The Best (and Worst) Marshalls
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00:00 - Welcome
00:47 - Jackson
02:12 - Firmware Updates
03:44 - FM3
05:33 - Triple Crown
06:51 - Best Marshalls
12:05 - Pickup Heights
13:59 - Delay Times
16:21 - Out West - เพลง
Aliens arrive and demand to hear a Marshall. You are entrusted to deliver the goods. What Marshall do you choose?
The JS because I am biased.
In other news, you are game calling your podcast by such a title given what it translates to in Perth slang lol.
Silver Jubilee, Mini Silver Jubilee.
Code of course
lol
6100!
50w plexi is glorious. I'm sure the aliens would love it.
The JVM OD3 Orange is the Master of Puppets sound. Just PERFECT.
TSL-100 with a rev.20 mother board. The rev. 20 board fixes the bias drift issue of earlier versions. SED winged-c EL34 power tubes, groove tubes 12ax7c's in all preamp slots. 4x12 with G12H30's.
It was nice to hear you talking about the Marshalls. I’m pretty schooled in Mesa Boogie amps. When it comes to Marshall, I am basically clueless about their different models and what they do. I wanna look into that more
plexi>jcm800>jvm but if you love high gain it varies
I have a small Silver Jubilee 2554 from 1987.Never had any issues and it is a very loveable amp.Very loud and has a great pallette of sound.
I had a JCM 2000 DSL back in the day and didnt love it. I have a Vintage Modern now and it's the best amp I have owned. Very underrated amp.
Yeah the VM is KILLER. Organising to have the amp's designer come on the Gear Podcast soon.
My vm with matching cab is my first marshall and I thought it was great but it wasn't until I tried others that I realised it was one of the best. Very thankful I picked one up back in the day.
They should re issue the modern classic
I had a JCM 2000 2X12. I expected better. So disappointed. Hot garbage.
Love my JCM 2000 50watt ❤
Great video and tips LT! Have a great week brother.
I have a Plexi from 73 that I rescued from being thrown in the trash (my luck is insane). It was modded to have a master volume and it has a switch to drop it to 50 watts. I don’t use it live but it’s so great.
Best Marshall I played is the JVM, the worst for me was a 6100 LM, the TSL100 wasn't really doing much for me either.
All the best Marshalls have six knobs.
And they go to eleven
Definitely. Because all six knobs go to 11🤟😁
Yep.
I have a 1977 JMP 2204 and have had it for decades and it's my favorite
Thanks for your content, Leon. I'm 43 and started playing in 1996. GIT graduate.
Your videos on rack gear especially took me back to what was desirable when I was in high school in the 90s and studying music in the early 00s: Mesa Triaxis through a 90:90, usually.
That said, I own more Jackson Kellys than any other guitar.
I'm waiting for a Jackson Kelly with a multi scale 8 string Floyd Rose bridge so I can tune A E A D G B E A without breaking a string when the bar is pulled up. The Dean Rusty Cooley 8 string did this but was fixed bridge with a 23.5" high A I believe. It would need to be even shorter to survive a full bar pull up. E1 is too low to tune a guitar without it competing with a bass and kick drum in my opinion so the low F# string is wasted.
As far as unpopular Marshalls, I remember being in a Hollywood Guitar Center in 2000 and trying out the then-new DSL2000/TSLs. Three channel tube amps were the new thing back then and I think these were Marshall's first attempt at it.
I was more of a Mesa/5150 fan back then and the DSL2000 just left me a little unimpressed. Had I had a boost up front I probably would have liked it. Strangely enough, these days I prefer a boosted Marshall sound to a scooped Mesa tone.
Other Marshalls that seem to get a lot of hate are the JCM900 (vs. a boosted 800) and of course the infamous Mode Four.
But Alex Skolnick loved the Mode Four amps. Who am I to question his taste?
I definitely have a soft spot for the TSL100. My dad and I used to flip alot of guitar gear, and that was the amp that pretty much started it all for us. Didn't really gel with it at the time, probably due to lack of talent on my part haha. It wasn't until years later when we eventually sold it, that I realized it sounded pretty good for what it was. Funny how that goes sometimes.
I have a Marshall DSL20H and I love it for classic thrash metal tones. Lambchopper turned me on to it and I love it.
Lol same here !!! Although lately I’m trying to get my hands on a JVM410 for some more modern Megadeth metal tones and COB tones
lambchopper is the man!
I find Jackson necks the most comfortable for my hand, I love mine.
First real amp I got was a 100 watt JCM2000 DSL with a Marshall TV cabinet. Loved that rig!
Absolutely. We live in the best time ever to make guitar sounds! It's amazing..
It's so cool that AxeFx gives such updates as well as some of the other makers of these units.. Very cool..
Thank you for answering my question sir.. I appreciate it.. Very very very much brother!
Great Q and A sir.. Thank you as always.. Very cool.. Where was the kitty? 😛
Jackson guitars.. I've always been partial to the 90's versions of the Dinky. They had a great thin neck but not too thin.. I didn't like the trems, but I just blocked those or you could of course put a real floyd in them. I have a 91 Charvel Predator crackle with the best orange crackle I've ever seen. It came with a Schaller trem from the factory and you can't knock it out of tune if you throw it against the wall.. 😛 .. It also along with my early 90s Ibanez japanese guitars has the best frets.> They just don't wear and I'm pretty hard on frets.. I don't know what the steel was back then, but I've had fender strats, etc, and I just wear them down as if my fingers were steel files. 😛
My favorite Marshall was a DSL 40.. Great amp..
Man, I've had a few Marshalls. 4 hole JCM800 50w thatI never got the most out of, 100w Plexi that I loved, 4010 JCM800 combo that sounded surprisingly glorious and now I have Studio Jubilee combo that is just killer. Back in the day I had the chance to buy reissue JTM45. I tried it out, and it was the best amp I'd ever heard. For some dumb reason I passed on it, got the 4 hole 800 and got on with it. A friend of a friend bought the JTM. 20 years later, I had the chance to buy the same 45, and like a fool I passed again! Massive regret ever since. I didn't have anywhere to use it, but stil wish I'd just grabbed it on the second chance. Life lesson learned.... Its still my favourite Marshall and the reason that although I cant afford one anymore, I'll always want one
9:20: the key to those plexi Marshalls is to drive the input. Not fuzz, not distortion… simply a saturation boost. Then turn up the amp. I have a 200w Major, and I used to push the input with a booster. Deep Purple 1973, this was it.
I'd love to try a Major one day!
Definitely get your hands on a Jubilee soon Leon! I've got an original 50w 2x12 combo and it took me a while to get the best sound from it but now that I've got it dialled in, I love it.
GAS intensifies
And how, perchance, did you dial it in?
@@Steaminlidz I was the point of considering selling it because I couldn't find the magic that most people raved about with it.
Ended up looking up Joe Bonamassa's settings and presto, totally different amp. Bass 10, mids 6, treble and presence on 4-5, gain at 6 and set volumes to requirements. Joe runs the master output at 10 and uses the lead channel volume as required but that doesn't suit my needs. But it does sound even better with the master at 10 and controlling the output with the lead channel volume
@@davidwicksmusic Bass on ten on a Marshall? Interesting stuff. I’ll give it a go… Much obliged.
@@Steaminlidz I thought the same, bass on 10 on a Marshall, but it works. Bearing in mind my amp is the 2558 model which is the 2x12 open back combo. If using a head and cab you might not need it at 10. But yeah, it works!
Love Jackson Guitars. My personal favorites are the Dinky and Fusion models from the 90’s. The MIJ ones are still relative bargains compared to other MIJ major brands from the era, and are of super high build quality. Great necks… it wasn’t as thin as the US spec speed neck…Nice Cshape getting fatter higher up with a 10” radius, resonant bodies. Usually basswood or ash. Most likely you’ll wanna upgrade the pickups and the bridge to your preferences. Pick one up when you see one at a good price on reverb! They made a myriad of cool different variations.
I never understood the hate for the TSL, but love for the DSL. Judging by the schematics the TSL is mostly identical to the DSL and offers a little more flexibilty eq wise. The biggest draw back on the TSL is that it doesn't have the Lead 1 mode on board. The red channel on the TSL is the same as Lead 2 on the DSL.
The bias drift issue only occurs on the 1997-2003 models. Marshall then adressed this issue by revising the main pcb, so if you're looking to buy a JCM2000 make sure it's a 2004 one or later.
Since 1997 Marshall products have a barcode sticker on the backside, which shows the datecode. First four digits are the year followed by two digits that indicate the week.
I wonder if I just have a dud? heard other people make them sound great so it may be that I'm the dud!
I have an original Jubilee 2555 and Matching cab I bought new in 87..My Dad,drove a 22 year old me 7 hours one way to a big box Music store to buy them…He hated long hair,and loud guitar driven Rock music..He called it Narcotic Music,HaHa!!….but it meant a lot to me,so it meant a lot to him…We bonded that weekend over something he really didn’t like,which was cool….My favorite Marshall by far…but a Plexi,800,and 30th anniversary are amazing as well,and are among my favorites….the Studio 20’s are amazing as well….
What do you think about the Origin 50 combo from Marshall? I saw you playing the 20W combo and the 50W head, hence my question. Thanks mate!
Hi Leon, for the next Q&A:
What are your favorite pickups for a PRS Custom 24 and McCarty for high gain rock?
JCM 900 SL-X. It's the sleeper Marshall amp. Pure tube circuit. It's an 800 on steroids. Have a 2000 DSL 50 too. It's very different. SL-X has more of the classic Marshall grind. DSL more modern. Both have a ton of gain/sustain. Would be awesome to see you demo of one at some point. I think the Aliens are sticking around to hear this one for sure. In fact, I think one is knocking on my door right now!
Love to see those JMP-1 preamps in the background... still have mine :)
Awesome unit hey
Still my dream preamp
Not sure how I missed getting one when they were cheap. But now I also want a 34 mono bloc. Ain’t nothing cheap anymore.
I've had a few Marshall amps through the years; 2203, 2553, JCM900, JMP-1 and a few Valvestate and Code amps that I don't want to discuss... These days I have jumped ship and play a Splawn Street Rod through a Mesa Recto 2x12 for my 'brown sounds' and I've never been more happy with my tone 🤘
I’ve had the 100w 1959slp for about 20 yrs and it’s great. Running a Two Note attenuator and lately an old Butler real tube pedal thru it.
I live about 30 miles for the Marshall Factory in Milton Keynes and I did go down there a few times. Met Jim as well back in the day. A guy i knew got hold of a limited edition Marshall Jaguar 2x12 and we went to collect it in person. We got the guided tour of the factory by the man himself and it was amazing. I agree about the DSL 50. I love those amps. They are like a Boogie MK3. Its a workhorse of metal. Shoutout for the TSL100 as well my first ever good amp. The only Marshall I have these days us a TSL60, I was looking for a DSL50 but this was mint and it sounds great. Ebay prices are really good for Marshalls in the UK at the moment £300 - £600 will get you most of the classic Marshalls so you cant really go wrong. Better than some of the crap that is out at the moment.
You need to give a JCM 900SLX a go.
Yes. Yes I do!
I had a 2204 and foolishly sold it. Miss that one.
I have an RR24 and it plays like butter, but the only downside is I gotta stand to play it.
The JCM900 gets a lot of flack but it was my first tube marshall and I loved it. Now adays I'd say a studio vintage or vintage modern would be my favorite flavor.
You totally should do a top 5 simpsons episode video!
Great video as always.
Thanks again brother! You digging the new Suhr amp?
@@LeonTodd I only played it for a the few minutes on the video. Left that morning on holiday with the fam. It seems cool. Not sure I’m really the biggest Plexi guy. I am more JMP/800 dude. We’ll see.
Question for next week?
To get that Steve Vai Crossroads tone, do I use the Micropitch by Eventide or should one go for the Pitchfactor? Which would you use? Would they sound okay with a modeler VS an amp?
Happy Monday bro. I'm over in the SF Bay Area in California. Basically the home of Thrash. In my band which is called Morbid Reflection, I use a stereo dual stack setup. I have a 6505+and I have a Marshall DSL 100. I have vintage 30s and G12-75s mixed and matched, Plus my pedal board is minimal having a custom crybaby a boost and some light chorus in front of the amp. Running through the loop of the Peavey I have got an MXR 10 band equalizer and then I use an ABY switcher and run a stereo delay into both amps. IT'S REALLY A FANTASTIC SOUND ESPECIALLY SINCE I'M THE ONLY GUITARIST IN THE BAND. At home I have two 25 w gamma amps using a Tonex and an XDrive and I'm waiting on my UAFX My drummer works there. That's pretty much what I play through I've got about 15 guitars various types. THANKS AGAIN Good channel Peace brother ✌️
I have two Jackson Custom Shops. They are absolutely fantastic. I would love to own a Rhodes again. I had to sell mine due to economic issues and I miss it.
I got a Jackson Pro Series Monarkh SCQ recently, warming up to it
Since I found the JVM410-HJS I have not wanted to buy another amp. For rehearsals I will use a Hughes and Kettner Grandmiester Deluxe 40 without a cab and in-ears. Cheers!!
Hi Leon, in 1994 I went shopping for an Ibanez JS or JEM as a Satriani/Vai fan. I just didn't gel with either. The guy in store suggested that I try a jackson JDR 94. I hated the reverse headstock at first but it was my "go to" guitar for years. My "go to" guitars now are an ESP Kamikaze 1 (reverse headstock!!) and M1 Tiger. Thanks for all of your incredibly insightful videos.
Love a reverse headstock!
never wanted anything else, played JMP series throughout the 80s, took 25 yrs off, came back and bought a DSL20, and it sounds and plays great.
Oh man do miss the 100w JCM 900 SL-X w/5881 tubes I used to own.
JVM is my fav, ive had the kerry king, the dsl (last two series), mg, and those others do not compare at all to the jvm. The 70s jmps are awesome to. I actually got to play through brad whitfords old one. Never tried a plexi tho.
i love Quad Cortex so much I barely ever use my JCM800 anymore. I have JCM800 on my QC. I have the 2203 and 4210
Bro, looking forwards for your review of the Mesa TC50 or 100!!
I am a long time user/owner/ of Marshall mk2 superlead heads (50 & 100 watts!!) & with just a simple pedal setup of Dunlop Wah,Boss TU2,MXR Phase 90/Ibanez Airplane Flanger/Ibanez TS808 keeley modded/Ibanez CS9 Chorus & 2X Boss DD2,s (long & slow delay) & everything is plugged into the front as no effects loops!!!!!
My speaker cabinets of choice are Marshall base (flat front 4X12") loaded with 75 watt Celestions!!!!This setup does it all for me & 40 odd years later I still haven't bettered it!!!!!!
Love my Dullahan too.....
Good morning!!!
Good morning!
ty
I have the plexi and the TSL. The TSL is very versatile amp, you can go from the jcm 800 sound to a modern high gain with some simple trick.this amp has also a good spring reverb made in USA.
I believe in my ears and not what people saying
I like the 70s Master volume models before they stopped using Mustard caps. I have a '77 JMP 2204 that's the best sounding amp I've ever heard. I have an 81 2204 that sounds completely different in the preamp section but the power section sounds basically identical to the '77. The difference is the components changed a lot from the mid 70s to the early 80s. During the transition some of their amps lacked the punch and openness they just didn't sound good. I purchased a BE-100 Deluxe to replace that head and it doesn't even come close. The Plexi vibe is just a little bit more open and aggressive than the master volume models. The master volume Marshall has super sweet tube gain with no diodes or other crap in the way. It's an edge of breakup amp perfect for stacking overdrives to get modern high-gain monster tones.
I have a 1979 Chavel /Jackson Model 6 with a Kahler trem. Best 6 string neck for me I ever played to this day.
Have you seen the new Marshall design series? Super cool stuff
I have the JCM 900 and love it. Great cleans and if you know how dial amps and pedals, channel 2 can be pretty great. Check my NAM pack of the 900 100 watt.
I absolutely love my Marshall DSL 100 H that I got 3 years ago. It did sit on the shelf for a couple of years because I got it, then joined a band......as a bass player, hahaha. It sounds great with my Jackson Adrian Smith or Jackson King V, so 2 stories in one!
In a very similar place. I have a sound I really like from it (at a volume my neighbours just don't appreciate, even down at 50W), and a lead tone is - for me - just a GE-7 away.
@@f0rth3l0v30fchr15t absolutely! I stick a TC Cinder's Overdrive in front of it for a lead tone and it does the business. Also got the 6 button footswitch so I have total control over the amp. I would only go the JVM, a 5150 III or an Engl Powerball 2 if I was to upgrade.
Hey@LeonTodd what’s your favorite Plexi, and/or Marshall on the FM3?
What a stooky QnA.
My question is based on the Chords of Orion video (the one where he play ambient guitar while on a mountain)…
What would gear would you take if you can play guitar on any national park and other names for parks), and what sort of music/song would you play?
Otherwise have a stooky day/night
I LOVE My Jackson DK3M HSS with Duncans. It totally kicks some @ss in playing just about any style you want to play of music. I used to own a 80's JCM800 and sold it back in 1991. Back then I never payed attention what year it was made being I was a newbe to playing. But I do have a DSL100HR which is considered one of the cheapest Marshall valve amps today, but damn do they sound good with a little tweaking. Its capable of 50watts or 100watts, but I have always used a preamp pedal like a do now with a Mooer 012 and Mooer cab pedal right on my board and BOSS EQ with my Marshal 2X12 with Vintage 30 and Creamback H, and damn! It sounds awesome and I can attain super loud concert or bedroom levels. I know its not the best Marshall, but I can easily say this non-standard Marshall does kick @ss1
Also, would love to get your opinion on the Randy Rhoads signature Marshall amp. I’ve always loved it and nobody talks about it. I think it’s a very underrated amp. 🤘🏻
Best Marshall setup i had was same as Dave Murray from maiden played for years. JMP1-JFX1- 9200 power amp 100. Yep, sold it cuz i thought 800 head would look cooler. Big big mistake! Btw, greetings from St Paul, Minnesota. Its so cool to be able to converse with us brothers from England, Australia, Canada and USA. 👍
I would love to visit Australia and I would definitely want to visit the eastern part. Considering the geological, geographical and Zoological aspects, Eastern Australia would be of great interest. The Great Barrier Reef would also have to be on the list. I imagine a person would have to visit for quite a few months to really get a taste of all there is to experience.😀
You should! Amazing place
My favourite Marshall is the Vintage Modern,along with the jtm45 and plexi’s.
Speaking to the VM's designer on the gear Podcast soon :)
HI Leon...It would be nice if you coluld go thrue valvs for valv ams..Theres a jungel with valv quality in the market what brand is the best for exampel Marshall Amps etc 4nx for yoyr videos 🤘
One thing I really noticed this weekend was how having the pickups close to the strings pulls on them VERY slightly where the tuning rings out weird. I prefer the sound of them close, but lowering them a hair so the tuning rings out cleanly is well worth checking for
Yeah you can get weird "false tones" out of them. As always there's a subtle balance
I always fret the low and high e at the last fret. Then adjust the pickups an 8th inch from the strings. Then a raise the bridge about a 16th more from there. Seems to be my spot.
I still love my tsl100 I dont care if others hate on it
TSL60 was really nice. I liked it more than the DSL 40C I had.
Hey Leon. Will you be getting along to see Steve Vai when he hits out shores in November?
I´m surprised that not many people mentions the Marshall SLX. It´s the only 900-series Marshall without diod clipping. They put an extra valve in the preamp instead and I think it sounds just amazing!
Would love to try one!
I got a 2500 SL-X last year. It's my favorite amp. I also have a 2000 dsl 50 & 800 2204. I like the SL-X better for my taste of music.
What is the best way to set up a reverb pedal when using lots of gain? The RV5 tends to get unruly when switching an amp from clean to dirty.
For guitar, reverb sounds most natural to me between the preamp and power amp stages. If you don't have an effects loop maybe try a distortion pedal in front of the reverb. Hope this helps.
Got a JCM 900 Dual reverb from when they first came out. Still have it. . I works fine, despite of the hate it gets. I mostly use the clean channel, which is a great pedal platform.
I've never played a read 900, but the ones I've played in modellers always sound great. I'd definitely own a JCM900.
@@castleanthrax1833 And because they were disliked so much, you could find a bargain. A couple of years ago I saw a couple at around $500. Not anymore.
@@legzalez No, not anymore is correct.
I have a pair of JCM 900 Dual Reverbs. They're a good pedal or modeler platform but suck on their own.
I got a mess 4x12 and love the sound of it. My one problem is that it is dumb heavy. I have a Marshall 4x12 and I can move it a bit easier than the mesa but both sound amazing. My question for you. Have you ever played one of the mid 80s Ibanez roadstars? I’ve been collecting them for a bit now and think they are very underrated. Necks aren’t as thin as the wizards like your RG
Hey love your videos. Been a watcher since a little before the Molecular. And I talked to Nik and got one. Super happy I did.
But my question, and I’d love seeing a whole video about the different ways of running two amps. From mono mono to true stereo and all points between. Bonamassa has a crazy set up and just wondering a rock and roll guys perspective on running two or more amps in a blend. Or it’s it fruitless and a waste of time. But in a three piece band could it help? Really dig your shit. Rock. Keep going🫡
I love my JTM60 Marshall with Eminence speakers.
Silver jubilee is all time fav Marshall imo
but I love gain so 🤘
When I was a young budding guitarist in the late 80s, early 90s, the Soloist to have was the U.S.A. one in Eerie Dess Swirl. Whoooo what a finish!!
Funny you mention the Jackson Guitars, that was the Guitar to have or want back in the 80's. The Kelly, the Soloist or the Rhoads. I still have a few Jacksons today. I wanted to be different back the so I ordered a Custom 86 Kramer Baretta USA new when I was a kid. All the Music stores had your Jackson's , Charvel's Gibsons, A few Kramer's. There was not internet to order or shop from, What I did want was an ESP when I saw Queensryche Chris De Garmo & Michael Wilton plying them. I didn't know where to get those!
Great video given I desperately need a new amp !!
I'd love a demo of the 20w silver jubilee
I had an 80s jcm 800 100 watt head with Mullard's and a 4by cab with celestions that really rumbled when cranked.. wish I still had it...lupin woulda loved it
He's all about that Rumble
Has anyone ever tried a Jubilee with the input gain set low, turn up the output and boost it with a bit more gain through the loop?
I think some Marshall models had issues. When you said the TSL's I remember the 100W heads seem to have issues with their circuit boards. I've got a TSL60 212 version of that with the blue tolex and generally haven't had any issues with it over the years (other than it now needing some power caps after 20 years). It was a little hard on output tubes, but then again which Marshall isn't? LOL. Was great to gig with. The only thing with it was the lack of highs being a little on the bassy side. Probably due to those Wolverine speakers they used.
BTW I remember Maiden using those 100W TSL heads during the early 2000's 😁
2203KK and the Langner modded 800 are my faves.
I love my dsl 20 especially when I play my les paul through it.
got to be jmp1 just for the vercitility into the el84 20/20. its my house amp nice at a lower volume into a 1x12 then with an midivrb 4 its all the sounds i need with a midi foot controler patches for days.
My personal picks would be TSL 100, JCM 800 2205 and the Bluesbreaker combo for my favorites and the honorable mention goes to the Origin 20 combo. I've owned all except the Bluesbreaker.
Tsl is a great amp i gigged one for six years, did need any pedals either
The 600's have a lot of overheating issues that can easily be fixed but I either go with the DSL or 800
I have a few great old Marshall’s . But if you treat the TSL100 like a rectifier and boost as if it was the magic happens . Listen to Hatebreed . Classic TSL
My fave Marshall would probably be the 2203/2204. I’ve owned an ‘89 2210 that was good, 6100 LM that was real versatile…..I do wish I had never sold an early 80’s 2204 I had as a 16 year old 🤦🏼….I also had a little 4010 (50w combo same amp) that I let slip away…..currently loving my ‘15 2203x 🤘🏼
The 2203x is legit hey!
My JVM410 does everything I want from a Marshall and more, close enough for me, where it killed my GAS for other Marshalls.
My gigging amp is an Origin 50C 1x12. Sounds and works great for me, and I use a Source Audio EQ2 to push it for my lead tone. No other pedals needed.
That said my favorite Marshall is my Engl Artist Edition E651 into a pair of Engl PRO E212VHB cabs with V30s; nails the classic '70s hard rock rhythm and lead tones; I have mine dialed in for '70s/'80s Kiss Paul Stanley tones.
I can probably get the JVM410 there, but the Engl nails it. IMO
I gigged with a dsl, it was a great amp, but not well made. Fell apart just weekend warrioring. Loved the sound though.
The EH phaser was a real wallaby wobbler you should keep for your arsenal... Lupin said it really kicked the door down but didn't wobble the room enough to rock him off his keyboard with his strut.. Vixen noo waay .. great playing as usual for you.. keep it kicking for us down under for us.. 🌏🦘🦘.. just discovered pretty Maiden and their slavedriver song..give it a listen . Can't believe they didn't make it to the top.
Wallaby wobbler!!!! That got me
Was gifted a 1978 2203 last summer (long story) and ever since then, I've become borderline obsessed with Marshall amps. Added a killer sounding 1993 1959SLP and Germino Club 40 (1986) to my collection and am getting ready to order the new Metropoulos Metroplex Mk II (go to their TH-cam channel and check it out, you'll be blown away by what George has done). I will eventually grab a JTM 45, but for the time being, I'm all set.
Congrats mate! Germino and Metro are definitely keeping the flame alive
I generally do pickup adjustments all the time, but that's only because I own a lot of guitars. And normally it's only when I get them (or when I'm setting them up - frets, action etc). Once it's done I can forget it. But when a new guitar comes in, as they're on the budget side of the scale, 9/10 pickup heights aren't really adjusted at the factory (like with a lot of other things on budget guitars). So it pays to do some setup for how you like it providing the pickups are OK to begin with.
I know that constant tinkering feeling!
@@LeonTodd I spend more time stuffing around with guitars than actually playing these days LOL
I’ve had a lot of Marshalls over the years. In general, my favorites are the 4 pronger JMP’s. My 2 favorites were a 100 watt Park, and the ‘69 JMP50 Plexi. Don’t have those any more. Currently running an ‘83 JCM 800 50 watt. Another excellent amp is the 20 watt Lead and Bass. 18 watt TMB is pretty cool too. Once had a ‘78 JMP MK II 100 watt combo that just killed too. I just can’t into the crappy design of the later amps with multiple circuit boards, board mounted pots and tube sockets, etc. just prefer the hand-wired, ir mininal PCB boards like the early 800’s.
Those Park's are monsters! Just scored a '79 2959 which Jason at Headfirst is touching up for me :)
Very Cool, Thankyou. So Awesome. For Marshall Amps, I only have a Marshall MG15MSii Mini Stack Amp and it is awesome 'little' Amp (and looks really Cool Too without taking up too much room in my small house, lol). Both Channels Rock but The Overdrive Channel is Amazing. I also own a Marshall "Guv'Nor 2 Plus" Pedal that Transfers that awesome Marshall 'Overdrive' tone to all my Amps, which I find really Cool. Cheers
I love those micro stacks. My first amp was the Lead 12 version!
Even the little $120 shortscale (3/4 size) Jacksons sound pretty damn good for such a budget beast. I was actually surprised, though the plastic nut didn’t impress me much 😂
Way out west, I’ve never been but I might one day🤘🏼
I was playing a show back in 2001, and was sharing an amp with another band that night. The guy said it was the first show ever for the DSL50 we were using. We both used it through a 1960 4x12 cab. I loved the tone I was able to dial in that night. The other guy didn't like his tone so much. I happened to be on the market for an amp at that time. So I offered the guy $1000(CAD) for it, and I went home with it that night! Because of that amp, I found this channel.
That's such an awesome story! It was meant to be
I used to play a Metal Zone into a Twin Reverb & 4x12 cab, then scored a like-new TSL 100 w/ cab,…tried everything, ended up back w/ my Twin & metal zone! Was uninspired.
I heard the toilet thing was a myth. Anyway, do you think modeling has a future and also do you think Fractal will get on board with the capturing technology going on now?