what next? Ohhh THATS next? hell yes"
When I think of Dorian I immediately think of Gustav Holst's arrangements of "I love my love". These settings are very poignant in my opinion.
Tough to choose between Phrygian Dominant and the Blues scale myself
Yes! I was rooting for Dorian and never thought it would win.
With regards to 2:08, all scales are derived!
I was so sad that Lydian had to compete on "spiciness" as it's my favorite scale, but it definitely isn't spicy.
Interesting and playful way of comparing these scales. If the 5 themes were thrown at the scales in a different order, would Dorian still win?
It's called I work 3rd and have the ability to put you on in the background to help pass time.
I love this concept so fiercely!
Though obviously Dorian is the best mode, I'm ignoring that. Shut up! You're not my real mom!
Geez, Double Harmonic loses on structure and you don't even mention it's has palindromic symmetry too? Ouch, I guess we too are the 20s lol
Really good video (as always). But I'd like to suggest to you to cover White Room by Cream in a video, It's my favourite psychadelic song. I never really understood it so your analasys will truly help, thanks
Sure, but which Agon is the Bestagon????
(hint: it's the Hexagon, duh)
The hexagon is the chillest, spookiest, spiciest, and most poignant of all the agons.
@@vigilantcosmicpenguin8721 mos def
9:34 is that a celeste golden strawberry
Chromatic
The only right answer
and it's not close
what about 14tet chromatic?
@@abnormality00 no
@@nevets0910 😭😭😭
you're wrong it's Lydian.. or lydian dominant maybe
eh lydian dominant isnt great at what its trying to do in 12tet. it can still be used as a dominant scale tho, but that isnt the main thing that makes it cool. lydian is nice, and is pretty good at what its trying to do.
I expected better from you, 12Tone.
Obviously, Mixolydian is the BEST/GOAT/therestofyouallsuck scale.
Immediately Lydian sharp 2 or Phrygian Dominant
I tried doing a song with locrian scale. It was... weird. Thanks for showing all the scales that exist, lots to experiment around with :)
YOOOO NEW 12TONE VID JUST DROPPED 🔥🔥🔥🔥
i wish there were more videos on the zycrygic scale
>Phrygian Dominant and Double Harmonic Major but no plain Phrygian
>Blues and Pentatonic Minor
???
Phrygian Dominant can absolutely be sad. It's a great scale for "grand scale" sadness and desolation.
Additionally, I am, in fact, evil, and dislike Dorian.
14:28 The Cheat!
Me: No Harmonic major?
(looks near end)
Double Harmonic Major 😎😎
1:16 at least 3 of these are not emotions💀
Using Patsy Cline's Crazy to familiarise myself with a few of the hidden notes on alto saxophone. Any chance you could do an analysis of the piece? I play by ear but some of the theory from your videos sinks in. Best wishes dude.
really big fan of Dorian b2 / Phrygian #6 personally.
“Why did you do that?”
I like music and doodles
A few years ago, a video appeared on the channel about a rap song whose weight changes all the time... Can anyone find me a copy of this? I can't find it 🙏
so sad that harmonic minor didn’t make it, it’s my favorite minor scale, happy to see Phrygian dominant though
Personally its Eb or D majors/ C and B minor. Other scales scare me
I am trying to find the video where it talks on how the mind identifies dissonance (the one with the message from aliens). Anyone remember the title?
Lydian, Minor Blues, and Phrygian (and its variants) are the best scales!
I think it depends on the song.
YEAY for Dorian, I love you!
Dorian is a major mode? I've always heard it used as a minor scale. (Other note, first time through you labeled a Lorian scale instead of a a Locrian scale. Do you mean it's one of the relative church modes related to the major scale?
I like Dorian. It's the default mode for 3rd position on harmonica. For weird reasons (2 missing diatonic notes in the 1st octave, 1 missing note in the top octave) the Natural Minor scale doesn't work as easily on diatonic harmonica. You need to use a whole step bend to get your root note in the bottom octave. As a result, Dorian gets used for minor a lot more often than Aeolian.
I think Cory just meant a Major Scale's mode.
Interesting that Phrygian Dominant lost on poignancy, while for the Enigmatic scale, you point out its bottom three notes - which are the same in Phrygian Dominant and arguably its most defining feature - as one of its aspects that make it _most_ poignant.
I loved this video, thank you :)
Here is my scale:
Bb C C# D# Eb F F# G# A# Bb
(19-TET)
My Symbolic Escapade scale is pretty popular:
114.823867
2278125/2097152
2048/1875
I guessed Dorian, but I was expecting a final showdown with the blues scale, though