Thank you for putting it so clear and so simple! Subtext is the most difficult part of a dialogue. Fortunately, it's not mandatory to always have subtext unless the topic allows it, but it's great if you can. Furthermore, by not calling things by their names, just implying them and just assuming that the other character understands, fabulous entertaining sketches were created! Last, but not least, entertaining dialogues with crafted subtext are in Oscar Wilde's plays, too - a great playwright classic!
I would really appreciate examples of on-the-nose dialog (bad) and then subtext-laden dialog (good) on the same subject if possible, the good example maybe from a real novel. You talked about the process, but until I see examples it's hard (for me) to picture it. Thanks.
Great vid, currently listening to Film Courage on Script advice, Sub text constantly mentioned, so had to clearly define what this was, you explained perfectly
Thanks a lot. This is very helpful. Please, always try to include examples. It broadens our knowledge and provides a clearer understanding. Although several of your videos have explicit examples. Keep up the good work.
Thankyou for that info. Your explanation on subtext was amazing. Especially the way you used examples to explain it. Am an actor trying to gather as much knowledge as possible. Could you make a tutorial on script analysis, beats, action verbs Thankyou
I think in the book Uncle Tom's Cabin, the character Augustine St Claire has a lot of subtext in his dialogue, when speaking with his wife and with his brother. I could be wrong, though.
summary: subtext component of dialogue. subtext is not being said in the scene. create subtext: look for on the nose dialogues and change them avoid the expected understand the current emotional state of your characters. understand the goals of your character but don't state it explicitly. understand conflict b/w the characters.
Mike's monologue at the end of Stranger Things 4 was too on the nose. It was cringey to hear. You've got a character who can't express feelings well at all, then he gives this big speech to inspire her to fight. It was cheesy. But I wouldn't just have changed the dialogue. I'd have had him do more to help El.
Thank you for putting it so clear and so simple! Subtext is the most difficult part of a dialogue. Fortunately, it's not mandatory to always have subtext unless the topic allows it, but it's great if you can. Furthermore, by not calling things by their names, just implying them and just assuming that the other character understands, fabulous entertaining sketches were created! Last, but not least, entertaining dialogues with crafted subtext are in Oscar Wilde's plays, too - a great playwright classic!
Excellent advice, I love subtext. It's the things that we don't say that are most salient.
I would really appreciate examples of on-the-nose dialog (bad) and then subtext-laden dialog (good) on the same subject if possible, the good example maybe from a real novel. You talked about the process, but until I see examples it's hard (for me) to picture it. Thanks.
i know Im kinda randomly asking but does anyone know of a good place to stream new movies online ?
@Preston Jaden Try flixzone. Just google for it =)
@Cain Rory definitely, I have been watching on Flixzone for years myself =)
@Cain Rory thank you, I went there and it seems to work =) Appreciate it!
@Cain Rory Thank you, signed up and it seems like they got a lot of movies there :) I appreciate it!!
Great vid, currently listening to Film Courage on Script advice, Sub text constantly mentioned, so had to clearly define what this was, you explained perfectly
finaly a simple explanation
Thanks to reedsy for guiding us.
Thanks a lot. This is very helpful. Please, always try to include examples. It broadens our knowledge and provides a clearer understanding. Although several of your videos have explicit examples. Keep up the good work.
Thankyou for that info. Your explanation on subtext was amazing. Especially the way you used examples to explain it.
Am an actor trying to gather as much knowledge as possible.
Could you make a tutorial on script analysis, beats, action verbs
Thankyou
This really gave me a lot to think about. Thanks!
Glad it helped!
Well.. That was informative. Thanks!
I think in the book Uncle Tom's Cabin, the character Augustine St Claire has a lot of subtext in his dialogue, when speaking with his wife and with his brother. I could be wrong, though.
All tell. Why no subtext examples?
Thank you, thi video is really helpful!
good one
Anyone think the new Loki show has too on the nose dialogue? I feel like a lot of the writing is weirdly dumbed down.
That was helpful.
I think you need to include examples - you were telling not showing.
I love your video's, but can you start to show some examples of what you are talking about. Only when it may not be obvious. Thx.
If were writing fiction characters are usaully upset.In otherwords no conflict no story.Conflict is the most basic element of story writing.
summary:
subtext component of dialogue.
subtext is not being said in the scene.
create subtext:
look for on the nose dialogues and change them
avoid the expected
understand the current emotional state of your characters.
understand the goals of your character but don't state it explicitly.
understand conflict b/w the characters.
Mike's monologue at the end of Stranger Things 4 was too on the nose. It was cringey to hear. You've got a character who can't express feelings well at all, then he gives this big speech to inspire her to fight. It was cheesy. But I wouldn't just have changed the dialogue. I'd have had him do more to help El.
You're cute.
Jeez could of talked slower but good I guess
You need to stop using the phrase on the nose dialogue. That term is really unclear