Hello.Thank you so much!!what do you think:do I understand correctly that the longer the effective length of the tonearm, the less the rolling force acts on it due to the fact that the reaction of the tonearm support in relation to the friction force that goes tangentially to the track has a more confident force than that of a shorter tonearm.?Or am I wrong?Thanks!!
Sorry, but what are you referring to by “rolling force”? Perhaps if you would also refer to a specific point in the video that elicited the question, it may help me answer it.
@@Винил-настройка-Владимир-57 skating force decreases when either friction decreases or effective moment arm decreases. Another way of saying the latter (though it is not nearly as descriptive nor fully accurate) is that when overhang decreases, skating force decreases. Longer arms have less overhang, all else remaining equal. Read my blog post here: www.wallyanalog.com/post/skating-and-anti-skating-force-myths
Thank you very much.!I have read your link several times.I think that this article of yours should be a reference book for a person who really strives for the best and correct vinyl sound.I want to tell you that I sometimes correct the settings for clients when I see a spontaneous movement of the hand with zero force against skating.If this is due to the fact that the table is not aligned, this is treated, and if there is a misalignment in the bearings, then this violation (I call it lateral balance) must be taken into account when setting up the anti-rolling force.And I absolutely agree with you about the tuning disks.Setting them up can be useless also because each cartridge, and especially if it is vintage, has its own imbalance.If I'm wrong, correct me.)Thanks!Good luck.!
Danke für den Aufwand um Aufklärung zu betreiben. Die Zusammenhänge werden deutlich von Technik und die Auswirkungen dazu.
Thanks for the very detailed research, it's very valuable!
Hello.Thank you so much!!what do you think:do I understand correctly that the longer the effective length of the tonearm, the less the rolling force acts on it due to the fact that the reaction of the tonearm support in relation to the friction force that goes tangentially to the track has a more confident force than that of a shorter tonearm.?Or am I wrong?Thanks!!
Sorry, but what are you referring to by “rolling force”? Perhaps if you would also refer to a specific point in the video that elicited the question, it may help me answer it.
Hello.Sorry, I meant the force that attracts to the center.
@@Винил-настройка-Владимир-57 skating force decreases when either friction decreases or effective moment arm decreases. Another way of saying the latter (though it is not nearly as descriptive nor fully accurate) is that when overhang decreases, skating force decreases. Longer arms have less overhang, all else remaining equal. Read my blog post here: www.wallyanalog.com/post/skating-and-anti-skating-force-myths
Thank you very much.!I have read your link several times.I think that this article of yours should be a reference book for a person who really strives for the best and correct vinyl sound.I want to tell you that I sometimes correct the settings for clients when I see a spontaneous movement of the hand with zero force against skating.If this is due to the fact that the table is not aligned, this is treated, and if there is a misalignment in the bearings, then this violation (I call it lateral balance) must be taken into account when setting up the anti-rolling force.And I absolutely agree with you about the tuning disks.Setting them up can be useless also because each cartridge, and especially if it is vintage, has its own imbalance.If I'm wrong, correct me.)Thanks!Good luck.!