My great-grandfather toured with the D'Oyly Carte Opera Company in the 1890s. First as the First Huntsman in The Vicar of Bray (Mar 1892-Dec 1893 and Nov 1894-July 1895), and later as Nicodemus Knock-Knee in Haddon Hall.
The influence of G&S tunes is far-flung. The Pirate King tube was the inspiration for the theme song of Popeye the Sailor Man. The Sun Whose Rays from The Mikado influenced the Un Bel Di aria in Madama Butterfly, whose composer also included in that opera the original Japanese tune used in The Mikado's entrance music.
Winston Churchill was an unapologetic shrill for G&S. By the way, Winston also saved Western Civilization. Did I mention that he also negotiated and mapped the eastern border of present day Israel? He found Israeli wine and Israeli women irresistible. Worthless tidbits of history. Winston's parents were equally G&S zealots. Sullivan's grandma was a Jewish victim of Italian Pogroms who fled to UK for auxilio ... Italy's loss, UK's gain.
did you know to this day there is a community theater company that stages G&S operas regularly in Jerusalem? doing Patience this year. some of the operas were fully translated into Yiddish and we often do at least one encore in yiddish. their theatrical legacy is astounding and still enjoyed by young people 100+ years later in Israel.
Face it: this "informative" piece is really only a thinly disguised vehicle designed to exhibit your evident vocal ability and overwhelming desire to present your favourite G&S roles as solo performances, in complete isolation from the operettas from which you have cherry-picked them. If you wanted to exhibit your talent, why bother to go to the trouble of adding make-up and costumes? It would have been far more effective to make a montage of seasoned G & S cast members performing these extracts, meanwhile giving us some interesting (and hitherto unknown) facts about the operettas and their creators.
For he's gone and married his Yum Yum. On this subject I pray you be dumb, dumb, dumb. You will find there are many critics who'll work for a penny. A word for your silence is mum, mum, mun. Sounds like a recitation on sour grapes, to me. There are lots of good fish in the sea.
@@Derna1804 He doesn't have to "imagine" people missing the satire, because as a performer, he's had audience members who made it clear that they had indeed missed it. I'm glad you are 'enthusiastic' enough to comment, whatever else you might be.....
My great-grandfather toured with the D'Oyly Carte Opera Company in the 1890s. First as the First Huntsman in The Vicar of Bray (Mar 1892-Dec 1893 and Nov 1894-July 1895), and later as Nicodemus Knock-Knee in Haddon Hall.
Just saw this wonderful chap at Buxton Gilbert & Sullivan Festival. Xx
A most enjoyable series with plenty of details that we didn't know.
Love the backstage stories
Glad to find this 😊
Same here
What a fantastic program! Though I'm quite a G&S specialist, Simon taught me several things I didn't know!
Thank you Simon, this is so interesting, informative and really enjoyable - wow!
The influence of G&S tunes is far-flung. The Pirate King tube was the inspiration for the theme song of Popeye the Sailor Man. The Sun Whose Rays from The Mikado influenced the Un Bel Di aria in Madama Butterfly, whose composer also included in that opera the original Japanese tune used in The Mikado's entrance music.
Simon butters this up !!!😂
that scarf is a choice
Winston Churchill was an unapologetic shrill for G&S. By the way, Winston also saved Western Civilization.
Did I mention that he also negotiated and mapped the eastern border of present day Israel? He found Israeli wine and Israeli women irresistible.
Worthless tidbits of history.
Winston's parents were equally G&S zealots.
Sullivan's grandma was a Jewish victim of Italian Pogroms who fled to UK for auxilio ... Italy's loss, UK's gain.
did you know to this day there is a community theater company that stages G&S operas regularly in Jerusalem? doing Patience this year. some of the operas were fully translated into Yiddish and we often do at least one encore in yiddish. their theatrical legacy is astounding and still enjoyed by young people 100+ years later in Israel.
11:50 this shot is so extra! 😅 ✨️💁🎥
SIMON BUTTERISS!!!!!!! Delicious!
Such a luvvie😂❤
@@mrkiplingreallywasanexceed8311 HAHAAHAHA!!!🥰🥰🤪🤪
Any prospective suitor who would spurn Charlotte Page needs to have his eyes examined.
Face it: this "informative" piece is really only a thinly disguised vehicle designed to exhibit your evident vocal ability and overwhelming desire to present your favourite G&S roles as solo performances, in complete isolation from the operettas from which you have cherry-picked them. If you wanted to exhibit your talent, why bother to go to the trouble of adding make-up and costumes? It would have been far more effective to make a montage of seasoned G & S cast members performing these extracts, meanwhile giving us some interesting (and hitherto unknown) facts about the operettas and their creators.
What a churlish comment!
For he's gone and married his Yum Yum. On this subject I pray you be dumb, dumb, dumb. You will find there are many critics who'll work for a penny. A word for your silence is mum, mum, mun. Sounds like a recitation on sour grapes, to me. There are lots of good fish in the sea.
The narrator is such a toff. ZZZZZZZZZZ.
Imagining that anyone could miss the satire in Gilbert and Sullivan makes him come off as a bit of a dunce, but at least he's enthusiastic.
It's okay to be a "toff"! 😀
He is neither a toff nor a dunce. He's an actor who apparently chose a narrator voice that makes you feel your inferiority.
@@Derna1804 He doesn't have to "imagine" people missing the satire, because as a performer, he's had audience members who made it clear that they had indeed missed it. I'm glad you are 'enthusiastic' enough to comment, whatever else you might be.....