First time in a long time i got something useful from a TH-cam video. That was great dude. Im gonna have to put some more time jnto learning about modal interchanges.
Thanks, Brad! Let me suggest an awesome video that lets you hear the possibilities of modal interchange. It'll get you fired up! (that's not a video from me): th-cam.com/video/1dRA28cdt5c/w-d-xo.html
Hey, man! Good to see you again; we chatted for a bit at one of Andy's streams recently. Love this video, and I'll definitely be experimenting with these chords. Cheers, mate!
YOU ARE ONE AMAZING GUY. I WOULD LOVE TO KNOW JUST A SMALL PORTION OF WHAT YOU KNOW. MAN YOU ARE REALLY OUT THERE AND I MEAN IN A GOOD WAY. HOW LONG HAVE YOU BEEN PLAYING GUITAR AND DID YOU COME FROM A MUSICAL BACKGROUND. I'VE GOT ONE THING TO SAY YOU ARE A MUSICIAN GENIUS. WOW!!!!!!!
Hi Antoine! Really really fascinating tonalities you create and share with us! While familiar with modes, I have not worked enough with them, or general harmony, to fully get them under my skin. When you say that the bII chord is borrowed from Phrygian mode, and the bVI chord is borrowed from Eolian mode , how do I determine that bII is not borrowed from Locrian instead, and bVI not borrowed from Phrygian or Locrian mode? Probably not a that bright question if you know your harmony basics, but still, this is my current status..... ! Best regards, Magnus
This is a very good question, Magnus! You are right, the bII chord could be borrowed from Locrian as well. The only reason why I say 'Phrygian substitution' is because I'm considering the FIRST mode that introduces that characteristic b2 note. If I'm studying the modes from brightest to darkest: Dorian doesn't have the b2, Aeolian doesn't have the b2, Phrygian HAS the b2 (and it's the only difference from the aeolian mode preceeding it). Because of that, I'm going to consider that a chord that contains that famous b2 note originates more from Phrygian than it does from Locrian because it's the first one to introduce that note. But of course, you can have many similarities between modes, because after all, only one note changes from one mode to another. Does that make sense?
@@AntoineMichaudGuitarLooping Hi and thx for answering that quickly. Yes, I think it makes sense. i have actually not so far thought of the modes as having a given order brighter to darker, but that seem a quite logical way of cathegorizing them. Did I get you correctly that the minor modes generally then are ranked Dorian , Aeolian, Phrygian Locrian, brightest to darkest?
5:40 Its not true. You could play in different keys on every chords. Its in Emaj, but you dont need to modal interchange just to play in different key. I know you know it, just wanted to comment on that. So if the C chord is in play you can play C maj scale for example.
![Writing Progressions with Borrowed Chords: Songwriting Lesson [MUSIC THEORY - MODAL INTERCHANGE]](http://i.ytimg.com/vi/7IdttvJSedg/mqdefault.jpg)
What a spacious, wonderful sound! Will have to experiment with that for sure 👊🏻 great video!
First time in a long time i got something useful from a TH-cam video. That was great dude. Im gonna have to put some more time jnto learning about modal interchanges.
Thanks, Brad! Let me suggest an awesome video that lets you hear the possibilities of modal interchange. It'll get you fired up! (that's not a video from me): th-cam.com/video/1dRA28cdt5c/w-d-xo.html
@@AntoineMichaudGuitarLooping very nice little primer. I appreciate that.
Hey, man! Good to see you again; we chatted for a bit at one of Andy's streams recently. Love this video, and I'll definitely be experimenting with these chords. Cheers, mate!
Great to see you here, man!
There's a song from Seal called "Rolling" that has a part of that progression. I really like that song. Thanks for the explanation. Greetings. XD
YOU ARE ONE AMAZING GUY. I WOULD LOVE TO KNOW JUST A SMALL PORTION OF WHAT YOU KNOW. MAN YOU ARE REALLY OUT THERE AND I MEAN IN A GOOD WAY. HOW LONG HAVE YOU BEEN PLAYING GUITAR AND DID YOU COME FROM A MUSICAL BACKGROUND. I'VE GOT ONE THING TO SAY YOU ARE A MUSICIAN GENIUS. WOW!!!!!!!
Sounds gorgeous anyone else hear Radiohead Daydreaming in there ?
Hey you're back. Wow I'm having big chords in my head now. All thanks to you
Where did you learn all your theory mate? :) Thanks
I have a bachelor's degree in music education!
Hi Antoine! Really really fascinating tonalities you create and share with us! While familiar with modes, I have not worked enough with them, or general harmony, to fully get them under my skin. When you say that the bII chord is borrowed from Phrygian mode, and the bVI chord is borrowed from Eolian mode , how do I determine that bII is not borrowed from Locrian instead, and bVI not borrowed from Phrygian or Locrian mode?
Probably not a that bright question if you know your harmony basics, but still, this is my current status..... ! Best regards, Magnus
This is a very good question, Magnus! You are right, the bII chord could be borrowed from Locrian as well. The only reason why I say 'Phrygian substitution' is because I'm considering the FIRST mode that introduces that characteristic b2 note. If I'm studying the modes from brightest to darkest: Dorian doesn't have the b2, Aeolian doesn't have the b2, Phrygian HAS the b2 (and it's the only difference from the aeolian mode preceeding it). Because of that, I'm going to consider that a chord that contains that famous b2 note originates more from Phrygian than it does from Locrian because it's the first one to introduce that note. But of course, you can have many similarities between modes, because after all, only one note changes from one mode to another. Does that make sense?
@@AntoineMichaudGuitarLooping Hi and thx for answering that quickly. Yes, I think it makes sense.
i have actually not so far thought of the modes as having a given order brighter to darker,
but that seem a quite logical way of cathegorizing them. Did I get you correctly that the minor modes generally then are ranked Dorian , Aeolian, Phrygian Locrian, brightest to darkest?
Exactly! And Major modes would be Lydian, Ionian, Mixolydian, brightest to darkest!
@@AntoineMichaudGuitarLooping Perfect, Thanks!
Subbed.
5:40
Its not true. You could play in different keys on every chords. Its in Emaj, but you dont need to modal interchange just to play in different key.
I know you know it, just wanted to comment on that.
So if the C chord is in play you can play C maj scale for example.
🤘🐶🎸❤️