Hey, sorry this took a while, but I finally got around to writing it out for you. I pretty much changed that bar to something different every night - so I couldn't remember exactly what I did here, but pretty sure it's along the lines of this: static.wixstatic.com/media/2718db_112300d3ce6c4690a76d4ab42bbfd4b9~mv2.png Basically two "blushda"s at the start (with a bass drum to fatten out the flam), into a pretty stock 16th note triplet phrase for the last section. The blushdas here are notated pretty square and rigid as 16th notes just for clarity, but in reality you have to kinda smush them around and give them a bit of a lazy feel, or else its going to sound a little too mechanical. Let me know how you get on!
This is what happens when you know your part rather than having to read it - so much more feel!
Very kind of you to say, thank you very much!
Simply beautiful!
Fill at the start was beautiful! Would be great to have a score or a video showing that!!
Hey, sorry this took a while, but I finally got around to writing it out for you. I pretty much changed that bar to something different every night - so I couldn't remember exactly what I did here, but pretty sure it's along the lines of this:
static.wixstatic.com/media/2718db_112300d3ce6c4690a76d4ab42bbfd4b9~mv2.png
Basically two "blushda"s at the start (with a bass drum to fatten out the flam), into a pretty stock 16th note triplet phrase for the last section. The blushdas here are notated pretty square and rigid as 16th notes just for clarity, but in reality you have to kinda smush them around and give them a bit of a lazy feel, or else its going to sound a little too mechanical. Let me know how you get on!
@@MikeMcDrums Dope!
Nice use of the 'blushda' fill!
when you see a drummer using a Traditional grip ..you know it's gonna be good
Haha, well that’s a lot of pressure. I hope I didn’t let down the tradition!
@@MikeMcDrums ..not at all !!!!!