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- เผยแพร่เมื่อ 1 ส.ค. 2024
- Composer: Heitor Villa-Lobos (March 5, 1887 - November 17, 1959)
Orchestra: Paraiba Symphony Orchestra conducted by Eleazar de Carvalho
00:00 Moderato - Poco adagio
02:43 Tempo di marcia
03:44 Moderato - Poco adagio refrain (6:16) Tempo di marcia refrain
07:17 Song of the Uirapurú
08:52 Allegro non troppo (9:47) Song of the Uirapurú refrain
10:46 Meno mosso e calmo. The Uirapurú is shot by an Indian huntress and transforms into a handsome Indian youth
14:25 Allegretto
17:19 Moderato, Coquetry of the Indian maidens with the youth
18:52 The ugly Indian appears, and kills the youth with his bow. (19:07) The youth transforms back into the Uirapurú.
19:34 The Uirapurú's song of farewell. (20:10) The maidens grieve.
An extremely finely orchestrated work
Recording and score somewhat differ.
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The first chord played and I am already hooked. I wished Heitor Lobos was more recognized he composed amazing music with such distinctive colors.
the first chord is amazing
what a nice tritone duplication ma friend
@@teacoffee42 look at mr. Smart over here 😂😂
This first chord is a Tristan chord!
His guitar works are most notable
The first bar made my dog bark and now she’s looking for the bird. Pure mastery
A PAINTER in Classical music!
Hello thanks for remembering us Brazilians !!! Villa-Lobos is an inspiration for us !!!
06:28 had to take off my headphones because I thought the fire alarm went off in my building
I just keep coming back to this piece, really like it!
A apoteose dos jogos instrumental-harmônicos, em contrastes surpreendentes. A obra é uma floresta ampla, profunda, bela e trágica.
I love the climax build at 18:45, what a great harmonic development
His colors are just amazing. And that first chord ✨❤️
Marvelous upload, one of Brazil's national treasures. Thanks for sharing.
Stupenda !!!! 🌳🌷🌳🌷🥁
What a magical gem
I love HVL’s incorporation of saxophone in his works. Great piece!
The wind solos in this work are phenomenally written.
Reminds me of Stravinsky’s nightingale. Beautiful work.
Absolutely captivating and full of colorful, wonderful orchestration. I love it!
Que pérola!
Amazing Villa-lobos !
Chants parfaits pour lire les formes subjectives des nuages et suivre d'un œil attendri les rainures des tiges des arbres; apprécier l'écriture complexe des branches imbriquées, goûter les couleurs de la décomposition de la lumière en gouttelettes d'eau dans un jardin, ressentir fortement le sol humide de la forêt ancestrale pour percevoir les traces des animaux du passé profond 🦉
Best channel on TH-cam. Always great content curated here.
CMaj7 just happens to be one of my favourite chords
Fantastic, I love this score
Love ur channel, omggggg
THANK YOU soo much. Love this channel!
Thanks for recommending this piece. It is has such enchanting timbres throughout.
I never particularly liked Villa-Lobos' popular pieces, so I kind of wrote him off, but looking more into his works, I've discovered that he is such a master of orchestration.
It’s like Tristan in Brazil. Love it.
Brilliant!
Great rendition !
14:25 Lembra a orquestração do bolero de Ravel.
5:35 for all my saxophonist friends :)
Villa Lobos tem sempre uma verve apoteótica e trágica que me fisga. Aqui, pode-se ouvir que ele traz para a sua música o canto do pássaro brasileiro em meio a sons que capturam a natureza.
Apoteótica e trágica, como a história do nosso Brasil. Ele capturou bem o espírito, a "alma brasileira".
Sim, porque o Villa é a transição entre o romantismo tardio e o modernismo. Ele faz uso de muitos procedimentos harmônicos de Debussy e Ravel (a peça "O naufrágio de Kleônikos" é Debussy escrachado). Entretanto, é muito clara a intenção novecentista dos crescendi súbitos, a orquestra gigante, essa ideia do "sinfônico", a melodia largada e sem fim (olha o Richard Wagner aqui), dentre outros típicos procedimentos dos compositores do final do século XIX.
Incrível a atmosfera da floresta trazida pelo harmonia colorida do genial do genial Villa-Lobos. Essa obra é uma pérola da nossa cultura.
Muito obrigado, abraços do Brasil
Ronaldo Araújo -- ....and abrazos desde San Agustinillo, Oaxaca!
Love it..just be a bear to count some of those spots!!
What a colorful music, Villa-Lobos was a genius!
I've been waiting for this many time. Thanks man. Great job. 👍☺
Мало мы знаем о композиторах порой.
Alright, so I'm vibing with this piece...and then at 5:37 Kenny G casually walks in and crashes the party and I'm thinking "WHO INVITED YOU????"
👏🏽👏🏽👏🏽
Diaghilev, Balanchine, Lifar lived in Russia. Many composers dedicated to them their works: Stravinsky, Satie, Villa-Lobos... Why are there no Diaghilevs in modern Russia?
19:52 that's what I call a chord
Where's the chime in the score on the final chord?
As a native South American I can understand there is no enchanted little anything here. If you by chance were in the forest alone and that singing comes around you are in the presence of something not of this world. It's a legend of the Amazonas for which the composer felt the respect you are not showing.
Is this first chord the tristan chord?
Yes it is, and in Wagner's original key, though the violins add a G natural in the second bar.
@@ContemporaryClassical Thank you!
Soprano Sax? 👀
Yes. Indicated in the first page of the score
Man... I encourage inventive orchestration but asking for things like a violinophone (Stroh violin) just makes pieces like this underperformed and I can't program them with my orchestra :(
Just use a normal violin. Better playing it with this small change than not playing it at all
Could you please do Amazonas
One of the great composers of the 20th c with a very individual style. Absurdly under performed while complete trash is commissioned by orchestras in the full knowledge that 90% of it will never be heard again because in reality it’s not even music, just dissonant sound.
Qué obra más mala. Es malísima por dios bendito
Que comentário mala