What a great cellist. The intensity of pathos in this work tends to result in the cellist using too much bowing pressure when the atmosphere calls for sotto voce. In that respect, I like his interpretation more than either Capucon or Rostropovich. He really does a great job.
In holding back respectfully for the cellist, and hiding behind the legato pedal a bit, the pianist misses some of her shots at Rachmaninov’s lyricism. But this is not an easy piano part; and you have Yuja and Richter making it look much easier than it really is. But she also drifts a little below the required speed here and there, which is not allowed when accompanying, and she doesn’t bring the piano’s voice forward enough when Rach hands her the opportunity; maybe she’s lost in the beauty of the piece, but that’s not allowed. Rach was a virtuoso pianist: he’s going to make sure that the piano demands its fair share of the argument. Anyway, IMO, the cello sonata is one of the greatest works Rachmaninov wrote; it deserves to be as well known as the Kreutzer is from Beethoven. Well, this is dragging a bit; I’m going back to Capucon, which I think is the best performance. As much as I love the dramatic intensity from the Russians, the cellist has to really sing the melodic subjects with a round tone and a full bow without too much scratching at the hilt. This andante is dragging too much. Back to R and R!
13:35
20:39
26:46
Мне нравится чем-то настоящим восторгаться и чувствовать в этом Вечность!Браво!
Подпись:дядя Раис Галеев,70лет....🙏🙏❤!
A superb performance by these sensitive and committed performers. Wonderfully expressive.
Such a fantastic performance!!
The most beautiful cello sonata
24:04 저음 찐하게 우려주는거 너무 좋다. 대신 울어주는 거 같아서 카타르시스 쩐다
What a great cellist. The intensity of pathos in this work tends to result in the cellist using too much bowing pressure when the atmosphere calls for sotto voce. In that respect, I like his interpretation more than either Capucon or Rostropovich. He really does a great job.
소리 넘 좋네요
In holding back respectfully for the cellist, and hiding behind the legato pedal a bit, the pianist misses some of her shots at Rachmaninov’s lyricism. But this is not an easy piano part; and you have Yuja and Richter making it look much easier than it really is. But she also drifts a little below the required speed here and there, which is not allowed when accompanying, and she doesn’t bring the piano’s voice forward enough when Rach hands her the opportunity; maybe she’s lost in the beauty of the piece, but that’s not allowed. Rach was a virtuoso pianist: he’s going to make sure that the piano demands its fair share of the argument. Anyway, IMO, the cello sonata is one of the greatest works Rachmaninov wrote; it deserves to be as well known as the Kreutzer is from Beethoven. Well, this is dragging a bit; I’m going back to Capucon, which I think is the best performance. As much as I love the dramatic intensity from the Russians, the cellist has to really sing the melodic subjects with a round tone and a full bow without too much scratching at the hilt. This andante is dragging too much. Back to R and R!
这么长的曲子，音乐家怎能不看谱，全都记在脑中呢？
所以音乐家一定要有超强的记忆力，也一定是不同凡响的天才。
wtf the ads
By the way, can I do it better? Of course I can’t! Musicians, what do you think? Trolls can go ‘shove it’, but I doubt they’re here on this site!