0:00 Intro 0:55 Start of the run 1:35 Setup for ACE 2:49 Why is there a green bar in the corner? 3:15 Switching controllers 4:06 The replay device currently used 4:56 Injecting the first set of data 6:12 Injecting data intensifies 6:42 Reloading the game to apply patches 7:21 Inventory Editor 9:30 Arwing from Starfox64 10:51 Lost Woods exit sequence 12:45 Beta Kokiri 14:23 Butterfly 16:05 Convenient Ura Zelda text-patching code 17:35 Giving the butterfly to the Beta Kokiri 18:42 ﾟ･:*｡ Magic Powder ｡*:･ﾟ 20:07 Skull Kid 21:08 Upgrading masks 23:34 Gerudo's Fortress as Child-Link 26:32 Nabooru 31:48 The full Song of Time 33:07 Link and Nabooru having a stare down 33:53 Full Song of Time functionality 37:03 Ocarina Systems 39:33 The Running Man 43:06 Beating the Running Man 44:53 The "Special Reward" 45:14 Running Man Boss Battle 49:25 Sages' Charm and questionable physics 53:08 Melting the ice in Zora's Domain 55:28 Unicorn Fountain 56:33 Beta Great Fairy 58:06 The Overture of Sages 59:24 The Temple of Time 1:02:14 To the Sacred Realm! 1:04:12 Yeeting off the platform 1:06:57 The music of the Sacred Realm 1:07:39 Sheik 1:08:45 Oof 1:09:29 Triforce 1:13:29 Choice 1:13:57 Future 1:15:55 Here together 1:17:59 Surprise? (Credits) 1:21:33 👏
ACE has given us both the OoT triforce and Mew under the truck. I can’t put into words how important ACE and tas authors are for given is things like this
Wish I'd found this sooner. I really enjoyed the RGME video when this first came out, but this is a completely different side of things. I love hearing about the issues that developers run into and why they choose to solve them (or not) the way they do.
19:34 - this is a really interesting topic to hear you guys talk about, because it's such a fine line that you had to toe between keeping the viewer immersed in the experience of the presentation and presenting things in as authentic a manner as possible. At the end of the day, though, I think your team did a genuinely masterful job of threading that particular needle, to the point where I was honestly brought to tears the first time I watched the original video. You guys tapped into something from my childhood, something that I hadn't even realized was still living inside me, in such a uniquely visceral fashion. Just such phenomenal work by everyone involved.
Thanks for saying that. It was very tricky. At a large scale, if we went too far in one direction, we'd have people thinking that it was just a romhack, or worse, that it was just a video and completely fake (some people actually thought this about the BotW / Twitch chat part). If we went too far in the other direction, people would think everything was hidden within the cartridge, as many people did for a lot of it. If we drily explained what was injected every step of the way, that would have taken away from the experience of the plot. And anywhere we did end up falling between these three options, we would have had some people get the wrong idea or not understand. You can't make something that is pushing the boundaries of an art form and also is universally appealing and easily understandable.
You can even have further explanation. Search for "Finally Obtaining the Triforce in Ocarina of Time: Triforce Percent Explained" from user Retro Game Mechanics Explained.
i always knew the time would come when loving gamers will rewrite and finish the memories we had from unfinished stuff devs could not fit in. i cant wait when someone will finish the original wow classic with all the assets left in the game code they left so much out im sure some day someone will do it. much love thanks for that inspiring stuff
I didn't realized when I watched the original that you were still inputting for a few minutes while you were still playing. This whole thing is badass guys!
The part with the running man race was when i realised that this was totally made up, it doesn't make sense that, when you time travel, if you travel back and forth the exact same amount of time (7 years) you go from the race timer being at 20 seconds or whatever to -5. I know that it was made to tie everything up and all, but it's clearly incorrect.
Absolutely fantastic. I wish I could be part of the project. I've been working on restoring Link's model from Zelda 64 beta 96. Haven't fully finished it, trying real hard to fully capture Link
The "fanfic" aspect which was absolutely a dream come true for me was getting to arrange the music for the """""true ending""""" of OoT. Writing the plot and screen text were fun, but other folks on the team did a lot of work on them, in particular Rebecca Tripp for the plot and Kim-SukLey for the screen text.
It's nice that credits were given to the original author of the fake screenshots. This type of hoax is very difficult to have nowadays. I wonder if the author is still out there, has seen this video, and if they cracked a smile when they saw the overture of sages.
This is amazing. Thank you for such a thorough break down. It really helps to know how much was created for this project and all the people who worked hard for this to happen. Great work, everyone!
Is there a video with more in-depth details on how the "future" was made? This is not only impressive, this looks miles ahead anything N64 has made I would guess that the framerate is quite low and there is nothing else there to render, but still fascinating
There isn't really an in-depth video on the cel shading, though I might make one eventually as I've been working on other microcode mods. The framerate stays at 20 fps most of the time but drops to 15 fps twice when Link, Zelda, and the island are all on screen. As you said, we picked the camera angles and the cutscene layout carefully so that most of the time there would be very little on screen most of the time.
I just HAD to learn more about how this was developed after watching the runthrough on the GDQ channel. As someone who knew nothing about Arbitrary Code Execution prior to this video, I think you guys did a decent job explaining it's purpose and how it differentiates from straight up modding or hacking the game itself. There's still a few things that confuse me, but I've been told that more explanation videos are on the way, so I will wait patiently and eagerly for those. Everyone on this team deserves to give themselves a pat on the back; this was absolutely wicked~
After explaining the setup, I cannot believe the skill needed to start ACE live. holy crap. Im going back to the live performance after all the behind the scenes
I should mention that the OoT Pc port, Ship of Harkinian, has a Triforce% mode that gets activated once you enter a screen transition. So if you go through the hassle of getting the right version of the Pal Master Quest Debug rom, it’s very much worth it.
And I can report that Ship has updated since then to have more options. I believe NTSC Master Quest is available now? And I know that one is a lot more available and in circulation
Thanks! Though Ariana probably didn't come up with it by mashing buttons. The song was shown in her text emails as well as a not-very-well-done photoshopped image from her. Who knows how she came up with it. The irony is that all the music we arranged and injected actually was inserted into the game by TASBot mashing buttons.
@@Sauraen I'm not super into Oot and I only know the general plot and game mechanics, but up to this video, I didn't know that the Overture of Sages was custom made... Great job on making it!
@@ScribbleTAS We didn't make it, that's the whole point! :) The hoaxer Ariana Almandoz made it in 1999. I arranged the background track for it but the actual six notes were composed by her back then.
It brings up a green cancel button, but that's it - it's an end screen because by that point there's not really an ability to recover everything easily
17:48 If someone were to recreate this for a ROM hack, they could totally make the Butterfly its own item without overwriting anything. Because the decompilation exists.
Still wondering how the Unicorn Fountain model was injected. Did you have someone make the model in 3D software first? And then like..passed the model data to TASbot?
Yes me,too They have to See this and then the have to say : great Job to this guys to honor them , we allow to Program a full Rom based on this Run for EVERYONE
@@mastergomez7997 because it was going to be for the n64 dd. But since the disk drive didn't sell well they moved on. You can actually find some videos on why it was canceled and how majoras mask was made in like a year and a half
Ever since watching the SGDQ run of this, I always had a funny feeling about it. Something just felt wrong. I knew there was no way everything i had seen, and probably a good majority of what i saw, was not "on the cartridge." But it felt like there was almost a concerted effort to be vague and mysterious about where the content originated. And hearing you talk about "suspension of disbelief" clears that up. But not in a good way. hundreds of thousands of people watched this live and donated while under this suspension of disbelief. I'm willing to bet, based on how well this was done, that there were more than a few people who donated that don't really have the means to do so. But the run was so amazing that they just had to donate because this was all done from scratch, using an unmodified cartridge. While technically true, the technical know-how of this stuff was definitely beyond the reach of the average viewer. So there's no way most people would have known why what you were saying was to perpetuate the suspension of disbelief during the run. That just doesn't sit right with me. I loved the run and thought it was very cool. But the perpetuity of suspension of disbelief came across to me more as a lie of omission. And an exchange of money was involved and persuaded out of viewers because of it. It's not stealing, but it's akin to being persuaded to buy a timeshare, or falling for a telemarketing scheme. This is a very fine line to walk when live donation is involved. IMO, you really toed that line at SGDQ. Again, really cool. But i don't want to see anyone get in trouble in the future for something like this. All you have to do is be more clear in the moment, so that you don't have to clarify everything in a supplementary video.
I understand your concerns, and we had a number of discussions about how to best frame and present everything, including with GDQ admins. For example, we talked a lot about what to say about the run in advance for the donation incentive, in order to meet GDQ's goal of maximizing donations and viewership while not spoiling the plot and also being careful about exactly what we were claiming. I'm not going to claim that what we ended up with was absolutely perfect, but I'm also not sure we could have done things much differently without substantially sacrificing one of these goals. If I'm understanding you correctly, it sounds like what you're concerned about is that people may have donated in the middle of the run, inspired by how awesome it was, but under a false belief that more of the data was on the cartridge than actually was. I would say that this is different from the timeshare example for a few reasons. First, there was no exchange--we simply showed things on the stream and then people decided to donate of their own free will. They did not expect to be getting anything in return for that donation. We did effectively tell people to subscribe during the "Here Together" segment to be able to see their messages in-game, but we did follow through on that exchange and provide what we promised. Second, we did not profit from their donations--100% of the money went to MSF. Triforce% was at significant personal cost to us--we spent thousands of dollars on flights and hotels to attend GDQ, not to mention almost a thousand hours of development. Not to mention, any money donated during the run would have had the choice of various donation incentives for later runs, so only some fraction of that money was really "for" Triforce% itself. Finally--it's not nearly as simple as "all you have to do is be more clear in the moment", neither from an artistic standpoint or a practical standpoint. Suppose we had just stated during the run every single thing we had created with ACE. That would have diminished the emotional impact, and taken away part of the experience we were also trying to create. But it also wouldn't have gotten rid of confusion about the content--for non-technical people who weren't familiar with ACE, some people would still come away thinking that more of it was on the cart than it actually was, and other people would come away being convinced that we had just modded the game in advance. Even from what we showed, we had a good number of people believing that the BotW / Twitch chat segment was just completely fake, like we switched from the N64 to a laptop playing a video. This is despite the fact that we said during the run, "By the way, this is in engine. / This is NOT a video, this IS the N64." At the end of the day, we created an almost completely novel type of work of art with crazy tech and a big emotional impact. Anything like this will always lead to some people not understanding it and some disliking the choices we made, and we had to accept that before showing it. Worst-case scenario, we misled some people about what data is in a game cartridge from 1998. Best-case scenario, the $228k we raised for MSF saved dozens if not hundreds of lives, and we helped tens of thousands of people reconnect with and bring meaningful closure to a big part of their childhood. There's a number of little things I might have done differently about how we presented Triforce%, but overall I'm very happy with how it went and feel extremely grateful to have had the opportunity to put this into the world.
@@Sauraen You guys really did make a cool run. And i definitely feel like I'm more in the minority for how i felt about it, which means i might be overthinking the whole thing, which im willing to admit i may be doing. Thank you for responding and contradicting me where i needed to be contradicted. I appreciate the dialogue
I dont want to be rude or disrespect the people that spend years developing this, but the "future" part is so bad...this would be way better with just the beta content
People like you are the only one making a gesture of politeness "politics". If you can't stand it, leave? Maybe 4chan or Truth Social is more your speed.
0:00 Intro
0:55 Start of the run
1:35 Setup for ACE
2:49 Why is there a green bar in the corner?
3:15 Switching controllers
4:06 The replay device currently used
4:56 Injecting the first set of data
6:12 Injecting data intensifies
6:42 Reloading the game to apply patches
7:21 Inventory Editor
9:30 Arwing from Starfox64
10:51 Lost Woods exit sequence
12:45 Beta Kokiri
14:23 Butterfly
16:05 Convenient Ura Zelda text-patching code
17:35 Giving the butterfly to the Beta Kokiri
18:42 ﾟ･:*｡ Magic Powder ｡*:･ﾟ
20:07 Skull Kid
21:08 Upgrading masks
23:34 Gerudo's Fortress as Child-Link
26:32 Nabooru
31:48 The full Song of Time
33:07 Link and Nabooru having a stare down
33:53 Full Song of Time functionality
37:03 Ocarina Systems
39:33 The Running Man
43:06 Beating the Running Man
44:53 The "Special Reward"
45:14 Running Man Boss Battle
49:25 Sages' Charm and questionable physics
53:08 Melting the ice in Zora's Domain
55:28 Unicorn Fountain
56:33 Beta Great Fairy
58:06 The Overture of Sages
59:24 The Temple of Time
1:02:14 To the Sacred Realm!
1:04:12 Yeeting off the platform
1:06:57 The music of the Sacred Realm
1:07:39 Sheik
1:08:45 Oof
1:09:29 Triforce
1:13:29 Choice
1:13:57 Future
1:15:55 Here together
1:17:59 Surprise? (Credits)
1:21:33 👏
Hola soy ALEX
This deserves more views, Triforce% was so magical and it's so cool to now learn the details
ACE has given us both the OoT triforce and Mew under the truck. I can’t put into words how important ACE and tas authors are for given is things like this
Wish I'd found this sooner. I really enjoyed the RGME video when this first came out, but this is a completely different side of things. I love hearing about the issues that developers run into and why they choose to solve them (or not) the way they do.
19:34 - this is a really interesting topic to hear you guys talk about, because it's such a fine line that you had to toe between keeping the viewer immersed in the experience of the presentation and presenting things in as authentic a manner as possible. At the end of the day, though, I think your team did a genuinely masterful job of threading that particular needle, to the point where I was honestly brought to tears the first time I watched the original video. You guys tapped into something from my childhood, something that I hadn't even realized was still living inside me, in such a uniquely visceral fashion. Just such phenomenal work by everyone involved.
Thanks for saying that. It was very tricky. At a large scale, if we went too far in one direction, we'd have people thinking that it was just a romhack, or worse, that it was just a video and completely fake (some people actually thought this about the BotW / Twitch chat part). If we went too far in the other direction, people would think everything was hidden within the cartridge, as many people did for a lot of it. If we drily explained what was injected every step of the way, that would have taken away from the experience of the plot. And anywhere we did end up falling between these three options, we would have had some people get the wrong idea or not understand. You can't make something that is pushing the boundaries of an art form and also is universally appealing and easily understandable.
@@Sauraen Thankfully, you 3 managed to do just that! Well done!
Yesss so glad this was automatically the next video after triforce% because I desperately wanted a breakdown
Hey again Charlie!
You can even have further explanation. Search for "Finally Obtaining the Triforce in Ocarina of Time: Triforce Percent Explained" from user Retro Game Mechanics Explained.
i always knew the time would come when loving gamers will rewrite and finish the memories we had from unfinished stuff devs could not fit in. i cant wait when someone will finish the original wow classic with all the assets left in the game code they left so much out im sure some day someone will do it. much love thanks for that inspiring stuff
This was almost as enjoyable to watch as the live gdq run was :,)
I've seen the "here together" segment at least 4 times but i still always cry
I love the amount of rupees after the butterfly purchase. Excellent nod.
I didn't realized when I watched the original that you were still inputting for a few minutes while you were still playing. This whole thing is badass guys!
Woo! I always love seeing Behind The Scenes for things like this
The part with the running man race was when i realised that this was totally made up, it doesn't make sense that, when you time travel, if you travel back and forth the exact same amount of time (7 years) you go from the race timer being at 20 seconds or whatever to -5. I know that it was made to tie everything up and all, but it's clearly incorrect.
Absolutely fantastic. I wish I could be part of the project. I've been working on restoring Link's model from Zelda 64 beta 96. Haven't fully finished it, trying real hard to fully capture Link
Please swing by discord.gg/TASBot and get involved, we'd love to have you
@@dwangoAC Awesome, thank you. Do you Instagram?
Thank you for telling me that the Lost Wood thing was fabricated, I spent like 5 attempts yesterday night 😂
pictured: sauraen outs himself as one of the most dedicated fanfic writers of all time
The "fanfic" aspect which was absolutely a dream come true for me was getting to arrange the music for the """""true ending""""" of OoT. Writing the plot and screen text were fun, but other folks on the team did a lot of work on them, in particular Rebecca Tripp for the plot and Kim-SukLey for the screen text.
This is one of the coolest things I have ever seen. Thank you TASBot and crew.
So amazing. Thank you for all the work that went into it! I get choked up every time. Phenomenal work to all on the project!
It's nice that credits were given to the original author of the fake screenshots. This type of hoax is very difficult to have nowadays. I wonder if the author is still out there, has seen this video, and if they cracked a smile when they saw the overture of sages.
This is amazing. Thank you for such a thorough break down. It really helps to know how much was created for this project and all the people who worked hard for this to happen. Great work, everyone!
Is there a video with more in-depth details on how the "future" was made?
This is not only impressive, this looks miles ahead anything N64 has made
I would guess that the framerate is quite low and there is nothing else there to render, but still fascinating
There isn't really an in-depth video on the cel shading, though I might make one eventually as I've been working on other microcode mods. The framerate stays at 20 fps most of the time but drops to 15 fps twice when Link, Zelda, and the island are all on screen. As you said, we picked the camera angles and the cutscene layout carefully so that most of the time there would be very little on screen most of the time.
It still feels like a feverdream that i was in that audience at sgdq 2022 live and got to chat to dwango and sauraen before and after.
I just HAD to learn more about how this was developed after watching the runthrough on the GDQ channel. As someone who knew nothing about Arbitrary Code Execution prior to this video, I think you guys did a decent job explaining it's purpose and how it differentiates from straight up modding or hacking the game itself. There's still a few things that confuse me, but I've been told that more explanation videos are on the way, so I will wait patiently and eagerly for those. Everyone on this team deserves to give themselves a pat on the back; this was absolutely wicked~
After explaining the setup, I cannot believe the skill needed to start ACE live. holy crap. Im going back to the live performance after all the behind the scenes
I should mention that the OoT Pc port, Ship of Harkinian, has a Triforce% mode that gets activated once you enter a screen transition.
So if you go through the hassle of getting the right version of the Pal Master Quest Debug rom, it’s very much worth it.
And I can report that Ship has updated since then to have more options.
I believe NTSC Master Quest is available now? And I know that one is a lot more available and in circulation
Thank you so much guys !
I love this video! ❤🔥
58:06 The huge gigachad move to actually compose a believable song from someone probably mashing some notes on the controller is just...
Thanks! Though Ariana probably didn't come up with it by mashing buttons. The song was shown in her text emails as well as a not-very-well-done photoshopped image from her. Who knows how she came up with it. The irony is that all the music we arranged and injected actually was inserted into the game by TASBot mashing buttons.
@@Sauraen I'm not super into Oot and I only know the general plot and game mechanics, but up to this video, I didn't know that the Overture of Sages was custom made... Great job on making it!
@@ScribbleTAS We didn't make it, that's the whole point! :) The hoaxer Ariana Almandoz made it in 1999. I arranged the background track for it but the actual six notes were composed by her back then.
Is the "The End" screen a softlock or is there a controller input to return to some stage of the game (as most big ACE tases allow)?
It brings up a green cancel button, but that's it - it's an end screen because by that point there's not really an ability to recover everything easily
Would be an amazing rom hack if you actually played through the game to receive everything
17:48 If someone were to recreate this for a ROM hack, they could totally make the Butterfly its own item without overwriting anything. Because the decompilation exists.
Still wondering how the Unicorn Fountain model was injected. Did you have someone make the model in 3D software first? And then like..passed the model data to TASbot?
Stay tuned for the next video :)
Is there a final tally of how many button presses this took?
I'd say just about all of 'em.
Will this be made into a mod that doesn't require ACE and TASBot?
I'd love to see a Nintendo developer reaction to some of these.
Yes me,too
They have to See this and then the have to say : great Job to this guys to honor them , we allow to Program a full Rom based on this Run for EVERYONE
nice explanation
Did I hear that Defenesam helped with this?
Yep! He learned Blender with me and we created portions of the end credits
@@dwangoAC That's awesome! I bet you're proud. I've done a father-son game dev project before with my own kid. Very fulfilling.
We need someone to actually make a rom hack that adds everything that zelda ura was supposed to be and maybe some custom stuff too
We need Ura Zelda ....why was it cancelled ?, i know they worked on majoras Mask but why dont create URA,too 😢
@@mastergomez7997 because it was going to be for the n64 dd. But since the disk drive didn't sell well they moved on. You can actually find some videos on why it was canceled and how majoras mask was made in like a year and a half
👏👏👏👏👏👏👏👏👏
Y oye qué es cómo compra robo por favor
I... just noticed the rupee count after buying the butterfly KEKW
This is a showcase! Why not show us the master sword cutscenes? Or are they just the normal ones from the game?
Those are unchanged (most things are; we showed virtually everything in the main presentation)
Ever since watching the SGDQ run of this, I always had a funny feeling about it. Something just felt wrong. I knew there was no way everything i had seen, and probably a good majority of what i saw, was not "on the cartridge." But it felt like there was almost a concerted effort to be vague and mysterious about where the content originated. And hearing you talk about "suspension of disbelief" clears that up. But not in a good way. hundreds of thousands of people watched this live and donated while under this suspension of disbelief. I'm willing to bet, based on how well this was done, that there were more than a few people who donated that don't really have the means to do so. But the run was so amazing that they just had to donate because this was all done from scratch, using an unmodified cartridge. While technically true, the technical know-how of this stuff was definitely beyond the reach of the average viewer. So there's no way most people would have known why what you were saying was to perpetuate the suspension of disbelief during the run. That just doesn't sit right with me. I loved the run and thought it was very cool. But the perpetuity of suspension of disbelief came across to me more as a lie of omission. And an exchange of money was involved and persuaded out of viewers because of it. It's not stealing, but it's akin to being persuaded to buy a timeshare, or falling for a telemarketing scheme. This is a very fine line to walk when live donation is involved. IMO, you really toed that line at SGDQ. Again, really cool. But i don't want to see anyone get in trouble in the future for something like this. All you have to do is be more clear in the moment, so that you don't have to clarify everything in a supplementary video.
I understand your concerns, and we had a number of discussions about how to best frame and present everything, including with GDQ admins. For example, we talked a lot about what to say about the run in advance for the donation incentive, in order to meet GDQ's goal of maximizing donations and viewership while not spoiling the plot and also being careful about exactly what we were claiming. I'm not going to claim that what we ended up with was absolutely perfect, but I'm also not sure we could have done things much differently without substantially sacrificing one of these goals.
If I'm understanding you correctly, it sounds like what you're concerned about is that people may have donated in the middle of the run, inspired by how awesome it was, but under a false belief that more of the data was on the cartridge than actually was. I would say that this is different from the timeshare example for a few reasons.
First, there was no exchange--we simply showed things on the stream and then people decided to donate of their own free will. They did not expect to be getting anything in return for that donation. We did effectively tell people to subscribe during the "Here Together" segment to be able to see their messages in-game, but we did follow through on that exchange and provide what we promised.
Second, we did not profit from their donations--100% of the money went to MSF. Triforce% was at significant personal cost to us--we spent thousands of dollars on flights and hotels to attend GDQ, not to mention almost a thousand hours of development. Not to mention, any money donated during the run would have had the choice of various donation incentives for later runs, so only some fraction of that money was really "for" Triforce% itself.
Finally--it's not nearly as simple as "all you have to do is be more clear in the moment", neither from an artistic standpoint or a practical standpoint. Suppose we had just stated during the run every single thing we had created with ACE. That would have diminished the emotional impact, and taken away part of the experience we were also trying to create. But it also wouldn't have gotten rid of confusion about the content--for non-technical people who weren't familiar with ACE, some people would still come away thinking that more of it was on the cart than it actually was, and other people would come away being convinced that we had just modded the game in advance. Even from what we showed, we had a good number of people believing that the BotW / Twitch chat segment was just completely fake, like we switched from the N64 to a laptop playing a video. This is despite the fact that we said during the run, "By the way, this is in engine. / This is NOT a video, this IS the N64."
At the end of the day, we created an almost completely novel type of work of art with crazy tech and a big emotional impact. Anything like this will always lead to some people not understanding it and some disliking the choices we made, and we had to accept that before showing it. Worst-case scenario, we misled some people about what data is in a game cartridge from 1998. Best-case scenario, the $228k we raised for MSF saved dozens if not hundreds of lives, and we helped tens of thousands of people reconnect with and bring meaningful closure to a big part of their childhood. There's a number of little things I might have done differently about how we presented Triforce%, but overall I'm very happy with how it went and feel extremely grateful to have had the opportunity to put this into the world.
@@Sauraen You guys really did make a cool run. And i definitely feel like I'm more in the minority for how i felt about it, which means i might be overthinking the whole thing, which im willing to admit i may be doing. Thank you for responding and contradicting me where i needed to be contradicted. I appreciate the dialogue
@@Keepsake66 Likewise. :)
did nintendo ever give their thoughts about this?
I have never directly received contact from Nintendo to date.
Tirfueza Forvaro
Ocarina Zelda
i need to play this version man
thrid
I dont want to be rude or disrespect the people that spend years developing this, but the "future" part is so bad...this would be way better with just the beta content
You're in a minority there but that's okay, we have all of just the beta content listed on the main project website
As cool as this is, I am SO tired of the pronoun politics. Unwatchable
People like you are the only one making a gesture of politeness "politics". If you can't stand it, leave? Maybe 4chan or Truth Social is more your speed.
You know you used a pronoun in your comment right?
Man can't watch a video because of two pieces of text next to a persons name
If every video had an out-of-place assertion that two equals three you'd get tired of it too.
@@BenRitter skill issue
please do this for majora's mask 🙏