Thanks for the great color grading tips you continually bring. I have Cinema Grade and the Color Grading Academy membership. Also your testimony of how you got started has definitely given me encouragement during this season in life 🙂. Keep up the great work!
Hi Denver, a few years ago I bought color finale, it was great, the problem was when FCPX updated color finale was no longer supported, I have recently bought davinci resolve so have both, are there any guarantees that if I buy cinema grade the same thing wont happen the next time Davinci or FCPX has an update? is there not a standalone version of cinema grade?
That's absolutely fantastic! I started to practice this process, and it hit me that I should practice on images WITH white, so I could "check myself" after doing your trick. Practicing that way, I was able to get the feel for where my skin tones should be on the skin-tone line when I have to white balance with NO WHITE. It's making my white balancing chops better with your trick!!!! You're amazing!
Tommy that's a good idea to cross examine the two different methods and after all the skin tones are the most important subject so I'm glad that armed with these two methods you're going to optimal results 🙌🏽
You never know how precious this trick for me as a newbie on video editing. God bless you, bro......pls keep good video.....you are the man (from Indonesia)
This is some of the best color grading tutorials on the internet (even though i cringe a bit every time you say something like, huorhuorhuoorrr) Keep it up!:)
This is absolutely brilliant tutorial on colour grading. Greatly appreciated your efforts and I learnt more especially on what to do if there is no white in a scene for color correction. New information to me and thanks for sharing.
Imagine you have a person with color vision deficiency and you have to teach him in a way that yields good results. This video works in that way as it uses technical means where you don’t have to rely on your perfect vision. I wish there where more of that kind as I’m deficient , too. Not color blind but Protanopia, red green problems.
That is the beauty of audiovisual production, I have always wanted to be a film producer, what a great way to play with the tones, everything was perfect
I wouldn't say that's necessarily the case. He showed three different techniques in three different NLEs, but you should be able to use the technique shown in Premiere in both Resolve and FCP.
Thank you so much for making time to make and post this video ,from this tutorial I learnt what to do when there is no white in a scene for color correction.
the color models are the best I have seen and even more with that design is perfect that's what I call good pictures and good design technology at an advanced level. good video
This information will be very useful to me, I did not know about this, I was actually oblivious to this topic, but this will advance my photography career very well, each video you upload is very useful, thanks brother
I've wondered for quite some time now. Since balancing skintone to the orange skin line is so powerful. Why have I yet to see a "skin balance-eye-drop" tool like the white balance that is in all color correction suites?
Excellent tutorial with tremendous informative content and real effective and efficient. Thank you for sharing this. I loved all the presentation of this content from beginning to end.
No, not the skintones again.... what if we don't have skintones? My empirical trick is move the temperature back and forth and find the sweetspot where most of colours appear saturated and concurrently (warm+cool). Then do the same with tint. You can be a tad more precise when consulting vectorscopes (if you can read them) with the same in mind: Highest saturation (and separation) in both warm and cool colours, at the same time.
This video has been awesome! I have had this question forever and now it is answered, thank you! Do you have any tips for white balancing when there are no skin tones in the image as well as no whites?
@@colorgradingcentral thank you. How would you expose for those dark skin tones using Zebras? For Caucasian I set it to 70% Zebra. Would I need to go higher than 70% or lower for really dark skin tones?
Please, make a video explaining how to color grade for 4k videos for youtube. Chrome and firefox changes the colors of 4k videos so it's very difficult to color grade. Thanks !
Another absolutely professional advice! Bravo! I have one question popping up right now. In your colorgrading seminar, your workflow is color correcting first and then do shotmatching. I'm wondering whether we should do shotmatching first for the entire scene because it is easier to match shots without further complicatedcolor correction nodes added on. Thanks
Thanks! But you have to apply a base correction to start to fix for exposure and white balance. Otherwise you'll be shot matching to an uncorrected image and it will cause further problems down the line.
@@colorgradingcentral Yeah, they are the bad match, but they are consistent, and then we start fixing exposure and balance by selecting the hero shot and copy to the rest in the scene. So what problem will be caused down the pipeline in this workflow? Cheers
Really very good and very helpful video. Excellent tutorial with tremendous informative content and real effective and efficient. Thank you for sharing this. Thank you.
Your tutorials are always great and I learn so much from you. I just wish you would build a Windows version of your software. Any chance this will happen?
Quick update! Cinema Grade will be releasing this month on Windows! Here is where you can get early access and a discount: coming.cinemagrade.com/opt-in-for-cinema-grade-win/
I wish I saw this few months earlier. very nice tip which I learned about a month ago. Here is a question? what if we don't have neither a white plane nor skin tone in the footage?
That third shot with the hands was lit by indirect sunlight. How much blue should be reintroduced in the highlights to account for naturally blue light coming from the diffused sky light in regards to what it would look like on the vectorscope?
Let's say that I've gotten the skin tones and white balance perfectly. Great; color correction is done. But what happens then when I get to the color grading part of the color edition. Won't that effect the vector scope, flesh line, and so on in an incorrect way? Or maybe that's not an issue, since it's grading and not correction? Sorry if this question is dumb. I'm new to this.
@@jonasgren1107 Thanks for the sub! It its possible that your look will "mess up" your skin tones. In that case you can go back before the application of the look and tweak to fix them. It's a common issue that you need to be aware of when creating a look.
For darker skin tones, the trace in the vectorscope will sit on and a little to the right of the I bar, as opposed to being directly on it with caucasian skin tones
Hello sir thanx for color grading plugin I install it but it's not working In adobe premiere pro I am done grading in your plugin but when I apply it in the timeline the clip become black
It's going to be the same, but darker skinned people's skin tones tend to sit a little further to the right of the fleshline/I-Bar than caucasian skin tones.
Dan if that were the case then unfortunately your scopes may not be as helpful but I always recommend when you fix white balance to stick to the color temperature tools and go with your eye.
Ugh! The puzzling problem of trying to fix a shot without white is SOLVED finally!!!
Thanks for the great color grading tips you continually bring. I have Cinema Grade and the Color Grading Academy membership. Also your testimony of how you got started has definitely given me encouragement during this season in life 🙂. Keep up the great work!
@@GlenReed thanks a lot Glen, that truly means a lot and if there is anything that I have been able to do to help you I consider myself honored!
Hi Denver, a few years ago I bought color finale, it was great, the problem was when FCPX updated color finale was no longer supported, I have recently bought davinci resolve so have both, are there any guarantees that if I buy cinema grade the same thing wont happen the next time Davinci or FCPX has an update? is there not a standalone version of cinema grade?
I love when they provide very accurate information without going around and around when it relates to the digital age, photography, design.
Great tip. Awesome for those tricky situations. Beautiful work as always dude!
Thanks Casey and congrats to passing 100K, you'll have to send me a pic of you with your TH-cam play button 🙌🏽
This is becoming my fav channel
That's absolutely fantastic! I started to practice this process, and it hit me that I should practice on images WITH white, so I could "check myself" after doing your trick. Practicing that way, I was able to get the feel for where my skin tones should be on the skin-tone line when I have to white balance with NO WHITE. It's making my white balancing chops better with your trick!!!! You're amazing!
Tommy that's a good idea to cross examine the two different methods and after all the skin tones are the most important subject so I'm glad that armed with these two methods you're going to optimal results 🙌🏽
this channel is the best color grading Online school
I never wasted my money to learn online on Color Grading Central
You never know how precious this trick for me as a newbie on video editing. God bless you, bro......pls keep good video.....you are the man (from Indonesia)
Thanks so much!
This is some of the best color grading tutorials on the internet (even though i cringe a bit every time you say something like, huorhuorhuoorrr) Keep it up!:)
LOL I'm glad the technical value is at least there if not for some entertainment 😜
The Best channel to learn color grading.
This is absolutely brilliant tutorial on colour grading. Greatly appreciated your efforts and I learnt more especially on what to do if there is no white in a scene for color correction. New information to me and thanks for sharing.
Thanks so much Meena!!
This channel is LIFE for a cinematographer like me!
Imagine you have a person with color vision deficiency and you have to teach him in a way that yields good results.
This video works in that way as it uses technical means where you don’t have to rely on your perfect vision.
I wish there where more of that kind as I’m deficient , too. Not color blind but Protanopia, red green problems.
I'm reading this comment with my colour blindness glasses on, and my premiere window open on the other half of my monitor hahaha.
@@DeanLamb your secret is safe with me :-)
That is the beauty of audiovisual production, I have always wanted to be a film producer, what a great way to play with the tones, everything was perfect
Amazing trick! I always have issues with color corrections. So thank you again for your secrets
You're welcome! Happy to help!
This is a game changer for me - thank you
You're welcome! Happy to help!
Thank you for sharing about white balancing without white. Your ideas working well
Great video. I discovered this myself a while back but you have confirmed that this correction is easiest to solve in Premiere Pro.
I wouldn't say that's necessarily the case. He showed three different techniques in three different NLEs, but you should be able to use the technique shown in Premiere in both Resolve and FCP.
I'm from China. I'm glad to see such a wonderful teaching video. Thank you.
Thank you! 😃
Thank you so much for making time to make and post this video ,from this tutorial I learnt what to do when there is no white in a scene for color correction.
来自中国的视频工作者在TH-cam第一次留言，我觉的你分享的这些色彩管理的技巧实用性很高很棒
It's indeed a perfect trick to white balancing without white which actually works. Thanks for the video
the best wb tutorial ever
Thanks so much!!
the color models are the best I have seen and even more with that
design is perfect that's what I call good pictures and good design
technology at an advanced level. good video
Thanks for the video! I love the color in your video too. Looks great without looking preset
Mind blown!! Awesome stuff dude
Thanks so much Eric!!
Excellent. Another tool in my toolbox. Thanks!
Very good information about colour correction and this video is very helpful for me thanks for sharing this amazing video.
The way u presented the video is really amazing, I had so much fun! Thanks for sharing
You're welcome Ramiz! Glad you got a lot out of it!
Shout out from Brazil. I've started editing recently using FCPX. Your videos are so good, practical, and straight to the point. Excellent job.
Thanks Diego!
This information will be very useful to me, I did not know about this, I was actually oblivious to this topic, but this will advance my photography career very well, each video you upload is very useful, thanks brother
You're welcome! Happy to help!
Damn dude. Great video, straight to the point and concise
Thanks so much!!
@Color Grading Central
Please please next one should be 'Book of Eli' look recreation.
I've wondered for quite some time now. Since balancing skintone to the orange skin line is so powerful. Why have I yet to see a "skin balance-eye-drop" tool like the white balance that is in all color correction suites?
I've tried to look this up over the last year or so. Why isn't this a thing??
I think this is a Very interesting and smart Secret Trick to White Balancing WITHOUT White ... !really thank you for this useful vid.
Awesome tutorial. I have definitely run into this problem on many occasion. Thank you Denver!
You're welcome, I figure it is only matter of time until you encounter those tight shots that don't offer any kind of clues of how to grade them.
Color Grading Central btw, I’m a huge fan of your work. Keep it up, you rock!
@@marcmartinezfilms thanks Marc, I shall sure try :)
You arę the best color granding teacher which I ever had. Yours tips are so dope
You're very kind, thank you adusebejbe
Great tips
This is a very valuable tip!!! Thanks so much. I needed it big time.
Excellent tutorial with tremendous informative content and real effective and efficient. Thank you for sharing this. I loved all the presentation of this content from beginning to end.
Very interesting to see how you used 3 different programs to achieve a good white balance! Subscribed!
Thanks for the sub and the kind words!!
Damn, i'm fckn love your content bro! Keep it up!!!
Thanks so much!!
“Noice” Denver, thanks again for sharing your wizardry!
Luv your reference our (Aussie) Sharon Strezelecki, noice!
Haha you're welcome dm NOICE!
Glad to know I've been using the secret trick without knowing it was a secret haha! Great job!
Thanks Erik!!
No, not the skintones again.... what if we don't have skintones? My empirical trick is move the temperature back and forth and find the sweetspot where most of colours appear saturated and concurrently (warm+cool). Then do the same with tint. You can be a tad more precise when consulting vectorscopes (if you can read them) with the same in mind: Highest saturation (and separation) in both warm and cool colours, at the same time.
Wow! This technique is great! Thanks for sharing!
Great video. I discovered this myself a while back but you have confirmed that this correction is easiest to solve in Premiere
Yeah it's pretty obvious and makes sense.
Wow my big problems of trying to fix jast 1s so i love this video thanks
Wow. I wish Lightroom had a skin tone scope like that.
This video has been awesome! I have had this question forever and now it is answered, thank you! Do you have any tips for white balancing when there are no skin tones in the image as well as no whites?
Thank you for this very useful tip 🙏🏼
Thank you for the brilliant video!
My pleasure!
Wow great tutorial .. thank you for sharing this trick 😊😊
You're welcome! Happy to help!
This is genius. How would you line up the colors for really dark skin tones?
Same technique but darker skin tones tend to sit on and a little to the right of the I bar while caucasian skin tones are directly on the line.
@@colorgradingcentral thank you. How would you expose for those dark skin tones using Zebras? For Caucasian I set it to 70% Zebra. Would I need to go higher than 70% or lower for really dark skin tones?
Lovin' that hon hon hon at 2:19 😂
LOL that was a risk, but I went with it 😂
@@colorgradingcentral It was a nice silly/fun moment 🙏
This is a great tip! I’ll be sending this video out to some people.
Dude I would be indebted Dave, thanks for giving it a watch and more especially for sharing it 🙏🏼
this just blew my mind. it answered my problem with getting the correct TINT from my bmpcc6k since it always looks a bit green
and i had already learned how to use the scopes too and i still felt unsure
LOVED YOUR TRICK BUNDLE OF THANKS . LOVE FROM PAKISTAN
I have no idea that it could be done, awesome video presentation, it is easy to learn and follow.
Thanks, glad you liked it!
Please, make a video explaining how to color grade for 4k videos for youtube. Chrome and firefox changes the colors of 4k videos so it's very difficult to color grade. Thanks !
just awesome!!! congrats!!
What a awensome tutorial, thanks for that! Vetorscope it's a nightmare for me who never use it before
Oh that's awesome Antonio! Now you know it can be really helpful and you'll get a lot more out of it.
Very nice! Thanks!
Thank you so much for sharing your knowledge. Ok. The principle is the same, but for us beginners, it would be great to show the same in Vegas.
Great suggestion!
@@colorgradingcentral Wooow! It would be wonderful. Thank you very much! :)
Awesome presentation like always.. can you make a tutorial on color grading an 8-bit, 4.2.0 with neutral profile. 😃
Nice Denver! Good little tutorial!
Thanks Cory for giving it a watch and leaving a comment!
Another absolutely professional advice! Bravo! I have one question popping up right now. In your colorgrading seminar, your workflow is color correcting first and then do shotmatching. I'm wondering whether we should do shotmatching first for the entire scene because it is easier to match shots without further complicatedcolor correction nodes added on. Thanks
Thanks! But you have to apply a base correction to start to fix for exposure and white balance. Otherwise you'll be shot matching to an uncorrected image and it will cause further problems down the line.
@@colorgradingcentral Yeah, they are the bad match, but they are consistent, and then we start fixing exposure and balance by selecting the hero shot and copy to the rest in the scene. So what problem will be caused down the pipeline in this workflow? Cheers
Really very good and very helpful video. Excellent tutorial with tremendous informative content and real effective and efficient. Thank you for sharing this. Thank you.
You're welcome, thanks for the comment Romona!
Your tutorials are always great and I learn so much from you. I just wish you would build a Windows version of your software. Any chance this will happen?
Cinema Grade is coming to Windows! Sign up for the Kickstarter and get 40% off at launch coming.colorgradingcentral.com/kickstarter
Get it on Kickstarter now and save up to 40% OFF retail with early bird pricing HERE: bit.ly/3nzqt7t
Quick update! Cinema Grade will be releasing this month on Windows! Here is where you can get early access and a discount: coming.cinemagrade.com/opt-in-for-cinema-grade-win/
I wish I saw this few months earlier. very nice tip which I learned about a month ago. Here is a question? what if we don't have neither a white plane nor skin tone in the footage?
Excellent color correction video it was just fun to enjoy this six minute video thanks for sharing
You're welcome, thanks for the comment jean!
This dude. 10/10
Thanks so much!!
WHAT A GREAT VIDEO AND A VERY GOOD EXPLANATION, REALLY WORKED FOR ME, KEEP ON AS FRIEND
Thanks Maiguel that means a lot. Thanks for the comment.
Absolutely great and useful tutorial, but... as always 🔥
Thanks so much!!
I found this really helpful
Thrilled to hear that Jaymes!
Excellent information Thank you for sharing your experience
You're welcome Rofix!
That third shot with the hands was lit by indirect sunlight. How much blue should be reintroduced in the highlights to account for naturally blue light coming from the diffused sky light in regards to what it would look like on the vectorscope?
Very useful must needed tutorial...
Happy to help, Ravi!
Dude....so good! 😁👍
Thanks so much!
Very good video
Interesting!. I've got a question. Why did you not apply Temp and Tint in FCPX as you also used it in PP?. Thanks you and stay safe
You could do that as well, but you'll get more control with the curves
Let's say that I've gotten the skin tones and white balance perfectly. Great; color correction is done.
But what happens then when I get to the color grading part of the color edition. Won't that effect the vector scope, flesh line, and so on in an incorrect way? Or maybe that's not an issue, since it's grading and not correction?
Sorry if this question is dumb. I'm new to this.
Great video, by the way! Earned a new subscriber for sure!
@@jonasgren1107 Thanks for the sub! It its possible that your look will "mess up" your skin tones. In that case you can go back before the application of the look and tweak to fix them. It's a common issue that you need to be aware of when creating a look.
Exelente!!saludos desde Argentina
Oh my god. This is amazing!
Dumb question: does this also apply to non-caucasian skin tones? Or what adjustments would you need to make in those instances? Thanks!!!
For darker skin tones, the trace in the vectorscope will sit on and a little to the right of the I bar, as opposed to being directly on it with caucasian skin tones
@@colorgradingcentral Awesome, thank you Denver!
Blew my mind 😵
🤯
NOIIICE! haha! You're a LEGEND dude!!! Thanks a million!
You're welcome Cameron!!
You're the man!!
Hello sir
thanx for color grading plugin I install it but it's not working In adobe premiere pro
I am done grading in your plugin but when I apply it in the timeline the clip become black
tq for this tutorial bro....btw, day 4 night color grading tutorial plizzzz 😅🙏
Thanks for the suggestion!
Thanks for this amazing tip!
You're very welcome, Kit!
Great video! Any tips on correcting white balance on 8 bit footage using DaVinci?
Thanks a lot brother.
You're welcome! Happy to help!
Really great informative video. Learned something new today. Thank for your share .
You're welcome, glad I could add something to your arsenal.
fantastic thank you
Sweet! Thanks for that!
Great tutorial and great T-shirt! Mon’ the Chrvches!!
Haha I'm glad you noticed, them and "Graveyard Club" are my two favorite bands!
Color Grading Central they’re from my hometown. Lovely people.
Is there a way to do this with brown skin? Is there a “fleshline” for black and brown people?
Tracy Collins It works with the same line for black and brown skin colors as well!
It's going to be the same, but darker skinned people's skin tones tend to sit a little further to the right of the fleshline/I-Bar than caucasian skin tones.
Wow brother interesting video, I didn't know all that !! I will put into practice everything I learned, thank you very much for sharing
You're welcome!
amazing!!!! thank you!!!
Great tutorial. If there were no people or white things in your shot, would there still be a way of accurately doing it?
Dan if that were the case then unfortunately your scopes may not be as helpful but I always recommend when you fix white balance to stick to the color temperature tools and go with your eye.